diff --git a/.gitattributes b/.gitattributes new file mode 100644 index 000000000..df93b4c8f --- /dev/null +++ b/.gitattributes @@ -0,0 +1,2 @@ +test-data/** filter=lfs diff=lfs merge=lfs -text +font/** filter=lfs diff=lfs merge=lfs -text diff --git a/.github/workflows/build.yml b/.github/workflows/build.yml index 4d5f98c9e..64e6cf411 100644 --- a/.github/workflows/build.yml +++ b/.github/workflows/build.yml @@ -13,6 +13,8 @@ jobs: runs-on: ubuntu-latest steps: - uses: actions/checkout@v4 + with: + lfs: true - uses: actions/setup-node@v4 with: node-version: 'lts/*' @@ -25,6 +27,8 @@ jobs: runs-on: ubuntu-latest steps: - uses: actions/checkout@v4 + with: + lfs: true - uses: actions/setup-node@v4 with: node-version: 'lts/*' @@ -49,6 +53,8 @@ jobs: SONATYPE_SIGNING_KEY: ${{secrets.SONATYPE_SIGNING_KEY}} steps: - uses: actions/checkout@v4 + with: + lfs: true - uses: actions/setup-node@v4 with: node-version: 'lts/*' diff --git a/.github/workflows/publish.yml b/.github/workflows/publish.yml index 548caf7cf..be6d73895 100644 --- a/.github/workflows/publish.yml +++ b/.github/workflows/publish.yml @@ -27,7 +27,8 @@ jobs: runs-on: ubuntu-latest steps: - uses: actions/checkout@v4 - + with: + lfs: true - uses: actions/setup-node@v4 with: node-version: 'lts/*' @@ -54,7 +55,8 @@ jobs: runs-on: ubuntu-latest steps: - uses: actions/checkout@v4 - + with: + lfs: true - uses: actions/setup-node@v4 with: node-version: 'lts/*' @@ -84,7 +86,8 @@ jobs: ORG_GRADLE_PROJECT_signingInMemoryKey: ${{secrets.SONATYPE_SIGNING_KEY}} steps: - uses: actions/checkout@v4 - + with: + lfs: true - uses: actions/setup-node@v4 with: node-version: 'lts/*' diff --git a/.github/workflows/release.yml b/.github/workflows/release.yml index ac313e98d..1acb011c1 100644 --- a/.github/workflows/release.yml +++ b/.github/workflows/release.yml @@ -10,6 +10,8 @@ jobs: runs-on: ubuntu-latest steps: - uses: actions/checkout@v4 + with: + lfs: true - uses: actions/setup-node@v4 with: node-version: 'lts/*' @@ -31,6 +33,8 @@ jobs: runs-on: ubuntu-latest steps: - uses: actions/checkout@v4 + with: + lfs: true - uses: actions/setup-node@v4 with: node-version: 'lts/*' @@ -56,7 +60,8 @@ jobs: ORG_GRADLE_PROJECT_signingInMemoryKey: ${{secrets.SONATYPE_SIGNING_KEY}} steps: - uses: actions/checkout@v4 - + with: + lfs: true - uses: actions/setup-node@v4 with: node-version: 'lts/*' diff --git a/font/bravura/Bravura-FONTLOG.txt b/font/bravura/Bravura-FONTLOG.txt index 9536fa1b5..af3d88df3 100644 --- a/font/bravura/Bravura-FONTLOG.txt +++ b/font/bravura/Bravura-FONTLOG.txt @@ -1,346 +1,3 @@ -FONTLOG for the Bravura font -============================ - -This file provides detailed information on the Bravura Font Software. This information should be distributed along with the Bravura fonts and any derivative works. - -The Bravura Font Software is a family consisting of two fonts, Bravura and Bravura Text. - - -Basic font information ----------------------- -Bravura is a Unicode typeface designed by Steinberg for its in-development music notation and scoring application. - -It is compliant with version 1.2 of the Standard Music Font Layout (SMuFL), a community-driven standard for how music symbols should be laid out in the Unicode Private Use Area (PUA) in the Basic Multilingual Plane (BMP) for compatibility between different scoring applications. - -More information about Steinberg's scoring application can be found at: - -http://www.steinberg.net/ - -The latest version of the SMuFL specification can be found at: - -https://w3c.github.io/smufl/gitbook/ - - -Note for developers -------------------- -If you are intending to use Bravura as part of your own software application, please refer to the SMuFL specification for useful information about Bravura's metrics and how glyphs are registered: - -https://w3c.github.io/smufl/gitbook/specification/index.html - - -Changelog ---------- - -22 May 2013 (Daniel Spreadbury) Bravura version 0.1 -- Initial pre-release to coincide with 2013 Music Encoding Conference - -5 July 2013 (Daniel Spreadbury) Bravura version 0.2 -- Bravura 0.2 is designed to be compatible with SMuFL 0.5 -- Thanks to Mark Johnson and Emil Wojtacki for contributing a number of glyphs to the font -- Many existing code points have been changed, as a result of hundreds of new glyphs being added, plus a number of new ranges. -- Added long (U+E008) and very long (U+E009) system dividers for very large scores. -- Added heavy (U+E034), double heavy (U+E035) and dotted (U+E037) barlines. -- Added square coda (U+E047) and small repeat signs for repeats within bars (U+E04A, U+E04B). -- Added recommended stylistic alternates for segno (U+E045) and coda (U+E046) for the appearance preferred by Japanese publishers. -- Added quindicesima bassa G clef (U+E061) and F clef (U+E070), G clef combined with C clef (U+E066), G clefs designed to be ligated with numbers below and above to show the transposition of an instrument (U+E067, U+E068), plus recommended ligatures for G and F clefs with numbers above and below; also added G, C and F clefs with arrows up and down, which may be used either as alternatives for octave clefs or to represent the extremes of register on an instrument (U+E069, U+E06A, U+E06C, U+E06D, U+E074, U+E075), and semi-pitched percussion clefs (U+E078, U+E079), plus a bridge clef (U+E085). -- Removed “tall” versions of 6- and 4-string tab clefs, and instead made them recommended stylistic alternates, together with versions that use letterforms with serifs. -- Added +, -, X (multiply), comma, parentheses glyphs for time signatures (U+E09C–U+E0A6), plus basic fractions (U+E0A7–U+E0AB), and Penderecki-style open time signature (U+E0AD). -- Added specific noteheads for double whole note (U+E100) and whole note (U+E101) to the noteheads range rather than relying on the glyphs in the pre-composed notes range. -- Added shaped noteheads for specific note values (double whole note, whole note, half note, and quarter note and shorter); also added large up- and down-pointing triangles for highest/lowest notes played by an instrument (U+E102–U+E109). -- Added large slashed circular noteheads (U+E136–U+E139) as used by Stockhausen for notating gong/tam-tam hits. -- Added combining glyphs for note clusters of specific note values (U+E154–U+E171). -- Added noteheads with solfège and chromatic note names embedded within them, as seen in “EZ-Play” educational scores (U+E180–U+E1D9). -- Added specific range of noteheads for sacred harp shape note singing (U+E1E0–U+E1EF). -- Added pre-composed 1024th notes (U+E214–U+E215), tails (U+E28E–U+E28F) and rest (U+E52C). -- Added range for typing simple beamed groups of notes in text-based applications, (U+E220–U+E233). Designed to be used in conjunction with pre-composed notes (U+E200–U+E216), and allowing beamed groups with rhythmic values between 8th notes and 64th notes, plus ties and triplets. -- Added combining stems for multiphonics, damp, sussurando, Saunders vibrato pulse accent (U+E248–U+E24D). -- Added four- and five-stroke tremolos (U+E263–U+E264, U+E268–U+E269) plus Wieniawski-style unmeasured tremolo glyphs (U+E26C–U+26D). -- Added stylistic alternates for flags (U+E280–U+E28F): straight flags; and shorter stem-up flags to avoid collisions with augmentation dots. -- Separated accidentals into several discrete ranges based around the various accidental systems, including 12-edo, 24-edo, the system of up- and down-pointing arrows favoured by Gould, Stein-Zimmermann (also known as Tartini-Couper), Maneri-Sims, Ben Johnston, Marc Sabat and Wolfgang von Schweinitz’s Extended Helmholtz-Ellis Just Intonation Pitch Notation. A range has also been reserved for George Secor and Dave Keenan’s Sagittal system of accidentals (U+E360–U+E47F). -- Added accidentals used in Turkish folk music (U+E4C8–U+E4CF). -- Added Persian accidentals (U+E4D0–U+E4D1). -- Added staccatissimo wedge (U+E4E5–U+E4E6) and stroke (U+E4E7–U+E4E8) glyphs. -- Added very short (U+E502–U+E503) and very long (U+E508–U+E509) fermatas, plus short caesura (U+E50D). -- Added left and right halves of multirest H-bars (U+E52E–U+E52F) and old-style quarter rest as seen in e.g. Novello editions (U+E530). -- Added ventiduesima (three octaves, “22”) glyphs to octaves range (U+E557–U+E559). -- Added precomposed glyphs for common dynamics (U+E567–U+E57B) and niente circle for hairpins (U+E57E). -- Added schleifer (long mordent, U+E5AA) and Haydn ornament (U+E5D1). -- Added additional brass techniques, including short, medium and long versions of lift, doit, lip fall, smooth fall, rough fall, plus jazz turn (U+E5E0–U+E5FB). -- Added range of glyphs for embouchure tightness (U+E61B–U+E623), reed position (U+E624–U+E626), multiphonics (U+E627–U+E629), and stylistic alternates for double- and triple-tonguing with no slurs. -- Added further overpressure glyphs (U+E64B–U+E64D), plus jété, fouetté, Rebecca Saunders’s “vibrato pulse” accent and thumb position (U+E64E–U+E652) to string techniques range. -- Added plectrum pictogram (U+E669) and combining damp glyph for note stems (U+E66A) to plucked techniques range. -- Added arrows for breathing and intonation, plus combining sussurando glyph for note stems (U+E687–U+E68B), to vocal techniques range. -- Added pedal pictograms, sostenuto pedal symbols, and half-pedal marks (U+E6A5–U+E6AC) to keyboard techniques range. -- Added pictograms for metal rod (U+E6CF) and tuning key (U+E6D0) to harp techniques range. -- Added Smith Brindle’s pictograms for tuned percussion instruments (U+E6E5–U+E6E8). -- Added pictogram for Indian table (U+E720), plus stylistic alternate for tambourine (U+E718) as used by Stockhausen. -- Added pictogram for football rattle (U+E735), plus Smith Brindle’s pictogram for castanets (U+E738) as a stylistic alternate. -- Added pictogram for handbell (U+E765), plus stylistic alternates for cow bell (from Berio) and sleigh bell (from Smith Brindle). -- Added pictogram for Chinese cymbal (U+E776). -- Added pictogram for tam-tam with beater from Smith Brindle (U+E791). -- Added pictogram for maracas (U+E7A2), rainstick (U+E7A7), plus stylistic alternate for maraca from Smith Brindle (U+E7A1). -- Added pictogram for megaphone (U+E7B9). -- Added soft and hard glockenspiel beaters (U+E7F0–U+E7F7), superball beaters (U+E81C–U+E81F), wound beaters with hard and soft cores (U+E821–U+E828), plus soft, medium and hard gum beaters (U+E829–U+E834). -- Added pluck lift (U+E887) to handbells range. -- Added “Theme” indicators to analytics range (U+E8E4–U+E8E9). -- Added minor (minus sign) glyph (U+E904) to chord symbols range. -- Added mensural proportion glyphs (U+E9DB–U+E9DF). -- Added combining raise and lower glyphs (U+EA2C–U+EA2D) to figured bass range. -- Added repetition, angle brackets, and prefix + and ring glyphs to function symbols range (U+EA63–U+EA68). -- Added new range for multi-segment lines, including moving all of the various “wiggle” glyphs (for trill, glissando, arpeggiando, vibrato, etc.) plus the 11 ornament strokes from the Unicode Musical Symbols range into this range, and adding further glyphs for variable speed trills, alternate arpeggiato ending glyphs, wavy lines, squaretooth and sawtooth lines, group glissando, circular motion, and variable speed and intensity of vibrato (U+EA80–U+EAD0). -- Added new range of pictograms for electronic music, including microphone, loudspeaker, transport controls, volume level and MIDI controller level (U+EAE0–U+EAF5). -- Added new “do not copy” glyphs (U+EB02–U+EB03), eyeglasses (U+EB04) and choral divide arrows (U+EB05–U+EB07) glyphs to the miscellaneous symbols range. - -29 July 2013 (Daniel Spreadbury) Bravura version 0.3 -- Bravura 0.3 is designed to be compatible with SMuFL 0.6 -- Bravura now incorporates glyphs from the Sagittal font by George Secor and Dave Keenan (U+E360–U+E47F). For more information about the Sagittal system of accidentals and to download the stand-alone Sagittal font, see http://sagittal.org. -- Changed registration of many glyphs in the font to match the interim guidelines for font metrics and glyph registration in SMuFL 0.6. -- Added complete set of dynamics to liga table, and duplicated these entries in the ccmp table. -- Added opening parenthesis and closing parenthesis for noteheads (U+E10A–U+E10B), circled slash notehead, heavy X and heavy X with hat noteheads, as used in Dante Agostini's drum method (U+E10C–U+E10E). -- Added muted slash noteheads (U+E125–U+E127). -- Added "si" note name noteheads for French solfège (U+E187, U+E18F, U+E197), and H sharp note name noteheads for German (U+E1AE, U+E1C5, U+E1DC). -- Fixed the vertical position of U+E227 and U+E228 (continuing beams for 8th notes with short and long stems), and made the stem thickness of beamed groups of notes consistent with those of individual notes. -- Added combining rim shot stem (U+E24E). -- Added "sharp sharp" accidental for compatibility with MusicXML (U+E2A9). -- Added extended Stein-Zimmermann accidentals with arrows (U+E2F8–U+E304). -- Adjusted size and registration of Sims microtonal accidentals (U+E308–U+E30D). -- Added one-third-tone sharp and two-third-tones sharp accidentals as used by Xenakis (U+E4B0–U+E4B1). -- Significant revision to the ornaments range, including splitting into separate ranges (common ornaments, other baroque ornaments, combining strokes for trills/mordents, precomposed trills/mordents). A small number of glyphs from previous versions of SMuFL have been removed to make way for symbols drawn from Frederick Neumann’s authoritative book on baroque ornamentation. -- The turn symbol and its derivates (U+E594 et al) have been redrawn to have a more open appearance, for better reproduction at small staff sizes or when read at a distance. -- Added thumb pizzicato (U+E654). -- Added recommended stylistic alternates for Bartok pizzicato above/below (U+E660–U+E661). -- Added recommended stylistic alternates for 'Ped.' (U+E6A0) and 'Sost.' (U+E6A5) that do not include terminal dots. -- Added choke cymbal glyph (U+E875) from Weinberg. -- Added open, half-open and closed wah/volume pedals, left- and right-hand tapping glyphs for guitar (U+E8AD–U+E8B1). -- Added new range for arrows and arrowheads (U+EB00–U+EB1F), including moving the up/down/right/left arrows from the vocal techniques range (previously U+E687–U+E68A) into this new range. -- Redesigned 'do not copy' glyph (U+E833) to be a bit more aggressive. - -27 November 2013 (Daniel Spreadbury) Bravura version 0.7 -- Bravura 0.7 is designed to be compliant with SMuFL 0.7; its version number has been bumped such that it matches the version number of SMuFL it implements -- Bravura now defines three stylistic sets: ss01 is for glyphs for use on small staves (i.e. different optical size); ss02 is for short up-stem flags to avoid augmentation dots; ss03 is for straight flags -- The Bravura distribution now includes a JSON metadata file describing various recommended metrics and engraving defaults for applications that wish to use Bravura; the specification for this metadata file is documented in the main SMuFL specification -- Significantly expanded the repertoire of glyphs for Medieval and Renaissance notation, with new ranges for clefs, accidentals and ligatures, plus considerable reworking of the notes and prolations ranges. -- Significantly expanded the repertoire of glyphs for plainchant notation, with new ranges for staves, divisions, clefs and articulations, and a wider range of neumes. -- Added range for Daseian notation, as found in the ninth century treatises Musica enchiriadis and Scolica enchiriadis. -- Added new range of control characters for adjusting the staff position of staff-relative glyphs; no ligatures using these control characters are yet defined in Bravura, however. -- Added control characters for time signature digits to allow digits to be stacked vertically, and ligatures for numerator and denominator digits. -- Added narrow and wide staff line glyphs, intended for fonts designed for text-based applications. -- Added C clef ottava bassa, and recommended stylistic alternate for G clef ottava bassa with parentheses around the 8. -- Added square double whole note (breve) notehead. -- Added new combining harp string noise for stem glyph, and corresponding precomposed stem glyph. -- Added four further quarter-tone accidental symbols to "other microtonal accidentals" group. -- Added some percussion playing technique symbols from Dante Agostini’s method books. -- Added a golpe (tap the pick guard) glyph from Claude Worm’s flamenco guitar method book. -- Added short and long fermata glyphs as used by Henze. -- Added combining glyphs for accordion couplers, allowing the creation of any coupler diagram not explicitly encoded. -- Added 'pf' dynamic. - -3 February 2014 (Daniel Spreadbury) Bravura version 0.80 -- Many minor changes to glyph outlines following corrections suggested by the Adobe FDK checkOutlines tool -- Corrected JSON metadata for stem connection points on flag glyphs (e.g. flag8thDown, flag16thUp, etc.) -- Changed glyph registration of left and right parentheses for noteheads (noteheadParenthesisLeft, noteheadParenthesisRight) -- Changed font name settings in accordance with FontLab's OpenType PS font name guidelines (http://forum.fontlab.com/index.php?topic=313.0). -- Added Ivan Wyschnegradsky’s system of 72-EDO accidentals. -- Added Bosanquet’s comma up/down. -- Added left/right parentheses for accidentals. -- Added new ranges for Renaissance lute tablature, covering French/English, Italian/Spanish and German conventions. -- Added Britten’s curlew sign for a pause of an indeterminate length. -- Added push/pull signs for accordion. -- Added slashed sharp/flat accidentals used by John Tavener in his Byzantine-inspired choral works. -- Added separate noteheads for white mensural notation. -- Added inverted signum congruentiae. -- Added combined tenuto-accent articulation. -- Added quasi-random wiggly lines (wiggleRandom1, wiggleRandom2, wiggleRandom3, wiggleRandom4) to multi-segment lines range. -- Added flipped and large versions of constant circular motion (wiggleCircularConstantFlipped, wiggleCircularConstantLarge, wiggleCircularConstantFlippedLarge) to multi-segment lines range. -- Added combining top/middle/bottom segments for black and white rectangular note clusters. -- Added 2, 3, 4 and 6-dot divisi indicators for measured tremolos (tremoloDivisiDots2, tremoloDivisiDots3, etc.) to tremolos range. -- Added clavichord bebung glyphs for 2, 3, and 4 finger movements (keyboardBebung2DotsAbove, keyboardBebung3DotsBelow, etc.) to the keyboard techniques range. -- Added double-height parentheses and brackets (csymParensLeftTall, csymParensRightTall, csymBracketLeftTall, csymBracketRightTall) to the chord symbols range. -- Added stylistic alternates for time signature digits 0–9 suitable for use as large time signatures shown above/between staves (timeSig0Large through timeSig9Large). -– Added 'sfzp' (sforzato-piano) dynamic and ligature. -– Added Penderecki's quarter-flat and Busotti's three-quarter sharp accidentals. -– Added six further accordion coupler diagrams for right-hand 3 rank accordions, and accordion ricochet glyphs. - -9 March 2014 (Daniel Spreadbury) Bravura version 0.85 -– Updated glyph registration for articulations, such that articulations above the note are positioned sitting on the baseline, and articulations below the note are positioned hanging from the baseline. -– Added whole and half rests with leger lines, i.e. as if displayed outside the staff. -– Added clef for diatonic accordion. -– Added recommended stylistic alternates for C and F clef forms used in 18th century French music, and for an F clef form used in 19th century music across Europe. -– Added half-brackets for keyboard notation to show notes that should be played by the other hand. -– Many code point changes, including moving the staff divide arrows, percussion swish arrow, and quite a few of the microtonal accidentals; refer to the SMuFL documentation for further details. -– Further revisions to the plainchant ranges, including adding reversed virga, smaller version of punctum inclinatum, moving the punctum mora to the plainchant articulations range, and eliminating the precomposed podatus and clivis glyphs in favour of individual components that provide the means to construct these easily for any interval. -– Added new range for Kievian square notation, as used for liturgical chant in the Russian Orthodox Church. -– Added new glyphs for tabling one handbell and tabling a pair of handbells. -– Added alternative pedal heel glyph and pedal heel or toe glyph. -– Added recommended stylistic alternates for braces designed for use across different sizes of gaps, designed to be scaled uniformly rather than simply stretched vertically. -– Added many new electronic music pictograms, including speaker configurations, more transport controls, additional hardware devices, and so on. -– Added guitar fade in, fade out and swell glyphs. -– Added the glyphs used by the Corpus Monodicum project for modern transcription of plainchant. - -17 April 2014 (Daniel Spreadbury) Bravura version 0.9 -– Distribution now includes Bravura Text font, intended for use in text-based applications. -– Added new range for Kodály solfège hand signs. -– Added new range for Peter Hayes George’s Simplified Music Notation. -– Added narrow and wide versions of the sine wave, square wave and sawtooth wavy lines. -– Added wide versions of the black and white diamond noteheads, as used in some handbells music. -– Added turned (i.e. inverted) versions of up bow and down bow marks. -– Added oriscus liquescens and strophicus liquescens (for intervals of a second up to a fifth). -– Added oblique ligature forms for mensural notes describing intervals of a second up to a fifth for black, void, black and void, and white noteheads. -– Added single glyph for right and left repeat barlines, and a stylistic alternate using thick-thick rather than thin-thick-thin barlines. -– Added reversed versions of brackets to denote play with right/left hand, to allow the demarcation of the end of a passage to be played with the other hand. -– Extended stylistic set 01 (ss01) with new glyphs redesigned for display on smaller staff sizes: time signature digits; G, C and F clef; black, half, whole and double whole noteheads; standard articulations; dynamics letter forms; flags. -– Added recommended ligatures for standard noteheads and accidentals in parentheses. -– Improved registration of ornamentMiddleVerticalStroke. -– Added open arrowheads and arrows. -– Added Kievan half note on space, and Kievan beam. -– Added new percussion pictograms from the books by Sevsay and Peinkofer/Tannigel, plus new combining glyphs for stems showing the "crush" rudiment, "dead" notes, and to instruct the performer to turn the instrument. -– Added five further mensural proportion signs, from Apel's book. -– Added 12 new precomposed trills and mordents, based on Bach's ornamentation chart and ornaments found in Emmentaler. -– Added restHBarMiddle glyph, for text-based applications to construct H-bar multirests of variable width. -– Added noteheadWholeFilled and noteheadHalfFilled, for modern transcriptions of coloration in Medieval and Renaissance music. -– Consolidated breath marks into a single range, and added a new upbow-like breath mark (as used in music from Russia). -– Added range of glyphs for lyrics, including three lengths of elision undertie, and baseline hyphen (as used in music from Russia). -– Added a wider slash notehead, for whole note (semibreve) duration. -– Added more shape note noteheads to support the 7-shape conventions of Joseph Funk and William Walker. -– Added maxima rest, and double whole (breve) rest with leger lines above and below. -– Added curved caesura. -– Added separate glyphs for the 'e', 'd' and dot in keyboard Ped. marks, plus a curved hyphen to be used along with the 'P' to show start/end pedal in some editions. -– Added new mensural C clef, plus variations of the Petrucci C clef for different staff positions. -– Added different custos for different staff positions. -– Added stylistic alternates for the Medieval and Renaissance "soft b" flat accidental. -– Added dedicated glyphs for C, G, and F clef changes, plus new combining clef change character to produce other clef change glyphs by way of glyph substitution (other clef change glyphs not currently implemented in Bravura). -– Added one- and two-third tones sharp and flat accidentals as used by Brian Ferneyhough. -– Added "just air" open diamond notehead as used by Brian Ferneyhough. -– Added white and wide white diamond noteheads. -– Added a range of glyphs for denoting accel./rit. beam lines above the staff. -– Added normal, wide and narrow leger line glyphs. - -2 June 2014 (Daniel Spreadbury) Bravura version 0.99 -– Added '8' and '15' digits scaled correctly for positioning on G and F clefs -– Added stylistic alternates for common time, cut time and + intended for use as large time signatures printed above the staff; and added an additional stylistic set (ss04) for time signature digits intended for use outside the staff -– Added a set of noteheads enclosed in large circles, used by some drummers -– Added an ornate X notehead contained within an ellipse -– Added Couperin's pincé and tremblement appuyé ornaments -– Redesigned the thumb position string technique glyph to more closely resemble a zero digit, and added a turned version -– Added a zero-width rectangle intended to enclose single percussion beaters inside a box -– Added strum direction arrows for guitar, and a stylistic alternate for the golpe glyph as used by Antonis Vounelakos -– Added an additional raised 7 digit for figured bass -– Added left- and right-pointing arrows for use in metric modulations -– Reduced the width of stems throughout Bravura (from 0.16 spaces to 0.12 spaces); this is also reflected in the 'stemThickness' value in the 'engravingDefaults' structure in the JSON metadata -– Redesigned the half note noteheads containing note names to improve stem connections -– Added hundreds of new kerning pairs for beamed notes in text, percussion beaters (for overlapping tilted beaters, and overprinting of parentheses, dashed circle and rectangular outline for up/down beaters), ligated time signature digits (for positioning as numerator and denominator) -– Fixed registration for stem decorations (e.g. tremolos, buzz roll, etc.) such that these glyphs are correctly visually centered around x = 0 and y = 0 -– Fixed registration of stylistic alternates for tablature clefs -– Added ligatures for Johnston accidentals in various combinations -– Removed 407 wind fingering chart glyphs; these glyphs are no longer part of the SMuFL standard, and will be released as a separate font in due course - -16 June 2014 (Daniel Spreadbury) Bravura 1.0 -– Redesigned the bracket top and bottom glyphs to better abut with the vertical line of the bracket -– Added punctum deminutum (chantPunctumDeminutum) - -17 June 2014 (Daniel Spreadbury) Bravura 1.01 -– Corrected the duration of stem-up notes in the 'Individual notes' range (64th note was missing, and 1024th note was duplicated) - -23 June 2014 (Daniel Spreadbury) Bravura 1.02 -– Corrected the accidentalSims12Down glyph, which had inadvertently been replaced with the accidentalSims6Down glyph - -22 July 2014 (Daniel Spreadbury) Bravura 1.03 -– Reduced the size of the augmentationDot glyph (now 2/5 spaces in diameter rather than 1/2 space), and likewise reduced the size of the staccato articulations (now 1/3 space in diameter rather than 1/2 space) - -25 July 2014 (Daniel Spreadbury) Bravura 1.05 -– Corrected the side-bearings of the timeSigParensLeft, timeSigParensRight, timeSigParensLeftSmall and timeSigParensRightSmall glyphs; also made the curvature of the small parentheses less extreme -– Added new timeSigBracketLeft, timeSigBracketRight, timeSigBracketLeftSmall, timeSigBracketRightSmall and timeSigSlash glyphs, in a new range at U+EC80 (the first new range of recommended glyphs to be added after SMuFL version 1.0) - -26 August 2014 (Daniel Spreadbury) Bravura 1.06 -– Corrected the registration of flag64thDownStraight. -– Corrected the appearance of U+1D1A9 in the Unicode Musical Symbols Range: it should have been equivalent to csymHalfDiminished, but it was incorrectly mapped to csymDiminished. - -16 October 2014 (Daniel Spreadbury) Bravura 1.07 -– Corrected the appearance of articMarcatoBelow, which was incorrectly flipped horizontally. -– Updated flag8thUp, flag8thDown, flag16thUp, and flag16thDown to be 3¼ spaces in length (previously 2¾ spaces), in keeping with the recommendations for flag length in Gould and Ross. -– Updated the glyphs in the 'Individual notes' (U+E1D0–U+E1EF) and 'Beamed groups of notes' (U+E1F0–U+E20F) such that notes have stem lengths of 2¾ spaces in length (previously 3½ for 'Individual notes', and inconsistently around 2¾ spaces in length for 'Beamed groups of notes'). These glyphs are intended to be used in close proximity to text set in other fonts, and the shorter stems provide a more harmonious appearance with typical text fonts. - -5 November 2014 (Daniel Spreadbury) Bravura 1.08 -– Improved versions of G, F, and C clefs, and all their variants, including the forms with ligated numbers; thanks to Tucker Meyers. -– Improved versions of the octave markers (8, 8va, 8vb, et al); thanks to Tucker Meyers. -– Improved versions of the tuplet digits (0–9, plus colon); thanks to Tucker Meyers. - -11 December 2014 (Daniel Spreadbury) Bravura 1.10 -– Reworked the octave markers, so that the glyphs for raising and lowering by one, two, and three octaves use the correct abbreviations with appropriate placement (superscript for pitches to be raised, at the baseline for pitches to be lowered); added new '8vb', '15mb' and '22mb' glyphs, even though these abbreviations for lowering by one, two, and three octaves are incorrect; added 'loco' and 'basso' glyphs. - -7 January 2015 (Daniel Spreadbury) Bravura 1.12 -– Added Hauptrhythmus (RH) and Choralmelodie (CH) glyphs, plus stylistic alternate for Hauptrhythmus(R), as used by Alban Berg. -– Added short, medium, and long smooth brass lifts. -– Added Salzedo's symbols for ascending and descending Aeolian chords. -– Added right-pointing black and white triangles for down-stem sharp notes in Simplified Music Notation. -– Added 'cut 2' time signature, used by Bach as alternative to cut C. -– Added new ligatures for common time signatures (2/4, 2/2, 3/2, 3/4, 3/8, 4/4, 5/4, 5/8, 6/4, 6/8, 7/8, 9/8, 12/8) for Bravura Text. To produce e.g. the 3/4 ligature, the string "timeSigCombNumerator timeSig3 timeSigCombDenominator timeSig4" should be used. These ligatures provide correct alignment of the numerator and denominator digits relative to each other. -– Improved metadata for flat-like accidentals, adding 'cutOutSE' points for more of them. -– Added new 'noteheadOrigin' point to metadata to assist in the alignment of noteheads of different rhythmic values, e.g. the double whole note (breve) with two vertical lines to either side of the oval notehead. -– Added new 'opticalCenter' point to metadata for dynamics glyphs, to assist in their correct alignment with noteheads and stems. - -26 February 2015 (Daniel Spreadbury) Bravura 1.15 -– Improved U+EB2A (elecPowerOnOff) so that it more closely matches the standard appearance of the IEEE 5009 symbol. -– Improved consistency of registration of U+EB2E–U+EB33 (elecVolumeLevel...) glyphs. -– Corrected typo in metadata for dynamicSforzadoFF glyph. -– Improved U+E26A (accidentalParensLeft) and U+E26B (accidentalParensRight). -– Fixed contour direction for many glyphs; this may have resulted in incorrect appearance of some glyphs in some display contexts, and when printed on some printers. -– Resized all notehead glyphs, except for those in the 'Note name noteheads' (U+E150–U+E1AF), 'Individual notes' (U+E1D0–U+E1EF), and 'Beamed groups of notes' (U+E1F0–U+E20F) ranges, such that they are exactly 0.25 em (equivalent to one staff space) in height; previously, many of the notehead glyphs had been optically sized and were taller. -– Added a new stylistic set (ss05) containing optically-sized versions of the most common noteheads (double whole, square double whole, whole, half, and black). These glyphs are oversized, and are designed to be the largest possible noteheads that will work with staff lines of the thickness recommended in the Bravura font-specific metadata. -– Many glyphs have small improvements to outline quality (via 'checkOutlines -i -e' from the Adobe FDK). - -14 April 2015 (Daniel Spreadbury) Bravura 1.16 -– Improved versions of bold dynamics characters; thanks to Tucker Meyers. -– Improved versions of keyboard pedalling characters; thanks to Tucker Meyers. -– Improved versions of trill, turn etc. characters; thanks to Tucker Meyers. -– Improved symmetry of the whole note name noteheads; removed counters from noteWholeEmpty and noteHalfEmpty, since these are designed to be printed in white underneath note name noteheads, so that stave lines and ledger lines are blanked out, making the note names in the counters of the note name noteheads clearer to read. -– Corrected side-bearings on Sagittal accidentals. -– Corrected registration of glyphs designed to be combined with stems (descriptions ending '...for stem'), now consistently visually centered around both x=0 and y=0. -– Corrected vertical registration of precomposed square (U+E120, U+E121), round (U+E122, U+E123), and diamond (U+E138–U+E13B) cluster noteheads, so they are consistent with the cluster notehead components in the same range. - -29 April 2015 (Daniel Spreadbury) Bravura 1.17 -– Added new 'Metronome marks' for notes with 2.75sp stems to balance with text. -– Reverted notes in 'Individual notes' range to have 3.5sp stems. -– Added separate glyphs for v, b, a, m, both superscript and on the baseline, to 'Octaves supplement' range. -– Added marcato-tenuto above and below to 'Articulations' range. -– Added 6 with slashed stem (figbass6Raised2) to 'Figured bass' range. - -18 May 2015 (Daniel Spreadbury) Bravura 1.18 -– Added side-bearings to figured bass digits, function symbols, and tuplet digits. -– Corrected triangular clefs at U+E06F–U+E072 to match the actual usage by the Polish composer Schäffer. -– Added z-style quarter (crotchet) rest. - -25 April 2016 (Daniel Spreadbury) Bravura 1.20 -– Added double whole note slash notehead (U+E10A) -– Added double-slashed black and white round noteheads, often used to denote striking piano strings (U+E11C, U+E11D) -– Added irregular tremolo mark, used by Stockhausen (U+E232) -– Added square brackets for editorial accidentals (U+E26C, U+E26D) -– Added equal-tempered quarter-tone flat and quarter-tone sharp, combining glyphs to raise and lower by a 53-limit comma, and tilde and equals characters to indicate enharmonic equivalence, to the 'Extended Helmholtz-Ellis (Just Intonation) accidentals' range (U+E2F5-U+E2FB) -– Added quarter-tone sharp and flat accidentals, used by Ferneyhough (U+E48E, U+E48F) -– Added parentheses and brackets for hairpins (U+E542–U+E545) -– Added hyphen, colon, and space separators for use in combined dynamics, e.g. p-mp (U+E546–U+E548) -– Added brass valve trill to 'Brass techniques' range (U+E5EF) -– Added wind mouthpiece pop and rim only to 'Wind techniques' range (U+E60A, U+E60B) -– Added bow behind bridge on one, two, three, or four strings to 'String techniques' range (U+E627–U+E62A) -– Added nasal voice, tongue click, finger click, and tongue and finger click (as used by Stockhausen) to 'Voical techniques' range (U+E648–U+E64A) -– Added L and reversed-L hooks used instead of Ped. to start and stop sustain pedal indications to 'Keyboard techniques' range (U+E672, U+E673) -– Added pedal-to-heel and heel-to-pedal transitions to 'Keyboard techniques' range (U+E674, U+E675) -– Added damp low strings, damp with both hands, damp below, damp above, metallic sounds on a single string, isolated sounds, and snare drum techniques as used by Salzedo to 'Harp techniques' range (U+E697–U+E69D) -– Added clockwise variant of scrape around rim to 'Percussion playing technique pictograms' range (U+E80E) -- Added full barré and half-barré to 'Guitar' range (U+E848, U+E849), plus recommended stylistic alternate with horizontal fraction slash for half-barré -– Added unconducted/free passages to 'Conductor symbols' range (U+E89A) -– Added upper case F, I, K, L, and lower case i, k, l, glyphs to existing 'Function theory symbols' range (U+EA99–U+EA9F), plus a new 'Function theory symbols supplement' range including upper case M and N, and lower case m and r (U+ED00–U+ED03) -– Added "cut 3" to 'Time signature supplement' range (U+EC86) -– Added diminished 7 to new 'Figured bass supplement' range (U+ECC0) -– Added new 'Shape note noteheads supplement' range containing double whole note versions of all of the different notehead shapes in the existing 'Shape note noteheads' range (U+ECD0–U+ECDD) -– Added turned time signature digits, common time and cut common time (U+ECE0–U+ECEB) -– Added reversed time signature digits, common time and cut common time (U+ECF0–U+ECFB) -– Added new 'Fingering' range, containing digits bold 0–5 suitable for keyboard fingering, and a variety of symbols used in guitar fingering (U+ED10–U+ED23) -– Added new 'Arabic accidentals' range (U+ED30–U+ED38) -– Added new 'Articulation supplement' range containing so-called "soft accent", plus combinations with staccato and tenuto (U+ED40–U+ED47) -– Added new 'Stockhausen accidentals (24-EDO)' range (U+ED50–U+ED5E) -– Added stylistic alternates for cClef and cClefChange in the style of 20th century French publishers -– Added stylistic alternates for 15/22 octave markings using 16/24, as used by some 20th century French publishers -– Added stylistic alternates for wiggleArpeggiatoUpSwash and wiggleArpeggiatoDownSwash based on Couperin's 'L'Art de Toucher Le Clavecin' -– Changed the appearance of clefBridge (U+E078) to match the design used by Lachenmann in "...zwei Gefühle..." and added a stylistic alternate with the previous design -– Fixed the appearance of figBassRaised5 to have a forward slash rather than a backward slash, the correct appearance for a diminished fifth (U+EA5A) \ No newline at end of file +version https://git-lfs.github.com/spec/v1 +oid sha256:b6c6c34ed94e62936371acf195e8677d9b539784ab6506ab359fe4cfde37f791 +size 36406 diff --git a/font/bravura/Bravura-OFL-FAQ.txt b/font/bravura/Bravura-OFL-FAQ.txt index edb55c610..fb40cdf33 100644 --- a/font/bravura/Bravura-OFL-FAQ.txt +++ b/font/bravura/Bravura-OFL-FAQ.txt @@ -1,369 +1,3 @@ -OFL FAQ - Frequently Asked Questions about the SIL Open Font License (OFL) -Version 1.1-update2 - 23 August 2010 -(See http://scripts.sil.org/OFL for updates) - - -CONTENTS OF THIS FAQ -1 USING AND DISTRIBUTING FONTS LICENSED UNDER THE OFL -2 USING OFL FONTS FOR WEB PAGES AND ONLINE WEBFONT SERVICES -3 MODIFYING OFL-LICENSED FONTS -4 LICENSING YOUR ORIGINAL FONTS UNDER THE OFL -5 CHOOSING RESERVED FONT NAMES -6 ABOUT THE FONTLOG -7 MAKING CONTRIBUTIONS TO OFL PROJECTS -8 ABOUT THE LICENSE ITSELF -9 ABOUT SIL INTERNATIONAL -APPENDIX A - FONTLOG EXAMPLE - - -1 USING AND DISTRIBUTING FONTS LICENSED UNDER THE OFL - -1.1 Can I use the fonts for a book or other print publication? -Yes. You can mention the font and author in the book's colophon if you wish, but that is not required. - -1.2 Can the fonts be included with Free/Libre and Open Source Software collections such as GNU/Linux and BSD distributions? -Yes! Fonts licensed under the OFL can be freely included alongside other software under FLOSS (Free/Libre and Open Source Software) licenses. Since fonts are typically aggregated with, not merged into, existing software, there is little need to be concerned about incompatibility with existing software licenses. You may also repackage the fonts and the accompanying components in a .rpm or .deb package and include them in distribution CD/DVDs and online repositories. (Also see section 5.9 about rebuilding from source.) - -1.3 I want to distribute the fonts with my program. Does this mean my program also has to be Free/Libre and Open Source Software? -No. Only the portions based on the Font Software are required to be released under the OFL. The intent of the license is to allow aggregation or bundling with software under restricted licensing as well. - -1.4 Can I sell a software package that includes these fonts? -Yes, you can do this with both the Original Version and a Modified Version of the fonts. Examples of bundling made possible by the OFL would include: word processors, design and publishing applications, training and educational software, games and entertainment software, mobile device applications, etc. - -1.5 Can I include the fonts on a CD of freeware or commercial fonts? -Yes, as long some other font or software is also on the disk, so the OFL font is not sold by itself. - -1.6 Why won't the OFL let me sell the fonts alone? -The intent is to keep people from making money by simply redistributing the fonts. The only people who ought to profit directly from the fonts should be the original authors, and those authors have kindly given up potential direct income to distribute their fonts under the OFL. Please honour and respect their contribution! - -1.7 What about sharing OFL fonts with friends on a CD, DVD or USB stick? -You are very welcome to share open fonts with friends, family and colleagues through removable media. Just remember to include the full font package, including any copyright notices and licensing information as available in OFL.txt. In the case where you sell the font, it has to come bundled with software. - -1.8 Can I host the fonts on a web site for others to use? -Yes, as long as you make the full font package available. In most cases it may be best to point users to the main site that distributes the Original Version so they always get the most recent stable and complete version. See also discussion of webfonts in Section 2. - -1.9 Can I host the fonts on a server for use over our internal network? -Yes. If the fonts are transferred from the server to the client computer by means that allow them to be used even if the computer is no longer attached to the network, the full package (copyright notices, licensing information, etc.) should be included. - -1.10 Does the full OFL license text always need to accompany the font? -The only situation in which an OFL font can be distributed without the text of the OFL (either in a separate file or in font metadata), is when a font is embedded in a document or bundled within a program. In the case of metadata included within a font, it is legally sufficient to include only a link to the text of the OFL on http://scripts.sil.org/OFL, but we strongly recommend against this. Most modern font formats include metadata fields that will accept the full OFL text, and full inclusion increases the likelihood that users will understand and properly apply the license. - -1.11 What do you mean by 'embedding'? How does that differ from other means of distribution? -By 'embedding' we mean inclusion of the font in a document or file in a way that makes extraction (and redistribution) difficult or clearly discouraged. In many cases the names of embedded fonts might also not be obvious to those reading the document, the font data format might be altered, and only a subset of the font - only the glyphs required for the text - might be included. Any other means of delivering a font to another person is considered 'distribution', and needs to be accompanied by any copyright notices and licensing information available in OFL.txt. - -1.12 So can I embed OFL fonts in my document? -Yes, either in full or a subset. The restrictions regarding font modification and redistribution do not apply, as the font is not intended for use outside the document. - -1.13 Does embedding alter the license of the document itself? -No. Referencing or embedding an OFL font in any document does not change the license of the document itself. The requirement for fonts to remain under the OFL does not apply to any document created using the fonts and their derivatives. Similarly, creating any kind of graphic using a font under OFL does not make the resulting artwork subject to the OFL. - -1.14 If OFL fonts are extracted from a document in which they are embedded (such as a PDF file), what can be done with them? Is this a risk to author(s)? -The few utilities that can extract fonts embedded in a PDF will typically output limited amounts of outlines - not a complete font. To create a working font from this method is much more difficult and time consuming than finding the source of the original OFL font. So there is little chance that an OFL font would be extracted and redistributed inappropriately through this method. Even so, copyright laws address any misrepresentation of authorship. All Font Software released under the OFL and marked as such by the author(s) is intended to remain under this license regardless of the distribution method, and cannot be redistributed under any other license. We strongly discourage any font extraction - we recommend directly using the font sources instead - but if you extract font outlines from a document, please be considerate: use your common sense and respect the work of the author(s) and the licensing model. - -1.15 What about distributing fonts with a document? Within a compressed folder structure? Is it distribution, bundling or embedding? -Certain document formats may allow the inclusion of an unmodified font within their file structure which consists of a compressed folder containing the various resources forming the document (such as pictures and thumbnails). Including fonts within such a structure is understood as being different from embedding but rather similar to bundling (or mere aggregation) which the license explicitly allows. In this case the font is conveyed unchanged whereas embedding a font usually transforms it from the original format. The OFL does not allow anyone to extract the font from such a structure to then redistribute it under another license. The explicit permission to redistribute and embed does not cancel the requirement for the Font Software to remain under the license chosen by its author(s). - -1.16 What about ebooks shipping with open fonts? -The requirements differ depending on whether the fonts are linked, embedded or distributed (bundled or aggregated). Some ebook formats use web technologies to do font linking via @font-face, others are designed for font embedding, some use fonts distributed with the document or reading software, and a few rely solely on the fonts already present on the target system. The license requirements depend on the type of inclusion as discussed in 1.15. - -1.17 Can Font Software released under the OFL be subject to URL-based access restrictions methods or DRM (Digital Rights Management) mechanisms? -Yes, but these issues are out-of-scope for the OFL. The license itself neither encourages their use nor prohibits them since such mechanisms are not implemented in the components of the Font Software but through external software. Such restrictions are put in place for many different purposes corresponding to various usage scenarios. One common example is to limit potentially dangerous cross-site scripting attacks. However, in the spirit of libre/open fonts and unrestricted writing systems, we strongly encourage open sharing and reuse of OFL fonts, and the establishment of an environment where such restrictions are unnecessary. Note that whether you wish to use such mechanisms or you prefer not to, you must still abide by the rules set forth by the OFL when using fonts released by their authors under this license. Derivative fonts must be licensed under the OFL, even if they are part of a service for which you charge fees and/or for which access to source code is restricted. You may not sell the fonts on their own - they must be part of a larger software package, bundle or subscription plan. For example, even if the OFL font is distributed in a software package or via an online service using a DRM mechanism, the user would still have the right to extract that font, use, study, modify and redistribute it under the OFL. - -1.18 I've come across a font released under the OFL. How can I easily get more information about the Original Version? How can I know where it stands compared to the Original Version or other Modified Versions? -Consult the copyright statement(s) in the license for ways to contact the original authors. Consult the FONTLOG for information on how the font differs from the Original Version, and get in touch with the various contributors via the information in the acknowledgement section. Please consider using the Original Versions of the fonts whenever possible. - -1.19 What do you mean in condition 4? Can you provide examples of abusive promotion / endorsement / advertisement vs. normal acknowledgement? -The intent is that the goodwill and reputation of the author(s) should not be used in a way that makes it sound like the original author(s) endorse or approve of a specific Modified Version or software bundle. For example, it would not be right to advertise a word processor by naming the author(s) in a listing of software features, or to promote a Modified Version on a web site by saying "designed by ...". However, it would be appropriate to acknowledge the author(s) if your software package has a list of people who deserve thanks. We realize that this can seem to be a grey area, but the standard used to judge an acknowledgement is that if the acknowledgement benefits the author(s) it is allowed, but if it primarily benefits other parties, or could reflect poorly on the author(s), then it is not. - - -2 USING OFL FONTS FOR WEBPAGES AND ONLINE WEBFONT SERVICES - -2.1 Can I make webpages using these fonts? -Yes! Go ahead! Using CSS (Cascading Style Sheets) is recommended. Your three best options: -- referring directly in your stylesheet to open fonts which may be available on the user's system -- providing links to download the full package of the font - either from your own website or from elsewhere - so users can install it themselves -- using @font-face to distribute the font directly to browsers. This is recommended and explicitly allowed by the licensing model because it is distribution. The font file itself is distributed with other components of the webpage. It is not embedded in the webpage but referenced through a web address which will cause the browser to retrieve and use the corresponding font to render the webpage (see 1.11 and 1.15 for details related to embedding fonts into documents). As you take advantage of the @font-face cross-platform standard, be aware that webfonts are often tuned for a web environment and not intended for installation and use outside a browser. The reasons in favour of using webfonts are to allow design of dynamic text elements instead of static graphics, to make it easier for content to be localized and translated, indexed and searched, and all this with cross-platform open standards without depending on restricted extensions or plugins. You should check the CSS cascade (the order in which fonts are being called or delivered to your users) when testing. - -2.2 Can I make and use WOFF (Web Open Font Format) versions of OFL fonts? -Yes, but you need to be careful. A change in font format normally is considered modification, and Reserved Font Names (RFNs) cannot be used. Because of the design of the WOFF format, however, it is possible to create a WOFF version that is not considered modification, and so would not require a name change. You are allowed to create, use and distribute a WOFF version of an OFL font without changing the font name, but only if: - -- the original font data remains unchanged except for WOFF compression, and -- WOFF-specific metadata is either omitted altogether or present and includes, unaltered, the contents of all equivalent metadata in the original font. - -If the original font data or metadata is changed, or the WOFF-specific metadata is incomplete, the font must be considered a Modified Version, the OFL restrictions would apply and the name of the font must be changed: any RFNs cannot be used and copyright notices and licensing information must be included and cannot be deleted or modified. You must come up with a unique name - we recommend one corresponding to your domain or your particular web application. Be aware that only the original author(s) can use RFNs. This is to prevent collisions between a derivative tuned to your audience and the original upstream version and so to reduce confusion. - -Please note that most WOFF conversion tools and online services do not meet the two requirements listed above, and so their output must be considered a Modified Version. So be very careful and check to be sure that the tool or service you're using is compressing unchanged data and completely and accurately reflecting the original font metadata. - -2.3 What about other webfont formats such as EOT/EOTLite/CWT/etc.? -In most cases these formats alter the original font data more than WOFF, and do not completely support appropriate metadata, so their use must be considered modification and RFNs may not be used. - -2.4 Can I make OFL fonts available through webfont online services? -Yes, you are welcome to include OFL fonts in online webfont services as long as you properly meet all the conditions of the license. The origin and open status of the font should be clear among the other fonts you are hosting. Authorship, copyright notices and license information must be sufficiently visible to your users or subscribers so they know where the font comes from and the rights granted by the author(s). Make sure the font file contains the needed copyright notice(s) and licensing information in its metadata. Please double-check the accuracy of every field to prevent contradictory information. Other font formats, including EOT/EOTLite/CWT and superior alternatives like WOFF, already provide fields for this information. Remember that if you modify the font within your library or convert it to another format for any reason the OFL restrictions apply and you need to change the names accordingly. Please respect the author's wishes as expressed in the OFL and do not misrepresent original designers and their work. Don't lump quality open fonts together with dubious freeware or public domain fonts. Consider how you can best work with the original designers and foundries, support their efforts and generate goodwill that will benefit your service. (See 1.17 for details related to URL-based access restrictions methods or DRM mechanisms). - -2.5 Can I make and publish CMS themes or templates that use OFL fonts? Can I include the fonts themselves in the themes or templates? Can I sell the whole package? -Yes, you are very welcome to integrate open fonts into themes and templates for your preferred CMS and make them more widely available. Be aware that you can only sell the fonts and your CMS add-on as part of a software bundle. (See 1.4 for details and examples about selling bundles). - -2.6 Some webfont formats and services provide ways of "optimising" the font for a particular website or web application; is that allowed? -Yes, it is permitted, but remember that these optimised versions are Modified Versions and so must follow OFL requirements like appropriate renaming. Also you need to bear in mind the other important parameters beyond compression, speed and responsiveness: you need to consider the audience of your particular website or web application, as choosing some optimisation parameters may turn out to be less than ideal for them. Subsetting by removing certain glyphs or features may seriously limit functionality of the font in various languages used by your users. It may also introduce degradation of quality in the rendering or specific bugs on the various platforms compared to the original font. In other words, remember that one person's optimised font may be another person's missing feature. Various advanced typographic features are also available through CSS and may provide the desired effects without the need to modify the font. - - -3 MODIFYING OFL-LICENSED FONTS - -3.1 Can I change the fonts? Are there any limitations to what things I can and cannot change? -You are allowed to change anything, as long as such changes do not violate the terms of the license. In other words, you are not allowed to remove the copyright statement(s) from the font, but you could put additional information into it that covers your contribution. - -3.2 I have a font that needs a few extra glyphs - can I take them from an OFL licensed font and copy them into mine? -Yes, but if you distribute that font to others it must be under the OFL, and include the information mentioned in condition 2 of the license. - -3.3 Can I charge people for my additional work? In other words, if I add a bunch of special glyphs and/or OpenType/Graphite code, can I sell the enhanced font? -Not by itself. Derivative fonts must be released under the OFL and cannot be sold by themselves. It is permitted, however, to include them in a larger software package (such as text editors, office suites or operating systems), even if the larger package is sold. In that case, you are strongly encouraged, but not required, to also make that derived font easily and freely available outside of the larger package. - -3.4 Can I pay someone to enhance the fonts for my use and distribution? -Yes. This is a good way to fund the further development of the fonts. Keep in mind, however, that if the font is distributed to others it must be under the OFL. You won't be able to recover your investment by exclusively selling the font, but you will be making a valuable contribution to the community. Please remember how you have benefited from the contributions of others. - -3.5 I need to make substantial revisions to the font to make it work with my program. It will be a lot of work, and a big investment, and I want to be sure that it can only be distributed with my program. Can I restrict its use? -No. If you redistribute a Modified Version of the font it must be under the OFL. You may not restrict it in any way beyond what the OFL permits and requires. This is intended to ensure that all released improvements to the fonts become available to everyone. But you will likely get an edge over competitors by being the first to distribute a bundle with the enhancements. Again, please remember how you have benefited from the contributions of others. - -3.6 Do I have to make any derivative fonts (including extended source files, build scripts, documentation, etc.) publicly available? -No, but please consider sharing your improvements with others. You may find that you receive in return more than what you gave. - -3.7 If a trademark is claimed in the OFL font, does that trademark need to remain in modified fonts? -Yes, any trademark notices must remain in any derivative fonts to respect trademark laws, but you may add any additional trademarks you claim, officially registered or not. For example if an OFL font called "Foo" contains a notice that "Foo is a trademark of Acme", then if you rename the font to "Bar" when creating a Modified Version, the new trademark notice could say "Foo is a trademark of Acme Inc. - Bar is a trademark of Roadrunner Technologies Ltd.". Trademarks work alongside the OFL and are not subject to the terms of the licensing agreement. Please refer to the appropriate trademark laws. - - -4 LICENSING YOUR ORIGINAL FONTS UNDER THE OFL - -4.1 Can I use the SIL OFL for my own fonts? -Yes! We heartily encourage everyone to use the OFL to distribute their own original fonts. It is a carefully constructed license that allows great freedom along with enough artistic integrity protection for the work of the authors as well as clear rules for other contributors and those who redistribute the fonts. The licensing model is used successfully by various organisations, both for-profit and not-for-profit, to release fonts of varying levels of scope and complexity. - -4.2 What do I have to do to apply the OFL to my font? -If you want to release your fonts under the OFL, we recommend you do the following: - -4.2.1 Put your copyright and Reserved Font Names information at the beginning of the main OFL.txt file in place of the dedicated placeholders. Include this file in your release package. - -4.2.2 Put your copyright and the OFL text with Reserved Font Names into your font files (the copyright and license fields). A link to the OFL text on the OFL web site is an acceptable (but not recommended) alternative. Also add this information to any other components (build scripts, glyph databases, documentation, test files, etc). Depending on the format of your fonts and sources, you can use template human-readable headers or machine-readable metadata. - -4.2.3 Write an initial FONTLOG.txt for your font and include it in the release package. - -4.2.4 Include the relevant practical documentation on the license by including the OFL-FAQ.txt in your package. - -4.3 Will you make my font OFL for me? -We won't do the work for you. We can, however, try to answer your questions, unfortunately we do not have the resources to review and check your font packages for correct use of the OFL. - -4.4 Will you distribute my OFL font for me? -No, although if the font is of sufficient quality and general interest we may include a link to it on our partial list of OFL fonts on the OFL web site. You may wish to consider other open font catalogs or hosting services, such as the Unifont Font Guide (http://unifont.org/fontguide), The League of Movable Type (http://theleagueofmovabletype.com), Kernest (http://kernest.com/) or the Open Font Library (http://openfontlibrary.org/), which despite the name has no direct relationship to the OFL or SIL. We do not endorse any particular catalog or hosting service - it is your responsibility to determine if the service is right for you. - -4.5 Why should I use the OFL for my fonts? -- to meet needs for fonts that can be modified to support minority languages -- to provide a legal and clear way for people to respect your work but still use it (and reduce piracy) -- to involve others in your font project -- to enable your fonts to be expanded with new weights and improved writing system/language support -- to allow more technical font developers to add features to your design (such as OpenType and Graphite support) -- to renew the life of an old font lying on your hard drive with no business model -- to allow your font to be included in Libre Software operating systems like Ubuntu -- to give your font world status and wide, unrestricted distribution -- to educate students about quality typeface and font design -- to expand your test base and get more useful feedback -- to extend your reach to new markets when users see your metadata and go to your website -- to get your font more easily into one of the webfont online services -- to attract attention for your commercial fonts -- to make money through webfont services -- to make money by bundling fonts with applications -- to make money adjusting and extending existing open fonts -- to get a better chance that foundations/NGOs/charities/companies who commission fonts will pick you -- to be part of a sharing design and development community -- to give back and contribute to a growing body of font sources - - -5 CHOOSING RESERVED FONT NAMES - -5.1 What are Reserved Font Names? -These are font names, or portions of font names, that the author has chosen to reserve for use only with the Original Version of the font, or for Modified Version(s) created by the original author. - -5.2 Why can't I use the Reserved Font Names in my derivative font names? I'd like people to know where the design came from. -The best way to acknowledge the source of the design is to thank the original authors and any other contributors in the files that are distributed with your revised font (although no acknowledgement is required). The FONTLOG is a natural place to do this. Reserved Font Names ensure that the only fonts that have the original names are the unmodified Original Versions. This allows designers to maintain artistic integrity while allowing collaboration to happen. It eliminates potential confusion and name conflicts. When choosing a name, be creative and avoid names that reuse almost all the same letters in the same order or sound like the original. It will help everyone if Original Versions and Modified Versions can easily be distinguished from one another and from other derivatives. Any substitution and matching mechanism is outside the scope of the license. - -5.3 What do you mean by "primary name as presented to the user"? Are you referring to the font menu name? -Yes, this applies to the font menu name and other mechanisms that specify a font in a document. It would be fine, however, to keep a text reference to the original fonts in the description field, in your modified source file or in documentation provided alongside your derivative as long as no one could be confused that your modified source is the original. But you cannot use the Reserved Font Names in any way to identify the font to the user (unless the Copyright Holder(s) allow(s) it through a separate agreement). Users who install derivatives (Modified Versions) on their systems should not see any of the original Reserved Font Names in their font menus, for example. Again, this is to ensure that users are not confused and do not mistake one font for another and so expect features only another derivative or the Original Version can actually offer. - -5.4 Am I not allowed to use any part of the Reserved Font Names? -You may not use individual words from the Reserved Font Names, but you would be allowed to use parts of words, as long as you do not use any word from the Reserved Font Names entirely. We do not recommend using parts of words because of potential confusion, but it is allowed. For example, if "Foobar" was a Reserved Font Name, you would be allowed to use "Foo" or "bar", although we would not recommend it. Such an unfortunate choice would confuse the users of your fonts as well as make it harder for other designers to contribute. - -5.5 So what should I, as an author, identify as Reserved Font Names? -Original authors are encouraged to name their fonts using clear, distinct names, and only declare the unique parts of the name as Reserved Font Names. For example, the author of a font called "Foobar Sans" would declare "Foobar" as a Reserved Font Name, but not "Sans", as that is a common typographical term, and may be a useful word to use in a derivative font name. Reserved Font Names should also be single words. A font called "Flowing River" should have Reserved Font Names "Flowing" and "River", not "Flowing River". You also need to be very careful about reserving font names which are already linked to trademarks (whether registered or not) which you do not own. - -5.6 Do I, as an author, have to identify any Reserved Font Names? -No, but we strongly encourage you to do so. This is to avoid confusion between your work and Modified Versions. - -5.7 Are any names (such as the main font name) reserved by default? -No. That is a change to the license as of version 1.1. If you want any names to be Reserved Font Names, they must be specified after the copyright statement(s). - -5.8 Is there any situation in which I can use Reserved Font Names for a Modified Version? -The Copyright Holder(s) can give certain trusted parties the right to use any of the Reserved Font Names through separate written agreements. For example, even if "Foobar" is a RFN, you could write up an agreement to give company "XYZ" the right to distribute a modified version with a name that includes "Foobar". This allows for freedom without confusion. - -5.9 Do font rebuilds require a name change? Do I have to change the name of the font when my packaging workflow includes a full rebuild from source? -Yes, all rebuilds which change the font data and the smart code are Modified Versions and the requirements of the OFL apply: you need to respect what the Author(s) have chosen in terms of Reserved Font Names. However if a package (or installer) is simply a wrapper or a compressed structure around the final font - leaving them intact on the inside - then no name change is required. Please get in touch with the author(s) and copyright holder(s) to inquire about the presence of font sources beyond the final font file(s) and the recommended build path. That build path may very well be non-trivial and hard to reproduce accurately by the maintainer. If a full font build path is made available by the upstream author(s) please be aware that any regressions and changes you may introduce when doing a rebuild for packaging purposes is your responsibility as a package maintainer since you are effectively creating a separate branch. You should make it very clear to your users that your rebuilt version is not the canonical one from upstream. - -5.10 Can I add other Reserved Font Names when making a derivative font? -Yes. List your additional Reserved Font Names after your additional copyright statement, as indicated with example placeholders at the top of the OFL.txt file. Be sure you do not remove any exiting RFNs but only add your own. - - -6 ABOUT THE FONTLOG - -6.1 What is this FONTLOG thing exactly? -It has three purposes: 1) to provide basic information on the font to users and other developers, 2) to document changes that have been made to the font or accompanying files, either by the original authors or others, and 3) to provide a place to acknowledge authors and other contributors. Please use it! - -6.2 Is the FONTLOG required? -It is not a requirement of the license, but we strongly recommend you have one. - -6.3 Am I required to update the FONTLOG when making Modified Versions? -No, but users, designers and other developers might get very frustrated with you if you don't. People need to know how derivative fonts differ from the original, and how to take advantage of the changes, or build on them. There are utilities that can help create and maintain a FONTLOG, such as the FONTLOG support in FontForge. - -6.4 What should the FONTLOG look like? -It is typically a separate text file (FONTLOG.txt), but can take other formats. It commonly includes these four sections: - -- brief header describing the FONTLOG itself and name of the font family -- Basic Font Information - description of the font family, purpose and breadth -- ChangeLog - chronological listing of changes -- Acknowledgements - list of authors and contributors with contact information - -It could also include other sections, such as: where to find documentation, how to make contributions, information on contributing organizations, source code details, and a short design guide. See Appendix A for an example FONTLOG. - - -7 MAKING CONTRIBUTIONS TO OFL PROJECTS - -7.1 Can I contribute work to OFL projects? -In many cases, yes. It is common for OFL fonts to be developed by a team of people who welcome contributions from the wider community. Contact the original authors for specific information on how to participate in their projects. - -7.2 Why should I contribute my changes back to the original authors? -It would benefit many people if you contributed back in response to what you've received. Your contributions and improvements to the fonts and other components could be a tremendous help and would encourage others to contribute as well and 'give back'. You will then benefit from other people's contributions as well. Sometimes maintaining your own separate version takes more effort than merging back with the original. Be aware that any contributions, however, must be either your own original creation or work that you own, and you may be asked to affirm that clearly when you contribute. - -7.3 I've made some very nice improvements to the font. Will you consider adopting them and putting them into future Original Versions? -Most authors would be very happy to receive such contributions. Keep in mind that it is unlikely that they would want to incorporate major changes that would require additional work on their end. Any contributions would likely need to be made for all the fonts in a family and match the overall design and style. Authors are encouraged to include a guide to the design with the fonts. It would also help to have contributions submitted as patches or clearly marked changes - the use of smart source revision control systems like subversion, svk, mercurial, git or bzr is a good idea. Please follow the recommendations given by the author(s) in terms of preferred source formats and configuration parameters for sending contributions. If this is not indicated in a FONTLOG or other documentation of the font, consider asking them directly. Examples of useful contributions are bug fixes, additional glyphs, stylistic alternates (and the smart font code to access them) or improved hinting. Keep in mind that some kinds of changes (esp. hinting) may be technically difficult to integrate. - -7.4 How can I financially support the development of OFL fonts? -It is likely that most authors of OFL fonts would accept financial contributions - contact them for instructions on how to do this. Such contributions would support future development. You can also pay for others to enhance the fonts and contribute the results back to the original authors for inclusion in the Original Version. - - -8 ABOUT THE LICENSE ITSELF - -8.1 I see that this is version 1.1 of the license. Will there be later changes? -Version 1.1 is the first minor revision of the OFL. We are confident that version 1.1 will meet most needs, but are open to future improvements. Any revisions would be for future font releases, and previously existing licenses would remain in effect. No retroactive changes are possible, although the Copyright Holder(s) can re-release the font under a revised OFL. All versions will be available on our web site: http://scripts.sil.org/OFL. - -8.2 Does this license restrict the rights of the Copyright Holder(s)? -No. The Copyright Holder(s) still retain(s) all the rights to their creation; they are only releasing a portion of it for use in a specific way. For example, the Copyright Holder(s) may choose to release a 'basic' version of their font under the OFL, but sell a restricted 'enhanced' version. Only the Copyright Holder(s) can do this. - -8.3 Is the OFL a contract or a license? -The OFL is a license and not a contract and so does not require you to sign it to have legal validity. By using, modifying and redistributing components under the OFL you indicate that you accept the license. - -8.4 I really like the terms of the OFL, but want to change it a little. Am I allowed to take ideas and actual wording from the OFL and put them into my own custom license for distributing my fonts? -We strongly recommend against creating your very own unique open licensing model. Using a modified or derivative license will likely cut you off - along with the font(s) under that license - from the community of designers using the OFL, potentially expose you and your users to legal liabilities, and possibly put your work and rights at risk. The OFL went though a community and legal review process that took years of effort, and that review is only applicable to an unmodified OFL. The text of the OFL has been written by SIL (with review and consultation from the community) and is copyright (c) 2005-2010 SIL International. You may re-use the ideas and wording (in part, not in whole) in another non-proprietary license provided that you call your license by another unambiguous name, that you do not use the preamble, that you do not mention SIL and that you clearly present your license as different from the OFL so as not to cause confusion by being too similar to the original. If you feel the OFL does not meet your needs for an open license, please contact us. - -8.5 Can I translate the license and the FAQ into other languages? -SIL certainly recognises the need for people who are not familiar with English to be able to understand the OFL and its use. Making the license very clear and readable has been a key goal for the OFL, but we know that people understand their own language best. - -If you are an experienced translator, you are very welcome to translate the OFL and OFL-FAQ so that designers and users in your language community can understand the license better. But only the original English version of the license has legal value and has been approved by the community. Translations do not count as legal substitutes and should only serve as a way to explain the original license. SIL - as the author and steward of the license for the community at large - does not approve any translation of the OFL as legally valid because even small translation ambiguities could be abused and create problems. - -SIL gives permission to publish unofficial translations into other languages provided that they comply with the following guidelines: - -- Put the following disclaimer in both English and the target language stating clearly that the translation is unofficial: - -"This is an unofficial translation of the SIL Open Font License into . It was not published by SIL International, and does not legally state the distribution terms for fonts that use the OFL. A release under the OFL is only valid when using the original English text. However, we recognize that this unofficial translation will help users and designers not familiar with English to better understand and use the OFL. We encourage designers who consider releasing their creation under the OFL to read the OFL-FAQ in their own language if it is available. Please go to http://scripts.sil.org/OFL for the official version of the license and the accompanying OFL-FAQ." - -- Keep your unofficial translation current and update it at our request if needed, for example if there is any ambiguity which could lead to confusion. - -If you start such a unofficial translation effort of the OFL and OFL-FAQ please let us know. - - -9 ABOUT SIL INTERNATIONAL - -9.1 Who is SIL International and what do they do? -SIL serves language communities worldwide, building their capacity for sustainable language development, by means of research, translation, training and materials development. SIL makes its services available to all without regard to religious belief, political ideology, gender, race, or ethnic background. SIL's members and volunteers share a Christian commitment. - -9.2 What does this have to do with font licensing? -The ability to read, write, type and publish in one's own language is one of the most critical needs for millions of people around the world. This requires fonts that are widely available and support lesser-known languages. SIL develops - and encourages others to develop - a complete stack of writing systems implementation components available under open licenses. This open stack includes input methods, smart fonts, smart rendering libraries and smart applications. There has been a need for a common open license that is specifically applicable to fonts and related software (a crucial component of this stack), so SIL developed the SIL Open Font License with the help of the Free/Libre and Open Source Software community. - -9.3 How can I contact SIL? -Our main web site is: http://www.sil.org/ -Our site about complex scripts is: http://scripts.sil.org/ -Information about this license (and contact information) is at: http://scripts.sil.org/OFL - - -APPENDIX A - FONTLOG EXAMPLE - -Here is an example of the recommended format for a FONTLOG, although other formats are allowed. - ------ -FONTLOG for the GlobalFontFamily fonts - -This file provides detailed information on the GlobalFontFamily Font Software. This information should be distributed along with the GlobalFontFamily fonts and any derivative works. - -Basic Font Information - -GlobalFontFamily is a Unicode typeface family that supports all languages that use the Latin script and its variants, and could be expanded to support other scripts. - -NewWorldFontFamily is based on the GlobalFontFamily and also supports Greek, Hebrew, Cyrillic and Armenian. - -More specifically, this release supports the following Unicode ranges... -This release contains... -Documentation can be found at... -To contribute to the project... - -ChangeLog - -1 August 2008 (Tom Parker) GlobalFontFamily version 1.2.1 -- Tweaked the smart font code (Branch merged with trunk version) -- Provided improved build and debugging environment for smart behaviours - -7 February 2007 (Pat Johnson) NewWorldFontFamily Version 1.3 -- Added Greek and Cyrillic glyphs - -7 March 2006 (Fred Foobar) NewWorldFontFamily Version 1.2 -- Tweaked contextual behaviours - -1 Feb 2005 (Jane Doe) NewWorldFontFamily Version 1.1 -- Improved build script performance and verbosity -- Extended the smart code documentation -- Corrected minor typos in the documentation -- Fixed position of combining inverted breve below (U+032F) -- Added OpenType/Graphite smart code for Armenian -- Added Armenian glyphs (U+0531 -> U+0587) -- Released as "NewWorldFontFamily" - -1 Jan 2005 (Joe Smith) GlobalFontFamily Version 1.0 -- Initial release - -Acknowledgements - -If you make modifications be sure to add your name (N), email (E), web-address (if you have one) (W) and description (D). This list is in alphabetical order. - -N: Jane Doe -E: jane@university.edu -W: http://art.university.edu/projects/fonts -D: Contributor - Armenian glyphs and code - -N: Fred Foobar -E: fred@foobar.org -W: http://foobar.org -D: Contributor - misc Graphite fixes - -N: Pat Johnson -E: pat@fontstudio.org -W: http://pat.fontstudio.org -D: Designer - Greek & Cyrillic glyphs based on Roman design - -N: Tom Parker -E: tom@company.com -W: http://www.company.com/tom/projects/fonts -D: Engineer - original smart font code - -N: Joe Smith -E: joe@fontstudio.org -W: http://joe.fontstudio.org -D: Designer - original Roman glyphs - -Fontstudio.org is an not-for-profit design group whose purpose is... -Foobar.org is a distributed community of developers... -Company.com is a small business who likes to support community designers... -University.edu is a renowed educational institution with a strong design department... ------ +version https://git-lfs.github.com/spec/v1 +oid sha256:2226f2d4aaa2fba54ebb26ff7f0256fb3d3b621e7714329a7de6f9429129a091 +size 44149 diff --git a/font/bravura/Bravura-OFL.txt b/font/bravura/Bravura-OFL.txt index cfe591f37..f82d17f36 100644 --- a/font/bravura/Bravura-OFL.txt +++ b/font/bravura/Bravura-OFL.txt @@ -1,94 +1,3 @@ -Copyright © 2015, Steinberg Media Technologies GmbH (http://www.steinberg.net/), -with Reserved Font Name "Bravura". - -This Font Software is licensed under the SIL Open Font License, Version 1.1. -This license is copied below, and is also available with a FAQ at: -http://scripts.sil.org/OFL - - ------------------------------------------------------------ -SIL OPEN FONT LICENSE Version 1.1 - 26 February 2007 ------------------------------------------------------------ - -PREAMBLE -The goals of the Open Font License (OFL) are to stimulate worldwide -development of collaborative font projects, to support the font creation -efforts of academic and linguistic communities, and to provide a free and -open framework in which fonts may be shared and improved in partnership -with others. - -The OFL allows the licensed fonts to be used, studied, modified and -redistributed freely as long as they are not sold by themselves. The -fonts, including any derivative works, can be bundled, embedded, -redistributed and/or sold with any software provided that any reserved -names are not used by derivative works. The fonts and derivatives, -however, cannot be released under any other type of license. The -requirement for fonts to remain under this license does not apply -to any document created using the fonts or their derivatives. - -DEFINITIONS -"Font Software" refers to the set of files released by the Copyright -Holder(s) under this license and clearly marked as such. This may -include source files, build scripts and documentation. - -"Reserved Font Name" refers to any names specified as such after the -copyright statement(s). - -"Original Version" refers to the collection of Font Software components as -distributed by the Copyright Holder(s). - -"Modified Version" refers to any derivative made by adding to, deleting, -or substituting -- in part or in whole -- any of the components of the -Original Version, by changing formats or by porting the Font Software to a -new environment. - -"Author" refers to any designer, engineer, programmer, technical -writer or other person who contributed to the Font Software. - -PERMISSION & CONDITIONS -Permission is hereby granted, free of charge, to any person obtaining -a copy of the Font Software, to use, study, copy, merge, embed, modify, -redistribute, and sell modified and unmodified copies of the Font -Software, subject to the following conditions: - -1) Neither the Font Software nor any of its individual components, -in Original or Modified Versions, may be sold by itself. - -2) Original or Modified Versions of the Font Software may be bundled, -redistributed and/or sold with any software, provided that each copy -contains the above copyright notice and this license. These can be -included either as stand-alone text files, human-readable headers or -in the appropriate machine-readable metadata fields within text or -binary files as long as those fields can be easily viewed by the user. - -3) No Modified Version of the Font Software may use the Reserved Font -Name(s) unless explicit written permission is granted by the corresponding -Copyright Holder. This restriction only applies to the primary font name as -presented to the users. - -4) The name(s) of the Copyright Holder(s) or the Author(s) of the Font -Software shall not be used to promote, endorse or advertise any -Modified Version, except to acknowledge the contribution(s) of the -Copyright Holder(s) and the Author(s) or with their explicit written -permission. - -5) The Font Software, modified or unmodified, in part or in whole, -must be distributed entirely under this license, and must not be -distributed under any other license. The requirement for fonts to -remain under this license does not apply to any document created -using the Font Software. - -TERMINATION -This license becomes null and void if any of the above conditions are -not met. - -DISCLAIMER -THE FONT SOFTWARE IS PROVIDED "AS IS", WITHOUT WARRANTY OF ANY KIND, -EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO ANY WARRANTIES OF -MERCHANTABILITY, FITNESS FOR A PARTICULAR PURPOSE AND NONINFRINGEMENT -OF COPYRIGHT, PATENT, TRADEMARK, OR OTHER RIGHT. IN NO EVENT SHALL THE -COPYRIGHT HOLDER BE LIABLE FOR ANY CLAIM, DAMAGES OR OTHER LIABILITY, -INCLUDING ANY GENERAL, SPECIAL, INDIRECT, INCIDENTAL, OR CONSEQUENTIAL -DAMAGES, WHETHER IN AN ACTION OF CONTRACT, TORT OR OTHERWISE, ARISING -FROM, OUT OF THE USE OR INABILITY TO USE THE FONT SOFTWARE OR FROM -OTHER DEALINGS IN THE FONT SOFTWARE. +version https://git-lfs.github.com/spec/v1 +oid sha256:8e76ea7651b265bd047d192a4a796c25bbc904759a2fa9ee7bb9dba958a61158 +size 4514 diff --git a/font/bravura/Bravura.eot b/font/bravura/Bravura.eot index 230df848a..0c4823be6 100644 Binary files a/font/bravura/Bravura.eot and b/font/bravura/Bravura.eot differ diff --git a/font/bravura/Bravura.otf b/font/bravura/Bravura.otf index 3a4264f72..1ca3f99ef 100644 Binary files a/font/bravura/Bravura.otf and b/font/bravura/Bravura.otf differ diff --git a/font/bravura/Bravura.svg b/font/bravura/Bravura.svg index ddbcae5ae..37e844196 100644 --- a/font/bravura/Bravura.svg +++ b/font/bravura/Bravura.svg @@ -1,3865 +1,3 @@ - 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- - - -Created by FontPrep 20130207 at Mon Apr 25 14:57:05 2016 - By Daniel Spreadbury -Copyright (c) 2016, Steinberg Media Technologies GmbH (http://www.steinberg.net/), with Reserved Font Name "Bravura". - -This Font Software is licensed under the SIL Open Font License, Version 1.1. This license is copied below, and is also available with a FAQ at: http://scripts.sil.org/OFL - ------------------------------------------------------------ -SIL OPEN FONT LICENSE Version 1.1 - 26 February 2007 ------------------------------------------------------------ - -PREAMBLE -The goals of the Open Font License (OFL) are to stimulate worldwide development of collaborative font projects, to support the font creation efforts of academic and linguistic communities, and to provide a free and open framework in which fonts may be shared and improved in partnership with others. - -The OFL allows the licensed fonts to be used, studied, modified and redistributed freely as long as they are not sold by themselves. The fonts, including any derivative works, can be bundled, embedded, redistributed and/or sold with any software provided that any reserved names are not used by derivative works. The fonts and derivatives, however, cannot be released under any other type of license. The requirement for fonts to remain under this license does not apply to any document created using the fonts or their derivatives. - -DEFINITIONS -"Font Software" refers to the set of files released by the Copyright Holder(s) under this license and clearly marked as such. This may -include source files, build scripts and documentation. - -"Reserved Font Name" refers to any names specified as such after the copyright statement(s). - -"Original Version" refers to the collection of Font Software components as distributed by the Copyright Holder(s). - -"Modified Version" refers to any derivative made by adding to, deleting, or substituting -- in part or in whole -- any of the components of the Original Version, by changing formats or by porting the Font Software to a new environment. - -"Author" refers to any designer, engineer, programmer, technical writer or other person who contributed to the Font Software. - -PERMISSION & CONDITIONS -Permission is hereby granted, free of charge, to any person obtaining a copy of the Font Software, to use, study, copy, merge, embed, modify, redistribute, and sell modified and unmodified copies of the Font Software, subject to the following conditions: - -1) Neither the Font Software nor any of its individual components, in Original or Modified Versions, may be sold by itself. - -2) Original or Modified Versions of the Font Software may be bundled, redistributed and/or sold with any software, provided that each copy contains the above copyright notice and this license. These can be included either as stand-alone text files, human-readable headers or in the appropriate machine-readable metadata fields within text or binary files as long as those fields can be easily viewed by the user. - -3) No Modified Version of the Font Software may use the Reserved Font Name(s) unless explicit written permission is granted by the corresponding Copyright Holder. This restriction only applies to the primary font name as presented to the users. - -4) The name(s) of the Copyright Holder(s) or the Author(s) of the Font Software shall not be used to promote, endorse or advertise any Modified Version, except to acknowledge the contribution(s) of the Copyright Holder(s) and the Author(s) or with their explicit written permission. - -5) The Font Software, modified or unmodified, in part or in whole, must be distributed entirely under this license, and must not be distributed under any other license. The requirement for fonts to remain under this license does not apply to any document created using the Font Software. - -TERMINATION -This license becomes null and void if any of the above conditions are not met. - -DISCLAIMER -THE FONT SOFTWARE IS PROVIDED "AS IS", WITHOUT WARRANTY OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO ANY WARRANTIES OF MERCHANTABILITY, FITNESS FOR A PARTICULAR PURPOSE AND NONINFRINGEMENT OF COPYRIGHT, PATENT, TRADEMARK, OR OTHER RIGHT. IN NO EVENT SHALL THE COPYRIGHT HOLDER BE LIABLE FOR ANY CLAIM, DAMAGES OR OTHER LIABILITY, INCLUDING ANY GENERAL, SPECIAL, INDIRECT, INCIDENTAL, OR CONSEQUENTIAL DAMAGES, WHETHER IN AN ACTION OF CONTRACT, TORT OR OTHERWISE, ARISING FROM, OUT OF THE USE OR INABILITY TO USE THE FONT SOFTWARE OR FROM OTHER DEALINGS IN THE FONT SOFTWARE. - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - 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-*Version 1.1, 30 October 2015* - -Bravura Text is a [SMuFL-compliant] [1] font containing musical symbols intended for use in text-based applications such as word processors, text editors, desktop publishers, and it can also be used on the web. - -Bravura Text is licensed under the [SIL Open Font License] [2], which means it is free to use, redistribute, and modify, but please do respect the conditions set out in the license. - -## Glyph repertoire -Bravura Text is a reference implementation for SMuFL, the Standard Music Font Layout, and as such contains all of the symbols defined in the SMuFL specification. [Download the SMuFL specification] [3] for a complete list of the symbols in Bravura Text, including a description and code point. - -SMuFL uses the Private Use Area of Unicode's Basic Multilingual Plane (U+E000 through U+FFFF) to encode all of the included symbols. This means that the symbols cannot be typed by using the alphanumeric keys on your computer's keyboard on their own. - -## Setting up for Unicode input -Detailed instructions for how to enable Unicode input on all operating systems are beyond the scope of this document. SIL provides [an excellent page] [4] with links to information and tools for Windows, OS X and Linux. In this document some basic instructions are included, but you may need to refer to other resources for help with your operating system and application of choice. - -### Windows -There are multiple ways to type Unicode characters on Windows. Here are three methods you can try: - -#### Method 1: hexadecimal input followed by `Alt` -On Windows, some applications, such as Microsoft Word (part of the Microsoft Office suite) and WordPad (included with every Windows installation), have support for converting a typed alphanumeric sequence into a single Unicode character. - -The Unicode code point for a G (treble) clef in Bravura Text is U+E050, which is a hexadecimal number (57424 in decimal). To enter this character in Word or WordPad, type `E050` followed by `Alt+X` (hold the `Alt` key and then hit the `X` key). The typed characters **E050** will be replaced by a single character, which may display as an empty rectangle or a rectangle containing **?**. Select this character and change the font to Bravura Text, and the G clef appears. - -Although Unicode code points are normally written in the form U+E050, you can ignore the "U+" part when entering the code point in this and the following method. - -#### Method 2: `Alt` + hexadecimal input -If the application you are using does not support the kind of conversion described above, you can enable Unicode input by holding `Alt`, then typing `+` **on the numeric keypad**, then typing the hexadecimal number on the numeric keypad, before finally releasing `Alt`. For example, to type the G clef (U+E050), hold `Alt`, type keypad `+`, then `E050`, then release `Alt`. Again, if Bravura Text is not the selected font, you may see an empty rectangle or a rectangle containing **?**. Select this character and change the font to Bravura Text, and the G clef appears. - -#### Method 3: Character Map -The built-in Character Map application can copy any Unicode character to the system clipboard so that it can be pasted into another application. To run Character Map, click the `Start` button or hit the `Windows` key on your keyboard, then type `charmap` and hit `Return`. Character Map will run. - -In Character Map, choose **Bravura Text** from the **Font** menu at the top of the window. Switch on the **Advanced view** checkbox at the bottom of the window, which makes extra options appear. Choose **Unicode** from the **Character set** menu, then choose **Unicode Subrange** from the bottom of the **Group by** menu. A further pop-up window appears, captioned **Group By**, showing a list of Unicode subranges; choose **Private Use Characters** from the bottom of the list. (You can then close the **Group By** window if you wish.) - -The grid that occupies the main part of the Character Map window now displays all of the symbols in Bravura Text (unfortunately, it is not possible to enlarge the display, so they are rather small). Once you have located the character you require, either select it with the mouse and click **Select** or double-click it, and it is added to the **Characters to copy** edit control. Click **Copy** to copy the contents of **Characters to copy** to the clipboard, then switch to the application into which you want to paste the text, and choose `Edit` ▸ `Paste`, or type `Ctrl+V`. - -#### Other methods -You may wish to experiment with third-party utilities that can assist with locating and inserting Unicode characters. No recommendation or warranty is implied by listing these free utilities, which you may try at your own risk: - -* [CatchChar] [5] allows you to add commonly-used Unicode characters to a menu that can be triggered from within any application via a keyboard shortcut. -* [BabelMap] [6] is an advanced alternative to Windows's built-in Character Map application. - -Other commercial (non-free) utilities are also available, including [PopChar] [7]. - -### OS X -For Mac computers running OS X, the simplest method to insert arbitrary Unicode characters is using the provided Unicode Hex Input input method. To enable it: - -* In System Preferences, choose **Keyboard**. -* On the **Keyboard** tab, switch on **Show Keyboard & Character Viewers in menu bar**. When switched on, you will see a national flag corresponding to your computer keyboard's normal language and/or layout appear in the menu bar to the left of the Spotlight icon. -* On the **Input Sources** tab, click **+**, and in the sheet that appears, select **Others** in the left-hand list, then select **Unicode Hex Input** in the right-hand list, then click **Add** to close the sheet. -* Ensure **Show Input menu in menu bar** is switched on, then close System Preferences. - -The Unicode Hex Input input method works in the majority of OS X applications. To try it out, for example, open a new text document in TextEdit. Bravura Text does not appear by default in the font menu in TextEdit's toolbar, because it is not an English-language font, so to choose Bravura Text you must show the Fonts panel by choosing `Format` ▸ `Font` ▸ `Show Fonts` or typing `⌘T`. In the Fonts panel, choose **All fonts** under **Collection**, then choose **Bravura Text** under **Family**, then close the Fonts panel (type `⌘T` again). - -Bravura Text is now the chosen font (and will now appear in the font menu in TextEdit's toolbar for this document). To type a G (treble) clef, which has the code point U+E050, first choose the **Unicode Hex Input** input method from the input menu in the menu bar. Now hold down `Alt` and type `E050` (do not type the "U+" prefix), then release `Alt`. - -If you want to switch between your normal language input method and the Unicode Hex Input method quickly, you can assign a system keyboard shortcut in the **Keyboard** pane of System Preferences. Choose the **Shortcuts** tab, then in the left-hand list choose **Input Sources**. Switch on the checkbox for either or both of **Select the previous input source** and **Select the next input source**, and assign a keyboard shortcut. The default shortcut suggested by OS X is used for Spotlight by default, so you may wish to assign another shortcut, e.g. `^Space` (`^` is the symbol that corresponds to the `Ctrl` key). - -## Usage notes for Bravura Text - -### Scale factor -Bravura Text is scaled such that the height of a five-line staff (e.g. U+E014) is approximately the same as the height of an upper case letter in a regular text font at the same point size. It is designed to be used both in-line, i.e. in the middle of a run of text at the same point size, and on its own, typically at a larger point size. As such, all symbols in Bravura Text are scaled appropriately to be drawn at the correct size on a five-line staff. - -One exception to this is for the bold italic letters used for dynamics, which are scaled such that they are approximately the same size as a lower case letter in a regular text font at the same point size. - -### Zero-width characters -Symbols depicting staves and staff lines in Bravura Text have zero width. This is to allow other musical symbols to be printed on top of them. - -Staff line symbols are provided in three widths: narrow (one space wide); normal (two spaces wide); and wide (three spaces wide). - -The space is the normal unit of measurement when working with printed music notation. One space is the vertical distance between the middle of one staff line and the middle of the staff line above; as such a five-line staff is four spaces tall. - -Time signature digits also have zero width, to allow them to be positioned above one another. Leger line glyphs similarly have zero width. - -All other glyphs have zero side-bearings, i.e. the advance width of each glyph is exactly equal to the bounding box of its symbol. - -### Space characters -In order to insert space between symbols, use the following keys: - -* Typing `Space` advances the input position by half a space. -* Typing `-` (hyphen) advances the input position by one space. -* Typing `=` (equals) advances the input position by two spaces. - -### Default vertical positioning -Many glyphs in Bravura Text are provided at multiple vertical positions, so that they can appear at different staff positions. With the exception of common clefs, all glyphs that can be drawn at different vertical positions are positioned by default such that they will appear on the middle line of a five-line staff glyph (e.g. U+E014). The common clefs are positioned by default as follows: - -* G clef (e.g. U+E050): as for a treble clef, i.e. the bottom of the lower loop aligned with the bottom staff line -* F clef (e.g. U+E061): as for a bass clef, i.e. the two dots positioned either side of the second-highest staff line -* C clef (e.g. U+E058): as for an alto clef, i.e. the center of the clef positioned on the middle staff line - -The following ranges of glyphs (as defined in the SMuFL specification) can be moved to different vertical positions on the staff: - -* Leger lines (within the **Staves** range) -* All noteheads (within the **Noteheads**, **Slash noteheads**, **Round and square noteheads**, **Note clusters**, **Note name noteheads ranges**) -* Precomposed notes with stems and flags (within the **Individual notes** and **Beamed groups of notes** ranges) -* Precomposed stems (within the **Stems** range) -* Flags for notes (within the **Flags** range) -* All accidentals (within the **Standard accidentals**, **Gould arrow quarter-tone accidentals**, **Stein-Zimmermann accidentals**, **Extended Stein-Zimmermann accidentals**, **Sims accidentals**, **Johnston accidentals for Just Intonation**, **Extended Helmholtz-Ellis JI accidentals**, all Sagittal ranges, **Wyschnegradsky accidentals**, **Arel-Ezgi-Uzdilek (AEU) accidentals**, **Turkish folk music accidentals**, **Persian accidentals**, **Other accidentals** ranges) -* Articulations (within the **Articulations** range) -* Fermatas, caesuras, breathmarks (within the **Holds and pauses** range) -* Rests (within the **Rests** range) -* 1-, 2- and 4-bar repeat indicators (within the **Bar repeats** range) -* Medieval and Renaissance clefs, prolation and mensuration signs, noteheads and stems, individual notes, plainchant single- and multi-note forms, plainchant articulations, and accidentals (within the **Medieval and Renaissance...** ranges) -* **Kievan square notation** - -### Altering vertical position -Bravura Text uses OpenType ligatures to modify the default vertical position of symbols. In OpenType fonts, ligatures are a kind of glyph substitution, where two or more glyphs are replaced with another single glyph. This is commonly used in text fonts to produce an elegant appearance for particular combinations of letters, such as "fi" or "fl". - -In Bravura Text, ligatures are used to adjust the vertical position of individual symbols. First, you enter the code point corresponding to the amount by which you want to change the vertical position, and then you enter the code point for the symbol itself. Provided the application you are using supports OpenType ligatures, you should see the symbol appear at the desired vertical position. - -The code points to use to raise or lower the position of symbols are as follows (the pitch names shown in parentheses correspond to a five-line staff with a treble clef; the default vertical position for movable symbols is therefore B4): - -* Raise by one staff position (C5): U+EB90 -* Raise by two staff positions (D5): U+EB91 -* Raise by three staff positions (E5): U+EB92 -* Raise by four staff positions (F5): U+EB93 -* Raise by five staff positions (G5): U+EB94 -* Raise by six staff positions (A5): U+EB95 -* Raise by seven staff positions (B5): U+EB96 -* Raise by eight staff positions (C6): U+EB97 -* Lower by one staff position (A4): U+EB98 -* Lower by two staff positions (G4): U+EB99 -* Lower by three staff positions (F4): U+EB9A -* Lower by four staff positions (E4): U+EB9B -* Lower by five staff positions (D4): U+EB9C -* Lower by six staff positions (C4): U+EB9D -* Lower by seven staff positions (B3): U+EB9E -* Lower by eight staff positions (A3): U+EB9F - -So to position, say, a black notehead at the G4 staff position, you would first enter U+EB99 (lower by two staff positions) followed immediately by U+E0A4 (the black notehead). - -Noteheads positioned outside the staff (i.e. raised or lowered by six or more staff positions) will not automatically show leger lines, so those must be added separately *before* the notehead (since they have zero width), and raised or lowered by the same number of staff positions. - -Special code points are provided to shift time signature digits to the correct vertical position: - -* Position as numerator (top number): U+E09E -* Position as denominator (bottom number): U+E09F - -To enter the time signature 4/4, you would first enter U+E09E (position as numerator), followed immediately by U+E084 (time signature 4), then U+E09F (position as denominator), followed by U+E084 again. Finally, advance the input position by inputting one or more spaces. - -### Further information -Detailed technical support is not available for the use of Bravura Text, but if you encounter any problems using this font, please use the [**smufl-discuss** mailing list] [8] to contact the SMuFL community about your problem. - - - -[1]: http://www.smufl.org/ "SMuFL" -[2]: http://scripts.sil.org/ "SIL Open Font License" -[3]: http://www.smufl.org/files/smufl-0.9.pdf "SMuFL 0.9" -[4]: http://scripts.sil.org/cms/scripts/page.php?item_id=inputtoollinks "SIL Unicode input resources" -[5]: http://helpingthings.com/index.php/insert-unicode-characters "CatchChar" -[6]: http://www.babelstone.co.uk/Software/BabelMap.html "BabelMap" -[7]: http://www.ergonis.com/products/popcharwin/ -[8]: http://www.smufl.org/discuss "SMuFL mailing lists" +version https://git-lfs.github.com/spec/v1 +oid sha256:03b8a9d3a28cd0c9b5b84fc1930fb6d46ddb5c318e67562fb28292075fd20c9f +size 15092 diff --git a/font/bravura/bravura_metadata.json b/font/bravura/bravura_metadata.json index 1c171c913..451426608 100644 --- a/font/bravura/bravura_metadata.json +++ b/font/bravura/bravura_metadata.json @@ -1,39778 +1,3 @@ -{ - "fontName": "Bravura", - "fontVersion": 1.204, - - "engravingDefaults": { - "arrowShaftThickness": 0.16, - "barlineSeparation": 0.4, - "beamSpacing": 0.25, - "beamThickness": 0.5, - "bracketThickness": 0.5, - "dashedBarlineDashLength": 0.5, - "dashedBarlineGapLength": 0.25, - "dashedBarlineThickness": 0.16, - "hairpinThickness": 0.16, - "legerLineExtension": 0.4, - "legerLineThickness": 0.16, - "lyricLineThickness": 0.16, - "octaveLineThickness": 0.16, - "pedalLineThickness": 0.16, - "repeatBarlineDotSeparation": 0.16, - "repeatEndingLineThickness": 0.16, - "slurEndpointThickness": 0.1, - "slurMidpointThickness": 0.22, - "staffLineThickness": 0.13, - "stemThickness": 0.12, - "subBracketThickness": 0.16, - "textEnclosureThickness": 0.16, - "thickBarlineThickness": 0.5, - 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"accidentalJohnstonSevenSharpDown": { - "codepoint": "U+F584", - "componentGlyphs": [ - "accidentalJohnstonSeven", - "accidentalSharp", - "accidentalJohnstonDown" - ] - }, - "accidentalJohnstonSevenSharpUp": { - "codepoint": "U+F583", - "componentGlyphs": [ - "accidentalJohnstonSeven", - "accidentalSharp", - "accidentalJohnstonUp" - ] - }, - "accidentalJohnstonSevenUp": { - "codepoint": "U+F57D", - "componentGlyphs": [ - "accidentalJohnstonSeven", - "accidentalJohnstonUp" - ] - }, - "accidentalJohnstonUpEl": { - "codepoint": "U+F57F", - "componentGlyphs": [ - "accidentalJohnstonUp", - "accidentalJohnstonEl" - ] - }, - "accidentalNaturalParens": { - "codepoint": "U+F571", - "componentGlyphs": [ - "accidentalParensLeft", - "accidentalNatural", - "accidentalParensRight" - ] - }, - "accidentalSharpJohnstonDown": { - "codepoint": "U+F577", - "componentGlyphs": [ - "accidentalSharp", - "accidentalJohnstonDown" - ] - }, - "accidentalSharpJohnstonDownEl": { - "codepoint": "U+F582", - "componentGlyphs": [ - "accidentalSharp", - "accidentalJohnstonDown", - "accidentalJohnstonEl" - ] - }, - "accidentalSharpJohnstonEl": { - "codepoint": "U+F575", - "componentGlyphs": [ - "accidentalSharp", - "accidentalJohnstonEl" - ] - }, - "accidentalSharpJohnstonUp": { - "codepoint": "U+F576", - "componentGlyphs": [ - "accidentalSharp", - "accidentalJohnstonUp" - ] - }, - "accidentalSharpJohnstonUpEl": { - "codepoint": "U+F581", - "componentGlyphs": [ - "accidentalSharp", - "accidentalJohnstonUp", - "accidentalJohnstonEl" - ] - }, - "accidentalSharpParens": { - "codepoint": "U+F572", - "componentGlyphs": [ - "accidentalParensLeft", - "accidentalSharp", - "accidentalParensRight" - ] - }, - "fClef5Below": { - "codepoint": "U+F4CD", - "componentGlyphs": [ - "fClef", - "tuplet5" - ] - }, - "gClef0Below": { - "codepoint": "U+F4CE", - "componentGlyphs": [ - "gClefLigatedNumberBelow", - "tuplet0" - ] - }, - "gClef10Below": { - "codepoint": "U+F4CF", - "componentGlyphs": [ - "gClefLigatedNumberBelow", - "tuplet1", - "tuplet0" - ] - }, - "gClef11Below": { - "codepoint": "U+F4D0", - "componentGlyphs": [ - "gClefLigatedNumberBelow", - "tuplet1", - "tuplet1" - ] - }, - "gClef12Below": { - "codepoint": "U+F4D1", - "componentGlyphs": [ - "gClefLigatedNumberBelow", - "tuplet1", - "tuplet2" - ] - }, - "gClef13Below": { - "codepoint": "U+F4D2", - "componentGlyphs": [ - "gClefLigatedNumberBelow", - "tuplet1", - "tuplet3" - ] - }, - "gClef14Below": { - "codepoint": "U+F4D3", - "componentGlyphs": [ - "gClefLigatedNumberBelow", - "tuplet1", - "tuplet4" - ] - }, - "gClef15Below": { - "codepoint": "U+F4D4", - "componentGlyphs": [ - "gClefLigatedNumberBelow", - "tuplet1", - "tuplet5" - ] - }, - "gClef16Below": { - "codepoint": "U+F4D5", - "componentGlyphs": [ - "gClefLigatedNumberBelow", - "tuplet1", - "tuplet6" - ] - }, - "gClef17Below": { - "codepoint": "U+F4D6", - "componentGlyphs": [ - "gClefLigatedNumberBelow", - "tuplet1", - "tuplet7" - ] - }, - "gClef2Above": { - "codepoint": "U+F4D7", - "componentGlyphs": [ - "gClefLigatedNumberAbove", - "tuplet2" - ] - }, - "gClef2Below": { - "codepoint": "U+F4D8", - "componentGlyphs": [ - "gClefLigatedNumberBelow", - "tuplet2" - ] - }, - "gClef3Above": { - "codepoint": "U+F4D9", - "componentGlyphs": [ - "gClefLigatedNumberAbove", - "tuplet3" - ] - }, - "gClef3Below": { - "codepoint": "U+F4DA", - "componentGlyphs": [ - "gClefLigatedNumberBelow", - "tuplet3" - ] - }, - "gClef4Above": { - "codepoint": "U+F4DB", - "componentGlyphs": [ - "gClefLigatedNumberAbove", - "tuplet4" - ] - }, - "gClef4Below": { - "codepoint": "U+F4DC", - "componentGlyphs": [ - "gClefLigatedNumberBelow", - "tuplet4" - ] - }, - "gClef5Above": { - "codepoint": "U+F4DD", - "componentGlyphs": [ - "gClefLigatedNumberAbove", - "tuplet5" - ] - }, - "gClef5Below": { - "codepoint": "U+F4DE", - "componentGlyphs": [ - "gClefLigatedNumberBelow", - "tuplet5" - ] - }, - "gClef6Above": { - "codepoint": "U+F4DF", - "componentGlyphs": [ - "gClefLigatedNumberAbove", - "tuplet6" - ] - }, - "gClef6Below": { - "codepoint": "U+F4E0", - "componentGlyphs": [ - "gClefLigatedNumberBelow", - "tuplet6" - ] - }, - "gClef7Above": { - "codepoint": "U+F4E1", - "componentGlyphs": [ - "gClefLigatedNumberAbove", - "tuplet7" - ] - }, - "gClef7Below": { - "codepoint": "U+F4E2", - "componentGlyphs": [ - "gClefLigatedNumberBelow", - "tuplet7" - ] - }, - "gClef8Above": { - "codepoint": "U+F4E3", - "componentGlyphs": [ - "gClefLigatedNumberAbove", - "tuplet8" - ] - }, - "gClef8Below": { - "codepoint": "U+F4E4", - "componentGlyphs": [ - "gClefLigatedNumberBelow", - "tuplet8" - ] - }, - "gClef9Above": { - "codepoint": "U+F4E5", - "componentGlyphs": [ - "gClefLigatedNumberAbove", - "tuplet9" - ] - }, - "gClef9Below": { - "codepoint": "U+F4E6", - "componentGlyphs": [ - "gClefLigatedNumberBelow", - "tuplet9" - ] - }, - "gClefFlat10Below": { - "codepoint": "U+F4E7", - "componentGlyphs": [ - "gClefLigatedNumberBelow", - "tuplet1", - "tuplet0", - "accidentalFlat" - ] - }, - "gClefFlat11Below": { - "codepoint": "U+F4E8", - "componentGlyphs": [ - "gClefLigatedNumberBelow", - "tuplet1", - "tuplet1", - "accidentalFlat" - ] - }, - "gClefFlat13Below": { - "codepoint": "U+F4E9", - "componentGlyphs": [ - "gClefLigatedNumberBelow", - "tuplet1", - "tuplet3", - "accidentalFlat" - ] - }, - "gClefFlat14Below": { - "codepoint": "U+F4EA", - "componentGlyphs": [ - "gClefLigatedNumberBelow", - "tuplet1", - "tuplet4", - "accidentalFlat" - ] - }, - "gClefFlat15Below": { - "codepoint": "U+F4EB", - "componentGlyphs": [ - "gClefLigatedNumberBelow", - "tuplet1", - "tuplet5", - "accidentalFlat" - ] - }, - "gClefFlat16Below": { - "codepoint": "U+F4EC", - "componentGlyphs": [ - "gClefLigatedNumberBelow", - "tuplet1", - "tuplet6", - "accidentalFlat" - ] - }, - "gClefFlat1Below": { - "codepoint": "U+F4ED", - "componentGlyphs": [ - "gClefLigatedNumberBelow", - "accidentalFlat", - "tuplet1" - ] - }, - "gClefFlat2Above": { - "codepoint": "U+F4EE", - "componentGlyphs": [ - "gClefLigatedNumberAbove", - "tuplet2", - "accidentalFlat" - ] - }, - "gClefFlat2Below": { - "codepoint": "U+F4EF", - "componentGlyphs": [ - "gClefLigatedNumberBelow", - "accidentalFlat", - "tuplet2" - ] - }, - "gClefFlat3Above": { - "codepoint": "U+F4F0", - "componentGlyphs": [ - "gClefLigatedNumberAbove", - "tuplet3", - "accidentalFlat" - ] - }, - "gClefFlat3Below": { - "codepoint": "U+F4F1", - "componentGlyphs": [ - "gClefLigatedNumberBelow", - "accidentalFlat", - "tuplet3" - ] - }, - "gClefFlat4Below": { - "codepoint": "U+F4F2", - "componentGlyphs": [ - "gClefLigatedNumberBelow", - "accidentalFlat", - "tuplet4" - ] - }, - "gClefFlat5Above": { - "codepoint": "U+F4F3", - "componentGlyphs": [ - "gClefLigatedNumberAbove", - "tuplet5", - "accidentalFlat" - ] - }, - "gClefFlat6Above": { - "codepoint": "U+F4F4", - "componentGlyphs": [ - "gClefLigatedNumberAbove", - "tuplet6", - "accidentalFlat" - ] - }, - "gClefFlat6Below": { - "codepoint": "U+F4F5", - "componentGlyphs": [ - "gClefLigatedNumberBelow", - "accidentalFlat", - "tuplet6" - ] - }, - "gClefFlat7Above": { - "codepoint": "U+F4F6", - "componentGlyphs": [ - "gClefLigatedNumberAbove", - "tuplet7", - "accidentalFlat" - ] - }, - "gClefFlat7Below": { - "codepoint": "U+F4F7", - "componentGlyphs": [ - "gClefLigatedNumberBelow", - "accidentalFlat", - "tuplet7" - ] - }, - "gClefFlat8Above": { - "codepoint": "U+F4F8", - "componentGlyphs": [ - "gClefLigatedNumberAbove", - "tuplet8", - "accidentalFlat" - ] - }, - "gClefFlat9Above": { - "codepoint": "U+F4F9", - "componentGlyphs": [ - "gClefLigatedNumberAbove", - "tuplet9", - "accidentalFlat" - ] - }, - "gClefFlat9Below": { - "codepoint": "U+F4FA", - "componentGlyphs": [ - "gClefLigatedNumberBelow", - "accidentalFlat", - "tuplet9" - ] - }, - "gClefNat2Below": { - "codepoint": "U+F4FB", - "componentGlyphs": [ - "gClefLigatedNumberBelow", - "accidentalNatural", - "tuplet2" - ] - }, - "gClefNatural10Below": { - "codepoint": "U+F4FC", - "componentGlyphs": [ - "gClefLigatedNumberBelow", - "tuplet1", - "tuplet0", - "accidentalNatural" - ] - }, - "gClefNatural13Below": { - "codepoint": "U+F4FD", - "componentGlyphs": [ - "gClefLigatedNumberBelow", - "tuplet1", - "tuplet3", - "accidentalNatural" - ] - }, - "gClefNatural17Below": { - "codepoint": "U+F4FE", - "componentGlyphs": [ - "gClefLigatedNumberBelow", - "tuplet1", - "tuplet7", - "accidentalNatural" - ] - }, - "gClefNatural2Above": { - "codepoint": "U+F4FF", - "componentGlyphs": [ - "gClefLigatedNumberAbove", - "tuplet2", - "accidentalNatural" - ] - }, - "gClefNatural3Above": { - "codepoint": "U+F500", - "componentGlyphs": [ - "gClefLigatedNumberAbove", - "tuplet3", - "accidentalNatural" - ] - }, - "gClefNatural3Below": { - "codepoint": "U+F501", - "componentGlyphs": [ - "gClefLigatedNumberBelow", - "accidentalNatural", - "tuplet3" - ] - }, - "gClefNatural6Above": { - "codepoint": "U+F502", - "componentGlyphs": [ - "gClefLigatedNumberAbove", - "tuplet6", - "accidentalNatural" - ] - }, - "gClefNatural6Below": { - "codepoint": "U+F503", - "componentGlyphs": [ - "gClefLigatedNumberBelow", - "accidentalNatural", - "tuplet6" - ] - }, - "gClefNatural7Above": { - "codepoint": "U+F504", - "componentGlyphs": [ - "gClefLigatedNumberAbove", - "tuplet7", - "accidentalNatural" - ] - }, - "gClefNatural9Above": { - "codepoint": "U+F505", - "componentGlyphs": [ - "gClefLigatedNumberAbove", - "tuplet9", - "accidentalNatural" - ] - }, - "gClefNatural9Below": { - "codepoint": "U+F506", - "componentGlyphs": [ - "gClefLigatedNumberBelow", - "accidentalNatural", - "tuplet9" - ] - }, - "gClefSharp12Below": { - "codepoint": "U+F507", - "componentGlyphs": [ - "gClefLigatedNumberBelow", - "tuplet1", - "tuplet2", - "accidentalSharp" - ] - }, - "gClefSharp1Above": { - "codepoint": "U+F508", - "componentGlyphs": [ - "gClefLigatedNumberAbove", - "tuplet1", - "accidentalSharp" - ] - }, - "gClefSharp4Above": { - "codepoint": "U+F509", - "componentGlyphs": [ - "gClefLigatedNumberAbove", - "tuplet4", - "accidentalSharp" - ] - }, - "gClefSharp5Below": { - "codepoint": "U+F50A", - "componentGlyphs": [ - "gClefLigatedNumberBelow", - "accidentalSharp", - "tuplet5" - ] - }, - "mensuralFusaBlackStemDown": { - "codepoint": "U+F50B", - "componentGlyphs": [ - "mensuralNoteheadSemibrevisBlack", - "mensuralCombStemDownFlagFusa" - ] - }, - "mensuralFusaBlackStemUp": { - "codepoint": "U+F50C", - "componentGlyphs": [ - "mensuralNoteheadSemibrevisBlack", - "mensuralCombStemUpFlagFusa" - ] - }, - "mensuralFusaBlackVoidStemDown": { - "codepoint": "U+F50D", - "componentGlyphs": [ - "mensuralNoteheadSemibrevisBlackVoid", - "mensuralCombStemDownFlagFusa" - ] - }, - "mensuralFusaBlackVoidStemUp": { - "codepoint": "U+F50E", - "componentGlyphs": [ - "mensuralNoteheadSemibrevisBlackVoid", - "mensuralCombStemUpFlagFusa" - ] - }, - "mensuralFusaVoidStemDown": { - "codepoint": "U+F50F", - "componentGlyphs": [ - "mensuralNoteheadSemibrevisVoid", - "mensuralCombStemDownFlagFusa" - ] - }, - "mensuralFusaVoidStemUp": { - "codepoint": "U+F510", - "componentGlyphs": [ - "mensuralNoteheadSemibrevisVoid", - "mensuralCombStemUpFlagFusa" - ] - }, - "mensuralLongaBlackStemDownLeft": { - "codepoint": "U+F511", - "componentGlyphs": [ - "mensuralCombStemDown", - "mensuralNoteheadLongaBlack" - ] - }, - "mensuralLongaBlackStemDownRight": { - "codepoint": "U+F512", - "componentGlyphs": [ - "mensuralNoteheadLongaBlack", - "mensuralCombStemDown" - ] - }, - "mensuralLongaBlackStemUpLeft": { - "codepoint": "U+F513", - "componentGlyphs": [ - "mensuralCombStemUp", - "mensuralNoteheadLongaBlack" - ] - }, - "mensuralLongaBlackStemUpRight": { - "codepoint": "U+F514", - "componentGlyphs": [ - "mensuralNoteheadLongaBlack", - "mensuralCombStemUp" - ] - }, - "mensuralLongaBlackVoidStemDownLeft": { - "codepoint": "U+F515", - "componentGlyphs": [ - "mensuralCombStemDown", - "mensuralNoteheadLongaBlackVoid" - ] - }, - "mensuralLongaBlackVoidStemDownRight": { - "codepoint": "U+F516", - "componentGlyphs": [ - "mensuralNoteheadLongaBlackVoid", - "mensuralCombStemDown" - ] - }, - "mensuralLongaBlackVoidStemUpLeft": { - "codepoint": "U+F517", - "componentGlyphs": [ - "mensuralCombStemUp", - "mensuralNoteheadLongaBlackVoid" - ] - }, - "mensuralLongaBlackVoidStemUpRight": { - "codepoint": "U+F518", - "componentGlyphs": [ - "mensuralNoteheadLongaBlackVoid", - "mensuralCombStemUp" - ] - }, - "mensuralLongaVoidStemDownLeft": { - "codepoint": "U+F519", - "componentGlyphs": [ - "mensuralCombStemDown", - "mensuralNoteheadLongaVoid" - ] - }, - "mensuralLongaVoidStemDownRight": { - "codepoint": "U+F51A", - "componentGlyphs": [ - "mensuralNoteheadLongaVoid", - "mensuralCombStemDown" - ] - }, - "mensuralLongaVoidStemUpLeft": { - "codepoint": "U+F51B", - "componentGlyphs": [ - "mensuralCombStemUp", - "mensuralNoteheadLongaVoid" - ] - }, - "mensuralLongaVoidStemUpRight": { - "codepoint": "U+F51C", - "componentGlyphs": [ - "mensuralNoteheadLongaVoid", - "mensuralCombStemUp" - ] - }, - "mensuralMaximaBlackStemDownLeft": { - "codepoint": "U+F51D", - "componentGlyphs": [ - "mensuralCombStemDown", - "mensuralNoteheadMaximaBlack" - ] - }, - "mensuralMaximaBlackStemDownRight": { - "codepoint": "U+F51E", - "componentGlyphs": [ - "mensuralNoteheadMaximaBlack", - "mensuralCombStemDown" - ] - }, - "mensuralMaximaBlackStemUpLeft": { - "codepoint": "U+F51F", - "componentGlyphs": [ - "mensuralCombStemUp", - "mensuralNoteheadMaximaBlack" - ] - }, - "mensuralMaximaBlackStemUpRight": { - "codepoint": "U+F520", - "componentGlyphs": [ - "mensuralNoteheadMaximaBlack", - "mensuralCombStemUp" - ] - }, - "mensuralMaximaBlackVoidStemDownLeft": { - "codepoint": "U+F521", - "componentGlyphs": [ - "mensuralCombStemDown", - "mensuralNoteheadMaximaBlackVoid" - ] - }, - "mensuralMaximaBlackVoidStemDownRight": { - "codepoint": "U+F522", - "componentGlyphs": [ - "mensuralNoteheadMaximaBlackVoid", - "mensuralCombStemDown" - ] - }, - "mensuralMaximaBlackVoidStemUpLeft": { - "codepoint": "U+F523", - "componentGlyphs": [ - "mensuralCombStemUp", - "mensuralNoteheadMaximaBlackVoid" - ] - }, - "mensuralMaximaBlackVoidStemUpRight": { - "codepoint": "U+F524", - "componentGlyphs": [ - "mensuralNoteheadMaximaBlackVoid", - "mensuralCombStemUp" - ] - }, - "mensuralMaximaVoidStemDownLeft": { - "codepoint": "U+F525", - "componentGlyphs": [ - "mensuralCombStemDown", - "mensuralNoteheadMaximaVoid" - ] - }, - "mensuralMaximaVoidStemDownRight": { - "codepoint": "U+F526", - "componentGlyphs": [ - "mensuralNoteheadMaximaVoid", - "mensuralCombStemDown" - ] - }, - "mensuralMaximaVoidStemUpLeft": { - "codepoint": "U+F527", - "componentGlyphs": [ - "mensuralCombStemUp", - "mensuralNoteheadMaximaVoid" - ] - }, - "mensuralMaximaVoidStemUpRight": { - "codepoint": "U+F528", - "componentGlyphs": [ - "mensuralNoteheadMaximaVoid", - "mensuralCombStemUp" - ] - }, - "mensuralMinimaBlackStemDown": { - "codepoint": "U+F529", - "componentGlyphs": [ - "mensuralNoteheadSemibrevisBlack", - "mensuralCombStemDown" - ] - }, - "mensuralMinimaBlackStemDownExtendedFlag": { - "codepoint": "U+F52A", - "componentGlyphs": [ - "mensuralNoteheadSemibrevisBlack", - "mensuralCombStemDownFlagExtended" - ] - }, - "mensuralMinimaBlackStemDownFlagLeft": { - "codepoint": "U+F52B", - "componentGlyphs": [ - "mensuralNoteheadSemibrevisBlack", - "mensuralCombStemDownFlagLeft" - ] - }, - "mensuralMinimaBlackStemDownFlagRight": { - "codepoint": "U+F52C", - "componentGlyphs": [ - "mensuralNoteheadSemibrevisBlack", - "mensuralCombStemDownFlagRight" - ] - }, - "mensuralMinimaBlackStemDownFlaredFlag": { - "codepoint": "U+F52D", - "componentGlyphs": [ - "mensuralNoteheadSemibrevisBlack", - "mensuralCombStemDownFlagFlared" - ] - }, - "mensuralMinimaBlackStemUp": { - "codepoint": "U+F52E", - "componentGlyphs": [ - "mensuralNoteheadSemibrevisBlack", - "mensuralCombStemUp" - ] - }, - "mensuralMinimaBlackStemUpExtendedFlag": { - "codepoint": "U+F52F", - "componentGlyphs": [ - "mensuralNoteheadSemibrevisBlack", - "mensuralCombStemUpFlagExtended" - ] - }, - "mensuralMinimaBlackStemUpFlagLeft": { - "codepoint": "U+F530", - "componentGlyphs": [ - "mensuralNoteheadSemibrevisBlack", - "mensuralCombStemUpFlagLeft" - ] - }, - "mensuralMinimaBlackStemUpFlagRight": { - "codepoint": "U+F531", - "componentGlyphs": [ - "mensuralNoteheadSemibrevisBlack", - "mensuralCombStemUpFlagRight" - ] - }, - "mensuralMinimaBlackStemUpFlaredFlag": { - "codepoint": "U+F532", - "componentGlyphs": [ - "mensuralNoteheadSemibrevisBlack", - "mensuralCombStemUpFlagFlared" - ] - }, - "mensuralMinimaBlackVoidStemDown": { - "codepoint": "U+F533", - "componentGlyphs": [ - "mensuralNoteheadSemibrevisBlackVoid", - "mensuralCombStemDown" - ] - }, - "mensuralMinimaBlackVoidStemDownExtendedFlag": { - "codepoint": "U+F534", - "componentGlyphs": [ - "mensuralNoteheadSemibrevisBlackVoid", - "mensuralCombStemDownFlagExtended" - ] - }, - "mensuralMinimaBlackVoidStemDownFlagLeft": { - "codepoint": "U+F535", - "componentGlyphs": [ - "mensuralNoteheadSemibrevisBlackVoid", - "mensuralCombStemDownFlagLeft" - ] - }, - "mensuralMinimaBlackVoidStemDownFlagRight": { - "codepoint": "U+F536", - "componentGlyphs": [ - "mensuralNoteheadSemibrevisBlackVoid", - "mensuralCombStemDownFlagRight" - ] - }, - "mensuralMinimaBlackVoidStemDownFlaredFlag": { - "codepoint": "U+F537", - "componentGlyphs": [ - "mensuralNoteheadSemibrevisBlackVoid", - "mensuralCombStemDownFlagFlared" - ] - }, - "mensuralMinimaBlackVoidStemUp": { - "codepoint": "U+F538", - "componentGlyphs": [ - "mensuralNoteheadSemibrevisBlackVoid", - "mensuralCombStemUp" - ] - }, - "mensuralMinimaBlackVoidStemUpExtendedFlag": { - "codepoint": "U+F539", - "componentGlyphs": [ - "mensuralNoteheadSemibrevisBlackVoid", - "mensuralCombStemUpFlagExtended" - ] - }, - "mensuralMinimaBlackVoidStemUpFlagLeft": { - "codepoint": "U+F53A", - "componentGlyphs": [ - "mensuralNoteheadSemibrevisBlackVoid", - "mensuralCombStemUpFlagLeft" - 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a/font/noto-serif/README.txt b/font/noto-serif/README.txt new file mode 100644 index 000000000..dcfc2c5b2 --- /dev/null +++ b/font/noto-serif/README.txt @@ -0,0 +1,3 @@ +version https://git-lfs.github.com/spec/v1 +oid sha256:2c55bb7c86eb71f50cbfb5836acba319a294ecfaa00f3de792cb2945cfd90f30 +size 5984 diff --git a/font/ptserif/PTSerif-Bold.ttf b/font/ptserif/PTSerif-Bold.ttf deleted file mode 100644 index b95573250..000000000 Binary files a/font/ptserif/PTSerif-Bold.ttf and /dev/null differ diff --git a/font/ptserif/PTSerif-BoldItalic.ttf b/font/ptserif/PTSerif-BoldItalic.ttf deleted file mode 100644 index e933f845e..000000000 Binary files a/font/ptserif/PTSerif-BoldItalic.ttf and /dev/null differ diff --git a/font/ptserif/PTSerif-Italic.ttf b/font/ptserif/PTSerif-Italic.ttf deleted file mode 100644 index e53ac86f5..000000000 Binary files a/font/ptserif/PTSerif-Italic.ttf and /dev/null differ diff --git a/font/ptserif/PTSerif-OFL.txt b/font/ptserif/PTSerif-OFL.txt deleted file mode 100644 index 3f70bfe03..000000000 --- a/font/ptserif/PTSerif-OFL.txt +++ /dev/null @@ -1,94 +0,0 @@ -Copyright (c) 2010, ParaType Ltd. (http://www.paratype.com/public), -with Reserved Font Names "PT Sans", "PT Serif" and "ParaType". - -This Font Software is licensed under the SIL Open Font License, Version 1.1. -This license is copied below, and is also available with a FAQ at: -http://scripts.sil.org/OFL - - ------------------------------------------------------------ -SIL OPEN FONT LICENSE Version 1.1 - 26 February 2007 ------------------------------------------------------------ - -PREAMBLE -The goals of the Open Font License (OFL) are to stimulate worldwide -development of collaborative font projects, to support the font creation -efforts of academic and linguistic communities, and to provide a free and -open framework in which fonts may be shared and improved in partnership -with others. - -The OFL allows the licensed fonts to be used, studied, modified and -redistributed freely as long as they are not sold by themselves. The -fonts, including any derivative works, can be bundled, embedded, -redistributed and/or sold with any software provided that any reserved -names are not used by derivative works. The fonts and derivatives, -however, cannot be released under any other type of license. The -requirement for fonts to remain under this license does not apply -to any document created using the fonts or their derivatives. - -DEFINITIONS -"Font Software" refers to the set of files released by the Copyright -Holder(s) under this license and clearly marked as such. This may -include source files, build scripts and documentation. - -"Reserved Font Name" refers to any names specified as such after the -copyright statement(s). - -"Original Version" refers to the collection of Font Software components as -distributed by the Copyright Holder(s). - -"Modified Version" refers to any derivative made by adding to, deleting, -or substituting -- in part or in whole -- any of the components of the -Original Version, by changing formats or by porting the Font Software to a -new environment. - -"Author" refers to any designer, engineer, programmer, technical -writer or other person who contributed to the Font Software. - -PERMISSION & CONDITIONS -Permission is hereby granted, free of charge, to any person obtaining -a copy of the Font Software, to use, study, copy, merge, embed, modify, -redistribute, and sell modified and unmodified copies of the Font -Software, subject to the following conditions: - -1) Neither the Font Software nor any of its individual components, -in Original or Modified Versions, may be sold by itself. - -2) Original or Modified Versions of the Font Software may be bundled, -redistributed and/or sold with any software, provided that each copy -contains the above copyright notice and this license. These can be -included either as stand-alone text files, human-readable headers or -in the appropriate machine-readable metadata fields within text or -binary files as long as those fields can be easily viewed by the user. - -3) No Modified Version of the Font Software may use the Reserved Font -Name(s) unless explicit written permission is granted by the corresponding -Copyright Holder. This restriction only applies to the primary font name as -presented to the users. - -4) The name(s) of the Copyright Holder(s) or the Author(s) of the Font -Software shall not be used to promote, endorse or advertise any -Modified Version, except to acknowledge the contribution(s) of the -Copyright Holder(s) and the Author(s) or with their explicit written -permission. - -5) The Font Software, modified or unmodified, in part or in whole, -must be distributed entirely under this license, and must not be -distributed under any other license. The requirement for fonts to -remain under this license does not apply to any document created -using the Font Software. - -TERMINATION -This license becomes null and void if any of the above conditions are -not met. - -DISCLAIMER -THE FONT SOFTWARE IS PROVIDED "AS IS", WITHOUT WARRANTY OF ANY KIND, -EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO ANY WARRANTIES OF -MERCHANTABILITY, FITNESS FOR A PARTICULAR PURPOSE AND NONINFRINGEMENT -OF COPYRIGHT, PATENT, TRADEMARK, OR OTHER RIGHT. IN NO EVENT SHALL THE -COPYRIGHT HOLDER BE LIABLE FOR ANY CLAIM, DAMAGES OR OTHER LIABILITY, -INCLUDING ANY GENERAL, SPECIAL, INDIRECT, INCIDENTAL, OR CONSEQUENTIAL -DAMAGES, WHETHER IN AN ACTION OF CONTRACT, TORT OR OTHERWISE, ARISING -FROM, OUT OF THE USE OR INABILITY TO USE THE FONT SOFTWARE OR FROM -OTHER DEALINGS IN THE FONT SOFTWARE. diff --git a/font/ptserif/PTSerif-Regular.ttf b/font/ptserif/PTSerif-Regular.ttf deleted file mode 100644 index 24af47855..000000000 Binary files a/font/ptserif/PTSerif-Regular.ttf and /dev/null differ diff --git a/font/roboto/LICENSE.txt b/font/roboto/LICENSE.txt deleted file mode 100644 index d64569567..000000000 --- a/font/roboto/LICENSE.txt +++ /dev/null @@ -1,202 +0,0 @@ - - Apache License - Version 2.0, January 2004 - http://www.apache.org/licenses/ - - TERMS AND CONDITIONS FOR USE, REPRODUCTION, AND DISTRIBUTION - - 1. Definitions. - - "License" shall mean the terms and conditions for use, reproduction, - and distribution as defined by Sections 1 through 9 of this document. - - "Licensor" shall mean the copyright owner or entity authorized by - the copyright owner that is granting the License. - - "Legal Entity" shall mean the union of the acting entity and all - other entities that control, are controlled by, or are under common - control with that entity. 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However, in accepting such obligations, You may act only - on Your own behalf and on Your sole responsibility, not on behalf - of any other Contributor, and only if You agree to indemnify, - defend, and hold each Contributor harmless for any liability - incurred by, or claims asserted against, such Contributor by reason - of your accepting any such warranty or additional liability. - - END OF TERMS AND CONDITIONS - - APPENDIX: How to apply the Apache License to your work. - - To apply the Apache License to your work, attach the following - boilerplate notice, with the fields enclosed by brackets "[]" - replaced with your own identifying information. (Don't include - the brackets!) The text should be enclosed in the appropriate - comment syntax for the file format. We also recommend that a - file or class name and description of purpose be included on the - same "printed page" as the copyright notice for easier - identification within third-party archives. - - Copyright [yyyy] [name of copyright owner] - - Licensed under the Apache License, Version 2.0 (the "License"); - you may not use this file except in compliance with the License. - You may obtain a copy of the License at - - http://www.apache.org/licenses/LICENSE-2.0 - - Unless required by applicable law or agreed to in writing, software - distributed under the License is distributed on an "AS IS" BASIS, - WITHOUT WARRANTIES OR CONDITIONS OF ANY KIND, either express or implied. - See the License for the specific language governing permissions and - limitations under the License. diff --git a/font/roboto/Roboto-Bold.ttf b/font/roboto/Roboto-Bold.ttf deleted file mode 100644 index d998cf5b4..000000000 Binary files a/font/roboto/Roboto-Bold.ttf and /dev/null differ diff --git a/font/roboto/Roboto-BoldItalic.ttf b/font/roboto/Roboto-BoldItalic.ttf deleted file mode 100644 index b4e221039..000000000 Binary files a/font/roboto/Roboto-BoldItalic.ttf and /dev/null differ diff --git a/font/roboto/Roboto-Italic.ttf b/font/roboto/Roboto-Italic.ttf deleted file mode 100644 index 5b390ff95..000000000 Binary files a/font/roboto/Roboto-Italic.ttf and /dev/null differ diff --git a/font/roboto/Roboto-Regular.ttf b/font/roboto/Roboto-Regular.ttf deleted file mode 100644 index 2b6392ffe..000000000 Binary files a/font/roboto/Roboto-Regular.ttf and /dev/null differ diff --git a/font/sonivox/LICENSE b/font/sonivox/LICENSE index e7bbb6b3b..1c833d739 100644 --- a/font/sonivox/LICENSE +++ b/font/sonivox/LICENSE @@ -1,10 +1,3 @@ -Copyright (c) 2004-2006 Sonic Network Inc. -Licensed under the Apache License, Version 2.0 (the "License"); -you may not use this file except in compliance with the License. -You may obtain a copy of the License at -http://www.apache.org/licenses/LICENSE-2.0 -Unless required by applicable law or agreed to in writing, software -distributed under the License is distributed on an "AS IS" BASIS, -WITHOUT WARRANTIES OR CONDITIONS OF ANY KIND, either express or implied. -See the License for the specific language governing permissions and -limitations under the License. +version https://git-lfs.github.com/spec/v1 +oid sha256:f0e01922118d6e8164e4bfc6bc85dfbcf79e8bbd6cd70c8dd774cda1d74a0b1b +size 571 diff --git a/font/sonivox/README.md b/font/sonivox/README.md index 318245dfb..387a59516 100644 --- a/font/sonivox/README.md +++ b/font/sonivox/README.md @@ -1,19 +1,3 @@ -SONiVOX EAS Version 2.10 Editing Software: Synthfont Viena - -Ported from Samsung GT-E1272, SM-B109E, SM-B310E, Spreadtrum, and Android Soundfont of SONiVOX EAS Full Presets and Full Keys Range (no reverb). Frequency 11khz - 32khz -Using a Creative Sound Blaster GM bank. Using a Software Creative Vienna Soundfont Studio. Copy a Soundfont wt210k_G.sf2 from in 3.5 Floppy Disk 1.44MB Assembled of Indonesia. - -Recommended Synthesizer: CoolSoft VirtualMIDISynth and BASSMIDI Driver. - -Windows OS Update 2021 -Microsoft Community https://answers.microsoft.com/ -English: SONiVOX Sound That Rocks Japanese: SONiVOX 揺れる音 -Available in country: Hong Kong Taiwan Japan -Powered by BASSMIDI Copyright 1993 Sonic Network, Inc. All Rights Reserved Sonivox Corporation Tokyo Japan. Made in Japan - -https://musical-artifacts.com/artifacts/1517 - -This soundfont is based on the Sonivox EAS synthesizer, Copyright Sonic Network Inc. 2006. -Sonivox EAS belongs to the Android Open Source Project. -https://android.googlesource.com/platform/external/sonivox/+/refs/heads/master - +version https://git-lfs.github.com/spec/v1 +oid sha256:ed0cbe4eea18be63d5b00311159b37613b631b521123c2a4ad15734e74fbb188 +size 1080 diff --git a/font/sonivox/sonivox.sf2 b/font/sonivox/sonivox.sf2 index 2c25632a9..6e880a7ca 100644 Binary files a/font/sonivox/sonivox.sf2 and b/font/sonivox/sonivox.sf2 differ diff --git a/font/sonivox/sonivox.sf3 b/font/sonivox/sonivox.sf3 index ece038710..3388945ae 100644 Binary files a/font/sonivox/sonivox.sf3 and b/font/sonivox/sonivox.sf3 differ diff --git a/package.json b/package.json index 77a80c916..a4eb06329 100644 --- a/package.json +++ b/package.json @@ -64,7 +64,8 @@ "devDependencies": { "@coderline/alphaskia": "^2.3.120", "@coderline/alphaskia-windows": "^2.3.120", - "@fontsource/roboto": "^5.1.1", + "@fontsource/noto-sans": "^5.1.1", + "@fontsource/noto-serif": "^5.1.1", "@fortawesome/fontawesome-free": "^6.7.2", "@popperjs/core": "^2.11.8", "@rollup/plugin-commonjs": "^28.0.2", diff --git a/playground-template/alphatex-editor.html b/playground-template/alphatex-editor.html index 58dba6349..b5149f2b2 100644 --- a/playground-template/alphatex-editor.html +++ b/playground-template/alphatex-editor.html @@ -5,17 +5,10 @@ AlphaTab alphaTex Editor Demo - - - - - - - @@ -71,13 +64,13 @@ req.onload = data => { document.getElementById('placeholder').outerHTML = req.responseText; - const element = document.getElementById('alphaTabControl'); + const element = document.getElementById('alphaTab'); delete element.dataset.file; delete element.dataset.tracks; element.dataset.tex = true; element.innerHTML = document.getElementById('editor').innerHTML; - window.at = setupControl('#alphaTabControl', { file: undefined, tex: ''}); + window.at = setupControl('#alphaTab', { file: undefined, tex: ''}); setupEditor(window.at, '#editor'); }; req.open('GET', 'control-template.html'); diff --git a/playground-template/control-template.html b/playground-template/control-template.html index 9db0cbedd..141ed1f6e 100644 --- a/playground-template/control-template.html +++ b/playground-template/control-template.html @@ -1,7 +1,25 @@ +
+
+ + +
+
- +
@@ -19,7 +37,6 @@
-
@@ -73,17 +90,34 @@
- - + -
-
+
- + - + @@ -94,7 +128,7 @@ - +
- \ No newline at end of file + diff --git a/playground-template/control.css b/playground-template/control.css index 33de87b15..f5dae5b8b 100644 --- a/playground-template/control.css +++ b/playground-template/control.css @@ -1,3 +1,27 @@ +@import url('../node_modules/@fontsource/noto-sans/300.css'); +@import url('../node_modules/@fontsource/noto-sans/400.css'); +@import url('../node_modules/@fontsource/noto-sans/500.css'); +@import url('../node_modules/@fontsource/noto-sans/700.css'); + +@import url('../node_modules/@fontsource/noto-sans/300-italic.css'); +@import url('../node_modules/@fontsource/noto-sans/400-italic.css'); +@import url('../node_modules/@fontsource/noto-sans/500-italic.css'); +@import url('../node_modules/@fontsource/noto-sans/700-italic.css'); + +@import url('../node_modules/@fontsource/noto-serif/300.css'); +@import url('../node_modules/@fontsource/noto-serif/400.css'); +@import url('../node_modules/@fontsource/noto-serif/500.css'); +@import url('../node_modules/@fontsource/noto-serif/700.css'); + +@import url('../node_modules/@fontsource/noto-serif/300-italic.css'); +@import url('../node_modules/@fontsource/noto-serif/400-italic.css'); +@import url('../node_modules/@fontsource/noto-serif/500-italic.css'); +@import url('../node_modules/@fontsource/noto-serif/700-italic.css'); + +@import url('../node_modules/@fortawesome/fontawesome-free/css/all.css'); + +@import url('../node_modules/bootstrap/dist/css/bootstrap.min.css'); + .at-cursor-bar { /* Defines the color of the bar background when a bar is played */ background: rgba(255, 242, 0, 0.25); @@ -22,7 +46,7 @@ html, body { - font-family: 'Roboto', sans-serif; + font-family: 'Noto Sans', sans-serif; font-size: 14px; height: 100vh; } @@ -421,3 +445,15 @@ input[type='range']::-moz-range-thumb { left: 0 !important; } } + +.at-menu { + position: fixed; + top: 1rem; + right: 1rem; + z-index: 10000; + overflow: initial; +} + +.at-menu .dropdown-toggle::after { + display: none; +} \ No newline at end of file diff --git a/playground-template/control.html b/playground-template/control.html index 8fb069c7e..af3631aa9 100644 --- a/playground-template/control.html +++ b/playground-template/control.html @@ -5,17 +5,10 @@ AlphaTab Control Demo - - - - - - - + - diff --git a/playground-template/control.mjs b/playground-template/control.mjs index 2bb851661..2b2ae9bd8 100644 --- a/playground-template/control.mjs +++ b/playground-template/control.mjs @@ -1,4 +1,4 @@ -import * as alphaTab from '../dist/alphaTab.mjs' +import * as alphaTab from '../dist/alphaTab.mjs'; const toDomElement = (function () { const parser = document.createElement('div'); @@ -10,17 +10,35 @@ const toDomElement = (function () { const params = new URL(window.location.href).searchParams; - const defaultSettings = { core: { logLevel: params.get('loglevel') ?? 'info' }, - file: "/test-data/audio/full-song.gp5", + file: '/test-data/audio/full-song.gp5', player: { enablePlayer: true, scrollOffsetX: -10, - soundFont: "/font/sonivox/sonivox.sf2" + soundFont: '/font/sonivox/sonivox.sf2' } +}; + +function applyFonts(settings) { + settings.display.resources.copyrightFont.families = ["Noto Sans"]; + settings.display.resources.titleFont.families = ["Noto Serif"]; + settings.display.resources.subTitleFont.families = ["Noto Serif"]; + settings.display.resources.wordsFont.families = ["Noto Serif"]; + settings.display.resources.effectFont.families = ["Noto Serif"]; + settings.display.resources.timerFont.families = ["Noto Serif"]; + settings.display.resources.fretboardNumberFont.families = ["Noto Sans"]; + settings.display.resources.tablatureFont.families = ["Noto Sans"]; + settings.display.resources.graceFont.families = ["Noto Sans"]; + settings.display.resources.barNumberFont.families = ["Noto Sans"]; + settings.display.resources.fingeringFont.families = ["Noto Serif"]; + settings.display.resources.inlineFingeringFont.families = ["Noto Serif"]; + settings.display.resources.markerFont.families = ["Noto Serif"]; + settings.display.resources.directionsFont.families = ["Noto Serif"]; + settings.display.resources.numberedNotationFont.families = ["Noto Sans"]; + settings.display.resources.numberedNotationGraceFont.families = ["Noto Sans"]; } function createTrackItem(track, trackSelection) { @@ -77,20 +95,25 @@ function createTrackItem(track, trackSelection) { return trackItem; } -export function setupControl(selector, settings) { +export function setupControl(selector, customSettings) { const el = document.querySelector(selector); const control = el.closest('.at-wrap'); const viewPort = 'playerScrollelement' in el.dataset ? el.dataset.playerScrollelement : control.querySelector('.at-viewport'); - const at = new alphaTab.AlphaTabApi(el, { + + const settings = new alphaTab.Settings(); + applyFonts(settings); + settings.fillFromJson({ ...defaultSettings, player: { ...defaultSettings.player, scrollElement: viewPort }, - ...settings + ...customSettings }); + + const at = new alphaTab.AlphaTabApi(el, settings); at.error.on(function (e) { console.error('alphaTab error', e); }); @@ -155,7 +178,6 @@ export function setupControl(selector, settings) { const trackList = control.querySelector('.at-track-list'); trackList.innerHTML = ''; - score.tracks.forEach(function (track) { const trackItem = createTrackItem(track, tracks); trackItems.push(trackItem); @@ -308,8 +330,7 @@ export function setupControl(selector, settings) { }; }); - for(const t of control.querySelectorAll('[data-toggle="tooltip"]')) - { + for (const t of control.querySelectorAll('[data-toggle="tooltip"]')) { new bootstrap.Tooltip(t); } @@ -333,4 +354,4 @@ function updateProgress(el, value) { } } el.querySelector('.progress-value-number').innerText = value | 0; -} \ No newline at end of file +} diff --git a/test-data/audio/Example.ogg b/test-data/audio/Example.ogg index 39f957bf5..6b899ce55 100644 Binary files a/test-data/audio/Example.ogg and b/test-data/audio/Example.ogg differ diff --git a/test-data/audio/Example_alphaTab.pcm b/test-data/audio/Example_alphaTab.pcm index 66862ae63..3e08796a7 100644 Binary files a/test-data/audio/Example_alphaTab.pcm and b/test-data/audio/Example_alphaTab.pcm differ diff --git a/test-data/audio/Short.ogg b/test-data/audio/Short.ogg index 63e1b541d..e853ea7f7 100644 Binary files a/test-data/audio/Short.ogg and b/test-data/audio/Short.ogg differ diff --git a/test-data/audio/Short_alphaTab.pcm b/test-data/audio/Short_alphaTab.pcm index b9673cac2..7ff24f53d 100644 Binary files a/test-data/audio/Short_alphaTab.pcm and b/test-data/audio/Short_alphaTab.pcm differ diff --git a/test-data/audio/audio-generation.gp b/test-data/audio/audio-generation.gp index 1499e00df..c6fb5824d 100644 Binary files a/test-data/audio/audio-generation.gp and b/test-data/audio/audio-generation.gp differ diff --git a/test-data/audio/audio-generation.pcm b/test-data/audio/audio-generation.pcm index acabfa1fe..43bbcbf19 100644 Binary files a/test-data/audio/audio-generation.pcm and b/test-data/audio/audio-generation.pcm differ diff --git a/test-data/audio/cursor-snapping.gp b/test-data/audio/cursor-snapping.gp index 1e0148413..9ca038360 100644 Binary files a/test-data/audio/cursor-snapping.gp and b/test-data/audio/cursor-snapping.gp differ diff --git a/test-data/audio/default.sf2 b/test-data/audio/default.sf2 index bd4cc714c..9abd11cde 100644 Binary files a/test-data/audio/default.sf2 and b/test-data/audio/default.sf2 differ diff --git a/test-data/audio/default.sf3 b/test-data/audio/default.sf3 index ece038710..3388945ae 100644 Binary files a/test-data/audio/default.sf3 and b/test-data/audio/default.sf3 differ diff --git a/test-data/audio/full-song.gp5 b/test-data/audio/full-song.gp5 index c4322cfcd..ff9a37695 100644 Binary files a/test-data/audio/full-song.gp5 and b/test-data/audio/full-song.gp5 differ diff --git a/test-data/audio/grace-beats.gp b/test-data/audio/grace-beats.gp index b3049f98d..2139f581a 100644 Binary files a/test-data/audio/grace-beats.gp and b/test-data/audio/grace-beats.gp differ diff --git a/test-data/audio/ornaments.gp b/test-data/audio/ornaments.gp index 85ecf1567..0308aa559 100644 Binary files a/test-data/audio/ornaments.gp and b/test-data/audio/ornaments.gp differ diff --git a/test-data/audio/rasgueado.gp b/test-data/audio/rasgueado.gp index f5bcaa2be..d9e77cea9 100644 Binary files a/test-data/audio/rasgueado.gp and b/test-data/audio/rasgueado.gp differ diff --git a/test-data/audio/repeat-close-alternate-endings.gp5 b/test-data/audio/repeat-close-alternate-endings.gp5 index 67da62945..45e8bf083 100644 Binary files a/test-data/audio/repeat-close-alternate-endings.gp5 and b/test-data/audio/repeat-close-alternate-endings.gp5 differ diff --git a/test-data/audio/repeat-close-multi.gp5 b/test-data/audio/repeat-close-multi.gp5 index f9d5c6e71..af5a35781 100644 Binary files a/test-data/audio/repeat-close-multi.gp5 and b/test-data/audio/repeat-close-multi.gp5 differ diff --git a/test-data/audio/repeat-close-without-start-at-beginning.gp5 b/test-data/audio/repeat-close-without-start-at-beginning.gp5 index 956b98ab9..7094f58ae 100644 Binary files a/test-data/audio/repeat-close-without-start-at-beginning.gp5 and b/test-data/audio/repeat-close-without-start-at-beginning.gp5 differ diff --git a/test-data/audio/repeat-close.gp5 b/test-data/audio/repeat-close.gp5 index 0ec62e484..3ca3c8e68 100644 Binary files a/test-data/audio/repeat-close.gp5 and b/test-data/audio/repeat-close.gp5 differ diff --git a/test-data/audio/tied-bend-hammer.gp b/test-data/audio/tied-bend-hammer.gp index a859cfc6b..e3dbb9af2 100644 Binary files a/test-data/audio/tied-bend-hammer.gp and b/test-data/audio/tied-bend-hammer.gp differ diff --git a/test-data/bundler/vite/index.html b/test-data/bundler/vite/index.html index 60fe67cbf..5d5a4c64d 100644 --- a/test-data/bundler/vite/index.html +++ b/test-data/bundler/vite/index.html @@ -1,12 +1,3 @@ - - - - - - Vite App - - -
- - - +version https://git-lfs.github.com/spec/v1 +oid sha256:6e7bce1bbb98c61de03de6750800cf4aa91982636f6723d42e5145d3c87fab1d +size 307 diff --git a/test-data/bundler/vite/main.mjs b/test-data/bundler/vite/main.mjs index 5c3700f03..1e1765c12 100644 --- a/test-data/bundler/vite/main.mjs +++ b/test-data/bundler/vite/main.mjs @@ -1,28 +1,3 @@ -import * as alphaTab from '../../../dist/alphaTab.mjs' - -const toolbar = document.createElement('div'); -toolbar.style.position = 'absolute'; -toolbar.style.top = "0px"; -toolbar.style.left = "0px"; -toolbar.style.right = "0px"; -toolbar.style.height = "20px"; - -const element = document.querySelector('#alphaTab'); -const api = new alphaTab.AlphaTabApi(element, { - core: { - file: "https://www.alphatab.net/files/canon.gp", - // Resolve URL as we copied the files - fontDirectory: new URL("/font/bravura/", document.location).href, - logLevel: alphaTab.LogLevel.Debug - }, - player: { - enablePlayer: true, - // Resolve URL as we copied the files - soundFont: new URL("/font/sonivox/sonivox.sf2", document.location).href - }, -}); - -const playPause = document.querySelector('#playPause'); -playPause.onclick = ()=>{ - api.playPause(); -}; \ No newline at end of file +version https://git-lfs.github.com/spec/v1 +oid sha256:b6d399466b706260a5e301811abbd6db28e5fbde2daa9eb61993846bde320648 +size 869 diff --git a/test-data/bundler/webpack/src/app.mjs b/test-data/bundler/webpack/src/app.mjs index b7cddd778..620810e12 100644 --- a/test-data/bundler/webpack/src/app.mjs +++ b/test-data/bundler/webpack/src/app.mjs @@ -1,30 +1,3 @@ -import * as alphaTab from '../../../../dist/alphaTab.mjs' - -const toolbar = document.createElement('div'); -toolbar.style.position = 'absolute'; -toolbar.style.top = "0px"; -toolbar.style.left = "0px"; -toolbar.style.right = "0px"; -toolbar.style.height = "20px"; - - - -const element = document.querySelector('#alphaTab'); -const api = new alphaTab.AlphaTabApi(element, { - core: { - file: "https://www.alphatab.net/files/canon.gp", - // Resolve URL as we copied the files - fontDirectory: new URL("/font/bravura/", document.location).href, - logLevel: alphaTab.LogLevel.Debug - }, - player: { - enablePlayer: true, - // Resolve URL as we copied the files - soundFont: new URL("/font/sonivox/sonivox.sf2", document.location).href - }, -}); - -const playPause = document.querySelector('#playPause'); -playPause.onclick = ()=>{ - api.playPause(); -}; \ No newline at end of file +version https://git-lfs.github.com/spec/v1 +oid sha256:7bf8fab7d8b81fa188583b762e153008ac808cab0c746e6f4dffb179285d9a37 +size 876 diff --git a/test-data/bundler/webpack/src/index.ejs b/test-data/bundler/webpack/src/index.ejs index 1eaef266f..f7c459412 100644 --- a/test-data/bundler/webpack/src/index.ejs +++ b/test-data/bundler/webpack/src/index.ejs @@ -1,49 +1,3 @@ - - - - - - <%= htmlWebpackPlugin.options.title %> - - - - - -
- -
-
- - - \ No newline at end of file +version https://git-lfs.github.com/spec/v1 +oid sha256:7157dbfb500424f6be07b17644b03a9311c9e2ad59c21b231c0d8503b725dbac +size 1174 diff --git a/test-data/conversion/full-song.gp5 b/test-data/conversion/full-song.gp5 index f966639dd..470a7355d 100644 Binary files a/test-data/conversion/full-song.gp5 and b/test-data/conversion/full-song.gp5 differ diff --git a/test-data/conversion/full-song.gpx b/test-data/conversion/full-song.gpx index 2ffd76537..b01e7c072 100644 Binary files a/test-data/conversion/full-song.gpx and b/test-data/conversion/full-song.gpx differ diff --git a/test-data/guitarpro3/accentuations.gp3 b/test-data/guitarpro3/accentuations.gp3 index 0880318dc..08062bfcd 100644 Binary files a/test-data/guitarpro3/accentuations.gp3 and b/test-data/guitarpro3/accentuations.gp3 differ diff --git a/test-data/guitarpro3/bends.gp3 b/test-data/guitarpro3/bends.gp3 index cac359dd9..2fd5013ec 100644 Binary files a/test-data/guitarpro3/bends.gp3 and 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--git a/test-data/musicxml-samples/BeetAnGeSample.xml b/test-data/musicxml-samples/BeetAnGeSample.xml index 5ea53436f..4c189e0eb 100644 --- a/test-data/musicxml-samples/BeetAnGeSample.xml +++ b/test-data/musicxml-samples/BeetAnGeSample.xml @@ -1,4274 +1,3 @@ - - - - - Op. 98 - An die ferne Geliebte (Page 1) - - - Ludwig van Beethoven - Aloys Jeitteles - Copyright © 2002 Recordare LLC - - Finale 2011 for Windows - Dolet 6.0 for Finale - 2011-08-08 - - - - - - - 6.35 - 40 - - - 1760 - 1360 - - 80 - 80 - 80 - 80 - - - - - 71 - 0 - - 108 - 65 - - - 101 - - - 0.957 - 5.0391 - 0.957 - 1.875 - 5.0391 - 1.875 - 0.957 - 0.957 - 0.957 - 0.957 - 60 - 60 - 120 - 8 - - - - - - - An die ferne Geliebte -   - - Op. 98 - - - Copyright © 2002 Recordare LLC - - - Aloys Jeitteles - - - Ludwig van Beethoven - - - - Voice - - Voice - - - 1 - 53 - 80 - 0 - - - - Piano - - Acoustic Grand Piano - - - 2 - 1 - 80 - 0 - - - - - - - - - - 150 - 0 - - 300 - - system - - - 24 - - -3 - major - - - - G - 2 - - - - - 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-1 - 4 - - 12 - 1 - eighth - up - begin - - middle - lieb - - - - - F - 4 - - 12 - 1 - eighth - up - end - - end - te, - - - - - - - - E - -1 - 4 - - 24 - 1 - quarter - up - - single - fand. - - - - - 24 - 1 - quarter - - - - 24 - 1 - quarter - - - - - - - 72 - 1 - - - - - - - - 0 - 0 - - 192 - - - - - 24 - 1 - quarter - - - - B - -1 - 4 - - 24 - 1 - quarter - down - - single - Weit - - - - - B - -1 - 4 - - 24 - 1 - quarter - down - - single - bin - - - - - - - - B - -1 - 4 - - 36 - 1 - quarter - - down - - single - ich - - - - - C - 5 - - 12 - 1 - eighth - down - - single - von - - - - - D - 5 - - 12 - 1 - eighth - down - begin - - single - dir - - - - - E - -1 - 5 - - 12 - 1 - eighth - down - end - - begin - ge - - - - - - - - E - -1 - 5 - - 24 - 1 - quarter - down - - middle - schie - - - - - G - 4 - - 12 - 1 - eighth - up - - end - den, - - - - - 12 - 1 - eighth - - - - A - -1 - 4 - - 12 - 1 - eighth - up - begin - - begin - tren - - - - - G - 4 - - 12 - 1 - eighth - up - end - - end - nend - - - - - - - - F - 4 - - 12 - 1 - eighth - up - begin - - begin - lie - - - - - A - -1 - 4 - - 12 - 1 - eighth - up - end - - end - gen - - - - - C - 5 - - 24 - 1 - quarter - down - - single - Berg - - - - - C - 5 - - 24 - 1 - quarter - down - - single - und - - - - - - - - F - 4 - - 24 - 1 - quarter - up - - single - Thal - - - - - B - -1 - 4 - - 36 - 1 - quarter - - down - - begin - zwi - - - - - C - 5 - - 12 - 1 - eighth - down - - end - schen - - - - - - - - - - 70 - - none - - - 96 - - -3 - major - - - 2 - - G - 2 - - - F - 4 - - - - - -

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up - 1 - - - - B - 4 - - 48 - 1 - eighth - 1 - - - - B - -1 - 3 - - 48 - 1 - eighth - up - 1 - begin - - - - - G - 4 - - 48 - 1 - eighth - up - 1 - - - - 24 - 1 - 16th - 1 - - - - B - -1 - 3 - - 24 - 1 - 16th - up - 1 - end - backward hook - - - - - G - 4 - - 24 - 1 - 16th - up - 1 - - - - B - -1 - 3 - - 48 - 1 - eighth - up - 1 - - - - - G - 4 - - 48 - 1 - eighth - up - 1 - - - - B - 4 - - 48 - 1 - eighth - 1 - - - 288 - - - - E - -1 - 3 - - 48 - 3 - eighth - flat - down - 2 - - - - - G - 3 - - 48 - 3 - eighth - down - 2 - - - - D - 3 - - 48 - 3 - eighth - 2 - - - - E - -1 - 3 - - 48 - 3 - eighth - down - 2 - begin - - - - 24 - 3 - 16th - 2 - - - - E - -1 - 3 - - 24 - 3 - 16th - down - 2 - end - backward hook - - - - E - -1 - 2 - - 48 - 3 - eighth - up - 2 - - - - D - 3 - - 48 - 3 - eighth - 2 - - - - - - - B - 4 - - 96 - 1 - quarter - 1 - - - - E - -1 - 4 - - 48 - 1 - eighth - up - 1 - begin - - - - - G - 4 - - 48 - 1 - eighth - up - 1 - - - - 24 - 1 - 16th - 1 - - - - E - -1 - 4 - - 24 - 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- - - Excerpt from Magnificat secundi toni - - Gilles Binchois - Copyright © 2010 Recordare LLC - - Finale 2011 for Windows - Dolet 6.0 for Finale - 2011-08-08 - - - - - - - 5.7326 - 40 - - - 1950 - 1506 - - 98 - 84 - 89 - 89 - - - - - 0 - 0 - - 101 - 101 - - - 93 - - - 0.957 - 5 - 1.25 - 1.4583 - 5 - 1.875 - 1.4583 - 0.9375 - 1.4583 - 1.4583 - 50 - 50 - 60 - 8 - - - - - - - Magnificat secundi toni - - - - yes - - - Cantus - - Cantus - - - 1 - 54 - 80 - 0 - - - - Cantus 2 and Tenor - - Cantus 2 - - - Tenor - - - 2 - 42 - 80 - 0 - - - 3 - 43 - 80 - 0 - - - - - - - - - - 266 - - none - - - 8 - - -1 - major - - - F - 4 - - - - - - Chorus - - - - - C - 4 - - 8 - 1 - quarter - none - - begin - Ma - - - - - D - 4 - - 8 - 1 - quarter - none - - middle - gni - - - - - C - 4 - - 8 - 1 - quarter - none - - - - - middle - fi - - - - - F - 4 - - 8 - 1 - quarter - none - - - - - - - F - 4 - - 8 - 1 - quarter - none - - end - cat - - - - - - - - - - - - (C.) - - - - - 8 - 1 - quarter - - - - 8 - 1 - 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- - - D - 3 - - 24 - - 2 - half - - down - - - light-light - - - - - - - 101 - - - - - CT.(instr.) - - - - - T.(instr.) - - - - - A - 3 - - 12 - - 1 - quarter - - up - - - - F - 3 - - 4 - - 1 - eighth - up - - - - B - -1 - 3 - - 8 - - 1 - quarter - up - - - 24 - - - - D - 3 - - 8 - - 2 - quarter - down - - - - F - 3 - - 4 - - 2 - eighth - down - begin - - - - A - 3 - - 4 - - 2 - eighth - down - end - - - - G - 3 - - 8 - - 2 - quarter - down - - - - - - - - C - 4 - - 8 - - 1 - quarter - up - - - - A - 3 - - 4 - - 1 - eighth - up - begin - - - - G - 3 - - 4 - - 1 - eighth - up - end - - - - B - -1 - 3 - - 8 - - 1 - quarter - up - - - 24 - - - - F - 3 - - 8 - - 2 - quarter - down - - - - F - 3 - - 4 - - 2 - eighth - down - begin - - - - F - 3 - - 4 - - 2 - eighth - down - end - - - - D - 3 - - 8 - - 2 - quarter - down - - - - - - - - B - -1 - 3 - - 8 - - 1 - quarter - up - - - - C - 4 - - 4 - - 1 - eighth - up - begin - - - - B - -1 - 3 - - 4 - - 1 - eighth - up - end - - - - G - 3 - - 8 - 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- 4 - - 1 - eighth - up - end - - - - - - 1 - - - - D - 3 - - 4 - - 1 - eighth - up - - - - D - 3 - - 8 - - 1 - quarter - up - - - - C - 3 - - 4 - - 1 - eighth - up - - - 24 - - - - C - 3 - - 8 - - - 2 - quarter - down - - - - - - - B - -1 - 2 - - 16 - - 2 - half - down - - - - - - - - E - 3 - - 16 - - 1 - half - up - - - - - - - 8 - - 1 - quarter - - - 24 - - - - A - 2 - - 16 - - 2 - half - down - - - - - - - 8 - - 2 - quarter - - - - - - - - - - - - - A - 2 - - 8 - - 1 - quarter - up - - - - A - 3 - - 12 - - 1 - quarter - - up - - - - - - -5 - - - - F - 3 - - 4 - - 1 - eighth - up - - - 24 - - - - C - 3 - - 8 - - 2 - quarter - down - - - - D - 3 - - 16 - - 2 - half - down - - - - - +version https://git-lfs.github.com/spec/v1 +oid sha256:7945e0ac93e54257384554016762b07e3484133a37f77e336c6d12cfe12dda8b +size 74394 diff --git a/test-data/musicxml-samples/BrahWiMeSample.mxl b/test-data/musicxml-samples/BrahWiMeSample.mxl index 76271472a..f4017a7cf 100644 Binary files a/test-data/musicxml-samples/BrahWiMeSample.mxl and b/test-data/musicxml-samples/BrahWiMeSample.mxl differ diff --git a/test-data/musicxml-samples/BrahWiMeSample.pdf b/test-data/musicxml-samples/BrahWiMeSample.pdf index e6af26718..06526b136 100644 Binary files a/test-data/musicxml-samples/BrahWiMeSample.pdf and b/test-data/musicxml-samples/BrahWiMeSample.pdf differ diff --git a/test-data/musicxml-samples/BrahWiMeSample.xml b/test-data/musicxml-samples/BrahWiMeSample.xml index 70344a7e9..40f0fe874 100644 --- a/test-data/musicxml-samples/BrahWiMeSample.xml +++ b/test-data/musicxml-samples/BrahWiMeSample.xml @@ -1,3023 +1,3 @@ - - - - Wie Melodien zieht es mir (Page 1) - - Johannes Brahms - Copyright © 2002 Recordare LLC - - Finale 2011 for Windows - Dolet 6.0 for Finale - 2011-08-08 - - - - - - - 6.35 - 40 - - - 1760 - 1360 - - 80 - 80 - 80 - 80 - - - - - 0 - 0 - - 130 - 70 - - - 80 - - - 0.8333 - 5 - 1.25 - 1.875 - 5 - 1.875 - 0.8333 - 1.25 - 1.25 - 0.8333 - 60 - 60 - 60 - 8 - - - - - - - page number - 2 - - - Copyright © 2002 Recordare LLC - - - Wie Melodien zieht es mir - - - Op. 105, No. 1 - - - Klaus Groth - - - Johannes Brahms - - - - Voice - - Voice - - - 1 - 53 - 80 - 0 - - - - Piano - - Acoustic Grand Piano - - - 2 - 1 - 80 - 0 - - - - - - - - - - 120 - 0 - - 230 - - system - - - 2 - - 3 - major - - - - G - 2 - - - - - Zart - - - - - - 2 - 1 - quarter - - - - C - 1 - 4 - - 2 - 1 - quarter - up - - single - Wie - - - - - E - 4 - - 2 - 1 - quarter - up - - begin - Me - - - - - A - 4 - - 2 - 1 - quarter - up - - middle - lo - - - - - - - - D - 5 - - 2 - 1 - quarter - down - - - - - middle - di - - - - - 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- - - - G - 1 - 4 - - 8 - 1 - quarter - up - 1 - - - - E - 5 - - 16 - 1 - half - down - 1 - - - - - - - - G - 1 - 5 - - 16 - 1 - half - down - 1 - - - - D - 1 - 5 - - 8 - - 1 - quarter - sharp - down - 1 - - - - - - - - F - 1 - 5 - - 8 - - 1 - quarter - down - 1 - - - - - - 32 - - - - E - 2 - - 4 - 3 - eighth - up - 2 - begin - - - - - - - E - 3 - - 4 - 3 - eighth - up - 2 - continue - - - - G - 1 - 3 - - 4 - 3 - eighth - up - 2 - continue - - - - B - 3 - - 4 - 3 - eighth - up - 2 - end - - - - B - 1 - 3 - - 4 - 3 - eighth - sharp - down - 2 - - - - G - 1 - 3 - - 8 - 3 - quarter - down - 2 - - - - E - 3 - - 4 - 3 - eighth - down - 2 - - - - - - - - - - D - 1 - 5 - - 8 - - 1 - quarter - down - 1 - - - - - - - - F - 1 - 5 - - 8 - - 1 - quarter - down - 1 - - - - - - - C - 1 - 5 - - 16 - 1 - half - down - 1 - - - - - E - 5 - - 16 - 1 - half - down - 1 - - - - G - 1 - 4 - - 8 - 1 - quarter - up - 1 - - - - - - - - B - 1 - 4 - - 8 - 1 - quarter - sharp - up - 1 - - - 32 - - - - E - 2 - - 4 - 3 - eighth - down - 2 - begin - - - - - - - E - 3 - - 4 - 3 - eighth - down - 2 - continue - - - - G - 1 - 3 - - 4 - 3 - eighth - down - 2 - continue - - - - C - 1 - 4 - - 4 - 3 - eighth - down - 2 - end - - - - D - 4 - - 4 - 3 - eighth - natural - down - 2 - - - - G - 1 - 3 - - 8 - 3 - quarter - down - 2 - - - - E - 3 - - 4 - 3 - eighth - down - 2 - - - - - - - - - - B - 4 - - 12 - 1 - quarter - - natural - down - 1 - - - - - - - - D - 1 - 5 - - 12 - 1 - quarter - - sharp - down - 1 - - - - A - 4 - - 4 - 1 - eighth - down - 1 - - - - - C - 1 - 5 - - 4 - 1 - eighth - down - 1 - - - - F - 1 - 4 - - 12 - 1 - quarter - - up - 1 - - - - - A - 4 - - 12 - 1 - quarter - - up - 1 - - - - A - 3 - - 4 - 1 - eighth - up - 1 - - - - - - - - D - 1 - 4 - - 4 - 1 - eighth - sharp - up - 1 - - - 32 - - - - A - 1 - - 4 - 3 - eighth - up - 2 - begin - - - - - - - A - 2 - - 4 - 3 - eighth - up - 2 - continue - - - - C - 1 - 3 - - 4 - 3 - eighth - up - 2 - continue - - - - F - 1 - 3 - - 4 - 3 - eighth - up - 2 - end - - - - - - - 4 - 3 - eighth - 2 - - - - B - 1 - - 4 - 3 - eighth - up - 2 - begin - - - - - - - B - 2 - - 4 - 3 - eighth - up - 2 - continue - - - - F - 1 - 3 - - 4 - 3 - eighth - up - 2 - end - - - - - - - - - 16 - 1 - 1 - - - 8 - 1 - 1 - - - - - - -1 - 1 - - - - B - 4 - - 4 - 1 - eighth - 1 - - - - - - 2 - 1 - - - - G - 1 - 4 - - 4 - 1 - eighth - up - 1 - - - - - - 32 - - - - B - 4 - - 4 - 2 - eighth - 1 - - - - E - 4 - - 4 - 2 - eighth - down - 1 - begin - - - - - - - D - 5 - - 4 - 2 - eighth - natural - down - 1 - continue - - - - B - 4 - - 4 - 2 - eighth - down - 1 - end - - - - G - 1 - 4 - - 4 - 2 - eighth - down - 1 - begin - - - - E - 4 - - 4 - 2 - eighth - down - 1 - continue - - - - D - 4 - - 4 - 2 - eighth - up - 2 - continue - - - - B - 3 - - 4 - 2 - eighth - up - 2 - end - - - 32 - - - - E - 2 - - 4 - 3 - eighth - up - 2 - begin - - - - - - - E - 3 - - 4 - 3 - eighth - up - 2 - continue - - - - G - 1 - 3 - - 4 - 3 - eighth - up - 2 - end - - - - - - - 4 - 3 - eighth - 2 - - - - 8 - 3 - quarter - 2 - - - 8 - 3 - 2 - - - - - - - - - 1 - - - - F - 1 - 5 - - 4 - 1 - eighth - down - 1 - begin - - - - D - 5 - - 4 - 1 - eighth - down - 1 - continue - - - - B - 4 - - 4 - 1 - eighth - down - 1 - continue - - - - - - 1 - 1 - - - - G - 1 - 4 - - 4 - 1 - eighth - down - 1 - end - - - - F - 4 - - - - - F - 1 - 4 - - 4 - 1 - eighth - down - 1 - begin - - - - D - 4 - - 4 - 1 - eighth - down - 1 - continue - - - - B - 3 - - 4 - 1 - eighth - down - 1 - continue - - - - G - 1 - 3 - - 4 - 1 - eighth - down - 1 - end - - - - - - 32 - - - - E - 3 - - 8 - 3 - quarter - down - 2 - - - - - - - 8 - 3 - quarter - 2 - - - - 16 - 3 - half - 2 - - - - - +version https://git-lfs.github.com/spec/v1 +oid sha256:7cc9f598ae87a581b782a1ea1725ffe644f42dac84ec9440812cb906dbc75ad9 +size 85277 diff --git a/test-data/musicxml-samples/BrookeWestSample.mxl b/test-data/musicxml-samples/BrookeWestSample.mxl index bc9ad343e..fa447f8a8 100644 Binary files a/test-data/musicxml-samples/BrookeWestSample.mxl and b/test-data/musicxml-samples/BrookeWestSample.mxl differ diff --git a/test-data/musicxml-samples/BrookeWestSample.pdf b/test-data/musicxml-samples/BrookeWestSample.pdf index 85db430c3..f9dd5b0d3 100644 Binary files a/test-data/musicxml-samples/BrookeWestSample.pdf and b/test-data/musicxml-samples/BrookeWestSample.pdf differ diff --git a/test-data/musicxml-samples/BrookeWestSample.xml b/test-data/musicxml-samples/BrookeWestSample.xml index a601396bf..bd69a9916 100644 --- a/test-data/musicxml-samples/BrookeWestSample.xml +++ b/test-data/musicxml-samples/BrookeWestSample.xml @@ -1,5940 +1,3 @@ - - - - West Point - - Jonatha Brooke - © 1995 Dog Dream Music. All rights reserved. - - Finale 2011 for Windows - Dolet 6.0 for Finale - 2011-08-08 - - - - - - - 7.2319 - 40 - - - 1545 - 1194 - - 140 - 70 - 70 - 70 - - - - - 0 - 0 - - 181 - 70 - - - 81 - - - 0.957 - 5 - 1.4583 - 1.4583 - 5 - 1.875 - 1.4583 - 0.9375 - 1.4583 - 1.4583 - 50 - 50 - 60 - 8 - - - - - - - composer - Words and Music by -Jonatha Brooke - - - rights - © 1995 Dog Dream Music. All rights reserved. Transcription by Ken Temple, Marian Russell, and Michael Good. - - - title - West Point - - - - Voice - - Voice - - - 1 - 55 - 80 - 0 - - - - Guitar - - Acoustic Guitar (steel) - - - 2 - 26 - 80 - 0 - - - - - - - - none - - - 4 - - 6 - major - - - - G - 2 - - - - - - - 16 - 1 - - - - - - - - 16 - 1 - - - - - - - - 16 - 1 - - - - - - - - 16 - 1 - - - - - - - - 16 - 1 - - - - - - - 16 - 1 - - - - - - - 16 - 1 - - - - - - - 16 - 1 - - - - - - - 16 - 1 - - - - - - - 83 - - - - - - - - 8 - 1 - half - - - - 4 - 1 - quarter - - - - F - 1 - 4 - - 2 - 1 - eighth - up - begin - - single - I'm - - - - - A - 1 - 4 - - 2 - 1 - eighth - up - end - - begin - re - - - - - - - - - G - 1 - 4 - - 1 - 1 - 16th - up - begin - forward hook - - middle - tra - - - - - G - 1 - 4 - - 2 - 1 - eighth - up - continue - - middle - vel - - - - - G - 1 - 4 - - 2 - 1 - eighth - up - continue - - end - ling - - - - - G - 1 - 4 - - 2 - 1 - eighth - up - continue - - single - this - - - - - G - 1 - 4 - - 1 - - 1 - 16th - up - end - backward hook - - - - - begin - life - - - - - G - 1 - 4 - - 1 - - 1 - 16th - up - begin - forward hook - - - - - - - F - 1 - 4 - - 3 - 1 - eighth - - up - end - - end - line - - - - - F - 1 - 4 - - 2 - 1 - eighth - up - begin - - single - that's - - - - - A - 1 - 4 - - 2 - 1 - eighth - up - end - - single - so - - - - - - - - - G - 1 - 4 - - 3 - 1 - eighth - - up - begin - - single - close - - - - - F - 1 - 4 - - 1 - - 1 - 16th - up - end - backward hook - - - - - single - to - - - - - - F - 1 - 4 - - 2 - - 1 - eighth - up - begin - - - - - - - E - 1 - 4 - - 2 - - 1 - eighth - up - end - - - - - single - home - - - - - - E - 1 - 4 - - 4 - - 1 - quarter - up - - - - - - - 2 - 1 - eighth - - - - D - 1 - 4 - - 1 - 1 - 16th - up - begin - begin - - single - We - - - - - E - 1 - 4 - - 1 - 1 - 16th - up - end - end - - single - are - - - - - - - - 83 - - - - - F - 1 - 4 - - 1 - 1 - 16th - up - begin - forward hook - - single - on - - - - - E - 1 - 4 - - 2 - 1 - eighth - up - continue - - single - our - - - - - F - 1 - 4 - - 2 - 1 - eighth - up - continue - - single - way - - - - - A - 1 - 3 - - 2 - 1 - eighth - up - continue - - single - to - - - - - G - 1 - 3 - - 1 - - 1 - 16th - up - end - backward hook - - - - - single - West - - - - - - G - 1 - 3 - - 1 - - 1 - 16th - up - begin - forward hook - - - - - - - F - 1 - 3 - - 3 - 1 - eighth - - up - end - - single - Point - - - - - 2 - 1 - eighth - - - - D - 1 - 4 - - 1 - 1 - 16th - up - begin - begin - - single - Where - - - - - E - 1 - 4 - - 1 - 1 - 16th - up - end - end - - single - your - - - - - - - - - F - 1 - 4 - - 1 - 1 - 16th - up - begin - begin - - begin - per - - - - - E - 1 - 4 - - 1 - 1 - 16th - up - end - end - - end - fect, - - - - - 2 - 1 - eighth - - - - D - 1 - 4 - - 4 - 1 - quarter - up - - single - blond - - - - - A - 1 - 3 - - 1 - 1 - 16th - up - begin - forward hook - - begin - cou - - - - - G - 1 - 3 - - 2 - 1 - eighth - up - continue - - end - sin - - - - - F - 1 - 3 - - 2 - 1 - eighth - up - continue - - single - will - - - - - B - 3 - - 2 - 1 - eighth - up - continue - - single - throw - - - - - A - 1 - 3 - - 1 - 1 - 16th - up - end - backward hook - - single - his - - - - - - - - 77 - - - - - A - 1 - 3 - - 2 - 1 - eighth - up - - single - hat - - - - - 2 - 1 - eighth - - - - F - 1 - 4 - - 1 - 1 - 16th - up - begin - begin - - single - in - - - - - G - 1 - 4 - - 1 - 1 - 16th - up - continue - end - - single - the - - - - - A - 1 - 4 - - 2 - - 1 - eighth - up - end - - - - - single - air - - - - - - A - 1 - 4 - - 8 - - - 1 - half - up - - - - - - - - - - - - A - 1 - 4 - - 8 - - 1 - half - up - - - - - - - 3 - 1 - eighth - - - - - A - 1 - 3 - - 1 - 1 - 16th - up - - single - And - - - - - A - 1 - 3 - - 1 - 1 - 16th - up - begin - forward hook - - single - we - - - - - A - 1 - 3 - - 2 - 1 - eighth - up - continue - - single - will - - - - - A - 1 - 3 - - 1 - - 1 - 16th - up - end - backward hook - - - - - single - watch - - - - - - - - - - A - 1 - 3 - - 1 - - 1 - 16th - up - begin - forward hook - - - - - - - G - 1 - 3 - - 2 - 1 - eighth - up - continue - - single - it - - - - - F - 1 - 3 - - 1 - - 1 - 16th - up - end - backward hook - - - - - single - fall - - - - - - F - 1 - 3 - - 12 - - 1 - half - - up - - - - - - - - - - - - 211 - - none - - - 4 - - 6 - major - - - TAB - 5 - - - 6 - - D - 2 - - - A - 2 - - - D - 3 - - - G - 3 - - - B - 3 - - - D - 4 - - 4 - 183 - - - - - - B - - major-seventh - - D - 1 - - - - - Tuning D-A-D-G-B-D, Capo 4th fret - - - - - C - 1 - 3 - - 1 - 1 - 16th - none - - - 5 - 0 - - - - - - D - 1 - 3 - - 2 - 1 - eighth - none - - - 5 - 2 - - - - - - B - 3 - - 2 - 1 - eighth - none - - - 3 - 0 - - - - - - A - 1 - 3 - - 1 - 1 - 16th - none - - - 4 - 4 - - - - - - D - 1 - 3 - - 3 - 1 - eighth - - none - - - 5 - 2 - - - - - - B - 3 - - 2 - 1 - eighth - none - - - 3 - 0 - - - - - - A - 1 - 3 - - 1 - 1 - 16th - none - - - 4 - 4 - - - - - - D - 1 - 3 - - 1 - 1 - 16th - none - - - 5 - 2 - - - - - - C - 1 - 3 - - 3 - 1 - eighth - - none - - - 5 - 0 - - - - - - - - - - C - 1 - 3 - - 1 - 1 - 16th - none - - - 5 - 0 - - - - - - D - 1 - 3 - - 2 - 1 - eighth - none - - - 5 - 2 - - - - - - B - 3 - - 2 - 1 - eighth - none - - - 3 - 0 - - - - - - A - 1 - 3 - - 1 - 1 - 16th - none - - - 4 - 4 - - - - - - D - 1 - 3 - - 3 - 1 - eighth - - none - - - 5 - 2 - - - - - - B - 3 - - 2 - 1 - eighth - none - - - 3 - 0 - - - - - - A - 1 - 3 - - 1 - 1 - 16th - none - - - 4 - 4 - - - - - - D - 1 - 3 - - 1 - 1 - 16th - none - - - 5 - 2 - - - - - - C - 1 - 3 - - 3 - 1 - eighth - - none - - - 5 - 0 - - - - - - - - - - B - - major-seventh - - - - B - 2 - - 3 - 1 - eighth - - none - - - 6 - 5 - - - - - - - F - 1 - 3 - - 3 - 1 - eighth - - none - - - 5 - 5 - - - - - - - A - 1 - 3 - - 3 - 1 - eighth - - none - - - 4 - 4 - - - - - - - B - 3 - - 3 - 1 - eighth - - none - - - 3 - 0 - - - - - - F - 1 - 4 - - 3 - 1 - eighth - - none - - - 2 - 3 - - - - - - - F - 1 - 4 - - 3 - 1 - eighth - - none - - - 1 - 0 - - - - - - B - 2 - - 3 - 1 - eighth - - none - - - 6 - 5 - - - - - - - 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16th - none - - - 6 - 5 - - - - - - - F - 1 - 3 - - 1 - 1 - 16th - none - - - 5 - 5 - - - - - - - A - 1 - 3 - - 1 - 1 - 16th - none - - - 4 - 4 - - - - - - F - 1 - 3 - - 2 - 1 - eighth - none - - - 4 - 0 - - - - - - F - 1 - 3 - - 2 - 1 - eighth - none - - - 5 - 5 - - - - - - F - 1 - 3 - - 1 - 1 - 16th - none - - - 5 - 5 - - - - - - E - 1 - 3 - - 1 - 1 - 16th - none - - - P - 5 - 4 - - - - - - C - 1 - 3 - - 3 - 1 - eighth - - none - - - - 5 - 0 - - - - - - - - - 83 - - - - - G - 1 - - minor-ninth - - - - F - 1 - 2 - - 1 - 1 - 16th - none - - - 6 - 0 - - - - - - G - 1 - 2 - - 2 - 1 - eighth - none - - - 6 - 2 - - - - - - A - 1 - 3 - - 3 - 1 - eighth - - none - - - 4 - 4 - - - - - - - B - 3 - - 3 - 1 - eighth - - none - - - 3 - 0 - - - - - - - D - 1 - 4 - - 3 - 1 - eighth - - none - - - 2 - 0 - - - - - - - F - 1 - 4 - - 3 - 1 - eighth - - none - - - 1 - 0 - - - - - - G - 1 - 2 - - 3 - 1 - eighth - - none - - - 6 - 2 - - - - - - - D - 1 - 3 - - 3 - 1 - eighth - - none - - - 5 - 2 - - - - - - - A - 1 - 3 - - 3 - 1 - eighth - - none - - - 4 - 4 - - - - - - - B - 3 - - 3 - 1 - eighth - - none - - - 3 - 0 - - - - - - A - 1 - 3 - - 3 - 1 - eighth - - none - - - 4 - 4 - - - - - - - B - 3 - - 3 - 1 - eighth - - none - - - 3 - 0 - - - - - - - D - 1 - 4 - - 3 - 1 - eighth - - none - - - 2 - 0 - - - - - - - F - 1 - 4 - - 3 - 1 - eighth - - none - - - 1 - 0 - - - - - - G - 1 - 2 - - 1 - 1 - 16th - none - - - 6 - 2 - - - - - - - D - 1 - 3 - - 1 - 1 - 16th - none - - - 5 - 2 - - - - - - - A - 1 - 3 - - 1 - 1 - 16th - none - - - 4 - 4 - - - - - - - B - 3 - - 1 - 1 - 16th - none - - - 3 - 0 - - - - - - A - 1 - 3 - - 2 - 1 - eighth - none - - - 4 - 4 - - - - - - - B - 3 - - 2 - 1 - eighth - none - - - 3 - 0 - - - - - - - D - 1 - 4 - - 2 - 1 - eighth - none - - - 2 - 0 - - - - - - - F - 1 - 4 - - 2 - 1 - eighth - none - - - 1 - 0 - - - - - - G - 1 - 2 - - 1 - 1 - 16th - none - - - 6 - 2 - - - - - - - - - F - 1 - 2 - - 1 - 1 - 16th - none - - - 6 - 0 - - - - - - G - 1 - 2 - - 2 - 1 - eighth - 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- - - Quem queritis - - Copyright © 2010 Recordare LLC - - Finale 2011 for Windows - Dolet 6.0 for Finale - 2011-08-08 - - - - - - - 6.4382 - 40 - - - 1736 - 1341 - - 81 - 81 - 99 - 99 - - - - - 0 - 0 - - 136 - 79 - - - 0.957 - 5 - 1.25 - 1.4583 - 5 - 1.875 - 1.4583 - 0.9375 - 1.4583 - 1.4583 - 50 - 50 - 60 - 8 - - - - - - - - Voice - - Grand Piano - - - 1 - 1 - 80 - 0 - - - - - - - - - 237 - - system - - - 8 - - 0 - major - - - G - 2 - - - - - - Angelus dicit: - - - - - G - 4 - - 8 - 1 - quarter - up - - - - - single - Quem - - - - - - F - 4 - - 8 - 1 - quarter - up - - - - - - - D - 4 - - 8 - 1 - quarter - up - - - - - begin - que - - - - - F - 4 - - 8 - 1 - quarter - up - - - - E - 4 - - 8 - 1 - quarter - up - - - - - - - F - 4 - - 8 - 1 - quarter - up - - - - - middle - ri - - - - - G - 4 - - 8 - 1 - quarter - up - - - - F - 4 - - 8 - 1 - quarter - up - - - - - - - G - 4 - - 8 - 1 - quarter - up - - end - tis - - - - - F - 4 - - 8 - 1 - quarter - up - - single - in - - - - - A - 4 - 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- - - Mandoline (Page 1) - - Claude Debussy - Paul Verlaine - Copyright © 2002 Recordare LLC - - Finale 2011 for Windows - Dolet 6.0 for Finale - 2011-08-08 - - - - - - - 6.35 - 40 - - - 1760 - 1360 - - 80 - 80 - 80 - 80 - - - - - 0 - 0 - - 127 - 127 - - - 90 - - - 1.25 - 5 - 0.8333 - 2.0833 - 6.6667 - 1.25 - 0.7682 - 0.957 - 1.6667 - 1.3542 - 66 - 66 - 60 - 8 - - - - - - - rights - Copyright © 2002 Recordare LLC - - - title - Mandoline - - - composer - Claude Debussy - - - lyricist - Paul Verlaine - - - - Voice - - Choir Aahs - - - 1 - 53 - 80 - 0 - - - - Piano - - Grand Piano - - - 2 - 1 - 80 - 0 - - - - - - - - - - 120 - 0 - - 268 - - system - - - 48 - - 0 - major - - - - G - 2 - - - - - Allegretto vivace - - - - - - quarter - - 126 - - - 144 - - - - - B - 4 - - 144 - 1 - whole - - - - - - - - - - 144 - 1 - - - - - - - 144 - 1 - - - - - - - dolce e leggiero - - 5 - - - - A - 4 - - 48 - 1 - quarter - up - - single - Les - - - - - A - 4 - - 24 - 1 - eighth - up - - begin - don - - - - - 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- - - - - - C - 1 - 4 - - 2 - 3 - 16th - up - 2 - continue - continue - - - - G - 4 - - 2 - 3 - 16th - up - 2 - continue - continue - - - - E - 5 - - 2 - 3 - 16th - down - 1 - end - end - - - - - - 16 - - - - B - -1 - 3 - - 8 - 4 - quarter - flat - down - 2 - - - - A - 3 - - 8 - 4 - quarter - down - 2 - - - - - - - 90 - - - - - E - 5 - - 4 - - 1 - eighth - up - 1 - - - - - - - F - 5 - - 4 - 1 - eighth - 1 - - - - ritard. - - - - - 1 - - - - A - 4 - - 2 - 1 - 16th - down - 1 - begin - begin - - - - D - 5 - - 2 - 1 - 16th - down - 1 - continue - continue - - - - G - 1 - 5 - - 2 - 1 - 16th - sharp - down - 1 - continue - continue - - - - F - 1 - 5 - - 2 - 1 - 16th - down - 1 - end - end - - - 16 - - - - D - 3 - - 2 - 3 - 16th - up - 2 - begin - begin - - - - - - - A - 3 - - 2 - 3 - 16th - up - 2 - continue - continue - - - - D - 4 - - 2 - 3 - 16th - up - 2 - continue - continue - - - - F - 1 - 4 - - 2 - 3 - 16th - down - 1 - end - end - - - 8 - - - - D - 3 - - 8 - 4 - quarter - down - 2 - 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1 - begin - begin - - - - - - - - B - 4 - - 2 - 1 - 16th - up - 1 - continue - continue - - - - G - 1 - 5 - - 2 - 1 - 16th - up - 1 - continue - continue - - - - F - 1 - 5 - - 2 - 1 - 16th - up - 1 - end - end - - - 16 - - - 8 - 2 - 1 - - - - F - 1 - 4 - - 8 - 2 - quarter - down - 1 - - - - - - 16 - - - - D - 3 - - 2 - 3 - 16th - up - 2 - begin - begin - - - - - - - A - 1 - 3 - - 2 - 3 - 16th - sharp - up - 2 - continue - continue - - - - B - 3 - - 2 - 3 - 16th - up - 2 - continue - continue - - - - D - 4 - - 2 - - 3 - 16th - up - 2 - end - end - - - - - - - D - 4 - - 4 - - 3 - eighth - down - 2 - - - - - - 12 - - - - D - 3 - - 12 - 4 - quarter - - down - 2 - - - - D - 3 - - 2 - 4 - 16th - 2 - - - - B - 2 - - 2 - 4 - 16th - down - 2 - - - 16 - - - 4 - 5 - 2 - - - - B - 3 - - 4 - - 5 - eighth - down - 2 - - - - - - - B - 3 - - 4 - - 5 - eighth - down - 2 - - - - - - - - - - E - 1 - 5 - - 8 - 1 - quarter - sharp - up - 1 - - - - - - - - - -1 - 1 - - - - A - 5 - - 2 - 1 - 16th - 1 - - - - B - 4 - - 2 - 1 - 16th - up - 1 - begin - begin - - - - - - - D - 5 - - 2 - 1 - 16th - up - 1 - continue - continue - - - - C - 1 - 5 - - 2 - - 1 - 16th - up - 1 - end - end - - - - - - - 16 - - - 8 - 2 - 1 - - - - G - 1 - 4 - - 8 - 2 - quarter - down - 1 - - - - - - 16 - - - - C - 1 - 3 - - 2 - 3 - 16th - up - 2 - begin - begin - - - - - - - B - 3 - - 2 - 3 - 16th - up - 2 - continue - continue - - - - C - 1 - 4 - - 2 - 3 - 16th - up - 2 - continue - continue - - - - E - 1 - 4 - - 2 - 3 - 16th - sharp - down - 1 - end - end - - - 8 - - - - C - 1 - 3 - - 8 - - 4 - quarter - down - 2 - - - - - - - C - 1 - 3 - - 8 - - 4 - quarter - down - 2 - - - - - - 16 - - - 4 - 5 - 2 - - - - C - 1 - 4 - - 4 - - 5 - eighth - down - 2 - - - - - - - C - 1 - 4 - - 8 - - 5 - quarter - down - 2 - - - - - - - - - - 100 - - - - - C - 1 - 5 - - 8 - - 1 - quarter - up - 1 - - - - - - - B - 4 - - 2 - 1 - 16th - up - 1 - begin - begin - - - - - - - D - 5 - - 2 - 1 - 16th - up - 1 - continue - continue - - - - F - 1 - 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4 - - 2 - 1 - 16th - up - 1 - continue - continue - - - - - - - D - 5 - - 2 - 1 - 16th - up - 1 - continue - continue - - - - C - 1 - 5 - - 2 - - 1 - 16th - up - 1 - end - end - - - - - - - 16 - - - - D - 4 - - 6 - - 2 - eighth - - down - 1 - begin - - - - - - - C - 1 - 4 - - 2 - 2 - 16th - down - 1 - end - backward hook - - - - E - 4 - - 8 - 2 - quarter - down - 1 - - - 16 - - - - E - 3 - - 2 - - 3 - 16th - up - 2 - begin - begin - - - - - - - E - 3 - - 2 - 3 - 16th - up - 2 - continue - continue - - - - A - 3 - - 2 - 3 - 16th - up - 2 - continue - continue - - - - C - 1 - 4 - - 2 - 3 - 16th - down - 1 - end - end - - - 8 - - - - A - 2 - - 8 - 4 - quarter - down - 2 - - - - - - 8 - - - 4 - 5 - 2 - - - - A - 3 - - 4 - - 5 - eighth - down - 2 - - - - - - - A - 3 - - 4 - - 5 - eighth - down - 2 - - - - - - - 2 - 5 - 16th - 2 - - - - A - 3 - - 2 - 5 - 16th - down - 2 - - - - - - - C - 1 - 5 - - 8 - - 1 - quarter - up - 1 - - - - - - - B - 4 - - 2 - 1 - 16th - up - 1 - begin - begin - - - - - - - D - 5 - - 2 - 1 - 16th - up - 1 - continue - continue - - - - F - 1 - 4 - - 2 - 1 - 16th - up - 1 - continue - continue - - - - G - 1 - 4 - - 2 - 1 - 16th - up - 1 - end - end - - - 16 - - - 8 - 2 - 1 - - - 4 - 2 - 1 - - - - F - 1 - 4 - - 2 - 2 - 16th - down - 1 - begin - begin - - - - D - 4 - - 2 - - 2 - 16th - down - 1 - end - end - - - - - - 16 - - - - D - 3 - - 2 - 3 - 16th - up - 2 - begin - begin - - - - - - - B - 3 - - 2 - 3 - 16th - up - 2 - continue - continue - - - - D - 4 - - 2 - 3 - 16th - up - 2 - continue - continue - - - - F - 1 - 4 - - 2 - 3 - 16th - down - 1 - end - end - - - - - - 4 - 3 - 2 - - - - E - 3 - - 4 - - 3 - eighth - down - 2 - - - - - - 16 - - - 8 - 4 - 2 - - - - D - 3 - - 2 - 4 - 16th - 2 - - - - B - 2 - - 2 - 4 - 16th - up - 2 - begin - begin - - - - - - - E - 3 - - 2 - 4 - 16th - up - 2 - continue - continue - - - - E - 2 - - 2 - 4 - 16th - up - 2 - end - end - - - - - - - - - - A - 4 - - 8 - - 1 - quarter - up - 1 - - - - - - - - A - 4 - - 2 - - 1 - 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- B - 4 - - 2 - 1 - 16th - down - 1 - continue - continue - - - - G - 5 - - 2 - 1 - 16th - natural - down - 1 - continue - continue - - - - F - 1 - 5 - - 2 - 1 - 16th - down - 1 - end - end - - - - - - 16 - - - - B - 3 - - 2 - 3 - 16th - up - 2 - begin - begin - - - - - - - D - 4 - - 2 - 3 - 16th - up - 2 - continue - continue - - - - E - 1 - 4 - - 2 - 3 - 16th - sharp - up - 2 - continue - continue - - - - F - 1 - 4 - - 2 - 3 - 16th - down - 1 - end - end - - - 8 - - - - B - 3 - - 12 - 4 - quarter - - down - 2 - - - - D - 3 - - 4 - 4 - eighth - 2 - - - - - - - 4 - 1 - eighth - 1 - - - - 2 - 1 - 16th - 1 - - - - - - 1 - 1 - - - - D - 5 - - 2 - - 1 - 16th - up - 1 - - - - - - - D - 5 - - 4 - - 1 - eighth - up - 1 - - - - - - - - - 1 - - - - 2 - 1 - 16th - 1 - - - - E - 5 - - 2 - - 1 - 16th - up - 1 - - - - - - 16 - - - - B - -1 - 3 - - 2 - 3 - 16th - flat - up - 2 - begin - begin - - - - - - - D - 4 - - 2 - 3 - 16th - up - 2 - continue - continue - - - - G - 4 - - 2 - 3 - 16th - natural - up - 2 - continue - continue - - - - D - 5 - - 2 - 3 - 16th - down - 1 - end - end - - - - - - - A - 3 - - 2 - 3 - 16th - up - 2 - begin - begin - - - - - - - C - 1 - 4 - - 2 - 3 - 16th - up - 2 - continue - continue - - - - G - 4 - - 2 - 3 - 16th - up - 2 - continue - continue - - - - E - 5 - - 2 - 3 - 16th - down - 1 - end - end - - - - - - 16 - - - - B - -1 - 3 - - 8 - 4 - quarter - flat - down - 2 - - - - A - 3 - - 8 - 4 - quarter - down - 2 - - - - - - - 110 - - - - - E - 5 - - 4 - - 1 - eighth - up - 1 - - - - - - - F - 5 - - 4 - 1 - eighth - 1 - - - - A - 4 - - 2 - 1 - 16th - down - 1 - begin - begin - - - - D - 5 - - 2 - 1 - 16th - down - 1 - continue - continue - - - - G - 1 - 5 - - 2 - 1 - 16th - sharp - down - 1 - continue - continue - - - - F - 1 - 5 - - 2 - 1 - 16th - down - 1 - end - end - - - 16 - - - - D - 3 - - 2 - 3 - 16th - up - 2 - begin - begin - - - - - - - A - 3 - - 2 - 3 - 16th - up - 2 - continue - continue - - - - D - 4 - - 2 - 3 - 16th - up - 2 - continue - continue - 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3 - - 2 - 4 - 16th - down - 2 - - - - - - - C - 1 - 5 - - 8 - - - 1 - quarter - up - 1 - - - - - - - - C - 1 - 5 - - 2 - - 1 - 16th - up - 1 - begin - begin - - - - - - - B - 4 - - 2 - 1 - 16th - up - 1 - continue - continue - - - - G - 1 - 5 - - 2 - 1 - 16th - up - 1 - continue - continue - - - - F - 1 - 5 - - 2 - 1 - 16th - up - 1 - end - end - - - 16 - - - 8 - 2 - 1 - - - - F - 1 - 4 - - 8 - 2 - quarter - down - 1 - - - 16 - - - - D - 3 - - 2 - 3 - 16th - up - 2 - begin - begin - - - - - - - A - 1 - 3 - - 2 - 3 - 16th - sharp - up - 2 - continue - continue - - - - B - 3 - - 2 - 3 - 16th - up - 2 - continue - continue - - - - D - 4 - - 2 - - 3 - 16th - up - 2 - end - end - - - - - - - - D - 4 - - 4 - - 3 - eighth - down - 2 - - - - - - 12 - - - - D - 3 - - 12 - 4 - quarter - - down - 2 - - - - D - 3 - - 2 - 4 - 16th - 2 - - - - B - 2 - - 2 - 4 - 16th - down - 2 - - - 16 - - - 4 - 5 - 2 - - - - B - 3 - - 4 - - 5 - eighth - down - 2 - - - - - - - B - 3 - - 4 - - 5 - eighth - down - 2 - - - - - - - - - - E - 1 - 5 - - 16 - 1 - half - sharp - up - 1 - - - - - - - - - - -8 - 1 - - - 16 - - - - - - 2 - - - - - C - 1 - 3 - - 2 - 3 - 16th - up - normal - 2 - begin - begin - - - - - - - G - 1 - 3 - - 2 - 3 - 16th - up - 2 - continue - continue - - - - C - 1 - 4 - - 2 - 3 - 16th - up - 2 - continue - continue - - - - E - 1 - 4 - - 2 - - 3 - 16th - sharp - down - 1 - end - end - - - - - - - E - 1 - 4 - - 8 - - 3 - quarter - down - 1 - - - - - - - - - - B - 4 - - 8 - 3 - quarter - down - 1 - - - 16 - - - - C - 1 - 3 - - 16 - 4 - half - down - 2 - - - - - - 16 - - - 4 - 5 - 2 - - - - C - 1 - 4 - - 4 - - 5 - eighth - down - 2 - - - - - - - C - 1 - 4 - - 8 - - 5 - quarter - down - 2 - - - - - - - - - - -4 - 2 - - - - light-heavy - - - - - +version https://git-lfs.github.com/spec/v1 +oid sha256:d01855f35742b4673d16ba755be1d88e7a6208a588f81d0a8181046b0f3a4399 +size 217119 diff --git a/test-data/musicxml-samples/Echigo.mxl b/test-data/musicxml-samples/Echigo.mxl index 203a3a9a7..ad4cfdb44 100644 Binary files a/test-data/musicxml-samples/Echigo.mxl and b/test-data/musicxml-samples/Echigo.mxl differ diff --git a/test-data/musicxml-samples/Echigo.pdf b/test-data/musicxml-samples/Echigo.pdf index 5323046ff..b6a3bc998 100644 Binary files a/test-data/musicxml-samples/Echigo.pdf and b/test-data/musicxml-samples/Echigo.pdf differ diff --git a/test-data/musicxml-samples/Echigo.xml b/test-data/musicxml-samples/Echigo.xml index 296efe806..45bffb55f 100644 --- a/test-data/musicxml-samples/Echigo.xml +++ b/test-data/musicxml-samples/Echigo.xml @@ -1,2559 +1,3 @@ - - - - 越後獅子 - - Y. Nagai - K. Kobatake - Transcription donated to the public domain, 2005 by Tom Potter - - Finale 2011 for Windows - Dolet 6.0 for Finale - 2011-08-08 - - - - - - - 7.2319 - 40 - - - 1545 - 1194 - - 105 - 70 - 10 - 70 - - - - - 10 - 0 - - 93 - 93 - - - 1.4583 - 5 - 1.4583 - 1.4583 - 5 - 1.4583 - 1.4583 - 1.4583 - 1.4583 - 1.4583 - 60 - 60 - 60 - 8 - - - - - - - - title - 越後獅子 - - - arranger - Arr. Y. Nagai , K. Kobatake - - - rights - Transcription donated to the public domain, 2005 by Tom Potter - - - Source: "Japanese Popular Music: a collection of the popular music of Japan rendered in to the -staff notation", by Y. Nagai and K. Kobatake, 2nd ed., Osaka, S. Miki & Co., 1892, pp. 96-97. - -Transcribed into Finale music notation by Tom Potter, 2005. See http://www.daisyfield.com/music/ -Lyrics added by Karen Tanaka and Michael Good, 2006. See http://www.recordare.com/ - - - Echigo-Jishi - - - - MusicXML Part - - Koto - - - 1 - 108 - 80 - 0 - - - - - - - - - - 69 - 0 - - 265 - - system - - - 8 - - 0 - major - - - - G - 2 - - - - - Allegro - - - - - - - - - - - - - - A - 4 - - 4 - 1 - eighth - up - begin - - - - A - 4 - - 4 - 1 - eighth - up - continue - - - - B - 4 - - 4 - 1 - eighth - up - continue - - - - A - 4 - - 4 - 1 - eighth - up - end - - - - - - - B - 4 - - 4 - 1 - eighth - down - begin - - - - A - 4 - - 4 - 1 - eighth - down - continue - - - - B - 4 - - 4 - 1 - eighth - down - continue - - - - C - 5 - - 4 - 1 - eighth - down - end - - - - - - - E - 5 - - 4 - 1 - eighth - down - begin - - - - C - 5 - - 4 - 1 - eighth - down - continue - - - - B - 4 - - 4 - 1 - eighth - down - continue - - - - A - 4 - - 4 - 1 - eighth - down - end - - - - - - - F - 4 - - 12 - 1 - quarter - - up - - - - 4 - 1 - eighth - - - - - - - F - 4 - - 4 - 1 - eighth - up - begin - - - - A - 4 - - 4 - 1 - eighth - up - continue - - - - B - 4 - - 4 - 1 - eighth - up - continue - - - - A - 4 - - 4 - 1 - eighth - up - end - - - - - - - F - 4 - - 12 - 1 - quarter - - up - - - - E - 4 - - 4 - 1 - eighth - up - - - - - - - - 8 - 0 - - 81 - - - - - F - 4 - - 4 - 1 - eighth - up - begin - - - - A - 4 - - 4 - 1 - eighth - up - continue - - - - F - 4 - - 4 - 1 - eighth - up - continue - - - - E - 4 - - 4 - 1 - eighth - up - end - - - - - - - D - 4 - - 4 - 1 - eighth - up - begin - - - - D - 4 - - 4 - 1 - eighth - up - continue - - - - D - 4 - - 4 - 1 - eighth - up - continue - - - - E - 4 - - 4 - 1 - eighth - up - end - - - - - - - - - - - - - - - F - 4 - - 4 - 1 - eighth - up - begin - - - - E - 4 - - 4 - 1 - eighth - up - continue - - - - B - 3 - - 4 - 1 - eighth - up - continue - - - - D - 4 - - 4 - 1 - eighth - up - end - - - - - - - E - 4 - - 12 - 1 - quarter - - up - - - - 4 - 1 - eighth - - - - - - - - - - - - - - - D - 4 - - 4 - 1 - eighth - up - - - - D - 4 - - 8 - 1 - quarter - up - - single - オノ - - - - - E - 4 - - 4 - 1 - 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- - - Après un rêve (Page 1) - - Gabriel Fauré - Romain Bussine - Copyright © 2002 Recordare LLC - - Finale 2011 for Windows - Dolet 6.0 for Finale - 2011-08-08 - - - - - - - 6.35 - 40 - - - 1760 - 1360 - - 80 - 80 - 80 - 80 - - - - - 0 - 0 - - 127 - 127 - - - 80 - - - 1.25 - 5 - 0.8333 - 2.0833 - 6.6667 - 1.25 - 0.7682 - 0.957 - 1.6667 - 1.3542 - 66 - 66 - 60 - 8 - - - - - - - rights - Copyright © 2002 Recordare LLC - - - title - Après un rêve - - - Op. 7, No. 1 - - - composer - Gabriel Fauré - - - lyricist - Romain Bussine - - - - Voice - - Choir Aahs - - - 1 - 53 - 80 - 0 - - - - Piano - - Grand Piano - - - 2 - 1 - 80 - 0 - - - - - - - - - - 100 - 0 - - 280 - - system - - - 48 - - -3 - major - - - - G - 2 - - - - - Andantino - - - - - - 144 - 1 - - - - - - - dolce - - - - - G - 4 - - 48 - 1 - quarter - up - - single - Dans - - - - - - - -16 - - - - C - 5 - - 48 - 1 - quarter - down - - single - un - - - - - D - 5 - - 48 - 1 - quarter - down - - begin - som - - - - - - - -22 - - - - - - - E - -1 - 5 - - 48 - - 1 - quarter - down - - - - - end - meil - - - - - - E - -1 - 5 - - 16 - - 1 - eighth - - 3 - 2 - - down - begin - - - - - - - - D - 5 - - 16 - 1 - eighth - - 3 - 2 - - down - continue - - single - que - - - - - C - 5 - - 16 - 1 - eighth - - 3 - 2 - - down - end - - - - - begin - char - - - - - E - -1 - 5 - - 16 - 1 - eighth - - 3 - 2 - - down - begin - - - - - end - mait - - - - - D - 5 - - 16 - 1 - eighth - - 3 - 2 - - down - continue - - single - ton - - - - - C - 5 - - 16 - 1 - eighth - - 3 - 2 - - down - end - - - - - begin - i - - - - - - - - 100 - - - - - - - 7 - - - - C - 5 - - 96 - 1 - half - down - - middle - ma - - - - - - - 6 - - - - B - -1 - 4 - - 48 - 1 - quarter - down - - end - ge - - - - - - - - D - -1 - 5 - - 24 - 1 - eighth - flat - up - begin - - single - Je - - - - - F - 4 - - 24 - 1 - eighth - up - end - - begin - rê - - - - - D - -1 - 5 - - 48 - 1 - quarter - down - - end - vais - - - - - C - 5 - - 24 - 1 - eighth - down - begin - - single - 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1 - quarter - up - - single - Tes - - - - - E - -1 - 4 - - 32 - 1 - quarter - - 3 - 2 - eighth - - up - - - - - single - yeux - - - - - F - 4 - - 16 - 1 - eighth - - 3 - 2 - eighth - - up - - - - - begin - é - - - - - G - 4 - - 32 - 1 - quarter - - 3 - 2 - eighth - - up - - - - - end - taient - - - - - A - -1 - 4 - - 16 - 1 - eighth - - 3 - 2 - eighth - - up - - - - - single - plus - - - - - - - - B - -1 - 4 - - 48 - - 1 - quarter - down - - - - - single - doux, - - - - - - B - -1 - 4 - - 16 - - 1 - eighth - - 3 - 2 - - up - begin - - - - - - - - F - 4 - - 16 - 1 - eighth - - 3 - 2 - - up - continue - - single - ta - - - - - F - 4 - - 16 - 1 - eighth - - 3 - 2 - - up - end - - - - - single - voix - - - - - F - 4 - - 16 - 1 - eighth - - 3 - 2 - - up - begin - - - - - single - pure - - - - - E - 4 - - 16 - 1 - eighth - natural - - 3 - 2 - - up - continue - - single - et - - - - - F - 4 - - 16 - 1 - eighth - - 3 - 2 - - up - end - - - - - begin - so - - - - - - - - A - -1 - 4 - - 96 - 1 - 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- - - - Lieder eines fahrenden Gesellen - - 4 - Die zwei blauen Augen (Page 1) - - Gustav Mahler - Gustav Mahler - Copyright © 2002 Recordare LLC - - Finale 2011 for Windows - Dolet 6.0 for Finale - 2011-08-08 - - - - - - - 6.35 - 40 - - - 1760 - 1360 - - 80 - 80 - 80 - 80 - - - - - 0 - 0 - - 130 - 70 - - - 80 - - - 0.8333 - 5 - 1.25 - 1.875 - 5 - 1.875 - 0.8333 - 1.25 - 1.25 - 0.8333 - 60 - 60 - 60 - 8 - - - - - - - page number - 2 - - - rights - Copyright © 2002 Recordare LLC - - - title - 4. Die zwei blauen Augen - - - title - LIEDER EINES FAHRENDEN GESELLEN - - - lyricist - Gustav Mahler - - - composer - Gustav Mahler - - - - Voice - - Voice - - - 1 - 53 - 80 - 0 - - - - Piano - - Acoustic Grand Piano - - - 2 - 1 - 80 - 0 - - - - - - - - - - 120 - 0 - - 230 - - system - - - 24 - - 1 - major - - - - G - 2 - - - - - - - - - - - - - Alla Marcia - - - - - - Durchaus mit geheimnissvoll schwermüthigen Ausdruck (nicht schleppen) - - - - - E - 4 - - 12 - 1 - eighth - up - begin - - single - Die - - - - - F - 1 - 4 - - 12 - 1 - eighth - up - end - - single - zwei - - - - - - - - G - 4 - - 18 - 1 - eighth - - up - begin - - begin - blau - - - - - G - 4 - - 6 - 1 - 16th - up - end - backward hook - - end - en - - - - - G - 4 - - 12 - 1 - eighth - up - begin - - begin - Au - - - - - G - 4 - - 12 - 1 - eighth - up - end - - end - gen - - - - - 12 - 1 - eighth - - - - G - 4 - - 12 - 1 - eighth - up - begin - - single - von - - - - - E - 4 - - 12 - 1 - eighth - up - continue - - begin - 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- - - - K. 524 - An Chloe (Page 1) - - - Wolfgang Amadeus Mozart - Johann Georg Jacobi - Copyright © 2002 Recordare LLC - - Finale 2011 for Windows - Dolet 6.0 for Finale - 2011-08-08 - - - - - - - 6.35 - 40 - - - 1760 - 1360 - - 80 - 80 - 80 - 80 - - - - - 0 - 0 - - 130 - 70 - - - 80 - - - 0.8333 - 5 - 1.25 - 1.875 - 5 - 1.875 - 0.8333 - 0.8333 - 1.25 - 0.8333 - 60 - 60 - 60 - 8 - - - - - - - page number - 2 - - - rights - Copyright © 2002 Recordare LLC - - - title - An Chloe - - - K. 524 - - - lyricist - Johann Georg Jacobi - - - composer - Wolfgang Amadeus Mozart - - - - Voice - - Voice - - - 1 - 53 - 80 - 0 - - - - Piano - - Acoustic Grand Piano - - - 2 - 1 - 80 - 0 - - - - - - - - system - - - 4 - - -3 - major - - - - G - 2 - - - - - - 4 - 1 - - - - - - - - 16 - 1 - - - - - - - - 16 - 1 - - - - - - - - 16 - 1 - - - - - - - - 16 - 1 - - - - - - - 110 - - - - - - - - 16 - 1 - - - - - - - - 8 - 1 - half - - - - 4 - 1 - quarter - - - - G - 4 - - 2 - 1 - eighth - up - begin - - single - 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- - - - K. 476 - Das Veilchen (Page 1) - - - Wolfgang Amadeus Mozart - Johann Wolfgang von Goethe - Copyright © 2002 Recordare LLC - - Finale 2011 for Windows - Dolet 6.0 for Finale - 2011-08-08 - - - - - - - 6.35 - 40 - - - 1760 - 1360 - - 80 - 80 - 80 - 80 - - - - - 0 - 0 - - 130 - 70 - - - 80 - - - 0.8333 - 5 - 1.25 - 1.875 - 5 - 1.875 - 1.25 - 0.8333 - 1.25 - 0.8333 - 60 - 60 - 100 - 8 - - - - - - - page number - 2 - - - rights - Copyright © 2002 Recordare LLC - - - title - Das Veilchen - - - K. 476 - - - lyricist - Johann Wolfgang von Goethe - - - composer - Wolfgang Amadeus Mozart - - - - Voice - - Voice - - - 1 - 53 - 80 - 0 - - - - Piano - - Piano - - - 2 - 1 - 80 - 0 - - - - - - - - system - - - 4 - - 1 - major - - - - G - 2 - - - - - - 2 - 1 - - - - - - - - 8 - 1 - - - - - - - - 8 - 1 - - - - - - - - 8 - 1 - - - - - - - - 8 - 1 - - - - - - - - 8 - 1 - - - - - - - 100 - - - - - - - - 8 - 1 - - - - - - - - 4 - 1 - quarter - - - - 2 - 1 - eighth - - - - G - 4 - - 2 - 1 - eighth - 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- - - Excerpt from Piano Sonata in A Major, K. 331 - - Wolfgang Amadeus Mozart - Copyright © 2010 Recordare LLC - - Finale 2011 for Windows - Dolet 6.0 for Finale - 2011-08-08 - - - - - - - 6.9674 - 40 - - - 1604 - 1239 - - 86 - 63 - 73 - 73 - - - - - 0 - 0 - - 126 - 73 - - - 93 - - - 0.957 - 5 - 1.25 - 1.4583 - 5 - 1.875 - 1.4583 - 0.9375 - 1.4583 - 1.4583 - 60 - 60 - 60 - 8 - - - - - - - Piano - - Acoustic Grand Piano - - - 1 - 1 - 80 - 0 - - - - - - - - - 219 - - - 75 - - none - - - 8 - - 3 - major - - 2 - - G - 2 - - - F - 4 - - - - - - C - 1 - 6 - - 16 - 1 - half - up - 1 - - - 16 - - - - C - 1 - 5 - - 8 - 2 - quarter - down - 1 - - - - - - - - E - 5 - - 8 - 2 - quarter - down - 1 - - - - - - - - A - 5 - - 8 - 2 - quarter - down - 1 - - - - - - 8 - 2 - 1 - - - 16 - - - - - A - 2 - - 3 - 32nd - up - 2 - begin - begin - begin - - - - - - - - C - 1 - 3 - - 3 - 32nd - up - 2 - continue - continue - continue - - - - - E - 3 - - 3 - 32nd - up - 2 - end - end - end - - - - A - 3 - - 4 - 3 - eighth - down - 2 - begin - - - - - - - A - 3 - - 4 - 3 - eighth - down - 2 - continue - - - - A - 3 - - 4 - 3 - eighth - down - 2 - continue - - - - A - 3 - - 4 - 3 - eighth - down - 2 - end - - - - - - - - D - 6 - - 2 - 1 - 16th - down - 1 - begin - begin - - - - - - - C - 1 - 6 - - 2 - 1 - 16th - down - 1 - continue - continue - - - - - - - B - 5 - - 2 - 1 - 16th - down - 1 - continue - continue - - - - - - - - - C - 1 - 6 - - 2 - 1 - 16th - down - 1 - end - end - - - - - - - - - D - 6 - - 2 - 1 - 16th - down - 1 - begin - begin - - - - - - - C - 1 - 6 - - 2 - 1 - 16th - down - 1 - continue - continue - - - - - - - B - 5 - - 2 - 1 - 16th - down - 1 - continue - continue - - - - - - - - - C - 1 - 6 - - 2 - 1 - 16th - down - 1 - end - end - - - - - - - - 16 - - - - - A - 2 - - 3 - 32nd - up - 2 - begin - begin - begin - - - - - - - - C - 1 - 3 - - 3 - 32nd - up - 2 - continue - continue - continue - - - - - E - 3 - - 3 - 32nd - up - 2 - end - end - end - - - - A - 3 - - 4 - 3 - eighth - down - 2 - begin - - - - - - - A - 3 - - 4 - 3 - eighth - down - 2 - continue - - - - A - 3 - - 4 - 3 - eighth - down - 2 - continue - - - - A - 3 - - 4 - 3 - eighth - down - 2 - end - - - - - - - - F - 1 - 5 - - 16 - 1 - half - down - 1 - - - - - A - 5 - - 16 - 1 - half - down - 1 - - - - - D - 6 - - 16 - 1 - half - down - 1 - - - 16 - - - - - D - 2 - - 3 - 32nd - up - 2 - begin - begin - begin - - - - - - - - F - 1 - 2 - - 3 - 32nd - up - 2 - continue - continue - continue - - - - - A - 2 - - 3 - 32nd - up - 2 - end - end - end - - - - D - 3 - - 4 - 3 - eighth - down - 2 - begin - - - - - - - D - 3 - - 4 - 3 - eighth - down - 2 - continue - - - - D - 3 - - 4 - 3 - eighth - down - 2 - continue - - - - D - 3 - - 4 - 3 - eighth - down - 2 - end - - - - - - - - - D - 6 - - 1 - 32nd - up - 1 - - - - - - - E - 5 - - 4 - 1 - eighth - down - 1 - begin - - - - - - - - A - 5 - - 4 - 1 - eighth - down - 1 - - - - - C - 1 - 6 - - 4 - 1 - eighth - down - 1 - - - - - D - 6 - - 1 - 32nd - up - 1 - - - - - - - E - 5 - - 4 - 1 - eighth - down - 1 - continue - - - - - - - - A - 5 - - 4 - 1 - eighth - down - 1 - - - - - C - 1 - 6 - - 4 - 1 - eighth - down - 1 - - - - - D - 6 - - 1 - 32nd - up - 1 - - - - - - - E - 5 - - 4 - 1 - eighth - down - 1 - continue - - - - - - - - A - 5 - - 4 - 1 - eighth - down - 1 - - - - - C - 1 - 6 - - 4 - 1 - eighth - down - 1 - - - - - D - 6 - - 1 - 32nd - up - 1 - - - - - - - E - 5 - - 4 - 1 - eighth - down - 1 - end - - - - - - - - A - 5 - - 4 - 1 - eighth - down - 1 - - - - - C - 1 - 6 - - 4 - 1 - eighth - down - 1 - - - 16 - - - - - A - 2 - - 3 - 32nd - up - 2 - begin - begin - begin - - - - - - - - C - 1 - 3 - - 3 - 32nd - up - 2 - continue - continue - continue - - - - - E - 3 - - 3 - 32nd - up - 2 - end - end - end - - - - A - 3 - - 4 - 3 - eighth - down - 2 - begin - - - - - - - A - 3 - - 4 - 3 - eighth - down - 2 - continue - - - - A - 3 - - 4 - 3 - eighth - down - 2 - continue - - - - A - 3 - - 4 - 3 - eighth - down - 2 - end - - - - - - - - B - 5 - - 12 - 1 - quarter - - up - 1 - - - - - - - E - 6 - - 4 - 1 - eighth - up - 1 - - - - - - 16 - - - - E - 5 - - 16 - 2 - half - down - 1 - - - - - G - 1 - 5 - - 16 - 2 - half - down - 1 - - - 16 - - - - - E - 2 - - 3 - 32nd - up - 2 - begin - begin - begin - - - - - - - - G - 1 - 2 - - 3 - 32nd - up - 2 - continue - continue - continue - - - - - B - 2 - - 3 - 32nd - up - 2 - end - end - end - - - - E - 3 - - 4 - 3 - eighth - down - 2 - begin - - - - - - - E - 3 - - 4 - 3 - eighth - down - 2 - continue - - - - E - 3 - - 4 - 3 - eighth - down - 2 - continue - - - - E - 3 - - 4 - 3 - eighth - down - 2 - end - - - - - +version https://git-lfs.github.com/spec/v1 +oid sha256:172a28455fa5cfbdaa4eecd5f63a0a2ebaddd92d569980fb402811b9cd5cce4a +size 32689 diff --git a/test-data/musicxml-samples/MozartTrio.mxl b/test-data/musicxml-samples/MozartTrio.mxl index a1987c3bf..49155dd60 100644 Binary files a/test-data/musicxml-samples/MozartTrio.mxl and b/test-data/musicxml-samples/MozartTrio.mxl differ diff --git a/test-data/musicxml-samples/MozartTrio.png b/test-data/musicxml-samples/MozartTrio.png index 714e99543..bf99b2ad4 100644 Binary files a/test-data/musicxml-samples/MozartTrio.png and b/test-data/musicxml-samples/MozartTrio.png differ diff --git a/test-data/musicxml-samples/MozartTrio.xml b/test-data/musicxml-samples/MozartTrio.xml index 74b7a9bb5..e03ba30a2 100644 --- a/test-data/musicxml-samples/MozartTrio.xml +++ b/test-data/musicxml-samples/MozartTrio.xml @@ -1,3498 +1,3 @@ - - - - Excerpt from Clarinet Quintet, K. 581 - - Wolfgang Amadeus Mozart - Copyright © 2010 Recordare LLC - - Finale 2011 for Windows - Dolet 6.0 for Finale - 2011-08-08 - - - - - - - 5.08 - 40 - - - 2200 - 1700 - - 55 - 90 - 94 - 94 - - - - - 47 - 0 - - 157 - 78 - - - 93 - - - 0.957 - 5 - 1.25 - 1.4583 - 5 - 1.875 - 1.4583 - 0.9375 - 1.4583 - 1.4583 - 50 - 50 - 60 - 8 - - - - - - - bracket - yes - - - clarinet in A - - Clarinet - - - 1 - 72 - 80 - 0 - - - - violino I - - Violin - - - 3 - 41 - 80 - 0 - - - - violino II - - Violin II - - - 4 - 41 - 80 - 0 - - - - viola - - Viola - - - 6 - 42 - 80 - 0 - - - - violoncello - - Cello - - - 5 - 43 - 80 - 0 - - - - - - - - - - - 268 - 0 - - 481 - - system - - - 6 - - 0 - major - - - - G - 2 - - - -2 - -3 - - - - - - -

- - - - - - - C - 5 - - 3 - 1 - eighth - down - begin - - - - - - - E - 5 - - 3 - 1 - eighth - down - end - - - - - - - - G - 5 - - 3 - 1 - eighth - down - begin - - - - E - 5 - - 3 - 1 - eighth - down - end - - - - C - 6 - - 6 - 1 - quarter - down - - - - - - - G - 5 - - 3 - 1 - eighth - down - begin - - - - - - - E - 5 - - 3 - 1 - eighth - down - end - - - - - - - - D - 5 - - 3 - 1 - eighth - down - begin - - - - F - 5 - - 3 - 1 - eighth - down - end - - - - A - 5 - - 6 - 1 - quarter - down - - - - - - - F - 5 - - 3 - 1 - eighth - down - begin - - - - - - - D - 5 - - 3 - 1 - eighth - down - end - - - - - - - - C - 5 - - 3 - 1 - eighth - down - begin - - - - B - 4 - - 3 - 1 - eighth - down - continue - - - - E - 5 - - 3 - 1 - eighth - down - continue - - - - D - 5 - - 3 - 1 - eighth - down - continue - - - - G - 5 - - 3 - 1 - eighth - down - continue - - - - F - 5 - - 3 - 1 - eighth - down - end - - - - - - - - - - - D - 1 - 5 - - 6 - 1 - quarter - sharp - down - - - - - - - E - 5 - - 6 - 1 - quarter - down - - - - - - - C - 5 - - 3 - 1 - eighth - down - begin - - - - - - - E - 5 - - 3 - 1 - eighth - down - end - - - - - - - - G - 5 - - 3 - 1 - eighth - down - begin - - - - E - 5 - - 3 - 1 - eighth - down - end - - - - C - 6 - - 6 - 1 - quarter - down - - - - - - - G - 5 - - 3 - 1 - eighth - down - begin - - - - - - - E - 5 - - 3 - 1 - eighth - down - end - - - - - - - - D - 5 - - 3 - 1 - eighth - natural - down - begin - - - - F - 5 - - 3 - 1 - eighth - down - end - - - - A - 5 - - 6 - 1 - quarter - down - - - - - - - 6 - 1 - quarter - - - - - - - - 18 - 1 - - - - - - - 126 - - - - - 6 - 1 - quarter - - - - 6 - 1 - quarter - - - - D - 4 - - 2 - 1 - eighth - - 3 - 2 - - up - begin - - - - - - - - A - 3 - - 2 - 1 - eighth - - 3 - 2 - - up - continue - - - - F - 3 - - 2 - 1 - eighth - - 3 - 2 - - up - end - - - - - - - - - - - A - 3 - - 3 - 1 - eighth - up - begin - - - - - - - D - 4 - - 3 - 1 - eighth - up - continue - - - - - - - - - F - 4 - - 3 - 1 - eighth - up - continue - - - - - - - - - A - 4 - - 3 - 1 - eighth - up - continue - - - - - - - - - D - 5 - - 3 - 1 - eighth - up - continue - - - - - - - - - F - 5 - - 3 - 1 - eighth - up - end - - - - - - - - - - - - - A - 5 - - 3 - 1 - eighth - down - begin - - - - - - - G - 5 - - 3 - 1 - eighth - down - continue - - - - F - 5 - - 3 - 1 - eighth - down - continue - - - - E - 5 - - 3 - 1 - eighth - down - continue - - - - F - 5 - - 3 - 1 - eighth - down - continue - - - - D - 5 - - 3 - 1 - eighth - down - end - - - - - - - - - - - C - 5 - - 12 - 1 - half - down - - - - - - - E - 5 - - 3 - 1 - eighth - down - begin - - - - D - 5 - - 3 - 1 - eighth - down - end - - - - - - - - - - - C - 5 - - 6 - 1 - quarter - down - - - - 6 - 1 - quarter - - - light-heavy - - - - - - - - heavy-light - - - - - 6 - 1 - quarter - - - - - - - - 18 - 1 - - - - - - - - 18 - 1 - - - - - - - - 18 - 1 - - - - - - - - 6 - 1 - quarter - - - - 6 - 1 - quarter - - - - G - 5 - - 6 - 1 - quarter - down - - - - - - - - - - - G - 5 - - 6 - 1 - quarter - down - - - - - - - 6 - 1 - quarter - - - - 6 - 1 - quarter - - - light-heavy - - - - - - - - - 118 - - system - - - 8 - - 3 - major - - - - G - 2 - - - - - - 8 - 1 - quarter - - - - - - - - -

- - - 8 - - - - - 8 - 1 - quarter - - - - A - 4 - - 8 - 1 - quarter - up - - - - A - 4 - - 8 - 1 - quarter - up - - - - - - - - 8 - 1 - quarter - - - - A - 4 - - 8 - 1 - quarter - up - - - - A - 4 - - 8 - 1 - quarter - up - - - - - - - - 8 - 1 - quarter - - - - G - 1 - 4 - - 8 - 1 - quarter - up - - - - G - 1 - 4 - - 8 - 1 - quarter - up - - - - - - - - 8 - 1 - quarter - - - - A - 4 - - 8 - 1 - quarter - up - - - - A - 4 - - 8 - 1 - quarter - up - - - - - - - - 8 - 1 - quarter - - - - A - 4 - - 8 - 1 - quarter - up - - - - A - 4 - - 8 - 1 - quarter - up - - - - - - - - F - 1 - 4 - - 8 - 1 - quarter - up - - - - 8 - 1 - quarter - - - - C - 1 - 5 - - 4 - 1 - eighth - down - begin - - - - - - - A - 1 - 4 - - 4 - 1 - eighth - sharp - down - end - - - - - - - - B - 4 - - 4 - 1 - eighth - down - begin - - - - D - 5 - - 4 - 1 - eighth - down - end - - - - F - 1 - 5 - - 8 - 1 - quarter - down - - - - - - - C - 1 - 5 - - 4 - 1 - eighth - down - begin - - - - - - - A - 1 - 4 - - 4 - 1 - eighth - sharp - down - end - - - - - - - 118 - - - - - B - 4 - - 4 - 1 - eighth - down - begin - - - - D - 5 - - 4 - 1 - eighth - down - end - - - - F - 1 - 5 - - 8 - 1 - quarter - down - - - - - - - 8 - 1 - quarter - - - - - - - - 24 - 1 - - - - - - - - 24 - 1 - - - - - - - - C - 1 - 4 - - 4 - 1 - eighth - up - begin - - - - - - - E - 4 - - 4 - 1 - eighth - up - continue - - - - C - 1 - 4 - - 4 - 1 - eighth - up - continue - - - - E - 4 - - 4 - 1 - eighth - up - continue - - - - D - 4 - - 4 - 1 - eighth - up - continue - - - - E - 4 - - 4 - 1 - eighth - up - end - - - - - - - - - - - C - 1 - 4 - - 8 - 1 - quarter - up - - - - 8 - 1 - quarter - - - light-heavy - - - - - - - - heavy-light - - - - - E - 4 - - 4 - 1 - eighth - up - begin - - - - - - - G - 1 - 4 - - 4 - 1 - eighth - up - end - - - - - - - - B - 4 - - 4 - 1 - eighth - up - begin - - - - G - 1 - 4 - - 4 - 1 - eighth - up - end - - - - E - 5 - - 8 - 1 - quarter - down - - - - - - - E - 4 - - 4 - 1 - eighth - up - begin - - - - - - - A - 4 - - 4 - 1 - eighth - up - end - - - - - - - - C - 1 - 5 - - 4 - 1 - eighth - down - begin - - - - A - 4 - - 4 - 1 - eighth - down - end - - - - E - 5 - - 8 - 1 - quarter - down - - - - - - - E - 4 - - 4 - 1 - eighth - up - begin - - - - - - - B - 4 - - 4 - 1 - eighth - up - end - - - - - - - - D - 5 - - 4 - 1 - eighth - down - begin - - - - B - 4 - - 4 - 1 - eighth - down - continue - - - - E - 5 - - 4 - 1 - eighth - down - continue - - - - D - 5 - - 4 - 1 - eighth - down - continue - - - - C - 1 - 5 - - 4 - 1 - eighth - down - continue - - - - A - 4 - - 4 - 1 - eighth - down - end - - - - - - - - - - - G - 1 - 4 - - 4 - 1 - eighth - up - begin - - - - - - - B - 4 - - 4 - 1 - eighth - up - end - - - - E - 5 - - 8 - 1 - quarter - down - - - - - - - E - 4 - - 4 - 1 - eighth - up - begin - - - - - - - G - 1 - 4 - - 4 - 1 - eighth - up - end - - - - - - - 118 - - - - - A - 4 - - 8 - 1 - quarter - up - - - - - - - 8 - 1 - quarter - - - - 8 - 1 - quarter - - - light-heavy - - - - - - - - - 118 - - none - - - 8 - - 3 - major - - - - G - 2 - - - - - - 8 - 1 - quarter - - - - - - - - -

- - - 8 - - - - - 8 - 1 - quarter - - - - E - 4 - - 8 - 1 - quarter - up - - - - E - 4 - - 8 - 1 - quarter - up - - - - - - - - 8 - 1 - quarter - - - - F - 1 - 4 - - 8 - 1 - quarter - up - - - - F - 1 - 4 - - 8 - 1 - quarter - up - - - - - - - - 8 - 1 - quarter - - - - D - 4 - - 8 - 1 - quarter - up - - - - D - 4 - - 8 - 1 - quarter - up - - - - - - - - 8 - 1 - quarter - - - - C - 1 - 4 - - 8 - 1 - quarter - up - - - - C - 1 - 4 - - 8 - 1 - quarter - up - - - - - - - - 8 - 1 - quarter - - - - E - 4 - - 8 - 1 - quarter - up - - - - E - 4 - - 8 - 1 - quarter - up - - - - - - - - D - 4 - - 8 - 1 - quarter - up - - - - 8 - 1 - quarter - - - - G - 4 - - 8 - 1 - quarter - natural - up - - - - - - - - - - - F - 1 - 4 - - 16 - 1 - half - up - - - - G - 4 - - 8 - 1 - quarter - natural - up - - - - - - - 118 - - - - - F - 1 - 4 - - 16 - 1 - half - up - - - - - - - 8 - 1 - quarter - - - - - - - - 24 - 1 - - - - - - - - 24 - 1 - - - - - - - - A - 3 - - 16 - 1 - half - up - - - - - - - G - 1 - 3 - - 8 - 1 - quarter - sharp - up - - - - - - - - - - - A - 3 - - 8 - 1 - quarter - up - - - - 8 - 1 - quarter - - - light-heavy - - - - - - - - heavy-light - - - - - 8 - 1 - quarter - - - - - - - - -

- - - - - - - pizz. - - - - 46 - - - - - - B - 3 - - 8 - 1 - quarter - up - - - - - G - 1 - 4 - - 8 - 1 - quarter - up - - - - B - 3 - - 8 - 1 - quarter - up - - - - - G - 1 - 4 - - 8 - 1 - quarter - up - - - - 8 - 1 - quarter - - - - - - - - A - 3 - - 8 - 1 - quarter - up - - - - - A - 4 - - 8 - 1 - quarter - up - - - - A - 3 - - 8 - 1 - quarter - up - - - - - A - 4 - - 8 - 1 - quarter - up - - - - 8 - 1 - quarter - - - - - - - - G - 1 - 4 - - 8 - 1 - quarter - up - - - - - B - 4 - - 8 - 1 - quarter - up - - - - G - 1 - 4 - - 8 - 1 - quarter - up - - - - - B - 4 - - 8 - 1 - quarter - up - - - - A - 4 - - 8 - 1 - quarter - down - - - - - C - 1 - 5 - - 8 - 1 - quarter - down - - - - - - - - G - 1 - 4 - - 8 - 1 - quarter - up - - - - - B - 4 - - 8 - 1 - quarter - up - - - - G - 1 - 4 - - 8 - 1 - quarter - up - - - - - B - 4 - - 8 - 1 - quarter - up - - - - 8 - 1 - quarter - - - - - - - 118 - - - - - 24 - 1 - - - light-heavy - - - - - - - - - 118 - - none - - - 8 - - 3 - major - - - - C - 3 - - - - - - 8 - 1 - quarter - - - - - - - - -

- - - 8 - - - - - 8 - 1 - quarter - - - - C - 1 - 4 - - 8 - 1 - quarter - down - - - - C - 1 - 4 - - 8 - 1 - quarter - down - - - - - - - - 8 - 1 - quarter - - - - B - 3 - - 8 - 1 - quarter - up - - - - B - 3 - - 8 - 1 - quarter - up - - - - - - - - 8 - 1 - quarter - - - - B - 3 - - 8 - 1 - quarter - up - - - - B - 3 - - 8 - 1 - quarter - up - - - - - - - - 8 - 1 - quarter - - - - A - 3 - - 8 - 1 - quarter - up - - - - A - 3 - - 8 - 1 - quarter - up - - - - - - - - 8 - 1 - quarter - - - - C - 1 - 4 - - 8 - 1 - quarter - down - - - - C - 1 - 4 - - 8 - 1 - quarter - down - - - - - - - - B - 3 - - 8 - 1 - quarter - up - - - - 8 - 1 - quarter - - - - E - 4 - - 8 - 1 - quarter - down - - - - - - - - - - - D - 4 - - 16 - 1 - half - down - - - - E - 4 - - 8 - 1 - quarter - down - - - - - - - 118 - - - - - D - 4 - - 16 - 1 - half - down - - - - - - - 8 - 1 - quarter - - - - - - - - 24 - 1 - - - - - - - - 24 - 1 - - - - - - - - E - 3 - - 24 - - 1 - half - - up - - - - - - - - - - - E - 3 - - 8 - - 1 - quarter - up - - - - - - - 8 - 1 - quarter - - - light-heavy - - - - - - - - heavy-light - - - - - 8 - 1 - quarter - - - - - - - - -

- - - - - - - pizz. - - - - 46 - - - - - - D - 4 - - 8 - 1 - quarter - down - - - - - E - 4 - - 8 - 1 - quarter - down - - - - D - 4 - - 8 - 1 - quarter - down - - - - - E - 4 - - 8 - 1 - quarter - down - - - - 8 - 1 - quarter - - - - - - - - C - 1 - 4 - - 8 - 1 - quarter - down - - - - - E - 4 - - 8 - 1 - quarter - down - - - - C - 1 - 4 - - 8 - 1 - quarter - down - - - - - E - 4 - - 8 - 1 - quarter - down - - - - 8 - 1 - quarter - - - - - - - - E - 4 - - 8 - 1 - quarter - down - - - - E - 4 - - 8 - 1 - quarter - down - - - - E - 4 - - 8 - 1 - quarter - down - - - - - - - - E - 4 - - 8 - 1 - quarter - down - - - - E - 4 - - 8 - 1 - quarter - down - - - - 8 - 1 - quarter - - - - - - - 118 - - - - - 24 - 1 - - - light-heavy - - - - - - - - - 118 - - none - - - 2 - - 3 - major - - - - F - 4 - - - - - - 2 - 1 - quarter - - - - - - - - -

- - - - - - - A - 3 - - 2 - 1 - quarter - down - - - - 2 - 1 - quarter - - - - 2 - 1 - quarter - - - - - - - - D - 3 - - 2 - 1 - quarter - down - - - - 2 - 1 - quarter - - - - 2 - 1 - quarter - - - - - - - - E - 3 - - 2 - 1 - quarter - down - - - - 2 - 1 - quarter - - - - 2 - 1 - quarter - - - - - - - - F - 1 - 3 - - 2 - 1 - quarter - down - - - - 2 - 1 - quarter - - - - 2 - 1 - quarter - - - - - - - - C - 1 - 3 - - 2 - 1 - quarter - up - - - - 2 - 1 - quarter - - - - 2 - 1 - quarter - - - - - - - - D - 3 - - 2 - 1 - quarter - down - - - - 2 - 1 - quarter - - - - 2 - 1 - quarter - - - - - - - - 6 - 1 - - - - - - - 118 - - - - - 6 - 1 - - - - - - - - 6 - 1 - - - - - - - - 6 - 1 - - - - - - - - E - 2 - - 2 - 1 - quarter - up - - - - - - - - - - E - 2 - - 2 - 1 - quarter - up - - - - - - - - - E - 2 - - 2 - 1 - quarter - up - - - - - - - - - - - - - - A - 2 - - 2 - 1 - quarter - up - - - - 2 - 1 - quarter - - - light-heavy - - - - - - - - heavy-light - - - - - 2 - 1 - quarter - - - - - - - - -

- - - - - - - pizz. - - - - 46 - - - - - - E - 3 - - 2 - 1 - quarter - down - - - - E - 3 - - 2 - 1 - quarter - down - - - - 2 - 1 - quarter - - - - - - - - E - 3 - - 2 - 1 - quarter - down - - - - E - 3 - - 2 - 1 - quarter - down - - - - 2 - 1 - quarter - - - - - - - - E - 3 - - 2 - 1 - quarter - down - - - - E - 3 - - 2 - 1 - quarter - down - - - - E - 3 - - 2 - 1 - quarter - down - - - - - - - - E - 3 - - 2 - 1 - quarter - down - - - - E - 2 - - 2 - 1 - quarter - up - - - - 2 - 1 - quarter - - - - - - - 118 - - - - - 6 - 1 - - - light-heavy - - - - - +version https://git-lfs.github.com/spec/v1 +oid sha256:90bb75ace692d10778f5f5f86c9c860ac82d0a66efc1a2c025bedf64325450e6 +size 100979 diff --git a/test-data/musicxml-samples/Saltarello.mxl b/test-data/musicxml-samples/Saltarello.mxl index 6f8415126..f1b76393e 100644 Binary files a/test-data/musicxml-samples/Saltarello.mxl and b/test-data/musicxml-samples/Saltarello.mxl differ diff --git a/test-data/musicxml-samples/Saltarello.png b/test-data/musicxml-samples/Saltarello.png index 25370ab39..462ac2cbe 100644 Binary files a/test-data/musicxml-samples/Saltarello.png and b/test-data/musicxml-samples/Saltarello.png differ diff --git a/test-data/musicxml-samples/Saltarello.xml b/test-data/musicxml-samples/Saltarello.xml index 8a0456534..e851554da 100644 --- a/test-data/musicxml-samples/Saltarello.xml +++ b/test-data/musicxml-samples/Saltarello.xml @@ -1,1551 +1,3 @@ - - - - Saltarello - - Anonymous - Copyright © 2010 Recordare LLC - - Finale 2011 for Windows - Dolet 6.0 for Finale - 2011-08-08 - - - - - - - 5.0271 - 40 - - - 2223 - 1718 - - 101 - 101 - 126 - 126 - - - - - 0 - 0 - - 115 - 115 - - - 0.957 - 5 - 1.25 - 1.4583 - 5 - 1.875 - 1.4583 - 0.9375 - 1.4583 - 1.4583 - 50 - 50 - 60 - 8 - - - - - - - MusicXML Part - - Grand Piano - - - 1 - 1 - 80 - 0 - - - - - - - - - 303 - - system - - - 4 - - 0 - major - - - - C - 3 - - - - - - 1. - - - - - C - 4 - - 2 - 1 - eighth - up - begin - - - - B - 3 - - 2 - 1 - eighth - up - continue - - - - A - 3 - - 2 - 1 - eighth - up - end - - - - G - 3 - - 2 - 1 - eighth - up - begin - - - - A - 3 - - 2 - 1 - eighth - up - continue - - - - B - 3 - - 2 - 1 - eighth - up - end - - - - - - - - C - 4 - - 2 - 1 - eighth - down - begin - - - - D - 4 - - 2 - 1 - eighth - down - continue - - - - B - 3 - - 2 - 1 - eighth - down - end - - - - C - 4 - - 4 - 1 - quarter - down - - - - - - - G - 3 - - 2 - 1 - eighth - up - - - - - - - - - - - A - 3 - - 2 - 1 - eighth - up - begin - - - - B - 3 - - 2 - 1 - eighth - up - continue - - - - C - 4 - - 2 - 1 - eighth - up - end - - - - A - 3 - - 2 - 1 - eighth - up - begin - - - - B - 3 - - 2 - 1 - eighth - up - continue - - - - G - 3 - - 2 - 1 - eighth - up - end - - - - - - - - C - 4 - - 2 - 1 - eighth - up - begin - - - - B - 3 - - 2 - 1 - eighth - up - continue - - - - C - 4 - - 2 - 1 - eighth - up - end - - - - D - 4 - - 4 - 1 - quarter - down - - - - - - - E - 4 - - 2 - 1 - eighth - down - - - - - - - - - - - C - 4 - - 2 - 1 - eighth - down - begin - - - - G - 4 - - 2 - 1 - eighth - down - continue - - - - F - 4 - - 2 - 1 - eighth - down - end - - - - E - 4 - - 4 - 1 - quarter - down - - - - D - 4 - - 2 - 1 - eighth - down - - - - - - - - C - 4 - - 2 - 1 - eighth - down - begin - - - - G - 4 - - 2 - 1 - eighth - down - continue - - - - F - 4 - - 2 - 1 - eighth - down - end - - - - E - 4 - - 4 - 1 - quarter - down - - - - - - - D - 4 - - 2 - 1 - eighth - down - - - - - - - - - - - - - - C - 4 - - 2 - 1 - eighth - up - begin - - - - B - 3 - - 2 - 1 - eighth - up - continue - - - - C - 4 - - 2 - 1 - eighth - up - end - - - - A - 3 - - 4 - 1 - quarter - up - - - - - - - E - 4 - - 2 - 1 - eighth - down - - - - - - - - - - - A - 3 - - 2 - 1 - eighth - down - begin - - - - - - - - - E - 4 - - 2 - 1 - eighth - down - continue - - - - - - - - - E - 4 - - 2 - 1 - eighth - down - end - - - - - - - - - A - 3 - - 6 - 1 - quarter - - up - - - light-heavy - - - - - - - - - - - - - C - 4 - - 2 - 1 - eighth - up - begin - - - - B - 3 - - 2 - 1 - eighth - up - continue - - - - C - 4 - - 2 - 1 - eighth - up - end - - - - A - 3 - - 2 - 1 - eighth - up - begin - - - - B - 3 - - 2 - 1 - eighth - up - continue - - - - C - 4 - - 2 - 1 - eighth - up - end - - - - - - - - - - - D - 4 - - 1 - 1 - 16th - down - begin - begin - - - - - - - C - 4 - - 1 - 1 - 16th - down - continue - end - - - - D - 4 - - 2 - 1 - eighth - down - continue - - - - - - - B - 3 - - 2 - 1 - eighth - down - end - - - - C - 4 - - 6 - 1 - quarter - - down - - - - - - - heavy-light - - - - - 2. - - - - - E - 4 - - 2 - 1 - eighth - down - begin - - - - D - 4 - - 2 - 1 - eighth - down - continue - - - - C - 4 - - 2 - 1 - eighth - down - end - - - - B - 3 - - 4 - 1 - quarter - up - - - - - - - A - 3 - - 2 - 1 - eighth - up - - - - - - - - - - - C - 4 - - 4 - 1 - quarter - down - - - - - - - D - 4 - - 2 - 1 - eighth - down - - - - - - - E - 4 - - 4 - 1 - quarter - down - - - - - - - D - 4 - - 2 - 1 - eighth - down - - - - - - - - - - - C - 4 - - 2 - 1 - eighth - up - begin - - - - B - 3 - - 2 - 1 - eighth - up - continue - - - - C - 4 - - 2 - 1 - eighth - up - end - - - - A - 3 - - 4 - 1 - quarter - up - - - - - - - B - 3 - - 2 - 1 - eighth - up - - - - - - - - - - - G - 3 - - 2 - 1 - eighth - up - begin - - - - A - 3 - - 2 - 1 - eighth - up - continue - - - - B - 3 - - 2 - 1 - eighth - up - end - - - - C - 4 - - 4 - 1 - quarter - down - - - - - - - G - 3 - - 2 - 1 - eighth - up - - - - - - - - - - - A - 3 - - 2 - 1 - eighth - up - begin - - - - B - 3 - - 2 - 1 - eighth - up - continue - - - - C - 4 - - 2 - 1 - eighth - up - end - - - - A - 3 - - 2 - 1 - eighth - up - begin - - - - B - 3 - - 2 - 1 - eighth - up - continue - - - - G - 3 - - 2 - 1 - eighth - up - end - - - - - - - - C - 4 - - 2 - 1 - eighth - up - begin - - - - B - 3 - - 2 - 1 - eighth - up - continue - - - - C - 4 - - 2 - 1 - eighth - up - end - - - - D - 4 - - 4 - 1 - quarter - down - - - - - - - E - 4 - - 2 - 1 - eighth - down - - - - - - - - - - C - 4 - - 2 - 1 - eighth - down - begin - - - - G - 4 - - 2 - 1 - eighth - down - continue - - - - F - 4 - - 2 - 1 - eighth - down - end - - - - E - 4 - - 4 - 1 - quarter - down - - - - - - - D - 4 - - 2 - 1 - eighth - down - - - - - - - - - - C - 4 - - 2 - 1 - eighth - down - begin - - - - G - 4 - - 2 - 1 - eighth - down - continue - - - - F - 4 - - 2 - 1 - eighth - down - end - - - - E - 4 - - 4 - 1 - quarter - down - - - - - - - D - 4 - - 2 - 1 - eighth - down - - - - - - - - - - - - - C - 4 - - 2 - 1 - eighth - up - begin - - - - B - 3 - - 2 - 1 - eighth - up - continue - - - - C - 4 - - 2 - 1 - eighth - up - end - - - - A - 3 - - 4 - 1 - quarter - up - - - - - - - E - 4 - - 2 - 1 - eighth - down - - - - - - - - - - A - 3 - - 2 - 1 - eighth - down - begin - - - - - - - - - E - 4 - - 2 - 1 - eighth - down - continue - - - - - - - - - E - 4 - - 2 - 1 - eighth - down - end - - - - - - - - - A - 3 - - 6 - 1 - quarter - - up - - - light-heavy - - - - - - - - - - - - C - 4 - - 2 - 1 - eighth - up - begin - - - - B - 3 - - 2 - 1 - eighth - up - continue - - - - C - 4 - - 2 - 1 - eighth - up - end - - - - A - 3 - - 2 - 1 - eighth - up - begin - - - - B - 3 - - 2 - 1 - eighth - up - continue - - - - C - 4 - - 2 - 1 - eighth - up - end - - - - - - - - - - D - 4 - - 1 - 1 - 16th - down - begin - begin - - - - - - - C - 4 - - 1 - 1 - 16th - down - continue - end - - - - D - 4 - - 2 - 1 - eighth - down - continue - - - - - - - B - 3 - - 2 - 1 - eighth - down - end - - - - C - 4 - - 6 - 1 - quarter - - down - - - light-heavy - - - - - +version https://git-lfs.github.com/spec/v1 +oid sha256:71c08b6172121f98fc91c07b80237aea672eed032f609b1cb06de902adec6c79 +size 45180 diff --git a/test-data/musicxml-samples/SchbAvMaSample.mxl b/test-data/musicxml-samples/SchbAvMaSample.mxl index 9981ba26a..5c9f2a6af 100644 Binary files a/test-data/musicxml-samples/SchbAvMaSample.mxl and b/test-data/musicxml-samples/SchbAvMaSample.mxl differ diff --git a/test-data/musicxml-samples/SchbAvMaSample.pdf b/test-data/musicxml-samples/SchbAvMaSample.pdf index e7e13b318..54f4122e2 100644 Binary files a/test-data/musicxml-samples/SchbAvMaSample.pdf and b/test-data/musicxml-samples/SchbAvMaSample.pdf differ diff --git a/test-data/musicxml-samples/SchbAvMaSample.xml b/test-data/musicxml-samples/SchbAvMaSample.xml index 400599b20..883ce16f4 100644 --- a/test-data/musicxml-samples/SchbAvMaSample.xml +++ b/test-data/musicxml-samples/SchbAvMaSample.xml @@ -1,8787 +1,3 @@ - - - - - D. 839 - Ave Maria (Ellen's Gesang III) - Page 1 - - - Franz Schubert - Walter Scott - D. Adam Storck - Copyright © 2002 Recordare LLC - - Finale 2011 for Windows - Dolet 6.0 for Finale - 2011-08-08 - - - - - - - 6.35 - 40 - - - 1760 - 1360 - - 80 - 80 - 80 - 80 - - - - - 0 - 0 - - 127 - 127 - - - 126 - - - 1.25 - 5 - 0.8333 - 1.875 - 5 - 1.25 - 0.7682 - 0.957 - 1.6667 - 1.3542 - 66 - 66 - 60 - 8 - - - - - - - rights - Copyright © 2002 Recordare LLC - - - (Ellen’s Gesang III) - - - title - Ave Maria - - - lyricist - D. Adam Storck -(after Walter Scott) - - - composer - Franz Schubert - - - D. 839 - - - - Voice - - Choir Aahs - - - 1 - 53 - 80 - 0 - - - - Piano - - Grand Piano - - - 2 - 1 - 80 - 0 - - - - - - - - system - - - 48 - - -2 - major - - - - G - 2 - - - - - - 192 - 1 - - - - - - - - 192 - 1 - - - - - - - 85 - - - - heavy-light - - - - - - - - B - -1 - 4 - - 72 - 1 - quarter - - down - - begin - A - - - begin - A - - - begin - A - - - - - A - 4 - - 12 - 1 - 16th - up - begin - begin - - end - ve - - - end - ve - - - end - ve - - - - - B - -1 - 4 - - 12 - 1 - 16th - up - end - end - - begin - Ma - - - begin - Ma - - - begin - Ma - - - - - D - 5 - - 84 - 1 - quarter - - - down - - - - - middle - ri - - - middle - ri - - - middle - ri - - - - - C - 5 - - 12 - 1 - 16th - down - - - - - - - - - - - B - -1 - 4 - - 48 - 1 - quarter - down - - end - a! - - - end - a! - - - end - a! - - - - - 48 - 1 - quarter - - - - C - 5 - - 48 - 1 - quarter - down - - - - - begin - Jung - - - begin - Un - - - begin - Rei - - - - - - D - 5 - - 1 - 32nd - up - begin - begin - begin - - - - - C - 5 - - 1 - 32nd - up - end - end - end - - - - B - -1 - 4 - - 12 - 1 - 16th - up - begin - begin - - - - A - 4 - - 12 - 1 - 16th - up - continue - continue - - - - - - - G - 4 - - 12 - 1 - 16th - up - continue - continue - - - - - end - frau - - - middle - be - - - end - ne - - - - - - A - 4 - - 12 - 1 - 16th - up - end - end - - - - - - - - - - 85 - - - - - B - -1 - 4 - - 48 - 1 - quarter - down - - single - mild! - - - - end - fleckt! - - - - single - Magd! - - - - - - 24 - 1 - eighth - - - - D - 5 - - 24 - 1 - eighth - down - - begin - Er - - - single - Wenn - - - single - Der - - - - - D - 5 - - 36 - 1 - eighth - - down - begin - - middle - hö - - - single - wir - - - begin - Er - - - - - C - 5 - - 6 - 1 - 32nd - down - continue - begin - begin - - - - - end - re - - - - single - auf - - - end - de - - - - - - B - -1 - 4 - - 6 - 1 - 32nd - down - end - end - end - - - - - - - A - 4 - - 12 - 1 - 16th - up - begin - begin - - begin - ei - - - begin - die - - - single - und - - - - - G - 4 - - 12 - 1 - 16th - up - end - end - - end - ner - - - end - sen - - - single - der - - - - - D - 5 - - 12 - 1 - 16th - down - begin - begin - - begin - Jung - - - single - Fels - - - single - Luft - - - - - E - 5 - - 12 - 1 - 16th - natural - down - end - end - - end - frau - - - begin - hin - - - begin - Dä - - - - - - - - - D - 5 - - 48 - 1 - quarter - down - - begin - Fle - - - middle - sin - - - middle - mo - - - - - C - 1 - 5 - - 36 - 1 - eighth - - sharp - down - begin - - end - hen! - - - - end - ken - - - - end - nen, - - - - - - A - 4 - - 12 - 1 - 16th - down - end - backward hook - - single - Aus - - - single - zum - - - single - von - - - - - C - 5 - - 36 - 1 - eighth - - natural - down - begin - - begin - die - - - single - Schlaf, - - - begin - dei - - - - - B - -1 - 4 - - 12 - 1 - 16th - down - end - backward hook - - end - sem - - - single - und - - - end - nes - - - - - A - 4 - - 8 - 1 - 16th - - 3 - 2 - - down - begin - begin - - - - - - begin - Fel - - - single - uns - - - begin - Au - - - - - C - 5 - - 8 - 1 - 16th - - 3 - 2 - - down - continue - continue - - - - - - - D - 5 - - 8 - 1 - 16th - - 3 - 2 - - down - continue - end - - - - - end - sen, - - - single - dein - - - end - ges - - - - - E - -1 - 5 - - 8 - 1 - 16th - - 3 - 2 - - down - continue - begin - - - - - - single - starr - - - single - Schutz - - - single - Huld - - - - - C - 5 - - 8 - 1 - 16th - - 3 - 2 - - down - continue - continue - - - - - - - A - 4 - - 8 - 1 - 16th - - 3 - 2 - - down - end - end - - - - - single - und - - - begin - be - - - begin - ver - - - - - - - - 85 - - - - - B - -1 - 4 - - 72 - 1 - quarter - - down - - single - wild, - - - - end - deckt, - - - - end - jagt, - - - - - - D - 5 - - 12 - 1 - 16th - down - begin - begin - - - - - single - soll - - - single - wird - - - single - sie - - - - - - C - 5 - - 12 - 1 - 16th - down - end - end - - - - - - - C - 5 - - 36 - 1 - eighth - - down - begin - - single - mein - - - single - weich - - - begin - kön - - - - - A - 4 - - 12 - 1 - 16th - down - end - backward hook - - begin - Ge - - - single - der - - - end - nen - - - - - G - 4 - - 8 - 1 - 16th - - 3 - 2 - - down - begin - begin - - - - - - end - bet - - - - begin - har - - - single - hier - - - - - B - 4 - - 8 - 1 - 16th - natural - - 3 - 2 - - down - continue - continue - - - - - - - D - 5 - - 8 - 1 - 16th - - 3 - 2 - - down - end - end - - - - - single - zu - - - end - te - - - single - nicht - - - - - F - 5 - - 8 - 1 - 16th - - 3 - 2 - - down - begin - begin - - - - - - single - dir - - - - single - Fels - - - single - bei - - - - - D - 5 - - 8 - 1 - 16th - - 3 - 2 - - down - continue - continue - - - - - - - B - 4 - - 8 - 1 - 16th - - 3 - 2 - - down - end - end - - - - - single - hin - - - single - uns - - - single - uns - - - - - - - - - C - 5 - - 48 - - 1 - quarter - down - - - - - - begin - we - - - begin - dün - - - begin - woh - - - - - C - 5 - - 8 - - 1 - 16th - - 6 - 4 - - up - begin - begin - - - - - - - - G - 4 - - 8 - 1 - 16th - - 6 - 4 - - up - continue - continue - - - - A - 4 - - 8 - 1 - 16th - - 6 - 4 - - up - continue - continue - - - - B - -1 - 4 - - 8 - 1 - 16th - flat - - 6 - 4 - - up - continue - continue - - - - - C - 5 - - 1 - 16th - down - begin - begin - - - - - B - -1 - 4 - - 1 - 16th - down - end - end - - - - A - 4 - - 8 - 1 - 16th - - 6 - 4 - - up - continue - continue - - - - G - 4 - - 8 - 1 - 16th - - 6 - 4 - - up - end - end - - - - - - - - F - 4 - - 48 - 1 - quarter - up - - end - hen. - - - - - end - ken. - - - - - end - nen! - - - - - - - 24 - 1 - eighth - - - - F - 4 - - 24 - 1 - eighth - up - - single - Wir - - - single - Du - - - single - Wir - - - - - - - - - - - 94 - 0 - - 250 - - - 70 - - none - - - 48 - - -2 - major - - - 2 - - G - 2 - - - F - 4 - - - - - Sehr langsam - - 1 - - - - - - - - - 1 - - - - - 8 - 1 - 16th - - 6 - 4 - - 1 - - - - - - - D - 4 - - 8 - 1 - 16th - - 6 - 4 - - up - 1 - begin - begin - - - 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continue - - - - - C - 5 - - 8 - 1 - 16th - - 6 - 4 - - down - 1 - - - - F - 4 - - 8 - 1 - 16th - - 6 - 4 - - down - 1 - end - end - - - - - - - - A - 4 - - 8 - 1 - 16th - - 6 - 4 - - down - 1 - - - - 8 - 1 - 16th - - 6 - 4 - - 1 - - - - - - - E - 4 - - 8 - 1 - 16th - natural - - 6 - 4 - - up - 1 - begin - begin - - - - - B - -1 - 4 - - 8 - 1 - 16th - - 6 - 4 - - up - 1 - - - - B - -1 - 4 - - 8 - 1 - 16th - - 6 - 4 - - up - 1 - continue - continue - - - - - C - 5 - - 8 - 1 - 16th - - 6 - 4 - - up - 1 - - - - C - 5 - - 8 - 1 - 16th - - 6 - 4 - - up - 1 - continue - continue - - - - - E - 5 - - 8 - 1 - 16th - natural - - 6 - 4 - - up - 1 - - - - B - -1 - 4 - - 8 - 1 - 16th - - 6 - 4 - - up - 1 - continue - continue - - - - - C - 5 - - 8 - 1 - 16th - - 6 - 4 - - up - 1 - - - - E - 4 - - 8 - 1 - 16th - - 6 - 4 - - up - 1 - end - end - - - - - - - - B - -1 - 4 - - 8 - 1 - 16th - - 6 - 4 - - up - 1 - - - - 8 - 1 - 16th - - 6 - 4 - - 1 - - - - - - - F - 4 - - 8 - 1 - 16th - - 6 - 4 - - down - 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16th - - 6 - 4 - - down - 1 - - - - A - 4 - - 8 - 1 - 16th - - 6 - 4 - - down - 1 - continue - continue - - - - - C - 5 - - 8 - 1 - 16th - - 6 - 4 - - down - 1 - - - - F - 4 - - 8 - 1 - 16th - - 6 - 4 - - down - 1 - end - end - - - - - - - - A - 4 - - 8 - 1 - 16th - - 6 - 4 - - down - 1 - - - 192 - - - - C - 2 - - 24 - 2 - eighth - up - 2 - - - - - C - 3 - - 24 - 2 - eighth - up - 2 - - - - 24 - 2 - eighth - 2 - - - - C - 2 - - 24 - 2 - eighth - up - 2 - - - - - C - 3 - - 24 - 2 - eighth - up - 2 - - - - 24 - 2 - eighth - 2 - - - - F - 2 - - 24 - 2 - eighth - up - 2 - - - - - F - 3 - - 24 - 2 - eighth - up - 2 - - - - 24 - 2 - eighth - 2 - - - - F - 2 - - 24 - 2 - eighth - up - 2 - - - - - F - 3 - - 24 - 2 - eighth - up - 2 - - - - 24 - 2 - eighth - 2 - - - - - +version https://git-lfs.github.com/spec/v1 +oid sha256:8e7ea5a08f999ef2107320109c6eb6469e4f79336d857893993a8f417b21ea95 +size 256553 diff --git a/test-data/musicxml-samples/Telemann.mxl b/test-data/musicxml-samples/Telemann.mxl index 362eae0a6..cfd65a7a6 100644 Binary files a/test-data/musicxml-samples/Telemann.mxl and b/test-data/musicxml-samples/Telemann.mxl differ diff --git a/test-data/musicxml-samples/Telemann.png b/test-data/musicxml-samples/Telemann.png index 119262e0c..ebc1a3211 100644 Binary files a/test-data/musicxml-samples/Telemann.png and b/test-data/musicxml-samples/Telemann.png differ diff --git a/test-data/musicxml-samples/Telemann.xml b/test-data/musicxml-samples/Telemann.xml index 55c70cdee..6cb9e940c 100644 --- a/test-data/musicxml-samples/Telemann.xml +++ b/test-data/musicxml-samples/Telemann.xml @@ -1,5498 +1,3 @@ - - - - Excerpt from "Liebe! Liebe! Was ist schöner als die Liebe?" - - Georg Philipp Telemann - Copyright © 2010 Recordare LLC - - Finale 2011 for Windows - Dolet 6.0 for Finale - 2011-08-08 - - - - - - - 5.1153 - 40 - - - 2185 - 1688 - - 117 - 86 - 99 - 99 - - - - - 0 - 0 - - 94 - 94 - - - 93 - - - 0.957 - 5 - 1.25 - 1.4583 - 5 - 1.875 - 1.4583 - 0.9375 - 1.4583 - 1.4583 - 65 - 65 - 60 - 8 - - - - - - - - Voice - - Voice - - - 1 - 55 - 80 - 0 - - - - Ensemble - - Oboe - - - Viola - - - Violin - - - Cembalo - - - Cello - - - 2 - 69 - 80 - 0 - - - 5 - 42 - 80 - 0 - - - 4 - 41 - 80 - 0 - - - 6 - 7 - 80 - 0 - - - 3 - 43 - 80 - 0 - - - - - - - - - 298 - - none - - - 8 - - 2 - major - - - - G - 2 - - - - - - 12 - 1 - - - - - - - - 12 - 1 - - - - - - - - 12 - 1 - - - - - - - - 12 - 1 - - - - - - - - 12 - 1 - - - - - - - - 12 - 1 - - - - - - - - 12 - 1 - - - - - - - - 12 - 1 - - - - - - - - 12 - 1 - - - - - - - - 12 - 1 - - - - - - - - 12 - 1 - - - - - - - - E - 5 - - 8 - 1 - quarter - down - - begin - Lie - - - - - A - 4 - - 4 - 1 - eighth - up - - end - be! - - - - - - - - - 12 - 1 - - - - - - - - 12 - 1 - - - - - - - - C - 1 - 5 - - 3 - 1 - 16th - - down - begin - begin - - - - - begin - Lie - - - - - D - 5 - - 1 - 1 - 32nd - down - continue - end - backward hook - - - - E - 5 - - 4 - 1 - eighth - down - end - - - - - - - A - 4 - - 4 - 1 - eighth - up - - end - be! - - - - - - - - - 12 - 1 - - - - - - - - 12 - 1 - - - - - - - - D - 5 - - 4 - 1 - eighth - down - begin - - - - - single - Was - - - - - A - 4 - - 4 - 1 - eighth - down - end - - - - - - - B - 4 - - 4 - 1 - eighth - down - - single - ist - - - - - - - - - F - 1 - 4 - - 3 - 1 - 16th - - up - begin - begin - - - - - begin - schö - - - - - G - 4 - - 1 - 1 - 32nd - up - continue - end - backward hook - - - - A - 4 - - 4 - 1 - eighth - up - end - - - - - - - D - 4 - - 4 - 1 - eighth - up - - end - ner - - - - - - - - - F - 1 - 5 - - 4 - 1 - eighth - down - - single - als - - - - - G - 5 - - 2 - 1 - 16th - down - begin - begin - - - - - single - die - - - - - F - 1 - 5 - - 2 - 1 - 16th - down - continue - continue - - - - E - 5 - - 2 - 1 - 16th - down - continue - continue - - - - D - 5 - - 2 - 1 - 16th - down - end - end - - - - - - - - - - - C - 1 - 5 - - 6 - 1 - eighth - - down - - begin - Lie - - - - - B - 4 - - 2 - 1 - 16th - up - begin - forward hook - - - - A - 4 - - 4 - 1 - eighth - up - end - - end - be, - - - - - - - - - 4 - 1 - eighth - - - - D - 5 - - 4 - 1 - eighth - down - - single - was - - - - - D - 5 - - 4 - 1 - eighth - down - - single - schmeckt - - - - - - - - - D - 5 - - 8 - 1 - quarter - down - - begin - sü - - - - - D - 5 - - 4 - 1 - eighth - down - - end - ßer, - - - - - - - - - 4 - 1 - eighth - - - - B - 4 - - 4 - 1 - eighth - down - - single - was - - - - - E - 5 - - 4 - 1 - eighth - down - - single - schmeckt - - - - - - - - - E - 5 - - 12 - - 1 - quarter - - down - - - - - begin - sü - - - - - - - - - E - 5 - - 12 - - - 1 - quarter - - down - - - - - - - - - - - - E - 5 - - 12 - - - 1 - quarter - - down - - - - - - - - - - - - E - 5 - - 4 - - 1 - eighth - down - - - - - - - D - 5 - - 2 - 1 - 16th - down - begin - begin - - - - - end - ßer - - - - - C - 1 - 5 - - 2 - 1 - 16th - down - continue - continue - - - - B - 4 - - 2 - 1 - 16th - down - continue - continue - - - - A - 4 - - 2 - 1 - 16th - down - end - end - - - - - - - - - - - 4 - 1 - eighth - - - - G - 1 - 4 - - 4 - 1 - eighth - sharp - up - - single - als - - - - - D - 5 - - 4 - 1 - eighth - down - - single - ein - - - - - - - - - C - 1 - 5 - - 12 - 1 - quarter - - down - - single - Kuß? - - - - 12 - - - - - D - 5 - - 4 - 2 - eighth - up - - - - - C - 1 - 5 - - 8 - 2 - quarter - up - - - - - - - - D - 5 - - 4 - 1 - eighth - down - begin - - - - - single - Was - - - - - A - 4 - - 4 - 1 - eighth - down - end - - - - - - - B - 4 - - 4 - 1 - eighth - down - - single - ist - - - - - - - - - F - 1 - 4 - - 3 - 1 - 16th - - up - begin - begin - - - - - begin - schö - - - - - G - 4 - - 1 - 1 - 32nd - up - continue - end - backward hook - - - - A - 4 - - 4 - 1 - eighth - up - end - - - - - - - D - 4 - - 4 - 1 - eighth - up - - end - ner, - - - - - - - - - 12 - 1 - - - - - - - - 12 - 1 - - - - - - - - D - 5 - - 4 - 1 - eighth - down - begin - - - - - single - was - - - - - A - 4 - - 4 - 1 - eighth - down - end - - - - - - - B - 4 - - 4 - 1 - eighth - down - - single - schmeckt - - - - - - - - - - 102 - - - 102 - - none - - - 8 - - 2 - major - - - 2 - 5 - - G - 2 - - - F - 4 - - - - - - Ob. Viol. - - 1 - - - - Viola - - 1 - - - - Ob. - - 1 - - - - D - 5 - - 4 - - 1 - eighth - up - 1 - begin - - - - - - - A - 4 - - 4 - - 1 - eighth - up - 1 - continue - - - - - - - B - 4 - - 4 - - 1 - eighth - up - 1 - end - - - 12 - - - - D - 4 - - 4 - - 2 - eighth - down - 1 - begin - - - - - - - F - 1 - 4 - - 4 - - 2 - eighth - down - 1 - continue - - - - G - 4 - - 4 - - 2 - eighth - down - 1 - end - - - - - - 12 - - - - Bc. (u. Cemb.) - - 2 - - - - 12 - 6 - 2 - - - - - - - - F - 1 - 4 - - 3 - - 1 - 16th - - up - 1 - begin - begin - - - - G - 4 - - 1 - - 1 - 32nd - up - 1 - continue - end - backward hook - - - - A - 4 - - 4 - - 1 - eighth - up - 1 - continue - - - - D - 4 - - 4 - - 1 - eighth - up - 1 - end - - - 12 - - - - D - 4 - - 8 - - 2 - quarter - down - 1 - - - - B - 3 - - 4 - - 2 - eighth - 1 - - - 12 - - - - 12 - 6 - 2 - - - - - - - - Viol. - - 1 - - - - A - 4 - - 4 - - 2 - eighth - down - 1 - begin - - - - A - 4 - - 4 - - 2 - eighth - down - 1 - continue - - - - G - 4 - - 2 - - 2 - 16th - down - 1 - continue - begin - - - - F - 1 - 4 - - 2 - - 2 - 16th - down - 1 - end - end - - - 12 - - - - F - 1 - 5 - - 4 - - 3 - eighth - up - 1 - begin - - - - G - 5 - - 2 - - 3 - 16th - up - 1 - continue - begin - - - - - - - F - 1 - 5 - - 2 - - 3 - 16th - up - 1 - continue - continue - - - - - - - E - 5 - - 2 - - 3 - 16th - up - 1 - continue - continue - - - - - - - D - 5 - - 2 - - 3 - 16th - up - 1 - end - end - - - - - - 12 - - - - D - 4 - - 4 - - 6 - eighth - up - 2 - begin - - - - E - 4 - - 4 - - 6 - eighth - up - 2 - continue - - - - D - 4 - - 4 - - 6 - eighth - up - 2 - end - - - 12 - - - - D - 3 - - 4 - - 7 - eighth - down - 2 - begin - - - - C - 1 - 3 - - 4 - - 7 - eighth - down - 2 - continue - - - - D - 3 - - 4 - - 7 - eighth - down - 2 - end - - - - - - - - E - 4 - - 8 - - 2 - quarter - down - 1 - - - - C - 1 - 4 - - 4 - - 2 - eighth - down - 1 - - - 12 - - - - C - 1 - 5 - - 3 - - 3 - 16th - - up - 1 - begin - begin - - - - - - - D - 5 - - 1 - - 3 - 32nd - up - 1 - continue - end - backward hook - - - - E - 5 - - 4 - - 3 - eighth - up - 1 - continue - - - - - - - A - 4 - - 4 - - 3 - eighth - up - 1 - end - - - 12 - - - - A - 3 - - 8 - - 6 - quarter - up - 2 - - - - 4 - - 6 - eighth - 2 - - - 12 - - - - A - 2 - - 8 - - 7 - quarter - down - 2 - - - - D - 3 - - 4 - - 7 - eighth - 2 - - - - - - - - Ob. - - 1 - - - - D - 5 - - 4 - - 1 - eighth - up - 1 - begin - - - - - - - A - 4 - - 4 - - 1 - eighth - up - 1 - continue - - - - - - - B - 4 - - 4 - - 1 - eighth - up - 1 - end - - - 12 - - - - F - 1 - 4 - - 8 - - 2 - quarter - down - 1 - - - - G - 4 - - 4 - - 2 - eighth - down - 1 - - - 12 - - - - 12 - 6 - 2 - - - - - - - - F - 1 - 4 - - 3 - - 1 - 16th - - up - 1 - begin - begin - - - - - - - G - 4 - - 1 - - 1 - 32nd - up - 1 - continue - end - backward hook - - - - A - 4 - - 4 - - 1 - eighth - up - 1 - continue - - - - - - - D - 4 - - 4 - - 1 - eighth - up - 1 - end - - - 12 - - - - D - 4 - - 8 - - 2 - quarter - down - 1 - - - - A - 3 - - 4 - - 2 - eighth - 1 - - - 12 - - - - 12 - 6 - 2 - - - - - - - - Viol. u. Ob. - - 1 - - - - E - 5 - - 6 - - 1 - eighth - - up - 1 - begin - - - - C - 1 - 5 - - 2 - - 1 - 16th - up - 1 - continue - backward hook - - - - D - 5 - - 4 - - 1 - eighth - up - 1 - end - - - 12 - - - - E - 4 - - 4 - - 2 - eighth - down - 1 - - - - - B - 4 - - 4 - - 2 - eighth - down - 1 - - - - E - 4 - - 8 - - 2 - quarter - down - 1 - - - 8 - - - - A - 4 - - 4 - - 5 - eighth - down - 1 - begin - - - - G - 4 - - 4 - - 5 - eighth - down - 1 - end - - - 12 - - - - E - 5 - - 6 - - 3 - eighth - - up - 1 - begin - - - - C - 1 - 5 - - 2 - - 3 - 16th - up - 1 - continue - backward hook - - - - D - 5 - - 4 - - 3 - eighth - up - 1 - end - - - 12 - - - - G - 3 - - 4 - - 7 - eighth - down - 2 - begin - - - - A - 3 - - 4 - - 7 - eighth - down - 2 - continue - - - - A - 2 - - 4 - - 7 - eighth - down - 2 - end - - - - - - - - D - 5 - - 8 - - 1 - quarter - up - 1 - - - - F - 5 - - 4 - - 1 - eighth - 1 - - - 12 - - - - F - 1 - 4 - - 8 - - 2 - quarter - down - 1 - - - 8 - - - - D - 5 - - 4 - - 5 - eighth - down - 1 - begin - - - - A - 4 - - 4 - - 5 - eighth - down - 1 - continue - - - - B - 4 - - 4 - - 5 - eighth - down - 1 - end - - - 4 - - - - G - 4 - - 4 - - 2 - eighth - down - 1 - - - 12 - - - - D - 5 - - 8 - - 3 - quarter - up - 1 - - - - F - 5 - - 4 - - 3 - eighth - 1 - - - 12 - - - - D - 4 - - 8 - - 4 - quarter - down - 1 - - - 4 - 4 - 1 - - - 12 - - - - D - 3 - - 8 - - 7 - quarter - down - 2 - - - - 4 - - 7 - eighth - 2 - - - - - - - - F - 5 - - 8 - - 1 - quarter - 1 - - - - B - 4 - - 4 - - 1 - eighth - 1 - - - 12 - - - - D - 4 - - 8 - - 2 - quarter - down - 1 - - - 8 - - - - F - 1 - 4 - - 3 - - 5 - 16th - - down - 1 - begin - begin - - - - G - 4 - - 1 - - 5 - 32nd - down - 1 - continue - end - backward hook - - - - A - 4 - - 4 - - 5 - eighth - down - 1 - continue - - - - D - 4 - - 4 - - 5 - eighth - down - 1 - end - - - 4 - - - 4 - 2 - 1 - - - - (a 2) - - 1 - - - 12 - - - - 12 - 6 - 2 - - - - - - - - B - 4 - - 4 - - 1 - eighth - up - 1 - begin - - - - G - 1 - 4 - - 6 - - 1 - eighth - - sharp - up - 1 - continue - - - - - - - - - A - 4 - - 2 - - 1 - 16th - up - 1 - end - backward hook - - - 12 - - - - B - 3 - - 4 - - 2 - eighth - down - 1 - - - - - F - 1 - 4 - - 4 - - 2 - eighth - down - 1 - - - - B - 3 - - 8 - - 2 - quarter - down - 1 - - - 8 - - - - E - 4 - - 4 - - 5 - eighth - down - 1 - begin - - - - D - 4 - - 4 - - 5 - eighth - down - 1 - end - - - 12 - - - - B - 4 - - 4 - - 3 - eighth - up - 1 - begin - - - - G - 1 - 4 - - 6 - - 3 - eighth - - sharp - up - 1 - continue - - - - A - 4 - - 2 - - 3 - 16th - up - 1 - end - backward hook - - - 12 - - - - D - 3 - - 4 - - 7 - eighth - up - 2 - begin - - - - E - 3 - - 4 - - 7 - eighth - up - 2 - continue - - - - E - 2 - - 4 - - 7 - eighth - up - 2 - end - - - - - - - - A - 4 - - 12 - - 1 - quarter - - up - 1 - - - 12 - - - - A - 3 - - 12 - - 2 - quarter - - down - 1 - - - - - C - 1 - 4 - - 12 - - 2 - quarter - - down - 1 - - - 12 - - - - A - 4 - - 12 - - 3 - quarter - - up - 1 - - - 12 - - - - A - 2 - - 12 - - 7 - quarter - - up - 2 - - - - - - - - 12 - 1 - 1 - - - 12 - - - - 12 - 6 - 2 - - - - - - - 102 - - - 102 - - - - - Ob. - - 1 - - - - A - 5 - - 4 - - 1 - eighth - up - 1 - begin - - - - - - - E - 5 - - 4 - - 1 - eighth - up - 1 - continue - - - - - - - F - 1 - 5 - - 4 - - 1 - eighth - up - 1 - end - - - 12 - - - - C - 1 - 5 - - 4 - - 2 - eighth - down - 1 - begin - - - - A - 4 - - 4 - - 2 - eighth - down - 1 - continue - - - - A - 4 - - 4 - - 2 - eighth - down - 1 - end - - - 12 - - - - A - 3 - - 4 - - 6 - eighth - up - 2 - begin - - - - C - 1 - 4 - - 4 - - 6 - eighth - up - 2 - continue - - - - D - 4 - - 4 - - 6 - eighth - up - 2 - end - - - 12 - - - - G - 2 - - 12 - - 7 - whole - 2 - - - - - - - - C - 1 - 5 - - 3 - - 1 - 16th - - up - 1 - begin - begin - - - - - - - D - 5 - - 1 - - 1 - 32nd - up - 1 - continue - end - backward hook - - - - E - 5 - - 4 - - 1 - eighth - up - 1 - continue - - - - - - - A - 4 - - 4 - - 1 - eighth - up - 1 - end - - - 12 - - - - E - 4 - - 8 - - 2 - quarter - down - 1 - - - - - A - 4 - - 8 - - 2 - quarter - down - 1 - - - - C - 1 - 4 - - 4 - - 2 - eighth - down - 1 - - - 12 - - - - A - 3 - - 8 - - 6 - quarter - up - 2 - - - - A - 3 - - 4 - - 6 - eighth - 2 - - - 12 - - - - G - 2 - - 12 - - 7 - whole - 2 - - - - - - - - 12 - 1 - 1 - - - - Ob. - - 1 - - - 12 - - - - 12 - 6 - 2 - - - - - - - - A - 5 - - 4 - - 1 - eighth - up - 1 - begin - - - - - - - E - 5 - - 4 - - 1 - eighth - up - 1 - continue - - - - - - - F - 1 - 5 - - 4 - - 1 - eighth - up - 1 - end - - - 12 - - - - E - 4 - - 8 - - 2 - quarter - down - 1 - - - - - C - 1 - 5 - - 8 - - 2 - quarter - down - 1 - - - - G - 4 - - 4 - - 2 - eighth - 1 - - - 12 - - - - A - 3 - - 8 - - 6 - quarter - up - 2 - - - - A - 3 - - 4 - - 6 - eighth - 2 - - - 12 - - - - G - 2 - - 12 - - 7 - whole - 2 - - - - - - - - C - 1 - 5 - - 3 - - 1 - 16th - - up - 1 - begin - begin - - - - - - - D - 5 - - 1 - - 1 - 32nd - up - 1 - continue - end - backward hook - - - - E - 5 - - 4 - - 1 - eighth - up - 1 - continue - - - - - - - A - 4 - - 4 - - 1 - eighth - up - 1 - end - - - 12 - - - - A - 4 - - 12 - - 2 - quarter - - down - 1 - - - 12 - - - - 12 - 6 - 2 - - - - - - - - 12 - - 1 - whole - 1 - - - 12 - - - - D - 4 - - 8 - - 2 - quarter - down - 1 - - - - - A - 4 - - 8 - - 2 - quarter - down - 1 - - - - D - 4 - - 4 - - 2 - eighth - down - 1 - - - - - G - 4 - - 4 - - 2 - eighth - down - 1 - - - - - B - 4 - - 4 - - 2 - eighth - down - 1 - - - 12 - - - - F - 1 - 3 - - 8 - - 7 - quarter - down - 2 - - - - G - 3 - - 4 - - 7 - eighth - down - 2 - - - - - - - - 12 - - 1 - whole - 1 - - - 12 - - - - D - 4 - - 12 - - 2 - quarter - - down - 1 - - - - - F - 1 - 4 - - 12 - - 2 - quarter - - down - 1 - - - - - A - 4 - - 12 - - 2 - quarter - - down - 1 - - - 12 - - - - D - 3 - - 12 - - 7 - quarter - - down - 2 - - - - - - - - F - 1 - 5 - - 4 - - 1 - eighth - up - 1 - begin - - - - G - 5 - - 2 - - 1 - 16th - up - 1 - continue - begin - - - - - - - F - 1 - 5 - - 2 - - 1 - 16th - up - 1 - continue - continue - - - - - - - E - 5 - - 2 - - 1 - 16th - up - 1 - continue - continue - - - - - - - D - 5 - - 2 - - 1 - 16th - up - 1 - end - end - - - - - - 12 - - - - A - 4 - - 4 - - 2 - eighth - down - 1 - begin - - - - A - 4 - - 4 - - 2 - eighth - down - 1 - continue - - - - G - 1 - 4 - - 4 - - 2 - eighth - sharp - down - 1 - end - - - 12 - - - - D - 4 - - 4 - - 6 - eighth - up - 2 - - - - E - 4 - - 8 - - 6 - quarter - up - 2 - - - 12 - - - - D - 4 - - 4 - - 7 - eighth - down - 2 - begin - - - - C - 1 - 4 - - 4 - - 7 - eighth - down - 2 - continue - - - - B - 3 - - 4 - - 7 - eighth - down - 2 - end - - - - - - - - C - 1 - 5 - - 6 - - 1 - eighth - - up - 1 - begin - - - - B - 4 - - 2 - - 1 - 16th - up - 1 - continue - backward hook - - - - A - 4 - - 4 - - 1 - eighth - up - 1 - end - - - 12 - - - - A - 4 - - 12 - - 2 - quarter - - down - 1 - - - 12 - - - - E - 4 - - 8 - - 6 - quarter - up - 2 - - - - C - 1 - 4 - - 4 - - 6 - eighth - up - 2 - - - 12 - - - - A - 3 - - 8 - - 7 - quarter - down - 2 - - - - 4 - - 7 - eighth - 2 - - - - - - - - F - 5 - - 8 - - 1 - quarter - 1 - - - - F - 5 - - 4 - - 1 - eighth - 1 - - - 12 - - - - D - 4 - - 8 - - 2 - quarter - down - 1 - - - - - A - 4 - - 8 - - 2 - quarter - down - 1 - - - 4 - 2 - 1 - - - 12 - - - - F - 1 - 3 - - 8 - - 7 - quarter - down - 2 - - - - 4 - - 7 - eighth - 2 - - - - - - - - 4 - - 1 - eighth - 1 - - - - B - 4 - - 4 - - 1 - eighth - up - 1 - begin - - - - A - 4 - - 4 - - 1 - eighth - up - 1 - end - - - 12 - - - - 4 - - 2 - eighth - 1 - - - - D - 4 - - 4 - - 2 - eighth - down - 1 - begin - - - - D - 4 - - 4 - - 2 - eighth - down - 1 - end - - - 12 - - - - 4 - - 3 - eighth - 1 - - - - G - 4 - - 4 - - 3 - eighth - up - 1 - begin - - - - F - 1 - 4 - - 4 - - 3 - eighth - up - 1 - end - - - 12 - - - - 4 - - 7 - eighth - 2 - - - - G - 3 - - 4 - - 7 - eighth - down - 2 - begin - - - - D - 3 - - 4 - - 7 - eighth - down - 2 - end - - - - - - - - B - 4 - - 8 - - 1 - quarter - up - 1 - - - - 4 - - 1 - eighth - 1 - - - 12 - - - - D - 4 - - 8 - - 2 - quarter - down - 1 - - - - 4 - - 2 - eighth - 1 - - - 12 - - - - G - 4 - - 8 - - 3 - quarter - up - 1 - - - - 4 - - 3 - eighth - 1 - - - 12 - - - - G - 2 - - 8 - - 7 - quarter - up - 2 - - - - 4 - - 7 - eighth - 2 - - - - - - - 102 - - - 102 - - - - - 4 - - 1 - eighth - 1 - - - - C - 1 - 5 - - 4 - - 1 - eighth - up - 1 - begin - - - - B - 4 - - 4 - - 1 - eighth - up - 1 - end - - - 12 - - - - 4 - - 2 - eighth - 1 - - - - E - 4 - - 4 - - 2 - eighth - down - 1 - begin - - - - E - 4 - - 4 - - 2 - eighth - down - 1 - end - - - 12 - - - - 4 - - 3 - eighth - 1 - - - - A - 4 - - 4 - - 3 - eighth - up - 1 - begin - - - - G - 1 - 4 - - 4 - - 3 - eighth - sharp - up - 1 - end - - - 12 - - - - 4 - - 7 - eighth - 2 - - - - A - 3 - - 4 - - 7 - eighth - down - 2 - begin - - - - E - 3 - - 4 - - 7 - eighth - down - 2 - end - - - - - - - - C - 1 - 5 - - 3 - - 1 - 16th - - up - 1 - begin - begin - - - - - - - D - 5 - - 1 - - 1 - 32nd - up - 1 - continue - end - backward hook - - - - E - 5 - - 4 - - 1 - eighth - up - 1 - continue - - - - - - - B - 4 - - 4 - - 1 - eighth - up - 1 - end - - - 12 - - - - E - 4 - - 8 - - 2 - quarter - down - 1 - - - - E - 4 - - 4 - - 2 - eighth - down - 1 - - - 12 - - - - A - 4 - - 3 - - 3 - 16th - - up - 1 - begin - begin - - - - B - 4 - - 1 - - 3 - 32nd - up - 1 - continue - end - backward hook - - - - C - 1 - 5 - - 4 - - 3 - eighth - up - 1 - continue - - - - G - 1 - 4 - - 4 - - 3 - eighth - up - 1 - end - - - 12 - - - - A - 2 - - 8 - - 7 - quarter - up - 2 - - - - 4 - - 7 - eighth - 2 - - - - - - - - C - 1 - 5 - - 3 - - 1 - 16th - - up - 1 - begin - begin - - - - - - - D - 5 - - 1 - - 1 - 32nd - up - 1 - continue - end - backward hook - - - - E - 5 - - 4 - - 1 - eighth - up - 1 - continue - - - - - - - B - 4 - - 4 - - 1 - eighth - up - 1 - end - - - 12 - - - - A - 3 - - 8 - - 2 - quarter - down - 1 - - - - E - 4 - - 4 - - 2 - eighth - down - 1 - - - 12 - - - - A - 4 - - 3 - - 3 - 16th - - up - 1 - begin - begin - - - - B - 4 - - 1 - - 3 - 32nd - up - 1 - continue - end - backward hook - - - - C - 1 - 5 - - 4 - - 3 - eighth - up - 1 - continue - - - - G - 1 - 4 - - 4 - - 3 - eighth - sharp - up - 1 - end - - - 12 - - - - 8 - - 7 - quarter - 2 - - - - 4 - - 7 - eighth - 2 - - - - - - - - C - 1 - 5 - - 8 - - 1 - quarter - up - 1 - - - - F - 5 - - 4 - - 1 - eighth - 1 - - - 12 - - - - E - 4 - - 8 - - 2 - quarter - down - 1 - - - - F - 1 - 4 - - 4 - - 2 - eighth - down - 1 - - - - - B - 4 - - 4 - - 2 - eighth - down - 1 - - - 12 - - - - A - 4 - - 8 - - 3 - quarter - up - 1 - - - - F - 5 - - 4 - - 3 - eighth - 1 - - - 12 - - - - A - 2 - - 8 - - 7 - quarter - up - 2 - - - - D - 3 - - 4 - - 7 - eighth - down - 2 - - - - - - - - F - 5 - - 8 - - 1 - quarter - 1 - - - - 4 - - 1 - eighth - 1 - - - 12 - - - - D - 4 - - 12 - - 2 - quarter - - down - 1 - - - - - G - 1 - 4 - - 12 - - 2 - quarter - - sharp - down - 1 - - - 12 - - - - B - 2 - - 12 - - 7 - quarter - - up - 2 - - - - - - - - E - 5 - - 12 - - 1 - quarter - - up - 1 - - - 12 - - - - C - 1 - 4 - - 12 - - 2 - quarter - - down - 1 - - - - - A - 4 - - 12 - - 2 - quarter - - down - 1 - - - 12 - - - - A - 4 - - 12 - - 3 - quarter - - up - 1 - - - 12 - - - - A - 2 - - 12 - - 7 - quarter - - up - 2 - - - - - - - - 12 - - 1 - whole - 1 - - - 12 - - - - F - 1 - 4 - - 8 - - 2 - quarter - down - 1 - - - - G - 4 - - 4 - - 2 - eighth - down - 1 - - - 12 - - - - 12 - 6 - 2 - - - - - - - - 12 - - 1 - whole - 1 - - - 12 - - - - D - 4 - - 12 - - 2 - quarter - - down - 1 - - - - Ob. - - 1 - - - 12 - - - - 12 - 6 - 2 - - - - - - - - Viol. - - 1 - - - - F - 1 - 5 - - 4 - - 1 - eighth - up - 1 - begin - - - - G - 5 - - 2 - - 1 - 16th - up - 1 - continue - begin - - - - - - - F - 1 - 5 - - 2 - - 1 - 16th - up - 1 - continue - continue - - - - - - - E - 5 - - 2 - - 1 - 16th - up - 1 - continue - continue - - - - - - - D - 5 - - 2 - - 1 - 16th - up - 1 - end - end - - - - - - 12 - - - - A - 4 - - 4 - - 3 - eighth - up - 1 - begin - - - - B - 4 - - 2 - - 3 - 16th - up - 1 - continue - begin - - - - A - 4 - - 2 - - 3 - 16th - up - 1 - continue - continue - - - - G - 4 - - 2 - - 3 - 16th - up - 1 - continue - continue - - - - F - 1 - 4 - - 2 - - 3 - 16th - up - 1 - end - end - - - 12 - - - - D - 4 - - 4 - - 6 - eighth - up - 2 - - - - B - 3 - - 8 - - 6 - quarter - up - 2 - - - 12 - - - - D - 3 - - 4 - - 7 - eighth - down - 2 - - - - G - 2 - - 8 - - 7 - quarter - up - 2 - - - - - - - - C - 1 - 5 - - 3 - - 1 - 16th - - up - 1 - begin - begin - - - - - - - D - 5 - - 1 - - 1 - 32nd - up - 1 - continue - end - backward hook - - - - E - 5 - - 4 - - 1 - eighth - up - 1 - continue - - - - - - - A - 4 - - 4 - - 1 - eighth - up - 1 - end - - - 12 - - - - E - 4 - - 12 - - 2 - quarter - - down - 1 - - - 12 - - - - C - 1 - 5 - - 3 - - 3 - 16th - - up - 1 - begin - begin - - - - D - 5 - - 1 - - 3 - 32nd - up - 1 - continue - end - backward hook - - - - E - 5 - - 4 - - 3 - eighth - up - 1 - continue - - - - A - 4 - - 4 - - 3 - eighth - up - 1 - end - - - 12 - - - - E - 4 - - 8 - - 6 - quarter - up - 2 - - - - C - 1 - 4 - - 4 - - 6 - eighth - up - 2 - - - 12 - - - - A - 2 - - 12 - - 7 - quarter - - down - 2 - - - - - - - - B - 4 - - 12 - - 1 - whole - 1 - - - 12 - - - - F - 1 - 4 - - 8 - - 2 - quarter - down - 1 - - - - G - 4 - - 4 - - 2 - eighth - down - 1 - - - 12 - - - - 12 - 6 - 2 - - - - - +version https://git-lfs.github.com/spec/v1 +oid sha256:d8f117647e31d42452c6ac0526fe3f91e99423cd2bf9a766f5e9bdc587c91f38 +size 156439 diff --git a/test-data/musicxml-testsuite/01a-Pitches-Pitches.xml b/test-data/musicxml-testsuite/01a-Pitches-Pitches.xml index 177f2c89d..221273e68 100644 --- a/test-data/musicxml-testsuite/01a-Pitches-Pitches.xml +++ b/test-data/musicxml-testsuite/01a-Pitches-Pitches.xml @@ -1,1176 +1,3 @@ - - - - Pitches and accidentals - - - All pitches from G to c'''' in - ascending steps; First without accidentals, then with a sharp and then - with a flat accidental. Double alterations and cautionary accidentals - are tested at the end. - - - - - MusicXML Part - - - - - - - 1 - - 0 - major - - - - G - 2 - - - - - G - 2 - - 1 - 1 - quarter - - - - A - 2 - - 1 - 1 - quarter - - - - B - 2 - - 1 - 1 - quarter - - - - C - 3 - - 1 - 1 - quarter - - - - - - - D - 3 - - 1 - 1 - quarter - - - - E - 3 - - 1 - 1 - quarter - - - - F - 3 - - 1 - 1 - quarter - - - - G - 3 - - 1 - 1 - quarter - - - - - - - A - 3 - - 1 - 1 - quarter - - - - B - 3 - - 1 - 1 - quarter - - - - C - 4 - - 1 - 1 - quarter - - - - D - 4 - - 1 - 1 - quarter - - - - - - - E - 4 - - 1 - 1 - quarter - - - - F - 4 - - 1 - 1 - quarter - - - - G - 4 - - 1 - 1 - quarter - - - - A - 4 - - 1 - 1 - quarter - - - - - - - B - 4 - - 1 - 1 - quarter - - - - C - 5 - - 1 - 1 - quarter - - - - D - 5 - - 1 - 1 - quarter - - - - E - 5 - - 1 - 1 - quarter - - - - - - - F - 5 - - 1 - 1 - quarter - - - - G - 5 - - 1 - 1 - quarter - - - - A - 5 - - 1 - 1 - quarter - - - - B - 5 - - 1 - 1 - quarter - - - - - - - C - 6 - - 1 - 1 - quarter - - - - D - 6 - - 1 - 1 - quarter - - - - E - 6 - - 1 - 1 - quarter - - - - F - 6 - - 1 - 1 - quarter - - - - - - - G - 6 - - 1 - 1 - quarter - - - - A - 6 - - 1 - 1 - quarter - - - - B - 6 - - 1 - 1 - quarter - - - - C - 7 - - 1 - 1 - quarter - - - - - - - G - 1 - 2 - - 1 - 1 - quarter - sharp - - - - A - 1 - 2 - - 1 - 1 - quarter - sharp - - - - B - 1 - 2 - - 1 - 1 - quarter - sharp - - - - C - 1 - 3 - - 1 - 1 - quarter - sharp - - - - - - - D - 1 - 3 - - 1 - 1 - quarter - sharp - - - - E - 1 - 3 - - 1 - 1 - quarter - sharp - - - - F - 1 - 3 - - 1 - 1 - quarter - sharp - - - - G - 1 - 3 - - 1 - 1 - quarter - sharp - - - - - - - A - 1 - 3 - - 1 - 1 - quarter - sharp - - - - B - 1 - 3 - - 1 - 1 - quarter - sharp - - - - C - 1 - 4 - - 1 - 1 - quarter - sharp - - - - D - 1 - 4 - - 1 - 1 - quarter - sharp - - - - - - - E - 1 - 4 - - 1 - 1 - quarter - sharp - - - - F - 1 - 4 - - 1 - 1 - quarter - sharp - - - - G - 1 - 4 - - 1 - 1 - quarter - sharp - - - - A - 1 - 4 - - 1 - 1 - quarter - sharp - - - - - - - B - 1 - 4 - - 1 - 1 - quarter - sharp - - - - C - 1 - 5 - - 1 - 1 - quarter - sharp - - - - D - 1 - 5 - - 1 - 1 - quarter - sharp - - - - E - 1 - 5 - - 1 - 1 - quarter - sharp - - - - - - - F - 1 - 5 - - 1 - 1 - quarter - sharp - - - - G - 1 - 5 - - 1 - 1 - quarter - sharp - - - - A - 1 - 5 - - 1 - 1 - quarter - sharp - - - - B - 1 - 5 - - 1 - 1 - quarter - sharp - - - - - - - C - 1 - 6 - - 1 - 1 - quarter - sharp - - - - D - 1 - 6 - - 1 - 1 - quarter - sharp - - - - E - 1 - 6 - - 1 - 1 - quarter - sharp - - - - F - 1 - 6 - - 1 - 1 - quarter - sharp - - - - - - - G - 1 - 6 - - 1 - 1 - quarter - sharp - - - - A - 1 - 6 - - 1 - 1 - quarter - sharp - - - - B - 1 - 6 - - 1 - 1 - quarter - sharp - - - - C - 1 - 7 - - 1 - 1 - quarter - sharp - - - - - - - G - -1 - 2 - - 1 - 1 - quarter - flat - - - - A - -1 - 2 - - 1 - 1 - quarter - flat - - - - B - -1 - 2 - - 1 - 1 - quarter - flat - - - - C - -1 - 3 - - 1 - 1 - quarter - flat - - - - - - - D - -1 - 3 - - 1 - 1 - quarter - flat - - - - E - -1 - 3 - - 1 - 1 - quarter - flat - - - - F - -1 - 3 - - 1 - 1 - quarter - flat - - - - G - -1 - 3 - - 1 - 1 - quarter - flat - - - - - - - A - -1 - 3 - - 1 - 1 - quarter - flat - - - - B - -1 - 3 - - 1 - 1 - quarter - flat - - - - C - -1 - 4 - - 1 - 1 - quarter - flat - - - - D - -1 - 4 - - 1 - 1 - quarter - flat - - - - - - - E - -1 - 4 - - 1 - 1 - quarter - flat - - - - F - -1 - 4 - - 1 - 1 - quarter - flat - - - - G - -1 - 4 - - 1 - 1 - quarter - flat - - - - A - -1 - 4 - - 1 - 1 - quarter - flat - - - - - - - B - -1 - 4 - - 1 - 1 - quarter - flat - - - - C - -1 - 5 - - 1 - 1 - quarter - flat - - - - D - -1 - 5 - - 1 - 1 - quarter - flat - - - - E - -1 - 5 - - 1 - 1 - quarter - flat - - - - - - - F - -1 - 5 - - 1 - 1 - quarter - flat - - - - G - -1 - 5 - - 1 - 1 - quarter - flat - - - - A - -1 - 5 - - 1 - 1 - quarter - flat - - - - B - -1 - 5 - - 1 - 1 - quarter - flat - - - - - - - C - -1 - 6 - - 1 - 1 - quarter - flat - - - - D - -1 - 6 - - 1 - 1 - quarter - flat - - - - E - -1 - 6 - - 1 - 1 - quarter - flat - - - - F - -1 - 6 - - 1 - 1 - quarter - flat - - - - - - - G - -1 - 6 - - 1 - 1 - quarter - flat - - - - A - -1 - 6 - - 1 - 1 - quarter - flat - - - - B - -1 - 6 - - 1 - 1 - quarter - flat - - - - C - -1 - 7 - - 1 - 1 - quarter - flat - - - - - - - C - 2 - 5 - - 1 - 1 - quarter - double-sharp - - - - C - -2 - 5 - - 1 - 1 - quarter - flat-flat - - - - C - 1 - 5 - - 1 - 1 - quarter - sharp - - - - C - 1 - 5 - - 1 - 1 - quarter - sharp - - - - - - - C - 1 - 5 - - 1 - 1 - quarter - sharp - - - - C - 1 - 5 - - 1 - 1 - quarter - sharp - - - light-heavy - - - - - +version https://git-lfs.github.com/spec/v1 +oid sha256:2ed3ba2feaed2cfafbca76c0a5b2e9fae546767b7b4e4890051e6e9214df6f3b +size 30236 diff --git a/test-data/musicxml-testsuite/01b-Pitches-Intervals.xml b/test-data/musicxml-testsuite/01b-Pitches-Intervals.xml index c033498d5..1b3321635 100644 --- a/test-data/musicxml-testsuite/01b-Pitches-Intervals.xml +++ b/test-data/musicxml-testsuite/01b-Pitches-Intervals.xml @@ -1,830 +1,3 @@ - - - - Various piches and interval sizes - - - All pitch intervals in ascending - jump size. - - - - - MusicXML Part - - - - - - - 1 - - 0 - major - - - - G - 2 - - - - - C - 5 - - 1 - 1 - quarter - - - - C - 5 - - 1 - 1 - quarter - - - - C - 1 - 5 - - 1 - 1 - quarter - - - - C - -1 - 5 - - 1 - 1 - quarter - - - - D - -1 - 5 - - 1 - 1 - quarter - - - - B - 1 - 4 - - 1 - 1 - quarter - - - - D - 5 - - 1 - 1 - quarter - - - - B - 4 - - 1 - 1 - quarter - - - - D - 1 - 5 - - 1 - 1 - quarter - - - - B - -1 - 4 - - 1 - 1 - quarter - - - - E - -1 - 5 - - 1 - 1 - quarter - - - - A - 1 - 4 - - 1 - 1 - quarter - - - - E - 5 - - 1 - 1 - quarter - - - - A - 4 - - 1 - 1 - quarter - - - - E - 1 - 5 - - 1 - 1 - quarter - - - - A - -1 - 4 - - 1 - 1 - quarter - - - - F - -1 - 5 - - 1 - 1 - quarter - - - - G - 1 - 4 - - 1 - 1 - quarter - - - - F - 5 - - 1 - 1 - quarter - - - - G - 4 - - 1 - 1 - quarter - - - - F - 1 - 5 - - 1 - 1 - quarter - - - - G - -1 - 4 - - 1 - 1 - quarter - - - - G - -1 - 5 - - 1 - 1 - quarter - - - - F - 1 - 4 - - 1 - 1 - quarter - - - - G - 5 - - 1 - 1 - quarter - - - - F - 4 - - 1 - 1 - quarter - - - - G - 1 - 5 - - 1 - 1 - quarter - - - - F - -1 - 4 - - 1 - 1 - quarter - - - - A - -1 - 5 - - 1 - 1 - quarter - - - - E - 1 - 4 - - 1 - 1 - quarter - - - - A - 5 - - 1 - 1 - quarter - - - - E - 4 - - 1 - 1 - quarter - - - - A - 1 - 5 - - 1 - 1 - quarter - - - - E - -1 - 4 - - 1 - 1 - quarter - - - - B - -1 - 5 - - 1 - 1 - quarter - - - - D - 1 - 4 - - 1 - 1 - quarter - - - - B - 5 - - 1 - 1 - quarter - - - - D - 4 - - 1 - 1 - quarter - - - - B - 1 - 5 - - 1 - 1 - quarter - - - - D - -1 - 4 - - 1 - 1 - quarter - - - - C - -1 - 6 - - 1 - 1 - quarter - - - - C - 1 - 4 - - 1 - 1 - quarter - - - - C - 6 - - 1 - 1 - quarter - - - - C - 4 - - 1 - 1 - quarter - - - - C - 1 - 6 - - 1 - 1 - quarter - - - - C - -1 - 4 - - 1 - 1 - quarter - - - - D - -1 - 6 - - 1 - 1 - quarter - - - - B - 1 - 3 - - 1 - 1 - quarter - - - - D - 6 - - 1 - 1 - quarter - - - - B - 3 - - 1 - 1 - quarter - - - - D - 1 - 6 - - 1 - 1 - quarter - - - - B - -1 - 3 - - 1 - 1 - quarter - - - - E - -1 - 6 - - 1 - 1 - quarter - - - - A - 1 - 3 - - 1 - 1 - quarter - - - - E - 6 - - 1 - 1 - quarter - - - - A - 3 - - 1 - 1 - quarter - - - - E - 1 - 6 - - 1 - 1 - quarter - - - - A - -1 - 3 - - 1 - 1 - quarter - - - - F - -1 - 6 - - 1 - 1 - quarter - - - - G - 1 - 3 - - 1 - 1 - quarter - - - - F - 6 - - 1 - 1 - quarter - - - - G - 3 - - 1 - 1 - quarter - - - - F - 1 - 6 - - 1 - 1 - quarter - - - - G - -1 - 3 - - 1 - 1 - quarter - - - - G - -1 - 6 - - 1 - 1 - quarter - - - - F - 1 - 3 - - 1 - 1 - quarter - - - - G - 6 - - 1 - 1 - quarter - - - - F - 3 - - 1 - 1 - quarter - - - - G - 1 - 6 - - 1 - 1 - quarter - - - - F - -1 - 3 - - 1 - 1 - quarter - - - - A - -1 - 6 - - 1 - 1 - quarter - - - - E - 1 - 3 - - 1 - 1 - quarter - - - - A - 6 - - 1 - 1 - quarter - - - - E - 3 - - 1 - 1 - quarter - - - - A - 1 - 6 - - 1 - 1 - quarter - - - - E - -1 - 3 - - 1 - 1 - quarter - - - - B - -1 - 6 - - 1 - 1 - quarter - - - - D - 1 - 3 - - 1 - 1 - quarter - - - - B - 6 - - 1 - 1 - quarter - - - - D - 3 - - 1 - 1 - quarter - - - - B - 1 - 6 - - 1 - 1 - quarter - - - - D - -1 - 3 - - 1 - 1 - quarter - - - - - +version https://git-lfs.github.com/spec/v1 +oid sha256:2504c30ee5764cbc369354d648d05feb4420ebd861d360a8372b130b8cd97c05 +size 19733 diff --git a/test-data/musicxml-testsuite/01c-Pitches-NoVoiceElement.xml b/test-data/musicxml-testsuite/01c-Pitches-NoVoiceElement.xml index 2f782c13f..e1adb41ed 100644 --- a/test-data/musicxml-testsuite/01c-Pitches-NoVoiceElement.xml +++ b/test-data/musicxml-testsuite/01c-Pitches-NoVoiceElement.xml @@ -1,44 +1,3 @@ - - - - - - The <voice> element - of notes is optional in MusicXML (although Dolet always writes it out). - Here, there is one note with lyrics, but without a voice assigned. It - should still be correctly converted. - - - - - MusicXML Part - - - - - - - 4 - - G - 2 - - - - - G - 4 - - 16 - whole - - single - A - - - - light-heavy - - - - +version https://git-lfs.github.com/spec/v1 +oid sha256:f443ac5cf200f6831d7c2fe0bd88d2986d7994a3525009da42daaf10b5bd2936 +size 1410 diff --git a/test-data/musicxml-testsuite/01d-Pitches-Microtones.xml b/test-data/musicxml-testsuite/01d-Pitches-Microtones.xml index 2019abbf5..2313edd82 100644 --- a/test-data/musicxml-testsuite/01d-Pitches-Microtones.xml +++ b/test-data/musicxml-testsuite/01d-Pitches-Microtones.xml @@ -1,125 +1,3 @@ - - - - - - Some microtones: c - flat-and-a-half, d half-flat, e half-sharp, f sharp-and-a half. - Once in the lower and once in the upper region of the - staff. - - - - - MusicXML Part - - - - - - - 1 - - 0 - major - - - - G - 2 - - - - - C - -1.5 - 4 - - 1 - 1 - quarter - - - - D - -0.5 - 4 - - 1 - 1 - quarter - - - - E - 0.5 - 4 - - 1 - 1 - quarter - - - - F - 1.5 - 4 - - 1 - 1 - quarter - - - - - - - C - -1.5 - 5 - - 1 - 1 - quarter - - - - D - -0.5 - 5 - - 1 - 1 - quarter - - - - E - 0.5 - 5 - - 1 - 1 - quarter - - - - F - 1.5 - 5 - - 1 - 1 - quarter - - - light-heavy - - - - - +version https://git-lfs.github.com/spec/v1 +oid sha256:37f5c4ae974f8e675347c7acbb2cafca536eb9f76da81da625c6307ad2724a81 +size 3372 diff --git a/test-data/musicxml-testsuite/01e-Pitches-ParenthesizedAccidentals.xml b/test-data/musicxml-testsuite/01e-Pitches-ParenthesizedAccidentals.xml index d10c45953..45551717e 100644 --- a/test-data/musicxml-testsuite/01e-Pitches-ParenthesizedAccidentals.xml +++ b/test-data/musicxml-testsuite/01e-Pitches-ParenthesizedAccidentals.xml @@ -1,223 +1,3 @@ - - - - - - Accidentals can be cautionary - or editorial. Each measure has a normal accidental, an editorial, - a cautionary and an editioal and cautionary accidental. - - - - - MusicXML Part - - - - - - - 1 - - 0 - major - - - - G - 2 - - - - - D - -1 - 4 - - 1 - 1 - quarter - flat - - - - D - -1 - 4 - - 1 - 1 - quarter - flat - - - - D - -1 - 4 - - 1 - 1 - quarter - flat - - - - D - -1 - 4 - - 1 - 1 - quarter - flat - - - - - - - C - 1 - 4 - - 1 - 1 - quarter - sharp - - - - C - 1 - 4 - - 1 - 1 - quarter - sharp - - - - C - 1 - 4 - - 1 - 1 - quarter - sharp - - - - C - 1 - 4 - - 1 - 1 - quarter - sharp - - - - - - - D - -2 - 4 - - 1 - 1 - quarter - double-flat - - - - D - -2 - 4 - - 1 - 1 - quarter - double-flat - - - - D - -2 - 4 - - 1 - 1 - quarter - double-flat - - - - D - -2 - 4 - - 1 - 1 - quarter - double-flat - - - - - - - C - 2 - 4 - - 1 - 1 - quarter - double-sharp - - - - C - 2 - 4 - - 1 - 1 - quarter - double-sharp - - - - C - 2 - 4 - - 1 - 1 - quarter - double-sharp - - - - C - 2 - 4 - - 1 - 1 - quarter - double-sharp - - - - - +version https://git-lfs.github.com/spec/v1 +oid sha256:0eb39337ad7584fef23287f5f3bbfb445ea74b415a84566f21725d92505487cd +size 6318 diff --git a/test-data/musicxml-testsuite/01f-Pitches-ParenthesizedMicrotoneAccidentals.xml b/test-data/musicxml-testsuite/01f-Pitches-ParenthesizedMicrotoneAccidentals.xml index 96158eef4..ba740acd7 100644 --- a/test-data/musicxml-testsuite/01f-Pitches-ParenthesizedMicrotoneAccidentals.xml +++ b/test-data/musicxml-testsuite/01f-Pitches-ParenthesizedMicrotoneAccidentals.xml @@ -1,224 +1,3 @@ - - - - - - Microtone accidentals can be - cautionary or editorial. Each measure has a normal accidental, - an editorial, a cautionary and an editioal and cautionary - accidental. - - - - - MusicXML Part - - - - - - - 1 - - 0 - major - - - - G - 2 - - - - - D - -0.5 - 4 - - 1 - 1 - quarter - quarter-flat - - - - D - -0.5 - 4 - - 1 - 1 - quarter - quarter-flat - - - - D - -0.5 - 4 - - 1 - 1 - quarter - quarter-flat - - - - D - -0.5 - 4 - - 1 - 1 - quarter - quarter-flat - - - - - - - C - 1 - 4 - - 1 - 1 - quarter - sharp - - - - C - 1 - 4 - - 1 - 1 - quarter - sharp - - - - C - 1 - 4 - - 1 - 1 - quarter - sharp - - - - C - 1 - 4 - - 1 - 1 - quarter - sharp - - - - - - - D - -1.5 - 4 - - 1 - 1 - quarter - three-quarters-flat - - - - D - -1.5 - 4 - - 1 - 1 - quarter - three-quarters-flat - - - - D - -1.5 - 4 - - 1 - 1 - quarter - three-quarters-flat - - - - D - -1.5 - 4 - - 1 - 1 - quarter - three-quarters-flat - - - - - - - C - 1.5 - 4 - - 1 - 1 - quarter - three-quarters-sharp - - - - C - 1.5 - 4 - - 1 - 1 - quarter - three-quarters-sharp - - - - C - 1.5 - 4 - - 1 - 1 - quarter - three-quarters-sharp - - - - C - 1.5 - 4 - - 1 - 1 - quarter - three-quarters-sharp - - - - - +version https://git-lfs.github.com/spec/v1 +oid sha256:4fe0fb3d06f644655b824cf4c1c3ff64a6bc6598901c60b9d2ac3ca0dc6f044f +size 6459 diff --git a/test-data/musicxml-testsuite/02a-Rests-Durations.xml b/test-data/musicxml-testsuite/02a-Rests-Durations.xml index 139884454..bbe718e44 100644 --- a/test-data/musicxml-testsuite/02a-Rests-Durations.xml +++ b/test-data/musicxml-testsuite/02a-Rests-Durations.xml @@ -1,179 +1,3 @@ - - - - Rest unit test - - - All different rest lengths: A - two-bar multi-measure rest, a whole rest, a half, etc. until a - 128th-rest; Then the same with dotted durations. - - - - - MusicXML Part - - - - - - - 32 - - 0 - major - - - - G - 2 - - - 2 - - - - - 128 - 1 - - - - - - - 128 - 1 - - - - - - - 128 - 1 - whole - - - - - - - 64 - 1 - half - - - - 32 - 1 - quarter - - - - 16 - 1 - eighth - - - - 8 - 1 - 16th - - - - 4 - 1 - 32nd - - - - 2 - 1 - 64th - - - - 1 - 1 - 128th - - - - 1 - 1 - 128th - - - - - - - 96 - 1 - half - - - - - 32 - 1 - quarter - - - - - - - 48 - 1 - quarter - - - - - 24 - 1 - eighth - - - - - 12 - 1 - 16th - - - - - 6 - 1 - 32nd - - - - - 3 - 1 - 64th - - - - - 2 - 1 - 128th - - - - light-heavy - - - - - +version https://git-lfs.github.com/spec/v1 +oid sha256:5e2a7dd9f08fa7e3a05b3fee4acd23b7c9b12c7d58c0b8b25b0239d886f1199c +size 4615 diff --git a/test-data/musicxml-testsuite/02b-Rests-PitchedRests.xml b/test-data/musicxml-testsuite/02b-Rests-PitchedRests.xml index 28fafc39a..09e0ff43a 100644 --- a/test-data/musicxml-testsuite/02b-Rests-PitchedRests.xml +++ b/test-data/musicxml-testsuite/02b-Rests-PitchedRests.xml @@ -1,63 +1,3 @@ - - - - - - Rests can have - explicit pitches, where they are displayed. The - first rest uses no explicit position and should use - the default position, all others are explicitly - positioned somewhere else. - - - - MusicXML Part - - - - - 96 - 0 - - 1 - G2 - - - - 96 - 1 - quarter - 1 - - - E4 - 96 - 1 - quarter - 1 - - - F5 - 96 - 1 - quarter - 1 - - - A3 - 96 - 1 - quarter - 1 - - - C6 - 96 - 1 - quarter - 1 - - - - +version https://git-lfs.github.com/spec/v1 +oid sha256:115f39b1626f3bd37ad8dc676021a86d4b0b47a3a9a79f74cb09336dda6caabc +size 2043 diff --git a/test-data/musicxml-testsuite/02c-Rests-MultiMeasureRests.xml b/test-data/musicxml-testsuite/02c-Rests-MultiMeasureRests.xml index 346503e36..3bf91b690 100644 --- a/test-data/musicxml-testsuite/02c-Rests-MultiMeasureRests.xml +++ b/test-data/musicxml-testsuite/02c-Rests-MultiMeasureRests.xml @@ -1,298 +1,3 @@ - - - - - - Four multi-measure rests: 3 - measures, 15 measures, 1 measure, and 12 measures. - - - - - MusicXML Part - - - - - - - 1 - - 0 - major - - - - G - 2 - - - 3 - - - - - 4 - 1 - - - - - - - 4 - 1 - - - - - - - 4 - 1 - - - - - - - 15 - - - - - 4 - 1 - - - - - - - 4 - 1 - - - - - - - 4 - 1 - - - - - - - 4 - 1 - - - - - - - 4 - 1 - - - - - - - 4 - 1 - - - - - - - 4 - 1 - - - - - - - 4 - 1 - - - - - - - 4 - 1 - - - - - - - 4 - 1 - - - - - - - 4 - 1 - - - - - - - 4 - 1 - - - - - - - 4 - 1 - - - - - - - 4 - 1 - - - - - - - 4 - 1 - - - - - - - 4 - 1 - - - - - - - 12 - - - - - 4 - 1 - - - - - - - 4 - 1 - - - - - - - 4 - 1 - - - - - - - 4 - 1 - - - - - - - 4 - 1 - - - - - - - 4 - 1 - - - - - - - 4 - 1 - - - - - - - 4 - 1 - - - - - - - 4 - 1 - - - - - - - 4 - 1 - - - - - - - 4 - 1 - - - - - - - 4 - 1 - - - light-heavy - - - - - +version https://git-lfs.github.com/spec/v1 +oid sha256:aaf7c1871ccf6fc71f46f7a916450f8db7cb22aa39ffa2b93941e9f7552d62c6 +size 8180 diff --git a/test-data/musicxml-testsuite/02d-Rests-Multimeasure-TimeSignatures.xml b/test-data/musicxml-testsuite/02d-Rests-Multimeasure-TimeSignatures.xml index c357e5bf0..a8602c2a4 100644 --- a/test-data/musicxml-testsuite/02d-Rests-Multimeasure-TimeSignatures.xml +++ b/test-data/musicxml-testsuite/02d-Rests-Multimeasure-TimeSignatures.xml @@ -1,152 +1,3 @@ - - - - - - Multi-Measure rests should always - be converted into durations that are a multiple of the time - signature. - - - - - MusicXML Part - - - - - - - 1 - - 0 - major - - - - G - 2 - - - 2 - - - - - 4 - 1 - - - - - - - 4 - 1 - - - - - - - - 3 - - - - - 3 - 1 - - - - - - - 3 - 1 - - - - - - - 3 - 1 - - - - - - - - 2 - - - - - 2 - 1 - - - - - - - 2 - 1 - - - - - - - - 2 - - - - - 4 - 1 - - - - - - - 4 - 1 - - - - - - - C - 5 - - 4 - 1 - whole - - - light-heavy - - - - - +version https://git-lfs.github.com/spec/v1 +oid sha256:5ef6d23cea59e51f6adad5932a1ddfc09e18a497adb512982451d2c6f7f1b463 +size 4278 diff --git a/test-data/musicxml-testsuite/02e-Rests-NoType.xml b/test-data/musicxml-testsuite/02e-Rests-NoType.xml index 0b72a4d4e..d2c013bea 100644 --- a/test-data/musicxml-testsuite/02e-Rests-NoType.xml +++ b/test-data/musicxml-testsuite/02e-Rests-NoType.xml @@ -1,91 +1,3 @@ - - - - - - In some cases, a rest might - not have its type attribute set (this happens, for example, with - voices in Finale, where you don't manually insert a - rest). - - - - - MusicXML Part - - - - - - - 1 - - 0 - major - - - 2 - - G - 2 - - - F - 4 - - - - - C - 5 - - 1 - 1 - quarter - 1 - - - 1 - - - - 1 - 2 - 2 - - - - - - - A - 4 - - 4 - 1 - whole - 1 - - - 4 - - - - E - 3 - - 4 - 2 - whole - - - light-heavy - - - - - +version https://git-lfs.github.com/spec/v1 +oid sha256:ad19a6e33ad867f081c865d939fd7feb2e30da10c947fc640ea9aa2b9be7b87f +size 2567 diff --git a/test-data/musicxml-testsuite/03a-Rhythm-Durations.xml b/test-data/musicxml-testsuite/03a-Rhythm-Durations.xml index b9fc0b150..98ef69b78 100644 --- a/test-data/musicxml-testsuite/03a-Rhythm-Durations.xml +++ b/test-data/musicxml-testsuite/03a-Rhythm-Durations.xml @@ -1,387 +1,3 @@ - - - - - - All note durations, from long, - brevis, whole until 128th; First with their plain values, then dotted - and finally doubly-dotted. - - - - - MusicXML Part - - - - - - - 64 - - 0 - major - - - - G - 2 - - - - - C - 5 - - 1024 - 1 - long - - - - - - - C - 5 - - 512 - 1 - breve - - - - C - 5 - - 256 - 1 - whole - - - - C - 5 - - 128 - 1 - half - - - - C - 5 - - 64 - 1 - quarter - - - - C - 5 - - 32 - 1 - eighth - - - - C - 5 - - 16 - 1 - 16th - - - - C - 5 - - 8 - 1 - 32nd - - - - C - 5 - - 4 - 1 - 64th - - - - C - 5 - - 2 - 1 - 128th - - - - C - 5 - - 2 - 1 - 128th - - - - - - - - - - C - 5 - - 1536 - 1 - long - - - - - - - - C - 5 - - 768 - 1 - breve - - - - - C - 5 - - 384 - 1 - whole - - - - - C - 5 - - 192 - 1 - half - - - - - C - 5 - - 96 - 1 - quarter - - - - - C - 5 - - 48 - 1 - eighth - - - - - C - 5 - - 24 - 1 - 16th - - - - - C - 5 - - 12 - 1 - 32nd - - - - - C - 5 - - 6 - 1 - 64th - - - - - C - 5 - - 3 - 1 - 128th - - - - - C - 5 - - 3 - 1 - 128th - - - - - - - - - - - C - 5 - - 1792 - 1 - long - - - - - - - - - C - 5 - - 896 - 1 - breve - - - - - - C - 5 - - 448 - 1 - whole - - - - - - C - 5 - - 224 - 1 - half - - - - - - C - 5 - - 112 - 1 - quarter - - - - - - C - 5 - - 56 - 1 - eighth - - - - - - C - 5 - - 28 - 1 - 16th - - - - - - C - 5 - - 14 - 1 - 32nd - - - - - - C - 5 - - 7 - 1 - 64th - - - - - - C - 5 - - 7 - 1 - 64th - - - - - light-heavy - - - - - +version https://git-lfs.github.com/spec/v1 +oid sha256:b08084d3d89a0fe0326f2d43f792710cfe1703f6b01e3935e8906815e48a6b7a +size 9260 diff --git a/test-data/musicxml-testsuite/03b-Rhythm-Backup.xml b/test-data/musicxml-testsuite/03b-Rhythm-Backup.xml index b0e675496..d8a645f4d 100644 --- a/test-data/musicxml-testsuite/03b-Rhythm-Backup.xml +++ b/test-data/musicxml-testsuite/03b-Rhythm-Backup.xml @@ -1,74 +1,3 @@ - - - - - - - Two voices with a backup, that - does not jump to the beginning for the measure for voice 2, but - somewhere in the middle. Voice 2 thus won't have any notes or rests - for the first beat of the measures. - - - - - - - - - - - 2 - 0 - - - G - 2 - - - - - C - 4 - - 2 - 1 - quarter - - - - C - 4 - - 2 - 1 - quarter - - - 2 - - - - A - 3 - - 2 - 2 - quarter - - - - A - 3 - - 2 - 2 - quarter - - - - - +version https://git-lfs.github.com/spec/v1 +oid sha256:5a44b69899cdf8110b74dcbe9c32bac93f8ba18ae0dd0d79424708e2df490407 +size 2010 diff --git a/test-data/musicxml-testsuite/03c-Rhythm-DivisionChange.xml b/test-data/musicxml-testsuite/03c-Rhythm-DivisionChange.xml index 16a54c5f5..05bd443f0 100644 --- a/test-data/musicxml-testsuite/03c-Rhythm-DivisionChange.xml +++ b/test-data/musicxml-testsuite/03c-Rhythm-DivisionChange.xml @@ -1,106 +1,3 @@ - - - - - - Although uncommon, the divisions - of a quarter note can change somewhere in the middle of a MusicXML - file. Here, the first half measure uses a division of 1, which - then changes to 8 in the middle of the first measure and to 38 - in the middle of the second measure. - - - - - MusicXML Part - - - - - - - 1 - - 0 - major - - - - G - 2 - - - - - C - 5 - - 1 - 1 - quarter - - - - C - 5 - - 1 - 1 - quarter - - - 8 - - - - C - 5 - - 8 - 1 - quarter - - - - C - 5 - - 8 - 1 - quarter - - - - - - - C - 5 - - 16 - 1 - half - - - 38 - - - - C - 5 - - 76 - 1 - half - - - light-heavy - - - - - +version https://git-lfs.github.com/spec/v1 +oid sha256:b5c277279eacde4514c3e961d41c105f48618edf8087ba58f6392a217cd58716 +size 2994 diff --git a/test-data/musicxml-testsuite/03d-Rhythm-DottedDurations-Factors.xml b/test-data/musicxml-testsuite/03d-Rhythm-DottedDurations-Factors.xml index 2a53d2c7f..7e9528366 100644 --- a/test-data/musicxml-testsuite/03d-Rhythm-DottedDurations-Factors.xml +++ b/test-data/musicxml-testsuite/03d-Rhythm-DottedDurations-Factors.xml @@ -1,306 +1,3 @@ - - - - - - Several durations can be written - with dots. For multimeasure rests, we can also have durations that - cannot be expressed with dotted notes (like 5/8). - - - - - MusicXML Part - - - - - - - 4 - - - - - C - 5 - - 2 - 1 - eighth - - - - - - - 1 - - - - - 2 - 1 - - - - - - - - - - C - 5 - - 4 - 1 - quarter - - - - - - - 1 - - - - - 4 - 1 - - - - - - - - - - C - 5 - - 12 - 1 - half - - - - - - - - 1 - - - - - 12 - 1 - - - - - - - - - - C - 5 - - 16 - 1 - whole - - - - - - - 1 - - - - - 16 - 1 - - - - - - - - - - C - 5 - - 4 - 1 - quarter - - - - C - 5 - - 1 - 1 - 16th - - - - - - - 1 - - - - - 5 - 1 - - - - - - - - - - C - 5 - - 14 - 1 - half - - - - - - - - 1 - - - - - 14 - 1 - - - - - - - - - - C - 5 - - 16 - 1 - whole - - - - C - 5 - - 2 - 1 - eighth - - - - - - - 1 - - - - - 18 - 1 - - - - - - - - - - C - 5 - - 1 - 1 - 16th - - - - - - - 1 - - - - - 62 - 1 - - - - - - - - - - C - 5 - - 16 - 1 - whole - - - - +version https://git-lfs.github.com/spec/v1 +oid sha256:3ffd592f760980517e78ba34c62ffa5131eb2756b46aa82d3feca75757d45f71 +size 8092 diff --git a/test-data/musicxml-testsuite/100a-Guitare-Bends.xml b/test-data/musicxml-testsuite/100a-Guitare-Bends.xml index e9b2749c7..41d24e981 100644 --- a/test-data/musicxml-testsuite/100a-Guitare-Bends.xml +++ b/test-data/musicxml-testsuite/100a-Guitare-Bends.xml @@ -1,334 +1,3 @@ - - - - - - Some tablature staves, with - explicit fingering information and different string tunings given - in the MusicXML file. - - - - - bracket - yes - - - Guitar - Gtr. - - - - - - - - - 1 - - 0 - major - - - TAB - 5 - - - 6 - - E - 2 - - - A - 2 - - - D - 3 - - - G - 3 - - - B - 3 - - - E - 4 - - - - - - G - 3 - - 1 - 1 - quarter - none - - - 4 - 5 - - 1 - - - - - - - E - 5 - - 1 - 1 - quarter - none - - - 2 - 17 - - -2 - - - - - - - - C - 4 - - 1 - 1 - quarter - none - - - 2 - 1 - - 2 - - - -2 - - - - - - - - E - 3 - - 0.5 - 1 - eighth - none - - - 4 - 2 - - 1 - - - - -1 - - - - - - - - E - 3 - - 0.5 - 1 - eighth - none - - - 4 - 2 - - -1 - - - - 1 - - - - - - - - - - - G - 1 - 2 - - 1 - 1 - quarter - none - - - 6 - 4 - - 1 - - - -1 - - - - - - - - - F - 1 - 3 - - 1 - 1 - quarter - none - - - 4 - 4 - - 1 - - - -1 - - - - - - - - - G - 3 - - 1 - 1 - quarter - none - - - 3 - 0 - - - - - - D - 3 - - 2 - 1 - half - none - - - 5 - 5 - - -0.5 - - - - 1 - - - 0.5 - - - 2 - - - -2 - - - - 2 - - - - - - - - - G - 1 - 3 - - 0.5 - 1 - eighth - none - - - 3 - 1 - - -4 - - - - - - - - - E - 4 - - 0.5 - 1 - eighth - none - - - 2 - 5 - - 1 - - - -1 - - - - - - - light-heavy - - - - - - - \ No newline at end of file +version https://git-lfs.github.com/spec/v1 +oid sha256:3608c92a821cbdaf5ea1238f80610ec4f4a9915250c92316362537e58aea507c +size 9308 diff --git a/test-data/musicxml-testsuite/11a-TimeSignatures.xml b/test-data/musicxml-testsuite/11a-TimeSignatures.xml index 23339737b..a0c836979 100644 --- a/test-data/musicxml-testsuite/11a-TimeSignatures.xml +++ b/test-data/musicxml-testsuite/11a-TimeSignatures.xml @@ -1,237 +1,3 @@ - - - - - - Various time signatures: 2/2 - (alla breve), 4/4 (C), 2/2, 3/2, 2/4, 3/4, 4/4, 5/4, 3/8, 6/8, - 12/8 - - - - - MusicXML Part - - - - - - - 2 - - 0 - major - - - - G - 2 - - - - - C - 5 - - 8 - 1 - whole - - - - - - - - - C - 5 - - 8 - 1 - whole - - - - - - - - - C - 5 - - 8 - 1 - whole - - - - - - - - - C - 5 - - 12 - 1 - whole - - - - - - - - - - C - 5 - - 4 - 1 - half - - - - - - - - - C - 5 - - 6 - 1 - half - - - - - - - - - - C - 5 - - 8 - 1 - whole - - - - - - - - - C - 5 - - 8 - - 1 - whole - - - - - C - 5 - - 2 - - 1 - quarter - - - - - - - - - - C - 5 - - 3 - 1 - quarter - - - - - - - - - - C - 5 - - 6 - 1 - half - - - - - - - - - - C - 5 - - 12 - 1 - whole - - - - light-heavy - - - - +version https://git-lfs.github.com/spec/v1 +oid sha256:e6ad729fd8de75fc5c1d115ced4a0b429693a09bcd6a63e1b93c3dc078dd33c2 +size 5767 diff --git a/test-data/musicxml-testsuite/11b-TimeSignatures-NoTime.xml b/test-data/musicxml-testsuite/11b-TimeSignatures-NoTime.xml index a70af96c9..9ce1fb9d7 100644 --- a/test-data/musicxml-testsuite/11b-TimeSignatures-NoTime.xml +++ b/test-data/musicxml-testsuite/11b-TimeSignatures-NoTime.xml @@ -1,42 +1,3 @@ - - - - - - A score without - a time signature (but with a key and clefs) - - - - - - - - - - - 1 - 0 - 2 - G2 - F4 - - - F4 - 4 - 1 - whole - 1 - - 384 - - B2 - 4 - 2 - whole - 2 - - - - +version https://git-lfs.github.com/spec/v1 +oid sha256:ae9dd6f931f795a3024ca7a6c40fb7cb8e4add4e1c8cde72f13d6db3ca538fe0 +size 1265 diff --git a/test-data/musicxml-testsuite/11c-TimeSignatures-CompoundSimple.xml b/test-data/musicxml-testsuite/11c-TimeSignatures-CompoundSimple.xml index e0c5cb53f..fc130f4bf 100644 --- a/test-data/musicxml-testsuite/11c-TimeSignatures-CompoundSimple.xml +++ b/test-data/musicxml-testsuite/11c-TimeSignatures-CompoundSimple.xml @@ -1,136 +1,3 @@ - - - - - - Compound time signatures with - same denominator: (3+2)/8 and (5+3+1)/4. - - - - - MusicXML Part - - - - - - - 2 - - 0 - major - - - - G - 2 - - - - - B - 4 - - 1 - 1 - eighth - begin - - - - B - 4 - - 1 - 1 - eighth - continue - - - - B - 4 - - 1 - 1 - eighth - end - - - - B - 4 - - 1 - 1 - eighth - begin - - - - B - 4 - - 1 - 1 - eighth - end - - - - - - - - - - A - 4 - - 8 - 1 - whole - - - - A - 4 - - 2 - 1 - quarter - - - - A - 4 - - 6 - 1 - half - - - - - A - 4 - - 2 - 1 - quarter - - - light-heavy - - - - - +version https://git-lfs.github.com/spec/v1 +oid sha256:e44920ba3a58b5214b01d7e8e87fd2f25d30ed7a655f4c5a6a919c971a5f1ef0 +size 3581 diff --git a/test-data/musicxml-testsuite/11d-TimeSignatures-CompoundMultiple.xml b/test-data/musicxml-testsuite/11d-TimeSignatures-CompoundMultiple.xml index 37a5fa3c0..93511dd7b 100644 --- a/test-data/musicxml-testsuite/11d-TimeSignatures-CompoundMultiple.xml +++ b/test-data/musicxml-testsuite/11d-TimeSignatures-CompoundMultiple.xml @@ -1,159 +1,3 @@ - - - - - - Compound time signatures with - separate fractions displayed: 3/8+2/8+3/4 and 5/2+1/8. - - - - - MusicXML Part - - - - - - - 2 - - 0 - major - - - - G - 2 - - - - - B - 4 - - 1 - 1 - eighth - begin - - - - B - 4 - - 1 - 1 - eighth - continue - - - - B - 4 - - 1 - 1 - eighth - end - - - - B - 4 - - 1 - 1 - eighth - begin - - - - B - 4 - - 1 - 1 - eighth - end - - - - B - 4 - - 2 - 1 - quarter - - - - B - 4 - - 2 - 1 - quarter - - - - B - 4 - - 2 - 1 - quarter - - - - - - - - - - A - 4 - - 16 - 1 - breve - - - - A - 4 - - 4 - 1 - half - - - - A - 4 - - 1 - 1 - eighth - - - light-heavy - - - - - +version https://git-lfs.github.com/spec/v1 +oid sha256:8ddf2ceca65a81d004ad7272ed1e963e425134b20d2777b060abc19d370bd74e +size 4181 diff --git a/test-data/musicxml-testsuite/11e-TimeSignatures-CompoundMixed.xml b/test-data/musicxml-testsuite/11e-TimeSignatures-CompoundMixed.xml index 8d8cf5f91..12e82ed05 100644 --- a/test-data/musicxml-testsuite/11e-TimeSignatures-CompoundMixed.xml +++ b/test-data/musicxml-testsuite/11e-TimeSignatures-CompoundMixed.xml @@ -1,119 +1,3 @@ - - - - - - Compound time signatures of - mixed type: (3+2)/8+3/4. - - - - - MusicXML Part - - - - - - - 2 - - 0 - major - - - - G - 2 - - - - - B - 4 - - 1 - 1 - eighth - begin - - - - B - 4 - - 1 - 1 - eighth - continue - - - - B - 4 - - 1 - 1 - eighth - end - - - - B - 4 - - 1 - 1 - eighth - begin - - - - B - 4 - - 1 - 1 - eighth - end - - - - B - 4 - - 2 - 1 - quarter - - - - B - 4 - - 2 - 1 - quarter - - - - B - 4 - - 2 - 1 - quarter - - - light-heavy - - - - - +version https://git-lfs.github.com/spec/v1 +oid sha256:e0db61b15418a2314bb02002fbdb97b3f798006eb84689bb31cf3d0996e6ddbd +size 3155 diff --git a/test-data/musicxml-testsuite/11f-TimeSignatures-SymbolMeaning.xml b/test-data/musicxml-testsuite/11f-TimeSignatures-SymbolMeaning.xml index 4787a7114..3e16b9e87 100644 --- a/test-data/musicxml-testsuite/11f-TimeSignatures-SymbolMeaning.xml +++ b/test-data/musicxml-testsuite/11f-TimeSignatures-SymbolMeaning.xml @@ -1,108 +1,3 @@ - - - - - - A time signature of 3/8 with the - symbol="cut" attribute and two symbol="single-number" attributes with - compound time signatures. Shall the symbol be ignored in this - case? - - - - - MusicXML Part - - - - - - - 2 - - 0 - major - - - - G - 2 - - - - - B - 4 - - 3 - 1 - quarter - - - - - - - - - - - B - 4 - - 1 - 1 - eighth - - - - B - 4 - - 4 - 1 - half - - - - - - - - - - B - 4 - - 1 - 1 - eighth - - - - B - 4 - - 4 - 1 - half - - - light-heavy - - - - - +version https://git-lfs.github.com/spec/v1 +oid sha256:509ca5cd16ae0fe2980ccb34e80559ca0d5c53185924f1e2ab90ade1b9636923 +size 3051 diff --git a/test-data/musicxml-testsuite/11g-TimeSignatures-SingleNumber.xml b/test-data/musicxml-testsuite/11g-TimeSignatures-SingleNumber.xml index 510b66932..cd8f931e5 100644 --- a/test-data/musicxml-testsuite/11g-TimeSignatures-SingleNumber.xml +++ b/test-data/musicxml-testsuite/11g-TimeSignatures-SingleNumber.xml @@ -1,70 +1,3 @@ - - - - - - Time signature displayed as a - single number. - - - - - MusicXML Part - - - - - - - 2 - - 0 - major - - - - G - 2 - - - - - B - 4 - - 1 - 1 - eighth - begin - - - - B - 4 - - 1 - 1 - eighth - continue - - - - B - 4 - - 1 - 1 - eighth - end - - - light-heavy - - - - - +version https://git-lfs.github.com/spec/v1 +oid sha256:da9b168ea0c84c48ecd46f81ae32bb57225dcd0d8db492d67d4bea12813eb9c1 +size 1990 diff --git a/test-data/musicxml-testsuite/11h-TimeSignatures-SenzaMisura.xml b/test-data/musicxml-testsuite/11h-TimeSignatures-SenzaMisura.xml index 32b372981..fa7dca6ef 100644 --- a/test-data/musicxml-testsuite/11h-TimeSignatures-SenzaMisura.xml +++ b/test-data/musicxml-testsuite/11h-TimeSignatures-SenzaMisura.xml @@ -1,68 +1,3 @@ - - - - - - Senza-misura time signature - - - - - MusicXML Part - - - - - - - 2 - - 0 - major - - - - G - 2 - - - - - B - 4 - - 1 - 1 - eighth - begin - - - - B - 4 - - 1 - 1 - eighth - continue - - - - B - 4 - - 1 - 1 - eighth - end - - - light-heavy - - - - - +version https://git-lfs.github.com/spec/v1 +oid sha256:d25d9e6927cf5472123f39faf72ab326bc7c71d4063825c568ddd23bed13b023 +size 1902 diff --git a/test-data/musicxml-testsuite/12a-Clefs.xml b/test-data/musicxml-testsuite/12a-Clefs.xml index 85be49ec1..cc1871807 100644 --- a/test-data/musicxml-testsuite/12a-Clefs.xml +++ b/test-data/musicxml-testsuite/12a-Clefs.xml @@ -1,360 +1,3 @@ - - - - - - Various clefs: G, C, F, percussion, - TAB and none; some are also possible with octavation and on other - staff lines than their default (e.g. soprano/alto/tenor/bariton C - clefs); Each measure shows a different clef (measure 17 has the "none" - clef), only measure 18 has the same treble clef as measure - 1. - - - - - MusicXML Part - - - - - - - 1 - - 0 - major - - - - G - 2 - - - - - C - 4 - - 4 - 1 - whole - - - - - - - C - 3 - - - - - C - 4 - - 4 - 1 - whole - - - - - - - C - 4 - - - - - C - 4 - - 4 - 1 - whole - - - - - - - F - 4 - - - - - C - 4 - - 4 - 1 - whole - - - - - - - percussion - - - - - C - 4 - - 4 - 1 - whole - - - - - - - G - 2 - -1 - - - - - C - 4 - - 4 - 1 - whole - - - - - - - F - 4 - -1 - - - - - C - 4 - - 4 - 1 - whole - - - - - - - F - 3 - - - - - C - 4 - - 4 - 1 - whole - - - - - - - G - 1 - - - - - C - 4 - - 4 - 1 - whole - - - - - - - C - 5 - - - - - C - 4 - - 4 - 1 - whole - - - - - - - C - 2 - - - - - C - 4 - - 4 - 1 - whole - - - - - - - C - 1 - - - - - C - 4 - - 4 - 1 - whole - - - - - - - percussion - - - - - C - 4 - - 4 - 1 - whole - - - - - - - G - 2 - 1 - - - - - C - 4 - - 4 - 1 - whole - - - - - - - F - 4 - 1 - - - - - C - 4 - - 4 - 1 - whole - - - - - - - TAB - 5 - - - - - C - 4 - - 4 - 1 - whole - - - - - - - none - - - - - C - 4 - - 4 - 1 - whole - - - - - - - G - 2 - - - - - C - 4 - - 4 - 1 - whole - - - light-heavy - - - - - +version https://git-lfs.github.com/spec/v1 +oid sha256:2e521ede7e16ebbe272e8ee9ca7e9de225cbb39a1f8250dfbcb0d6c15b3dea8e +size 9428 diff --git a/test-data/musicxml-testsuite/12b-Clefs-NoKeyOrClef.xml b/test-data/musicxml-testsuite/12b-Clefs-NoKeyOrClef.xml index d0ad799e8..61b31ae62 100644 --- a/test-data/musicxml-testsuite/12b-Clefs-NoKeyOrClef.xml +++ b/test-data/musicxml-testsuite/12b-Clefs-NoKeyOrClef.xml @@ -1,47 +1,3 @@ - - - - - - A score without - any key or clef defined. The default (4/4 in treble - clef) should be used. - - - - - - - - - - - 1 - - - - - C - 4 - - 4 - 1 - whole - - - - - - C - 4 - - 4 - 1 - whole - - - - +version https://git-lfs.github.com/spec/v1 +oid sha256:1663b0dbfd581bd3673d81cc1147693d4a8a2bc4bee257f3eb0a848b1302c24b +size 1177 diff --git a/test-data/musicxml-testsuite/13a-KeySignatures.xml b/test-data/musicxml-testsuite/13a-KeySignatures.xml index 1279fd2d1..c4dd6d077 100644 --- a/test-data/musicxml-testsuite/13a-KeySignatures.xml +++ b/test-data/musicxml-testsuite/13a-KeySignatures.xml @@ -1,815 +1,3 @@ - - - - Different Key signatures - - - Various key signature: from 11 - flats to 11 sharps (each one first one measure in major, then one - measure in minor) - - - - - MusicXML Part - - - - - - - 1 - - -11 - major - - - - G - 2 - - - - - C - 4 - - 2 - 1 - half - - - - - - -11 - minor - - - - - C - 4 - - 2 - 1 - half - - - - - - -10 - major - - - - - C - 4 - - 2 - 1 - half - - - - - - -10 - minor - - - - - C - 4 - - 2 - 1 - half - - - - - - -9 - major - - - - - C - 4 - - 2 - 1 - half - - - - - - -9 - minor - - - - - C - 4 - - 2 - 1 - half - - - - - - -8 - major - - - - - C - 4 - - 2 - 1 - half - - - - - - -8 - minor - - - - - C - 4 - - 2 - 1 - half - - - - - - -7 - major - - - - - C - 4 - - 2 - 1 - half - - - - - - -7 - minor - - - - - C - 4 - - 2 - 1 - half - - - - - - -6 - major - - - - - C - 4 - - 2 - 1 - half - - - - - - -6 - minor - - - - - C - 4 - - 2 - 1 - half - - - - - - -5 - major - - - - - C - 4 - - 2 - 1 - half - - - - - - -5 - minor - - - - - C - 4 - - 2 - 1 - half - - - - - - -4 - major - - - - - C - 4 - - 2 - 1 - half - - - - - - -4 - minor - - - - - C - 4 - - 2 - 1 - half - - - - - - -3 - major - - - - - C - 4 - - 2 - 1 - half - - - - - - -3 - minor - - - - - C - 4 - - 2 - 1 - half - - - - - - -2 - major - - - - - C - 4 - - 2 - 1 - half - - - - - - -2 - minor - - - - - C - 4 - - 2 - 1 - half - - - - - - -1 - major - - - - - C - 4 - - 2 - 1 - half - - - - - - -1 - minor - - - - - C - 4 - - 2 - 1 - half - - - - - - 0 - major - - - - - C - 4 - - 2 - 1 - half - - - - - - 0 - minor - - - - - C - 4 - - 2 - 1 - half - - - - - - 1 - major - - - - - C - 4 - - 2 - 1 - half - - - - - - 1 - minor - - - - - C - 4 - - 2 - 1 - half - - - - - - 2 - major - - - - - C - 4 - - 2 - 1 - half - - - - - - 2 - minor - - - - - C - 4 - - 2 - 1 - half - - - - - - 3 - major - - - - - C - 4 - - 2 - 1 - half - - - - - - 3 - minor - - - - - C - 4 - - 2 - 1 - half - - - - - - 4 - major - - - - - C - 4 - - 2 - 1 - half - - - - - - 4 - minor - - - - - C - 4 - - 2 - 1 - half - - - - - - 5 - major - - - - - C - 4 - - 2 - 1 - half - - - - - - 5 - minor - - - - - C - 4 - - 2 - 1 - half - - - - - - 6 - major - - - - - C - 4 - - 2 - 1 - half - - - - - - 6 - minor - - - - - C - 4 - - 2 - 1 - half - - - - - - 7 - major - - - - - C - 4 - - 2 - 1 - half - - - - - - 7 - minor - - - - - C - 4 - - 2 - 1 - half - - - - - - 8 - major - - - - - C - 4 - - 2 - 1 - half - - - - - - 8 - minor - - - - - C - 4 - - 2 - 1 - half - - - - - - 9 - major - - - - - C - 4 - - 2 - 1 - half - - - - - - 9 - minor - - - - - C - 4 - - 2 - 1 - half - - - - - - 10 - major - - - - - C - 4 - - 2 - 1 - half - - - - - - 10 - minor - - - - - C - 4 - - 2 - 1 - half - - - - - - 11 - major - - - - - C - 4 - - 2 - 1 - half - - - - - - 11 - minor - - - - - C - 4 - - 2 - 1 - half - - - light-heavy - - - - +version https://git-lfs.github.com/spec/v1 +oid sha256:065b163782835c821294988b46b38c0bb2df3c2c87fa2a7ba2eff70b2072a8df +size 18635 diff --git a/test-data/musicxml-testsuite/13b-KeySignatures-ChurchModes.xml b/test-data/musicxml-testsuite/13b-KeySignatures-ChurchModes.xml index 1f4852d51..13fae5b12 100644 --- a/test-data/musicxml-testsuite/13b-KeySignatures-ChurchModes.xml +++ b/test-data/musicxml-testsuite/13b-KeySignatures-ChurchModes.xml @@ -1,179 +1,3 @@ - - - - - - All different modes: major, - minor, ionian, dorian, phrygian, lydian, mixolydian, aeolian, and - locrian; All modes are given with 2 sharps. - - - - - MusicXML Part - - - - - - - 1 - - 2 - major - - - - G - 2 - - - - - G - 4 - - 1 - 1 - quarter - major - - - - 2 - minor - - - - - G - 4 - - 1 - 1 - quarter - minor - - - - 2 - ionian - - - - - G - 4 - - 1 - 1 - quarter - ionian - - - - 2 - dorian - - - - - G - 4 - - 1 - 1 - quarter - dorian - - - - - - 2 - phrygian - - - - - G - 4 - - 1 - 1 - quarter - phrygian - - - - 2 - lydian - - - - - G - 4 - - 1 - 1 - quarter - lydian - - - - 2 - mixolydian - - - - - G - 4 - - 1 - 1 - quarter - mixolydian - - - - 2 - aeolian - - - - - G - 4 - - 1 - 1 - quarter - aeolian - - - - - - 2 - locrian - - - - - G - 4 - - 1 - 1 - quarter - locrian - - - - +version https://git-lfs.github.com/spec/v1 +oid sha256:2cdef5b061540b07b91178d0d688105f43f58cec3f799db8005f0dd190d4edcd +size 4696 diff --git a/test-data/musicxml-testsuite/13c-KeySignatures-NonTraditional.xml b/test-data/musicxml-testsuite/13c-KeySignatures-NonTraditional.xml index fa7780389..5509dbfb3 100644 --- a/test-data/musicxml-testsuite/13c-KeySignatures-NonTraditional.xml +++ b/test-data/musicxml-testsuite/13c-KeySignatures-NonTraditional.xml @@ -1,85 +1,3 @@ - - - - - - Non-traditional key signatures, - where each alteration is separately given. Here we have (f sharp, - a flat, b flat) and (c flatflat, g sharp sharp, d flat, b sharp, f - natural), where in the second case an explicit octave is given for - each alteration. - - - - - MusicXML Part - - - - - - - 1 - - F - 1 - A - -1 - B - -1 - - - - G - 2 - - - - - C - 4 - - 2 - 1 - half - - - - - - C - -2 - G - 2 - D - -1 - B - 1 - F - 0 - 2 - 3 - 4 - 5 - 6 - - - - - C - 4 - - 2 - 1 - half - - - light-heavy - - - - +version https://git-lfs.github.com/spec/v1 +oid sha256:15e7c07290a6e9e618f5aef3caa17bd5f4c11d04ea43418509fd90d8ad4a1fd7 +size 2659 diff --git a/test-data/musicxml-testsuite/13d-KeySignatures-Microtones.xml b/test-data/musicxml-testsuite/13d-KeySignatures-Microtones.xml index 9505e1555..674376648 100644 --- a/test-data/musicxml-testsuite/13d-KeySignatures-Microtones.xml +++ b/test-data/musicxml-testsuite/13d-KeySignatures-Microtones.xml @@ -1,62 +1,3 @@ - - - - - - Non-traditional key signatures - with microtone alterations: (g flat-and-a-half, - a flat, b half-flat, c natural, d half-sharp, e sharp, f - sharp-and-a-half). - - - - - MusicXML Part - - - - - - - 1 - - G - -1.5 - A - -1 - B - -0.5 - C - 0 - D - 0.5 - E - 1 - F - 1.5 - - - - G - 2 - - - - - C - 4 - - 2 - 1 - half - - - light-heavy - - - - +version https://git-lfs.github.com/spec/v1 +oid sha256:cdf56e6ca9a84b409f4648052bc8df91ec2c5ba71a55f8c801e0db7a24fdcee4 +size 1925 diff --git a/test-data/musicxml-testsuite/14a-StaffDetails-LineChanges.xml b/test-data/musicxml-testsuite/14a-StaffDetails-LineChanges.xml index e297d5c88..f00cec79b 100644 --- a/test-data/musicxml-testsuite/14a-StaffDetails-LineChanges.xml +++ b/test-data/musicxml-testsuite/14a-StaffDetails-LineChanges.xml @@ -1,154 +1,3 @@ - - - - - - The number of staff lines can be - modified by using the staff-lines child of the staff-details attribute. - This can happen globally (the first staff has one line globally) or - during the part at the beginning of a measure and even inside a measure - (the second part has 5 lines initially, 4 at the beginning of the - second measure, and 3 starting in the middle of the third - measure). - - - - - bracket - yes - - - Part 1 - - - Part 2 - - - - - - - - 1 - - 0 - major - - - 1 - - - - - D - 5 - - 4 - 1 - whole - - - - - - - D - 5 - - 4 - 1 - whole - - - - - - - D - 5 - - 4 - 1 - whole - - - - - - - - 1 - - 0 - major - - - 5 - - - - - G - 4 - - 4 - 1 - whole - - - - - - - 4 - - - - - G - 4 - - 2 - 1 - half - - - - G - 4 - - 2 - 1 - half - - - - - - - G - 4 - - 2 - 1 - half - - - - 2 - - - - - G - 4 - - 2 - 1 - half - - - - - +version https://git-lfs.github.com/spec/v1 +oid sha256:c4a1e6e531238eec6094f003296e318dfea0fe5a483935c98a8511a98d2f757b +size 4400 diff --git a/test-data/musicxml-testsuite/21a-Chord-Basic.xml b/test-data/musicxml-testsuite/21a-Chord-Basic.xml index 17464b874..dd859710e 100644 --- a/test-data/musicxml-testsuite/21a-Chord-Basic.xml +++ b/test-data/musicxml-testsuite/21a-Chord-Basic.xml @@ -1,55 +1,3 @@ - - - - - - One simple chord - consisting of two notes. - - - - - MusicXML Part - - - - - - 960 - - - G - 2 - - - - - A - 4 - - 960 - 1 - quarter - - - - - F - 4 - - 960 - 1 - quarter - - - - 960 - 1 - quarter - - - - +version https://git-lfs.github.com/spec/v1 +oid sha256:ef19b940e4d9440f9faa57dfebada06f9d258b10a3e066eb080a0ba6aa9f32c2 +size 1262 diff --git a/test-data/musicxml-testsuite/21b-Chords-TwoNotes.xml b/test-data/musicxml-testsuite/21b-Chords-TwoNotes.xml index 7991e247f..f9b9552a3 100644 --- a/test-data/musicxml-testsuite/21b-Chords-TwoNotes.xml +++ b/test-data/musicxml-testsuite/21b-Chords-TwoNotes.xml @@ -1,185 +1,3 @@ - - - - - - Some subsequent - (identical) two-note chords. - - - - - MusicXML Part - - - - - - 960 - - - G - 2 - - - - - A - 4 - - 960 - 1 - quarter - - - - - F - 4 - - 960 - 1 - quarter - - - - A - 4 - - 960 - 1 - quarter - - - - - F - 4 - - 960 - 1 - quarter - - - - A - 4 - - 960 - 1 - quarter - - - - - F - 4 - - 960 - 1 - quarter - - - - A - 4 - - 960 - 1 - quarter - - - - - F - 4 - - 960 - 1 - quarter - - - - - - - A - 4 - - 960 - 1 - quarter - - - - - F - 4 - - 960 - 1 - quarter - - - - A - 4 - - 960 - 1 - quarter - - - - - F - 4 - - 960 - 1 - quarter - - - - A - 4 - - 960 - 1 - quarter - - - - - F - 4 - - 960 - 1 - quarter - - - - A - 4 - - 960 - 1 - quarter - - - - - F - 4 - - 960 - 1 - quarter - - - - +version https://git-lfs.github.com/spec/v1 +oid sha256:f42fdc366c4e57bd205085fee943a05ab6fc1e7bab97e45bc40ea09c73794d5c +size 3726 diff --git a/test-data/musicxml-testsuite/21c-Chords-ThreeNotesDuration.xml b/test-data/musicxml-testsuite/21c-Chords-ThreeNotesDuration.xml index f47ef862d..c0e5c4256 100644 --- a/test-data/musicxml-testsuite/21c-Chords-ThreeNotesDuration.xml +++ b/test-data/musicxml-testsuite/21c-Chords-ThreeNotesDuration.xml @@ -1,229 +1,3 @@ - - - - - - Some three-note - chords, with various durations. - - - - - MusicXML Part - - - - - - 960 - - - G - 2 - - - - - F - 4 - - 1440 - 1 - quarter - - - - - - A - 4 - - 1440 - 1 - quarter - - - - - - C - 5 - - 1440 - 1 - quarter - - - - - A - 4 - - 480 - 1 - eighth - - - - - G - 5 - - 480 - 1 - eighth - - - - A - 4 - - 960 - 1 - quarter - - - - - F - 4 - - 960 - 1 - quarter - - - - - C - 5 - - 960 - 1 - quarter - - - - A - 4 - - 960 - 1 - quarter - - - - - F - 4 - - 960 - 1 - quarter - - - - - C - 5 - - 960 - 1 - quarter - - - - - - - A - 4 - - 960 - 1 - quarter - - - - - F - 4 - - 960 - 1 - quarter - - - - - E - 5 - - 960 - 1 - quarter - - - - A - 4 - - 960 - 1 - quarter - - - - - F - 4 - - 960 - 1 - quarter - - - - - F - 5 - - 960 - 1 - quarter - - - - A - 4 - - 1920 - 1 - half - - - - - F - 4 - - 1920 - 1 - half - - - - - D - 5 - - 1920 - 1 - half - - - - +version https://git-lfs.github.com/spec/v1 +oid sha256:fd647125881389c061dd7ee11cd0ee72203555fc13da6265ca7458e5af97387c +size 4526 diff --git a/test-data/musicxml-testsuite/21d-Chords-SchubertStabatMater.xml b/test-data/musicxml-testsuite/21d-Chords-SchubertStabatMater.xml index a89acac99..1d4329481 100644 --- a/test-data/musicxml-testsuite/21d-Chords-SchubertStabatMater.xml +++ b/test-data/musicxml-testsuite/21d-Chords-SchubertStabatMater.xml @@ -1,156 +1,3 @@ - - - - - - Chords in the - second measure, after several ornaments in the first - measure and a p at the beginning of the second - measure. - - - - - MusicXML Part - - - - - - 8 - - -4 - major - - - - G - 2 - - - - - Largo - - - - - - - - - 3 - - - - F - 4 - - 32 - 1 - whole - - - - - - - - - - - - - -

- - - - - - F - 4 - - 12 - 1 - quarter - - - - - - A - -1 - 4 - - 12 - 1 - quarter - - - - - F - 4 - - 4 - 1 - eighth - - - - - A - -1 - 4 - - 4 - 1 - eighth - - - - G - 4 - - 8 - 1 - quarter - - - - - B - -1 - 4 - - 8 - 1 - quarter - - - - G - 4 - - 8 - 1 - quarter - - - - - B - -1 - 4 - - 8 - 1 - quarter - - - - +version https://git-lfs.github.com/spec/v1 +oid sha256:73c8d9a3fba7a056cc2f8307d22905dbf47e83d3f0624afd995302982d7f8f8d +size 4963 diff --git a/test-data/musicxml-testsuite/21e-Chords-PickupMeasures.xml b/test-data/musicxml-testsuite/21e-Chords-PickupMeasures.xml index 23e971526..75b540cd7 100644 --- a/test-data/musicxml-testsuite/21e-Chords-PickupMeasures.xml +++ b/test-data/musicxml-testsuite/21e-Chords-PickupMeasures.xml @@ -1,87 +1,3 @@ - - - - - - Check for proper chord detection - after a pickup measure (i.e. the first beat of the measure is not - aligned with multiples of the time signature)! - - - - - MusicXML Part - - - - - - - 1 - - - - C - 5 - - 1 - 1 - quarter - - - - - - - C - 5 - - 1 - 1 - quarter - - - - - A - 4 - - 1 - 1 - quarter - - - - - F - 4 - - 1 - 1 - quarter - - - - C - 5 - - 1 - 1 - quarter - - - - - A - 4 - - 1 - 1 - quarter - - - - - - +version https://git-lfs.github.com/spec/v1 +oid sha256:0cd61717a955cc470108a82d36920dcf1c45b0aadb07a1eb745143e7621253b2 +size 2972 diff --git a/test-data/musicxml-testsuite/21f-Chord-ElementInBetween.xml b/test-data/musicxml-testsuite/21f-Chord-ElementInBetween.xml index 6a7de1cd2..270af8eac 100644 --- a/test-data/musicxml-testsuite/21f-Chord-ElementInBetween.xml +++ b/test-data/musicxml-testsuite/21f-Chord-ElementInBetween.xml @@ -1,84 +1,3 @@ - - - - - - Between the individual notes of - a chord there can be direction or harmony elements, which should be - properly assigned to the chord (or the position of the - chord). - - - - - MusicXML Part - - - - - - 1 - - - G - 2 - - - - - A - 4 - - 1 - 1 - quarter - - - - - - - - - - F - 1 - 4 - - 1 - 1 - quarter - - - -

- - - - - - D - 4 - - 1 - 1 - quarter - - - - 1 - 1 - quarter - - - - 2 - 1 - half - - - - +version https://git-lfs.github.com/spec/v1 +oid sha256:2a4b9f40cdb765f3e2ebd54743607de7b62e12c4e883b654d0966eac3abd65ea +size 2714 diff --git a/test-data/musicxml-testsuite/22a-Noteheads.xml b/test-data/musicxml-testsuite/22a-Noteheads.xml index 287488727..aa433894f 100644 --- a/test-data/musicxml-testsuite/22a-Noteheads.xml +++ b/test-data/musicxml-testsuite/22a-Noteheads.xml @@ -1,1387 +1,3 @@ - - - - - - Different note styles, using the - <notehead> element. First, each note head style is printed - with four quarter notes, two with filled heads, two with unfilled - heads, where first the stem is up and then the stem is down. After - that, each note head style is printed with a half note (should have - an unfilled head by default). Finally, the Aiken note head styles are - tested, once with stem up and once with stem down. - - - - - MusicXML Part - - - - - - - 1 - - 0 - major - - - - G - 2 - - - - - A - 4 - - 1 - 1 - quarter - slash - slash - - - - C - 5 - - 1 - 1 - quarter - slash - - - - A - 4 - - 1 - 1 - quarter - slash - - - - C - 5 - - 1 - 1 - quarter - slash - - - - - - - A - 4 - - 1 - 1 - quarter - triangle - triangle - - - - C - 5 - - 1 - 1 - quarter - triangle - - - - A - 4 - - 1 - 1 - quarter - triangle - - - - C - 5 - - 1 - 1 - quarter - triangle - - - - - - - A - 4 - - 1 - 1 - quarter - diamond - diamond - - - - C - 5 - - 1 - 1 - quarter - diamond - - - - A - 4 - - 1 - 1 - quarter - diamond - - - - C - 5 - - 1 - 1 - quarter - diamond - - - - - - - A - 4 - - 1 - 1 - quarter - square - square - - - - C - 5 - - 1 - 1 - quarter - square - - - - A - 4 - - 1 - 1 - quarter - square - - - - C - 5 - - 1 - 1 - quarter - square - - - - - - - A - 4 - - 1 - 1 - quarter - cross - cross - - - - C - 5 - - 1 - 1 - quarter - cross - - - - A - 4 - - 1 - 1 - quarter - cross - - - - C - 5 - - 1 - 1 - quarter - cross - - - - - - - A - 4 - - 1 - 1 - quarter - x - x - - - - C - 5 - - 1 - 1 - quarter - x - - - - A - 4 - - 1 - 1 - quarter - x - - - - C - 5 - - 1 - 1 - quarter - x - - - - - - - A - 4 - - 1 - 1 - quarter - circle-x - circle-x - - - - C - 5 - - 1 - 1 - quarter - circle-x - - - - A - 4 - - 1 - 1 - quarter - circle-x - - - - C - 5 - - 1 - 1 - quarter - circle-x - - - - - - - A - 4 - - 1 - 1 - quarter - inverted triangle - inverted triangle - - - - C - 5 - - 1 - 1 - quarter - inverted triangle - - - - A - 4 - - 1 - 1 - quarter - inverted triangle - - - - C - 5 - - 1 - 1 - quarter - inverted triangle - - - - - - - A - 4 - - 1 - 1 - quarter - arrow down - arrow down - - - - C - 5 - - 1 - 1 - quarter - arrow down - - - - A - 4 - - 1 - 1 - quarter - arrow down - - - - C - 5 - - 1 - 1 - quarter - arrow down - - - - - - - A - 4 - - 1 - 1 - quarter - arrow up - arrow up - - - - C - 5 - - 1 - 1 - quarter - arrow up - - - - A - 4 - - 1 - 1 - quarter - arrow up - - - - C - 5 - - 1 - 1 - quarter - arrow up - - - - - - - A - 4 - - 1 - 1 - quarter - slashed - slashed - - - - C - 5 - - 1 - 1 - quarter - slashed - - - - A - 4 - - 1 - 1 - quarter - slashed - - - - C - 5 - - 1 - 1 - quarter - slashed - - - - - - - A - 4 - - 1 - 1 - quarter - back slashed - back slashed - - - - C - 5 - - 1 - 1 - quarter - back slashed - - - - A - 4 - - 1 - 1 - quarter - back slashed - - - - C - 5 - - 1 - 1 - quarter - back slashed - - - - - - - A - 4 - - 1 - 1 - quarter - normal - normal - - - - C - 5 - - 1 - 1 - quarter - normal - - - - A - 4 - - 1 - 1 - quarter - normal - - - - C - 5 - - 1 - 1 - quarter - normal - - - - - - - A - 4 - - 1 - 1 - quarter - cluster - cluster - - - - C - 5 - - 1 - 1 - quarter - cluster - - - - A - 4 - - 1 - 1 - quarter - cluster - - - - C - 5 - - 1 - 1 - quarter - cluster - - - - - - - A - 4 - - 1 - 1 - quarter - none - none - - - - C - 5 - - 1 - 1 - quarter - none - - - - A - 4 - - 1 - 1 - quarter - none - - - - C - 5 - - 1 - 1 - quarter - none - - - - - - - A - 4 - - 2 - 1 - half - slash - slash - - - - A - 4 - - 2 - 1 - half - triangle - triangle - - - - - - - A - 4 - - 2 - 1 - half - diamond - diamond - - - - A - 4 - - 2 - 1 - half - square - square - - - - - - - A - 4 - - 2 - 1 - half - cross - cross - - - - A - 4 - - 2 - 1 - half - x - x - - - - - - - A - 4 - - 2 - 1 - half - circle-x - circle-x - - - - A - 4 - - 2 - 1 - half - inverted triangle - inverted triangle - - - - - - - A - 4 - - 2 - 1 - half - arrow down - arrow down - - - - A - 4 - - 2 - 1 - half - arrow up - arrow up - - - - - - - A - 4 - - 2 - 1 - half - slashed - slashed - - - - A - 4 - - 2 - 1 - half - back slashed - back slashed - - - - - - - A - 4 - - 2 - 1 - half - normal - normal - - - - A - 4 - - 2 - 1 - half - cluster - cluster - - - - - - - A - 4 - - 1 - 1 - quarter - do - do - - - - C - 5 - - 1 - 1 - quarter - do - - - - A - 4 - - 1 - 1 - quarter - do - - - - C - 5 - - 1 - 1 - quarter - do - - - - - - - A - 4 - - 1 - 1 - quarter - re - re - - - - C - 5 - - 1 - 1 - quarter - re - - - - A - 4 - - 1 - 1 - quarter - re - - - - C - 5 - - 1 - 1 - quarter - re - - - - - - - A - 4 - - 1 - 1 - quarter - mi - mi - - - - C - 5 - - 1 - 1 - quarter - mi - - - - A - 4 - - 1 - 1 - quarter - mi - - - - C - 5 - - 1 - 1 - quarter - mi - - - - - - - A - 4 - - 1 - 1 - quarter - fa - fa - - - - C - 5 - - 1 - 1 - quarter - fa - - - - A - 4 - - 1 - 1 - quarter - fa - - - - C - 5 - - 1 - 1 - quarter - fa - - - - - - - A - 4 - - 1 - 1 - quarter - so - so - - - - C - 5 - - 1 - 1 - quarter - so - - - - A - 4 - - 1 - 1 - quarter - so - - - - C - 5 - - 1 - 1 - quarter - so - - - - - - - A - 4 - - 1 - 1 - quarter - la - la - - - - C - 5 - - 1 - 1 - quarter - la - - - - A - 4 - - 1 - 1 - quarter - la - - - - C - 5 - - 1 - 1 - quarter - la - - - - - - - A - 4 - - 1 - 1 - quarter - ti - ti - - - - C - 5 - - 1 - 1 - quarter - ti - - - - A - 4 - - 1 - 1 - quarter - ti - - - - C - 5 - - 1 - 1 - quarter - ti - - - - - - - 3 - major - - - - - A - 3 - - 1 - 1 - quarter - do - do - - - - B - 3 - - 1 - 1 - quarter - re - re - - - - C - 1 - 4 - - 1 - 1 - quarter - mi - mi - - - - D - 4 - - 1 - 1 - quarter - fa - fa - - - - - - - E - 4 - - 1 - 1 - quarter - so - so - - - - F - 1 - 4 - - 1 - 1 - quarter - la - la - - - - G - 1 - 4 - - 1 - 1 - quarter - ti - ti - - - - A - 4 - - 1 - 1 - quarter - do - do - - - - - - - 0 - major - - - - - C - 5 - - 1 - 1 - quarter - do - do - - - - D - 5 - - 1 - 1 - quarter - re - re - - - - E - 5 - - 1 - 1 - quarter - mi - mi - - - - F - 5 - - 1 - 1 - quarter - fa - fa - - - - - - - G - 5 - - 1 - 1 - quarter - so - so - - - - A - 5 - - 1 - 1 - quarter - la - la - - - - B - 5 - - 1 - 1 - quarter - ti - ti - - - - C - 6 - - 1 - 1 - quarter - do - do - - - light-heavy - - - - +version https://git-lfs.github.com/spec/v1 +oid sha256:dcc2f50799c0bf96d3e25fc1a76e69a77744db632674306eec15e2d848d6ad77 +size 37629 diff --git a/test-data/musicxml-testsuite/22b-Staff-Notestyles.xml b/test-data/musicxml-testsuite/22b-Staff-Notestyles.xml index 1a15bc877..d900531ad 100644 --- a/test-data/musicxml-testsuite/22b-Staff-Notestyles.xml +++ b/test-data/musicxml-testsuite/22b-Staff-Notestyles.xml @@ -1,169 +1,3 @@ - - - - - - Staff-connected note styles: - slash notation, hidden notes (with and without hidden staff - lines) - - - - - MusicXML Part - - - - - - - 1 - - 0 - major - - - - G - 2 - - - - - A - 4 - - 1 - 1 - quarter - - - - - - - - - A - 4 - - 1 - 1 - quarter - slash, no stem - - - - C - 5 - - 1 - 1 - quarter - - - - - - - - - - - - A - 4 - - 1 - 1 - quarter - slash, with stem - - - - - - - C - 5 - - 1 - 1 - quarter - - - - - - - - - A - 4 - - 1 - 1 - quarter - hidden notes - - - - C - 5 - - 1 - 1 - quarter - - - - 0 - - - - - C - 4 - - 1 - 1 - quarter - hidden notes, staff lines - - - - - - D - 4 - - 2 - 1 - half - - - - 5 - - - - - G - 4 - - 2 - 1 - half - normal settings restored - - - light-heavy - - - - - +version https://git-lfs.github.com/spec/v1 +oid sha256:ca4304d51ec7e5a68a3684b74033103493e24945efe682a7f8a0577ed5ef078d +size 4689 diff --git a/test-data/musicxml-testsuite/22c-Noteheads-Chords.xml b/test-data/musicxml-testsuite/22c-Noteheads-Chords.xml index 5196040ae..b9c3a8ca9 100644 --- a/test-data/musicxml-testsuite/22c-Noteheads-Chords.xml +++ b/test-data/musicxml-testsuite/22c-Noteheads-Chords.xml @@ -1,179 +1,3 @@ - - - - - - Different note styles for - individual notes inside a chord, using the - <notehead> element. - - - - - MusicXML Part - - - - - - - 1 - - 0 - major - - - - G - 2 - - - - - E - 5 - - 1 - 1 - quarter - normal - - - - - C - 5 - - 1 - 1 - quarter - triangle - triangle - - - - - A - 4 - - 1 - 1 - quarter - slash - slash - - - - E - 5 - - 1 - 1 - quarter - cross - cross - - - - - C - 5 - - 1 - 1 - quarter - square - square - - - - - A - 4 - - 1 - 1 - quarter - diamond - diamond - - - - E - 5 - - 1 - 1 - quarter - inverted triangle - inverted triangle - - - - - C - 5 - - 1 - 1 - quarter - circle-x - circle-x - - - - - A - 4 - - 1 - 1 - quarter - x - x - - - - E - 5 - - 1 - 1 - quarter - slashed - slashed - - - - - C - 5 - - 1 - 1 - quarter - arrow up - arrow up - - - - - A - 4 - - 1 - 1 - quarter - arrow down - arrow down - - - light-heavy - - - - +version https://git-lfs.github.com/spec/v1 +oid sha256:11ffee728a171ab2c6ec376229e009240a7e4216fba86f026942a40d2119e8db +size 4964 diff --git a/test-data/musicxml-testsuite/22d-Parenthesized-Noteheads.xml b/test-data/musicxml-testsuite/22d-Parenthesized-Noteheads.xml index 297beed22..1da49df53 100644 --- a/test-data/musicxml-testsuite/22d-Parenthesized-Noteheads.xml +++ b/test-data/musicxml-testsuite/22d-Parenthesized-Noteheads.xml @@ -1,140 +1,3 @@ - - - - - - Parenthesized note heads. First, - a single parenthesized note is tested, once with a normal and then - with a non-standard notehead, then two chords with some/all - parenthesized noteheads and finally a parenthesized rest. - - - - - MusicXML Part - - - - - - - 1 - - 0 - major - - - - G - 2 - - - - - A - 4 - - 1 - 1 - quarter - normal - - - - A - 4 - - 1 - 1 - quarter - x - - - - A - 4 - - 1 - 1 - quarter - - - - - C - 5 - - 1 - 1 - quarter - normal - - - - - E - 5 - - 1 - 1 - quarter - - - - A - 4 - - 1 - 1 - quarter - normal - - - - - C - 5 - - 1 - 1 - quarter - normal - - - - - E - 5 - - 1 - 1 - quarter - normal - - - - 1 - 1 - quarter - normal - - - - E - 4 - - 1 - 1 - quarter - normal - - - light-heavy - - - - +version https://git-lfs.github.com/spec/v1 +oid sha256:a428101715548d3e144de78e106ab0080377f5d541e7288ff622d9437e6ff1a6 +size 3901 diff --git a/test-data/musicxml-testsuite/23a-Tuplets.xml b/test-data/musicxml-testsuite/23a-Tuplets.xml index 4fb2a7c4b..f413b106d 100644 --- a/test-data/musicxml-testsuite/23a-Tuplets.xml +++ b/test-data/musicxml-testsuite/23a-Tuplets.xml @@ -1,474 +1,3 @@ - - - - - - Some tuplets (3:2, 3:2, 3:2, 4:2, - 4:1, 7:3, 6:2) with the default tuplet bracket displaying the number - of actual notes played. The second tuplet does not have a number - attribute set. - - - - - MusicXML Part - - - - - - - 84 - - 0 - major - - - - G - 2 - - - - - C - 4 - - 56 - 1 - quarter - - 3 - 2 - - - - - - - - D - 4 - - 56 - 1 - quarter - - 3 - 2 - - - - - E - 4 - - 56 - 1 - quarter - - 3 - 2 - - - - - - - - F - 4 - - 56 - 1 - quarter - - 3 - 2 - - - - - - - - G - 4 - - 56 - 1 - quarter - - 3 - 2 - - - - - A - 4 - - 56 - 1 - quarter - - 3 - 2 - - - - - - - - B - 4 - - 56 - 1 - quarter - - 3 - 2 - - - - - - - - C - 5 - - 56 - 1 - quarter - - 3 - 2 - - - - - D - 5 - - 56 - 1 - quarter - - 3 - 2 - - - - - - - - E - 5 - - 42 - 1 - quarter - - 4 - 2 - - - - - - - - F - 5 - - 42 - 1 - quarter - - 4 - 2 - - - - - G - 5 - - 42 - 1 - quarter - - 4 - 2 - - - - - A - 5 - - 42 - 1 - quarter - - 4 - 2 - - - - - - - - B - 5 - - 21 - 1 - quarter - - 4 - 1 - - - - - - - - C - 6 - - 21 - 1 - quarter - - 4 - 1 - - - - - C - 6 - - 21 - 1 - quarter - - 4 - 1 - - - - - B - 5 - - 21 - 1 - quarter - - 4 - 1 - - - - - - - - A - 5 - - 36 - 1 - quarter - - 7 - 3 - - - - - - - - G - 5 - - 36 - 1 - quarter - - 7 - 3 - - - - - F - 5 - - 36 - 1 - quarter - - 7 - 3 - - - - - E - 5 - - 36 - 1 - quarter - - 7 - 3 - - - - - D - 5 - - 36 - 1 - quarter - - 7 - 3 - - - - - C - 5 - - 36 - 1 - quarter - - 7 - 3 - - - - - B - 4 - - 36 - 1 - quarter - - 7 - 3 - - - - - - - - A - 4 - - 28 - 1 - quarter - - 6 - 2 - - - - - - - - G - 4 - - 28 - 1 - quarter - - 6 - 2 - - - - - F - 4 - - 28 - 1 - quarter - - 6 - 2 - - - - - E - 4 - - 28 - 1 - quarter - - 6 - 2 - - - - - D - 4 - - 28 - 1 - quarter - - 6 - 2 - - - - - C - 4 - - 28 - 1 - quarter - - 6 - 2 - - - - - - - light-heavy - - - - - +version https://git-lfs.github.com/spec/v1 +oid sha256:07c635bb11292a6c980844580623c95a0d42fa6967746022b4190e5effe20f4c +size 13142 diff --git a/test-data/musicxml-testsuite/23b-Tuplets-Styles.xml b/test-data/musicxml-testsuite/23b-Tuplets-Styles.xml index c2a7678a8..7801281ce 100644 --- a/test-data/musicxml-testsuite/23b-Tuplets-Styles.xml +++ b/test-data/musicxml-testsuite/23b-Tuplets-Styles.xml @@ -1,1028 +1,3 @@ - - - - - - Different tuplet styles: - default, none, x:y, x:y-note; Each with bracket, slur and none. - Finally, non-standard 4:3 and 17:2 tuplets are given. - - - - - MusicXML Part - - - - - - - 408 - - 0 - major - - - - G - 2 - - - - - C - 5 - - 136 - 1 - eighth - - 3 - 2 - - - - - - - - C - 5 - - 136 - 1 - eighth - - 3 - 2 - - - - - C - 5 - - 136 - 1 - eighth - - 3 - 2 - - - - - - - - C - 5 - - 136 - 1 - eighth - - 3 - 2 - - - - - - - - C - 5 - - 136 - 1 - eighth - - 3 - 2 - - - - - C - 5 - - 136 - 1 - eighth - - 3 - 2 - - - - - - - - C - 5 - - 136 - 1 - eighth - - 3 - 2 - - - - - - - - C - 5 - - 136 - 1 - eighth - - 3 - 2 - - - - - C - 5 - - 136 - 1 - eighth - - 3 - 2 - - - - - - - - C - 5 - - 136 - 1 - eighth - - 3 - 2 - - - - - - - - C - 5 - - 136 - 1 - eighth - - 3 - 2 - - - - - C - 5 - - 136 - 1 - eighth - - 3 - 2 - - - - - - - - C - 5 - - 136 - 1 - eighth - - 3 - 2 - - - - - - - - C - 5 - - 136 - 1 - eighth - - 3 - 2 - - - - - C - 5 - - 136 - 1 - eighth - - 3 - 2 - - - - - - - - - - - C - 5 - - 136 - 1 - eighth - - 3 - 2 - - - - - - - - C - 5 - - 136 - 1 - eighth - - 3 - 2 - - - - - C - 5 - - 136 - 1 - eighth - - 3 - 2 - - - - - - - - C - 5 - - 136 - 1 - eighth - - 3 - 2 - - - - - - - - C - 5 - - 136 - 1 - eighth - - 3 - 2 - - - - - C - 5 - - 136 - 1 - eighth - - 3 - 2 - - - - - - - - C - 5 - - 136 - 1 - eighth - - 3 - 2 - - - - - - - - C - 5 - - 136 - 1 - eighth - - 3 - 2 - - - - - C - 5 - - 136 - 1 - eighth - - 3 - 2 - - - - - - - - C - 5 - - 136 - 1 - eighth - - 3 - 2 - - - - - - - - C - 5 - - 136 - 1 - eighth - - 3 - 2 - - - - - C - 5 - - 136 - 1 - eighth - - 3 - 2 - - - - - - - - C - 5 - - 136 - 1 - eighth - - 3 - 2 - - - - - - - - C - 5 - - 136 - 1 - eighth - - 3 - 2 - - - - - C - 5 - - 136 - 1 - eighth - - 3 - 2 - - - - - - - - - - - C - 5 - - 136 - 1 - eighth - - 3 - 2 - - - - - - - - C - 5 - - 136 - 1 - eighth - - 3 - 2 - - - - - C - 5 - - 136 - 1 - eighth - - 3 - 2 - - - - - - - - C - 5 - - 136 - 1 - eighth - - 3 - 2 - - - - - - - - C - 5 - - 136 - 1 - eighth - - 3 - 2 - - - - - C - 5 - - 136 - 1 - eighth - - 3 - 2 - - - - - - - - C - 5 - - 136 - 1 - eighth - - 3 - 2 - - - - - - - - C - 5 - - 136 - 1 - eighth - - 3 - 2 - - - - - C - 5 - - 136 - 1 - eighth - - 3 - 2 - - - - - - - - C - 5 - - 136 - 1 - eighth - - 3 - 2 - - - - - - - - C - 5 - - 136 - 1 - eighth - - 3 - 2 - - - - - C - 5 - - 136 - 1 - eighth - - 3 - 2 - - - - - - - - C - 5 - - 136 - 1 - eighth - - 3 - 2 - - - - - - - - C - 5 - - 136 - 1 - eighth - - 3 - 2 - - - - - C - 5 - - 136 - 1 - eighth - - 3 - 2 - - - - - - - - - - - C - 5 - - 153 - 1 - eighth - - 4 - 3 - - - - - - - - C - 5 - - 153 - 1 - eighth - - 4 - 3 - - - - - C - 5 - - 153 - 1 - eighth - - 4 - 3 - - - - - C - 5 - - 153 - 1 - eighth - - 4 - 3 - - - - - - - - C - 5 - - 36 - 1 - eighth - - 17 - 3 - - - - - - - - C - 5 - - 36 - 1 - eighth - - 17 - 3 - - - - - C - 5 - - 36 - 1 - eighth - - 17 - 3 - - - - - C - 5 - - 36 - 1 - eighth - - 17 - 3 - - - - - C - 5 - - 36 - 1 - eighth - - 17 - 3 - - - - - C - 5 - - 36 - 1 - eighth - - 17 - 3 - - - - - C - 5 - - 36 - 1 - eighth - - 17 - 3 - - - - - C - 5 - - 36 - 1 - eighth - - 17 - 3 - - - - - C - 5 - - 36 - 1 - eighth - - 17 - 3 - - - - - C - 5 - - 36 - 1 - eighth - - 17 - 3 - - - - - C - 5 - - 36 - 1 - eighth - - 17 - 3 - - - - - C - 5 - - 36 - 1 - eighth - - 17 - 3 - - - - - C - 5 - - 36 - 1 - eighth - - 17 - 3 - - - - - C - 5 - - 36 - 1 - eighth - - 17 - 3 - - - - - C - 5 - - 36 - 1 - eighth - - 17 - 3 - - - - - C - 5 - - 36 - 1 - eighth - - 17 - 3 - - - - - C - 5 - - 36 - 1 - eighth - - 17 - 3 - - - - - - - - C - 5 - - 204 - 1 - eighth - - - - C - 5 - - 204 - 1 - eighth - - - light-heavy - - - - - +version https://git-lfs.github.com/spec/v1 +oid sha256:6cd53d10a622ebaa62488779ecd70b6bfc11483087056e99d666f64e4f04df10 +size 29024 diff --git a/test-data/musicxml-testsuite/23c-Tuplet-Display-NonStandard.xml b/test-data/musicxml-testsuite/23c-Tuplet-Display-NonStandard.xml index c0949e4c4..7659974c6 100644 --- a/test-data/musicxml-testsuite/23c-Tuplet-Display-NonStandard.xml +++ b/test-data/musicxml-testsuite/23c-Tuplet-Display-NonStandard.xml @@ -1,618 +1,3 @@ - - - - - - Displaying tuplet note types, - that might not coincide with the displayed note. The first two tuplets - take the type from the note, the second two from the - <time-modification> element, the remaining pair of tuplets from the - <tuplet> notation element. The tuplets in measure 3 specify both - a number of notes and a type inside the <tuplet-actual> and - <tuplet-normal> elements, the ones in measure 4 specify only a - note type (but no number), and the ones in measure 5 specify only a - number of tuplet-notes (but no type, which is deduced from the - note's type). The first tuplet of measures 3-5 uses - 'display-type="actual"', the second one 'display-type="both"'. - FIXME: The tuplet-normal should coincide with the real notes! - - - - - MusicXML Part - - - - - - - 408 - - 0 - major - - - - G - 2 - - - - - C - 5 - - 136 - 1 - eighth - - 3 - 2 - - - - - - - - C - 5 - - 136 - 1 - eighth - - 3 - 2 - - - - - C - 5 - - 136 - 1 - eighth - - 3 - 2 - - - - - - - - C - 5 - - 408 - 1 - quarter - - - 3 - 2 - - - - - - - - C - 5 - - 408 - 1 - quarter - - - 3 - 2 - - - - - C - 5 - - 408 - 1 - quarter - - - 3 - 2 - - - - - - - - - - - C - 5 - - 136 - 1 - eighth - - 3 - 2 - breve - - - - - - - - C - 5 - - 136 - 1 - eighth - - 3 - 2 - breve - - - - - C - 5 - - 136 - 1 - eighth - - 3 - 2 - breve - - - - - - - - C - 5 - - 408 - 1 - quarter - - - 3 - 2 - breve - - - - - - - - - - C - 5 - - 408 - 1 - quarter - - - 3 - 2 - breve - - - - - - - C - 5 - - 408 - 1 - quarter - - - 3 - 2 - breve - - - - - - - - - - - - - C - 5 - - 136 - 1 - eighth - - 3 - 2 - breve - - - - - 7 - quarter - - - - 5 - quarter - - - - - - - - C - 5 - - 136 - 1 - eighth - - 3 - 2 - breve - - - - - C - 5 - - 136 - 1 - eighth - - 3 - 2 - breve - - - - - - - - C - 5 - - 408 - 1 - quarter - - - 3 - 2 - breve - - - - - - - 7 - half - - - - 5 - 16th - - - - - - - C - 5 - - 408 - 1 - quarter - - - 3 - 2 - breve - - - - - - - C - 5 - - 408 - 1 - quarter - - - 3 - 2 - breve - - - - - - - - - - - - - C - 5 - - 136 - 1 - eighth - - 3 - 2 - breve - - - - - quarter - - - - quarter - - - - - - - - C - 5 - - 136 - 1 - eighth - - 3 - 2 - breve - - - - - C - 5 - - 136 - 1 - eighth - - 3 - 2 - breve - - - - - - - - C - 5 - - 408 - 1 - quarter - - - 3 - 2 - breve - - - - - - - half - - - - 16th - - - - - - - C - 5 - - 408 - 1 - quarter - - - 3 - 2 - breve - - - - - - - C - 5 - - 408 - 1 - quarter - - - 3 - 2 - breve - - - - - - - - - - - - - C - 5 - - 136 - 1 - eighth - - 3 - 2 - - - - - 7 - - - 5 - - - - - - - C - 5 - - 136 - 1 - eighth - - 3 - 2 - - - - - C - 5 - - 136 - 1 - eighth - - 3 - 2 - - - - - - - - C - 5 - - 408 - 1 - quarter - - - 3 - 2 - - - - - 7 - eighth - - - - 5 - breve - - - - - - - C - 5 - - 408 - 1 - quarter - - - 3 - 2 - - - - - C - 5 - - 408 - 1 - quarter - - - 3 - 2 - - - - - - - light-heavy - - - - - +version https://git-lfs.github.com/spec/v1 +oid sha256:eb1dd515bf7e0f56d73d41d95fc0eaef545a5afd8f9e554977adf7841c5e6ed3 +size 18738 diff --git a/test-data/musicxml-testsuite/23d-Tuplets-Nested.xml b/test-data/musicxml-testsuite/23d-Tuplets-Nested.xml index 8daf36345..3275ce4f5 100644 --- a/test-data/musicxml-testsuite/23d-Tuplets-Nested.xml +++ b/test-data/musicxml-testsuite/23d-Tuplets-Nested.xml @@ -1,192 +1,3 @@ - - - - - - Tuplets can be nested. Here - there is a 5:2 tuplet inside a 3:2 tuple (all consisting of written - eighth notes). - - - - - MusicXML Part - - - - - - - 30 - - 0 - major - - - - G - 2 - - - - - B - 4 - - 10 - 1 - eighth - - 3 - 2 - quarter - - begin - - - - - - - B - 4 - - 10 - 1 - eighth - - 3 - 2 - quarter - - end - - - - B - 4 - - 4 - 1 - eighth - - 15 - 4 - - begin - - - - 5 - eighth - - - 2 - eighth - - - - - - - B - 4 - - 4 - 1 - eighth - - 15 - 4 - - continue - - - - B - 4 - - 4 - 1 - eighth - - 15 - 4 - - continue - - - - B - 4 - - 4 - 1 - eighth - - 15 - 4 - - continue - - - - B - 4 - - 4 - 1 - eighth - - 15 - 4 - - end - - - - - - - B - 4 - - 10 - 1 - eighth - - 3 - 2 - quarter - - begin - - - - B - 4 - - 10 - 1 - eighth - - 3 - 2 - quarter - - end - - - - - - light-heavy - - - - - +version https://git-lfs.github.com/spec/v1 +oid sha256:8f10242a9cfa11bf81ec896a363bf5128606023c665c33ecd3f1e54cf66558b4 +size 5732 diff --git a/test-data/musicxml-testsuite/23e-Tuplets-Tremolo.xml b/test-data/musicxml-testsuite/23e-Tuplets-Tremolo.xml index eee4d0f27..f520cc9aa 100644 --- a/test-data/musicxml-testsuite/23e-Tuplets-Tremolo.xml +++ b/test-data/musicxml-testsuite/23e-Tuplets-Tremolo.xml @@ -1,461 +1,3 @@ - - - - - - Tremolo tuplets are tuplets on - single notes with a tremolo ornament. The application shall correctly - import these notes with 2/3 or their time... - - - - - MusicXML Part - - - - - - - 36 - - 0 - major - - - - G - 2 - - - - - A - 4 - - 12 - 1 - eighth - - 3 - 2 - - begin - - - - - - - - - - A - 4 - - 12 - 1 - eighth - - 3 - 2 - - continue - - - - - - - - - A - 4 - - 12 - 1 - eighth - - 3 - 2 - - end - - - - - - - - - - A - 4 - - 12 - 1 - eighth - - 3 - 2 - - begin - - - - - - - - - - A - 4 - - 12 - 1 - eighth - - 3 - 2 - - continue - - - - - - - - - A - 4 - - 12 - 1 - eighth - - 3 - 2 - - end - - - - - - - - - - A - 4 - - 12 - 1 - eighth - - 3 - 2 - - begin - - - - - - - - - - A - 4 - - 12 - 1 - eighth - - 3 - 2 - - continue - - - - - - - - - A - 4 - - 12 - 1 - eighth - - 3 - 2 - - end - - - - - - - - - - - - - G - 4 - - 36 - 1 - quarter - - - 3 - 2 - eighth - - - - - - 1 - - - - - - G - 4 - - 36 - 1 - quarter - - - 3 - 2 - eighth - - - - - - 1 - - - - - - G - 4 - - 36 - 1 - quarter - - - 3 - 2 - eighth - - - - - - 1 - - - - - - - - - G - 4 - - 72 - 1 - half - - - 6 - 4 - eighth - - - - - - 1 - - - - - - G - 4 - - 36 - 1 - quarter - - - 3 - 2 - eighth - - - - - - 1 - - - - - - - - - F - 4 - - 12 - 1 - eighth - - 3 - 2 - - begin - - - - - - - A - 4 - - 12 - 1 - eighth - - 3 - 2 - - continue - - - - A - 4 - - 12 - 1 - eighth - - 3 - 2 - - end - - - - - - - - - - - - - - A - 4 - - 72 - 1 - half - - - 6 - 4 - eighth - - - - - - 1 - - - - - - - - - G - 4 - - 72 - 1 - half - - - 6 - 4 - eighth - - - - - - 1 - - - - - - G - 4 - - 36 - 1 - quarter - - - 3 - 2 - eighth - - - - - - 1 - - - - - light-heavy - - - - - +version https://git-lfs.github.com/spec/v1 +oid sha256:f1a860e4ef89bf46350a69fb7d76d5ed42a9db3951e08d4e1e2921f7eb1aae9d +size 13368 diff --git a/test-data/musicxml-testsuite/23f-Tuplets-DurationButNoBracket.xml b/test-data/musicxml-testsuite/23f-Tuplets-DurationButNoBracket.xml index 866d8dc9b..cb25b9b97 100644 --- a/test-data/musicxml-testsuite/23f-Tuplets-DurationButNoBracket.xml +++ b/test-data/musicxml-testsuite/23f-Tuplets-DurationButNoBracket.xml @@ -1,204 +1,3 @@ - - - - - - /usr/bin/vi - 2007-02-02 - - - Some "triplets" - on the end of the first and in the second staff, using only - <time-modification>, but not explicit tuplet - bracket. Thus, the duration of the notes in the - second staff should be scaled properly in comparison - to staff 1, but no visual indication about the - tuplets is given. - - - - MusicXML Part - - - - - 96 - 0 - - 2 - G2 - F4 - - - F4 - 96 - 1 - quarter - 1 - - - G4 - 96 - 1 - quarter - 1 - - - A4 - 64 - 1 - quarter - 32 - 1 - - - B4 - 64 - 1 - quarter - 32 - 1 - - - C5 - 64 - 1 - quarter - 32 - 1 - - 384 - - A2 - 48 - 2 - eighth - 2 - begin - - - B2 - 48 - 2 - eighth - 2 - end - - - C3 - 32 - 2 - eighth - 32 - 2 - begin - - - D3 - 32 - 2 - eighth - 32 - 2 - continue - - - E3 - 32 - 2 - eighth - 32 - 2 - end - - - A2 - 24 - 2 - 16th - 2 - begin - - - B2 - 24 - 2 - 16th - 2 - continue - - - C3 - 24 - 2 - 16th - 2 - continue - - - D3 - 24 - 2 - 16th - 2 - end - - - - E3 - 16 - 2 - 16th - 32 - 2 - begin - - - F3 - 16 - 2 - 16th - 32 - 2 - continue - - - G3 - 16 - 2 - 16th - 32 - 2 - continue - - - A3 - 16 - 2 - 16th - 32 - 2 - continue - - - B3 - 16 - 2 - 16th - 32 - 2 - continue - - - C4 - 16 - 2 - 16th - 32 - 2 - end - - - - +version https://git-lfs.github.com/spec/v1 +oid sha256:f2fe4053e77c42202f7f4a1c61b44492566a356723cb21e63722ed3d98f59e84 +size 6732 diff --git a/test-data/musicxml-testsuite/24a-GraceNotes.xml b/test-data/musicxml-testsuite/24a-GraceNotes.xml index a194cc3b3..21e230f46 100644 --- a/test-data/musicxml-testsuite/24a-GraceNotes.xml +++ b/test-data/musicxml-testsuite/24a-GraceNotes.xml @@ -1,320 +1,3 @@ - - - - - - Different kinds of grace notes: - acciaccatura, appoggiatura; beamed grace notes; grace notes with - accidentals; different durations of the grace notes. - - - - - MusicXML Part - - - - - - - 4 - - 0 - major - - - - G - 2 - - - - - - D - 5 - - 1 - 16th - - - - C - 5 - - 4 - 1 - quarter - - - - - E - 5 - - 1 - 16th - begin - begin - - - - - D - 5 - - 1 - 16th - end - end - - - - C - 5 - - 4 - 1 - quarter - - - - - D - 5 - - - 1 - 16th - - - - - - - C - 5 - - 4 - 1 - quarter - - - - - D - 5 - - 1 - eighth - - - - C - 5 - - 4 - 1 - quarter - - - - - - - - D - 5 - - 1 - 16th - - - - C - 5 - - 4 - 1 - quarter - - - - - E - 5 - - 1 - 16th - begin - begin - - - - - D - 5 - - 1 - 16th - end - end - - - - C - 5 - - 8 - 1 - half - - - - - D - 5 - - 1 - 16th - - - - C - 5 - - 2 - 1 - eighth - begin - - - - - D - 5 - - 1 - 16th - - - - C - 5 - - 2 - 1 - eighth - end - - - - - E - 5 - - 1 - 16th - - - - - - - - E - 5 - - 1 - 16th - - - - F - 4 - - 4 - 1 - quarter - - - - - C - 5 - - 4 - 1 - quarter - - - - - D - 1 - 5 - - 1 - quarter - sharp - - - - C - 5 - - 4 - 1 - quarter - - - - - D - -1 - 5 - - 1 - quarter - flat - - - - - A - -1 - 4 - - 1 - quarter - flat - - - - C - 5 - - 4 - 1 - quarter - - - - C - 5 - - 4 - 1 - quarter - - - light-heavy - - - - - +version https://git-lfs.github.com/spec/v1 +oid sha256:e0a75c87be19f99bfc8ea33f496d252b151a701d9afd0669061a1474aaca1c25 +size 7885 diff --git a/test-data/musicxml-testsuite/24b-ChordAsGraceNote.xml b/test-data/musicxml-testsuite/24b-ChordAsGraceNote.xml index 1f00a6f2c..c860f30b5 100644 --- a/test-data/musicxml-testsuite/24b-ChordAsGraceNote.xml +++ b/test-data/musicxml-testsuite/24b-ChordAsGraceNote.xml @@ -1,114 +1,3 @@ - - - - - - Chords as grace notes. - - - - - MusicXML Part - - - - - - - 2 - - 0 - major - - - - G - 2 - - - - - C - 5 - - 2 - 1 - quarter - - - - - D - 5 - - 1 - eighth - - - - - - F - 5 - - 1 - eighth - - - - C - 5 - - 2 - 1 - quarter - - - - - B - 4 - - 1 - eighth - - - - - - D - 5 - - 1 - eighth - - - - A - 4 - - 2 - 1 - quarter - - - - - C - 5 - - 2 - 1 - quarter - - - light-heavy - - - - - +version https://git-lfs.github.com/spec/v1 +oid sha256:353e452966cdf356aa873861a5a9bd61920620c893c0b914b855955051aa29b1 +size 2903 diff --git a/test-data/musicxml-testsuite/24c-GraceNote-MeasureEnd.xml b/test-data/musicxml-testsuite/24c-GraceNote-MeasureEnd.xml index ba2c165c4..472d941dd 100644 --- a/test-data/musicxml-testsuite/24c-GraceNote-MeasureEnd.xml +++ b/test-data/musicxml-testsuite/24c-GraceNote-MeasureEnd.xml @@ -1,82 +1,3 @@ - - - - - - A grace note that appears at the - measure end (without any steal-from-* attribute set). Some - applications need to convert this into an after-grace. - - - - - MusicXML Part - - - - - - - 32 - - 0 - major - - - - G - 2 - - - - - E - 5 - - 64 - 1 - half - 1 - - - - E - 5 - - 64 - 1 - half - 1 - - - - - G - 5 - - 1 - 16th - 1 - begin - begin - - - - - A - 5 - - 1 - 16th - 1 - end - end - - - - - +version https://git-lfs.github.com/spec/v1 +oid sha256:d2da189da64ca151b2f228ece94322632e22757e52905a5fe52a73fe203f6998 +size 2285 diff --git a/test-data/musicxml-testsuite/24d-AfterGrace.xml b/test-data/musicxml-testsuite/24d-AfterGrace.xml index 9e5f3136c..e5d7d6f9b 100644 --- a/test-data/musicxml-testsuite/24d-AfterGrace.xml +++ b/test-data/musicxml-testsuite/24d-AfterGrace.xml @@ -1,111 +1,3 @@ - - - - - - Some grace notes and after-graces - (indicated by steal-time-previous and steal-time-following). - - - - - MusicXML Part - - - - - - - 32 - - 0 - major - - - - G - 2 - - - - - E - 5 - - 64 - 1 - half - 1 - - - - - G - 5 - - 1 - 16th - 1 - - - - - A - 5 - - 1 - 16th - 1 - - - - - A - 5 - - 1 - 16th - 1 - - - - E - 5 - - 64 - 1 - half - 1 - - - - - G - 5 - - 1 - 16th - 1 - begin - begin - - - - - A - 5 - - 1 - 16th - 1 - end - end - - - - - +version https://git-lfs.github.com/spec/v1 +oid sha256:d891f5d8a7764e232359f506185ffe10af574f0d5c5d8638414bd5997ce8c1ac +size 2924 diff --git a/test-data/musicxml-testsuite/24e-GraceNote-StaffChange.xml b/test-data/musicxml-testsuite/24e-GraceNote-StaffChange.xml index 9470c0cb6..790d44e0b 100644 --- a/test-data/musicxml-testsuite/24e-GraceNote-StaffChange.xml +++ b/test-data/musicxml-testsuite/24e-GraceNote-StaffChange.xml @@ -1,81 +1,3 @@ - - - - - - A grace note on a different - staff than the actual note. - - - - - MusicXML Part - - - - - - - 32 - - 0 - major - - - - G - 2 - - - - - E - 5 - - 64 - 1 - half - 1 - - - - - G - 5 - - 1 - 16th - 2 - begin - begin - - - - - A - 5 - - 1 - 16th - 2 - end - end - - - - E - 5 - - 64 - 1 - half - 1 - - - - - +version https://git-lfs.github.com/spec/v1 +oid sha256:1775fe69334fce389db69f144739c9ce159a56969eed25d02f11208a498b4f8d +size 2182 diff --git a/test-data/musicxml-testsuite/24f-GraceNote-Slur.xml b/test-data/musicxml-testsuite/24f-GraceNote-Slur.xml index 91d085ed3..f23c1d7fb 100644 --- a/test-data/musicxml-testsuite/24f-GraceNote-Slur.xml +++ b/test-data/musicxml-testsuite/24f-GraceNote-Slur.xml @@ -1,71 +1,3 @@ - - - - - - A grace note with a slur to the - actual note. This can be interpreted as acciaccatura or appoggiatura, - depending on the existence of a slash. - - - - - MusicXML Part - - - - - - - 32 - - 0 - major - - - - G - 2 - - - - - E - 5 - - 64 - 1 - half - - - - - G - 5 - - 1 - 16th - - - - - - - E - 5 - - 64 - 1 - half - - - - - - - - +version https://git-lfs.github.com/spec/v1 +oid sha256:a1ec62dd326fdca5420288854e06b87cf252ae2b3fc93280d43b2254085c02da +size 2016 diff --git a/test-data/musicxml-testsuite/31a-Directions.xml b/test-data/musicxml-testsuite/31a-Directions.xml index 4e1412426..1e9b9f4f7 100644 --- a/test-data/musicxml-testsuite/31a-Directions.xml +++ b/test-data/musicxml-testsuite/31a-Directions.xml @@ -1,785 +1,3 @@ - - - - MusicXML directions (attached to staff) - - - All <direction> elements - defined in MusicXML. The lyrics for each note describes the direction - element assigned to that note. - - - - - MusicXML Part - - - - - - - - - 1 - - 0 - major - - - - G - 2 - - - - - A - - - - C4 - 1 - 1 - quarter - reh.A (def=sq.) - - - - B - - - - C4 - 1 - 1 - quarter - reh.B (none) - - - - Test - - - - C4 - 1 - 1 - quarter - reh.Test (sq.) - - - - Crc - - - - C4 - 1 - 1 - quarter - reh.Crc (crc.) - - - - - - - - - - - C4 - 1 - 1 - quarter - Segno - - - - - - - - C4 - 1 - 1 - quarter - Coda - - - - words - - - - C4 - 1 - 1 - quarter - Words - - - - - - - - C4 - 1 - 1 - quarter - Eyegl. - - - - - - -

- - - - C4 - 1 - 1 - quarter - p - - - - - - - - C4 - 1 - 1 - quarter - pp - - - - - - - - C4 - 1 - 1 - quarter - ppp - - - - - - - - C4 - 1 - 1 - quarter - pppp - - - - - - - - - - C4 - 1 - 1 - quarter - ppppp - - - - - - - - C4 - 1 - 1 - quarter - pppppp - - - - - - - - C4 - 1 - 1 - quarter - f - - - - - - - - C4 - 1 - 1 - quarter - ff - - - - - - - - - - C4 - 1 - 1 - quarter - fff - - - - - - - - C4 - 1 - 1 - quarter - ffff - - - - - - - - C4 - 1 - 1 - quarter - fffff - - - - - - - - C4 - 1 - 1 - quarter - ffffff - - - - - - - - - - C4 - 1 - 1 - quarter - mp - - - - - - - - C4 - 1 - 1 - quarter - mf - - - - - - - - C4 - 1 - 1 - quarter - sf - - - - - - - - C4 - 1 - 1 - quarter - sfp - - - - - - - - - - C4 - 1 - 1 - quarter - sfpp - - - - - - - - C4 - 1 - 1 - quarter - fp - - - - - - - - C4 - 1 - 1 - quarter - rf - - - - - - - - C4 - 1 - 1 - quarter - rfz - - - - - - - - - - C4 - 1 - 1 - quarter - sfz - - - - - - - - C4 - 1 - 1 - quarter - sffz - - - - - - - - C4 - 1 - 1 - quarter - fz - - - - abc-ffz - - - - C4 - 1 - 1 - quarter - abc-ffz (oth.) - - - - - - - - - - - C4 - 1 - 1 - quarter - beginhairpin - - - - - - - - C4 - 1 - 1 - quarter - endcresc - - - - - - - - C4 - 1 - 1 - quarter - begindash - - - - - - - - C4 - 1 - 1 - quarter - endes - - - - - - - - - - C4 - 1 - 1 - quarter - beginbra - - - - - - - - C4 - 1 - 1 - quarter - endcket - - - - - - - - C4 - 1 - 1 - quarter - beginoct. - - - - - - - - C4 - 1 - 1 - quarter - endshift - - - - - - - - - - C4 - 1 - 1 - quarter - beginpedal - - - - - - - - C4 - 1 - 1 - quarter - middlechange - - - C4 - 1 - 1 - quarter - - - - - - - - C4 - 1 - 1 - quarter - endmark - - - - - - - quarter60 - - - - C4 - 1 - 1 - quarter - Metr. - - - - - - D - 0 - - - C - -1 - - - B - -1 - - - E - 0 - - - F - 0 - - - G - 1 - - - A - -1 - - - - - - C4 - 1 - 1 - quarter - Harp ped. - - - - - - - - C4 - 1 - 1 - quarter - Damp - - - - - - - - C4 - 1 - 1 - quarter - Damp all - - - - - - - C3 - G5 - E5 - - - - - C4 - 1 - 1 - quarter - Scord. - - - - - - 2 - - - - - - C4 - 1 - 1 - quarter - Accordion reg. - - - - 2 - 1 - half - - - light-light - - - - - - - subito - - -   - - - -

- - - 2 - - - C4 - 1 - 1 - quarter - subp - - - - - - - - - 2 - - - C4 - 1 - 1 - quarter - beginppp cresc - - - - - - - - - 2 - - - C4 - 1 - 1 - quarter - endto fff - - - - 1 - 1 - quarter - subp - - - light-heavy - - - - - - +version https://git-lfs.github.com/spec/v1 +oid sha256:293a3fc3f367358ea4a329917f0374b906b751c2441add4daad7c9b152969482 +size 24840 diff --git a/test-data/musicxml-testsuite/31c-MetronomeMarks.xml b/test-data/musicxml-testsuite/31c-MetronomeMarks.xml index b2b42aae3..479ca599a 100644 --- a/test-data/musicxml-testsuite/31c-MetronomeMarks.xml +++ b/test-data/musicxml-testsuite/31c-MetronomeMarks.xml @@ -1,176 +1,3 @@ - - - - - - Tempo Markings: note=bpm, - text (note=bpm), note=note, (note=note), (note=bpm) - - - - - - - - - - - - 1 - - 0 - major - - - - G - 2 - - - - - - quarter - - 100 - - - - - C5 - 1 - 1 - quarter - - - C5 - 1 - 1 - quarter - - - - Adagio - - - - long - 100 - - - - - C5 - 1 - 1 - quarter - - - C5 - 1 - 1 - quarter - - - - - - - - quarter - - half - - - - - - C5 - 1 - 1 - quarter - - - C5 - 1 - 1 - quarter - - - - - long - 32nd - - - - - - C5 - 1 - 1 - quarter - - - C5 - 1 - 1 - quarter - - - - - - - - quarter - - half - - - - - - C5 - 1 - 1 - quarter - - - C5 - 1 - 1 - quarter - - - - - quarter - - 77 - - - - - C5 - 1 - 1 - quarter - - - C5 - 1 - 1 - quarter - - - light-heavy - - - - - +version https://git-lfs.github.com/spec/v1 +oid sha256:1c79c5a8067a1e7844332786ea56684ed675fb5b410c56a11686f0f8806da49d +size 5245 diff --git a/test-data/musicxml-testsuite/32a-Notations.xml b/test-data/musicxml-testsuite/32a-Notations.xml index ab92216ff..75893a81e 100644 --- a/test-data/musicxml-testsuite/32a-Notations.xml +++ b/test-data/musicxml-testsuite/32a-Notations.xml @@ -1,1237 +1,3 @@ - - - - MusicXML notations (attached to note) - - - All <notation> elements - defined in MusicXML. The lyrics show the notation assigned to each - note. - - - - - - - - - - - - - 1 - - 0 - major - - - G - 2 - - - - - C5 - - 1 - 1 - quarter - - - - ferm. - - - - C5 - - 1 - 1 - quarter - - normal - - normal ferm. - - - - C5 - - 1 - 1 - quarter - - angled - - angled ferm. - - - - C5 - - 1 - 1 - quarter - - square - - square ferm. - - - - - - C5 - - 1 - 1 - quarter - - - - inv.ferm. - - - - C5 - - 1 - 1 - quarter - - arp. - - - - - E5 - - 1 - 1 - quarter - - - - - - G5 - - 1 - 1 - quarter - - - - - C5 - - 1 - 1 - quarter - - non-arp. - - - - - E5 - - 1 - 1 - quarter - - - - - G5 - - 1 - 1 - quarter - - - - - C5 - - 1 - 1 - quarter - - double-sharp - - acc.mark - - - light-light - - - - - - - - C5 - - 1 - 1 - quarter - - - - acc. - - - - C5 - - 1 - 1 - quarter - - - - str.-acc. - - - - C5 - - 1 - 1 - quarter - - - - stacc. - - - - C5 - - 1 - 1 - quarter - - - - ten. - - - - - - C5 - - 1 - 1 - quarter - - - - det.-leg. - - - - C5 - - 1 - 1 - quarter - - - - stacc.ss - - - - C5 - - 1 - 1 - quarter - - - - spicc. - - - - C5 - - 1 - 1 - quarter - - - - scoop - - - - - - C5 - - 1 - 1 - quarter - - - - plop - - - - C5 - - 1 - 1 - quarter - - - - doit - - - - C5 - - 1 - 1 - quarter - - - - falloff - - - - C5 - - 1 - 1 - quarter - - - - breath - - - - - - C5 - - 1 - 1 - quarter - - - - caes. - - - - C5 - - 1 - 1 - quarter - - - - stress - - - - C5 - - 1 - 1 - quarter - - - - unstr. - - - - 1 - 1 - quarter - - - light-light - - - - - - - - C5 - - 1 - 1 - quarter - - - - tr. - - - - C5 - - 1 - 1 - quarter - - - - turn - - - - C5 - - 1 - 1 - quarter - - - - del.turn - - - - C5 - - 1 - 1 - quarter - - - - inv.turn - - - - - - C5 - - 1 - 1 - quarter - - - - shake - - - - C5 - - 1 - 1 - quarter - - - - - - beginwavy - - - - C5 - - 1 - 1 - quarter - - - - - - - middlewavy - - - - C5 - - 1 - 1 - quarter - - - - - - endline - - - - - - C5 - - 1 - 1 - quarter - - - - mord. - - - - C5 - - 1 - 1 - quarter - - - - inv.mord. - - - - C5 - - 1 - 1 - quarter - - - - schl. - - - - C5 - - 1 - 1 - quarter - - 3 - - trem. - - - - - - C5 - - 1 - 1 - quarter - - - - natural - - - turn+acc. - - - - C - 5 - - 1 - 1 - quarter - - - - sharp - three-quarters-flat - - - turn+acc.(ab.+bel./rel to turn) - - - - 2 - 1 - half - - - light-light - - - - - - - - C5 - - 1 - 1 - quarter - - - - up-b. - - - - C5 - - 1 - 1 - quarter - - - - down-b. - - - - C5 - - 1 - 1 - quarter - - - - harm. - - - - C5 - - 1 - 1 - quarter - - - - nat.harm. - - - - - - C5 - - 1 - 1 - quarter - - - - art.harm. - - - - C5 - - 1 - 1 - quarter - - - - nat.h./base - - - - C5 - - 1 - 1 - quarter - - - - nat.h./touching - - - - C5 - - 1 - 1 - quarter - - - - nat.h./sounding - - - - - - C5 - - 1 - 1 - quarter - - - - open-str. - - - - C5 - - 1 - 1 - quarter - - - - thumb-pos. - - - - C5 - - 1 - 1 - quarter - - - - empty fing. - - - - C5 - - 1 - 1 - quarter - - 1 - - fing.1 - - - - - - C5 - - 1 - 1 - quarter - - 2 - - fing.2 - - - - C5 - - 1 - 1 - quarter - - 3 - - fing.3 - - - - C5 - - 1 - 1 - quarter - - 4 - - fing.4 - - - - C5 - - 1 - 1 - quarter - - 5 - - fing.5 - - - - - - C5 - - 1 - 1 - quarter - - something - - fing.sth. - - - - C5 - - 1 - 1 - quarter - - 532 - - mult.fing. - - - - C5 - - 1 - 1 - quarter - - - - empty pluck - - - - C5 - - 1 - 1 - quarter - - a - - pluck a - - - - - - C5 - - 1 - 1 - quarter - - - - dbl.tng. - - - - C5 - - 1 - 1 - quarter - - - - trpl.tng. - - - - C5 - - 1 - 1 - quarter - - - - stopped - - - - C5 - - 1 - 1 - quarter - - - - snp.pizz. - - - - - - C5 - - 1 - 1 - quarter - - - - empty fret - - - - C5 - - 1 - 1 - quarter - - 0 - - fret0 - - - - C5 - - 1 - 1 - quarter - - - - empty str. - - - - C5 - - 1 - 1 - quarter - - - 5 - - - str. 5 - - - - - - C5 - - 1 - 1 - quarter - - - - - - beginhammer - - - - C5 - - 1 - 1 - quarter - - - - - - endon - - - - C5 - - 1 - 1 - quarter - - - - - - beginpull - - - - C5 - - 1 - 1 - quarter - - - - - - endoff - - - - - - C5 - - 1 - 1 - quarter - - - 4 - - - bend - - - - C5 - - 1 - 1 - quarter - - - 3 - - - b.3 with-bar - - - - C5 - - 1 - 1 - quarter - - - -0.5 - - - pre-b. -0.5 - - - - C5 - - 1 - 1 - quarter - - - 3.5 - - - b. release 3.5 - - - - - - C5 - - 1 - 1 - quarter - - - - tap - - - - C5 - - 1 - 1 - quarter - - T - - tap T - - - - C5 - - 1 - 1 - quarter - - - - heel - - - - C5 - - 1 - 1 - quarter - - - - toe - - - - - - C5 - - 1 - 1 - quarter - - - - fingern. - - - - 1 - 1 - quarter - - - - 2 - 1 - half - - - light-light - - - - - - - - C5 - - 1 - 1 - quarter - - - - f - - - - C5 - - 1 - 1 - quarter - - - - ppp - - - - C5 - - 1 - 1 - quarter - - - - sfp - - - - C5 - - 1 - 1 - quarter - - sfffz - - Oth.dyn. - - - - - - - - G - 4 - - 1 - 1 - quarter - - - - - - - both above - - - - G - 4 - - 1 - 1 - quarter - - - - - - - - ab./bel./bel. - - - - 2 - 1 - half - - - light-heavy - - - - +version https://git-lfs.github.com/spec/v1 +oid sha256:5ff5327e9eb6d29dee69f19084ce651db5807475222f34a2124c017c774508db +size 35913 diff --git a/test-data/musicxml-testsuite/32b-Articulations-Texts.xml b/test-data/musicxml-testsuite/32b-Articulations-Texts.xml index 15dc26c8c..bef37f083 100644 --- a/test-data/musicxml-testsuite/32b-Articulations-Texts.xml +++ b/test-data/musicxml-testsuite/32b-Articulations-Texts.xml @@ -1,96 +1,3 @@ - - - - - - Text markup: - different font sizes, weights and colors. - - - - - - - - - 96 - 0 - - 1 - G2 - - - - - Normal, Medium - - - - - F4 - 384 - 1 - eighth - - - - - Bold, Medium - - - - - - - - - Normal, Large - - - - - G4 - 384 - 1 - whole - - - - - Bold, Large - - - - - - - - - Normal, Small - - - - - F4 - 384 - 1 - whole - - - - - Bold, Small - - - - - - - Normal, Small, Colored, Below - - - - - - +version https://git-lfs.github.com/spec/v1 +oid sha256:b076e4c340bb2757d3e647f23b70fc78b3f9a3b7f217962316afcdd3181ade9b +size 3256 diff --git a/test-data/musicxml-testsuite/32c-MultipleNotationChildren.xml b/test-data/musicxml-testsuite/32c-MultipleNotationChildren.xml index 90a172772..a6edfa8e3 100644 --- a/test-data/musicxml-testsuite/32c-MultipleNotationChildren.xml +++ b/test-data/musicxml-testsuite/32c-MultipleNotationChildren.xml @@ -1,93 +1,3 @@ - - - - - - - It should not make any difference whether two articulations are given - inside two different notation elements, inside two different articulations - children of the same notation element or inside the same articulations - element. Thus, all three notes should have a staccato and an accent. - - - - - - MusicXML Part - - - - - - - 4 - - 0 - - - - G - 2 - - - - - A - 4 - - 4 - 1 - quarter - sharp - - - - - - - - - - - - - - A - 4 - - 4 - 1 - quarter - sharp - - - - - - - - - - - - A - 4 - - 4 - 1 - quarter - sharp - - - - - - - - - - +version https://git-lfs.github.com/spec/v1 +oid sha256:9feefcb2a846964408d24d2c4fb72cd1f488f5ae6791f47f6e85af564dca2ffd +size 2746 diff --git a/test-data/musicxml-testsuite/32d-Arpeggio.xml b/test-data/musicxml-testsuite/32d-Arpeggio.xml index 17cea0b7d..5ef4c360d 100644 --- a/test-data/musicxml-testsuite/32d-Arpeggio.xml +++ b/test-data/musicxml-testsuite/32d-Arpeggio.xml @@ -1,245 +1,3 @@ - - - - - - Different Arpeggio directions - (normal, up, down, non-arpeggiate) - - - - - - - - - - - - - 1 - - 0 - major - - - G - 2 - - - - - C4 - - 1 - 1 - quarter - - normal - - - - - E5 - - 1 - 1 - quarter - - - - - - G5 - - 1 - 1 - quarter - - - - - C4 - - 1 - 1 - quarter - - up - - - - - E5 - - 1 - 1 - quarter - - - - - - G5 - - 1 - 1 - quarter - - - - - C4 - - 1 - 1 - quarter - - normal - - - - - E5 - - 1 - 1 - quarter - - - - - - G5 - - 1 - 1 - quarter - - - - - C4 - - 1 - 1 - quarter - - down - - - - - E5 - - 1 - 1 - quarter - - - - - - G5 - - 1 - 1 - quarter - - - - - C4 - - 1 - 1 - quarter - - normal - - - - - E5 - - 1 - 1 - quarter - - - - - - G5 - - 1 - 1 - quarter - - - - - C4 - - 1 - 1 - quarter - - non-arp. - - - - - E5 - - 1 - 1 - quarter - - - - - G5 - - 1 - 1 - quarter - - - - - C4 - - 1 - 1 - quarter - - normal - - - - - E5 - - 1 - 1 - quarter - - - - - - G5 - - 1 - 1 - quarter - - - - light-heavy - - - - +version https://git-lfs.github.com/spec/v1 +oid sha256:6caaaa06887167530d7b70346b4d7cd61b8a7fd41149d7c527382660c827ed14 +size 6959 diff --git a/test-data/musicxml-testsuite/33a-Spanners.xml b/test-data/musicxml-testsuite/33a-Spanners.xml index dfcd0b2a3..fbd827b10 100644 --- a/test-data/musicxml-testsuite/33a-Spanners.xml +++ b/test-data/musicxml-testsuite/33a-Spanners.xml @@ -1,911 +1,3 @@ - - - - - - Several spanners defined in - MusicXML: tuplet, slur (solid, dashed), tie, wedge (cresc, dim), - tr + wavy-line, single-note trill spanner, octave-shift (8va,15mb), - bracket (solid down/down, dashed down/down, solid none/down, - dashed none/up, solid none/none), dashes, glissando (wavy), - bend-alter, slide (solid), grouping, two-note tremolo, hammer-on, - pull-off, pedal (down, change, up). - - - - - MusicXML Part - - - - - - - 3 - - 0 - major - - - - G - 2 - - - - - B - 4 - - 2 - 1 - quarter - - 3 - 2 - - - - - - - - B - 4 - - 2 - 1 - quarter - - 3 - 2 - - - - - B - 4 - - 2 - 1 - quarter - - 3 - 2 - - - - - - - - 3 - 1 - quarter - - - - - - - B - 4 - - 3 - 1 - quarter - - - - - - - B - 4 - - 3 - 1 - quarter - - - - B - 4 - - 3 - 1 - quarter - - - - - - - - - - B - 4 - - 3 - 1 - quarter - - - - - - - B - 4 - - 3 - 1 - quarter - - - - B - 4 - - 3 - 1 - quarter - - - - - - - - - - - - - - - B - 4 - - 3 - 1 - quarter - - - - B - 4 - - 3 - 1 - quarter - - - - - - - - - B - 4 - - 3 - 1 - quarter - - - - - - - - - - - - B - 4 - - 3 - 1 - quarter - - - - B - 4 - - 3 - 1 - quarter - - - - - - - - - B - 4 - - 3 - 1 - quarter - - - - - - - B - 4 - - 3 - 1 - quarter - - - - - - - - - - B - 4 - - 3 - 1 - quarter - - - - B - 4 - - 3 - 1 - quarter - - - - - - - - - - - - B - 4 - - 3 - 1 - quarter - - - - - - - - - - 6 - 1 - half - - - - - - - - - - - - B - 5 - - 3 - 1 - quarter - - - - B - 5 - - 3 - 1 - quarter - - - - B - 5 - - 3 - 1 - quarter - - - - - - - - - - - - - - - - - B - 2 - - 3 - 1 - quarter - - - - B - 2 - - 3 - 1 - quarter - - - - B - 2 - - 3 - 1 - quarter - - - - - - - - - - - - - - - - - B - 4 - - 3 - 1 - quarter - - - - B - 4 - - 3 - 1 - quarter - - - - - - - - - B - 4 - - 3 - 1 - quarter - - - - - - - - - - - - B - 4 - - 3 - 1 - quarter - - - - B - 4 - - 3 - 1 - quarter - - - - - - - - - B - 4 - - 3 - 1 - quarter - - - - - - - - - - - - B - 4 - - 3 - 1 - quarter - - - - B - 4 - - 3 - 1 - quarter - - - - - - - - - B - 4 - - 3 - 1 - quarter - - - - - - - - - - - - B - 4 - - 3 - 1 - quarter - - - - B - 4 - - 3 - 1 - quarter - - - - - - - - - B - 4 - - 3 - 1 - quarter - - - - - - - - - - - - B - 4 - - 3 - 1 - quarter - - - - B - 4 - - 3 - 1 - quarter - - - - - - - - - B - 4 - - 3 - 1 - quarter - - - - - - - - - - - - B - 4 - - 3 - 1 - quarter - - - - B - 4 - - 3 - 1 - quarter - - - - - - - - - B - 4 - - 3 - 1 - quarter - - - - - - - B - 4 - - 3 - 1 - quarter - - - - - - - F - 5 - - 3 - 1 - quarter - - - - - - - 3 - 1 - quarter - - - - - - - B - 4 - - 3 - 1 - quarter - - - - 6 - - - - - - - C - 5 - - 3 - 1 - quarter - - - - 0 - - - - - - - 3 - 1 - quarter - - - - - - - B - 4 - - 3 - 1 - quarter - - - - - - - C - 4 - - 3 - 1 - quarter - - - - - - - 3 - 1 - quarter - - - - - - - - B - 4 - - 3 - 1 - quarter - - - - B - 4 - - 3 - 1 - quarter - - - - B - 4 - - 3 - 1 - quarter - - - - - - - - B - 4 - - 3 - 1 - quarter - - 2 - - - - - B - 4 - - 3 - 1 - quarter - - 2 - - - - - 3 - 1 - quarter - - - - - - - B4 - - 3 - 1 - quarter - - - - - - - - - B4 - - 3 - 1 - quarter - - - - - - - - - 3 - 1 - quarter - - - - - - - B4 - - 3 - 1 - quarter - - - - - - - - - B4 - - 3 - 1 - quarter - - - - - - - - - 3 - 1 - quarter - - - - - - - - - - - B4 - 3 - 1 - quarter - - - - - - - - B4 - 3 - 1 - quarter - - - - - - - - B4 - 3 - 1 - quarter - - - light-heavy - - - - - +version https://git-lfs.github.com/spec/v1 +oid sha256:28fe442f3a3066da062922057447cbac58fe970db318ea83806daa555ec566f6 +size 24338 diff --git a/test-data/musicxml-testsuite/33b-Spanners-Tie.xml b/test-data/musicxml-testsuite/33b-Spanners-Tie.xml index 52e1ce9e2..8b8472639 100644 --- a/test-data/musicxml-testsuite/33b-Spanners-Tie.xml +++ b/test-data/musicxml-testsuite/33b-Spanners-Tie.xml @@ -1,42 +1,3 @@ - - - - - - Two simple tied whole notes - - - - - - - - - 1 - 0 - - 1 - G2 - - - F4 - 4 - - 1 - whole - - - - - - F4 - 4 - - 1 - whole - - - - - +version https://git-lfs.github.com/spec/v1 +oid sha256:29a9a07bb2716a644d836017980cf0040f87360b181ab9a167fc44a8fb175936 +size 1276 diff --git a/test-data/musicxml-testsuite/33c-Spanners-Slurs.xml b/test-data/musicxml-testsuite/33c-Spanners-Slurs.xml index b3d9c7f0a..6d9eb30ab 100644 --- a/test-data/musicxml-testsuite/33c-Spanners-Slurs.xml +++ b/test-data/musicxml-testsuite/33c-Spanners-Slurs.xml @@ -1,144 +1,3 @@ - - - - - - A note can be the end of one - slur and the start of a new slur. Also, in MusicXML, nested slurs - are possible like in the second measure where one slur goes over all - four notes, and another slur goes from the second to the third - note. - - - - - MusicXML Part - - - - - - - 1 - - 0 - major - - - - G - 2 - - - - - G - 4 - - 1 - 1 - quarter - - - - - - - C - 5 - - 1 - 1 - quarter - - - - - - - - A - 4 - - 1 - 1 - quarter - - - - - - - - G - 4 - - 1 - 1 - quarter - - - - - - - - - - G - 4 - - 1 - 1 - quarter - - - - - - - C - 5 - - 1 - 1 - quarter - - - - - - - A - 4 - - 1 - 1 - quarter - - - - - - - G - 4 - - 1 - 1 - quarter - - - - - - light-heavy - - - - - +version https://git-lfs.github.com/spec/v1 +oid sha256:cdfda3b84c6be13d64c509745c7ff77c1f46011f11d34cbe4bacd1aeca43d396 +size 4119 diff --git a/test-data/musicxml-testsuite/33d-Spanners-OctaveShifts.xml b/test-data/musicxml-testsuite/33d-Spanners-OctaveShifts.xml index f872d463b..97e4fdae7 100644 --- a/test-data/musicxml-testsuite/33d-Spanners-OctaveShifts.xml +++ b/test-data/musicxml-testsuite/33d-Spanners-OctaveShifts.xml @@ -1,177 +1,3 @@ - - - - - - All types of octave shifts (15ma, - 15mb, 8va, 8vb) - - - - - MusicXML Part - - - - - - - 8 - - 0 - major - - - - G - 2 - - - - - A - 4 - - 4 - 1 - eighth - begin - - - - C - 5 - - 4 - 1 - eighth - continue - - - - - - -4 - - - - A - 6 - - 4 - 1 - eighth - continue - - - - - - -4 - - - - - - - - - C - 3 - - 4 - 1 - eighth - end - - - - B - 2 - - 4 - 1 - eighth - begin - - - - - - -4 - - - - - - - - - A - 5 - - 4 - 1 - eighth - end - - - - A - 5 - - 4 - 1 - eighth - begin - - - - - - -3 - - - - - - - - - B - 3 - - 2 - 1 - 16th - continue - begin - - - - C - 4 - - 2 - 1 - 16th - end - end - - - - - - -2 - - - light-heavy - - - - - +version https://git-lfs.github.com/spec/v1 +oid sha256:27b6a5f45333923402d2d0253c9bf2ffa0fefb9d290ba6e61f84687a99105fef +size 4791 diff --git a/test-data/musicxml-testsuite/33e-Spanners-OctaveShifts-InvalidSize.xml b/test-data/musicxml-testsuite/33e-Spanners-OctaveShifts-InvalidSize.xml index a97088bb9..3e11bb617 100644 --- a/test-data/musicxml-testsuite/33e-Spanners-OctaveShifts-InvalidSize.xml +++ b/test-data/musicxml-testsuite/33e-Spanners-OctaveShifts-InvalidSize.xml @@ -1,87 +1,3 @@ - - - - - - Invalid octave-shifts: 27 down, - 11 up. - - - - - MusicXML Part - - - - - - - 1 - - 0 - major - - - - G - 2 - - - - - A - 4 - - 4 - 1 - quarter - - - - - - - - - A - 7 - - 1 - 1 - quarter - - - - - - - - - - - - - - C - 3 - - 1 - 1 - quarter - - - - - - - - light-heavy - - - - - +version https://git-lfs.github.com/spec/v1 +oid sha256:3cb296a1fcca6e0a77a35e309fa76a17009d26ac5768aec7ecfcf573701d1245 +size 2412 diff --git a/test-data/musicxml-testsuite/33f-Trill-EndingOnGraceNote.xml b/test-data/musicxml-testsuite/33f-Trill-EndingOnGraceNote.xml index 368085011..693c646f8 100644 --- a/test-data/musicxml-testsuite/33f-Trill-EndingOnGraceNote.xml +++ b/test-data/musicxml-testsuite/33f-Trill-EndingOnGraceNote.xml @@ -1,139 +1,3 @@ - - - - - - A trill spanner that spans a - grace note and ends on an after-grace note at the end of the - measure. - - - - - MusicXML Part - - - - - - - 336 - - 0 - major - - - 2 - - G - 2 - - - F - 4 - - - - - E - 5 - - 336 - 1 - quarter - 1 - - - - - - - F - 1 - 5 - - 84 - 1 - 16th - sharp - 1 - begin - begin - - - - G - 5 - - 84 - 1 - 16th - 1 - end - end - - - - - - - - - - - - B - 5 - - 1 - 16th - 1 - - - - A - 5 - - 504 - 1 - quarter - - 1 - - - - - G - 5 - - 1 - 16th - 1 - begin - begin - - - - - A - 5 - - 1 - 16th - 1 - end - end - - - - - - - - - - +version https://git-lfs.github.com/spec/v1 +oid sha256:6289988b0894743a35a0ca1c661a1b1695126ad79f22b947b1db96371ece59cf +size 3780 diff --git a/test-data/musicxml-testsuite/33g-Slur-ChordedNotes.xml b/test-data/musicxml-testsuite/33g-Slur-ChordedNotes.xml index 4fa677342..2c97f464a 100644 --- a/test-data/musicxml-testsuite/33g-Slur-ChordedNotes.xml +++ b/test-data/musicxml-testsuite/33g-Slur-ChordedNotes.xml @@ -1,131 +1,3 @@ - - - - - - Slurs on chorded notes: Only the - first note of the chord should get the slur notation. Some - applications print out the slur for all notes -- these should be - ignored. - - - - - MusicXML Part - - - - - - - 1 - - 0 - major - - - - G - 2 - - - - - G - 4 - - 1 - 1 - quarter - - - - - - - - C - 5 - - 1 - 1 - quarter - - - - - G - 5 - - 1 - 1 - quarter - - - - A - 4 - - 1 - 1 - quarter - - - - - D - 5 - - 1 - 1 - quarter - - - - G - 4 - - 1 - 1 - quarter - - - - - - - - - D - 5 - - 1 - 1 - quarter - - - - - - - C - 5 - - 1 - 1 - quarter - - - - - - light-heavy - - - - - +version https://git-lfs.github.com/spec/v1 +oid sha256:fc1e91a8fbb64cdc318cf6ae0c380bc176bcd766bbee718a8727949dda9773b3 +size 3582 diff --git a/test-data/musicxml-testsuite/33h-Spanners-Glissando.xml b/test-data/musicxml-testsuite/33h-Spanners-Glissando.xml index ab3c99dca..b4d160477 100644 --- a/test-data/musicxml-testsuite/33h-Spanners-Glissando.xml +++ b/test-data/musicxml-testsuite/33h-Spanners-Glissando.xml @@ -1,298 +1,3 @@ - - - - - - All different types of - glissando defined in MusicXML - - - - - - - - - - - - - 1 - - 0 - major - - - G - 2 - - - - - G - 4 - - 1 - 1 - quarter - - - - normal - - - - F - 5 - - 1 - 1 - quarter - - - - glissando - - - - G - 4 - - 1 - 1 - quarter - - text - - solid - - - - F - 5 - - 1 - 1 - quarter - - - - (+text) - - - - - - G - 4 - - 1 - 1 - quarter - - - - dashed - - - - F - 5 - - 1 - 1 - quarter - - - - - - - G - 4 - - 1 - 1 - quarter - - - - dotted - - - - F - 5 - - 1 - 1 - quarter - - - - - - - - - G - 4 - - 1 - 1 - quarter - - - - wavy - - - - F - 5 - - 1 - 1 - quarter - - - - - - - G - 4 - - 1 - 1 - quarter - - - - normal - - - - F - 5 - - 1 - 1 - quarter - - - - slide - - - - - - G - 4 - - 1 - 1 - quarter - - text - - solid - - - - F - 5 - - 1 - 1 - quarter - - - - (+text) - - - - G - 4 - - 1 - 1 - quarter - - - - dashed - - - - F - 5 - - 1 - 1 - quarter - - - - - - - - - G - 4 - - 1 - 1 - quarter - - - - dotted - - - - F - 5 - - 1 - 1 - quarter - - - - - - - G - 4 - - 1 - 1 - quarter - - - - wavy - - - - F - 5 - - 1 - 1 - quarter - - - - - - light-heavy - - - - +version https://git-lfs.github.com/spec/v1 +oid sha256:cd3290e49d6b76b9db981f5f0baa91043b13467bc03093c10a693640d6570509 +size 8316 diff --git a/test-data/musicxml-testsuite/33i-Ties-NotEnded.xml b/test-data/musicxml-testsuite/33i-Ties-NotEnded.xml index 7ce312c03..b9ae8f090 100644 --- a/test-data/musicxml-testsuite/33i-Ties-NotEnded.xml +++ b/test-data/musicxml-testsuite/33i-Ties-NotEnded.xml @@ -1,134 +1,3 @@ - - - - - - Several ties that have their end tag missing. - - - - - - - - - - - - 1 - - 0 - major - - - - G - 2 - - - - - C - 5 - - 4 - - 1 - whole - - - - - end - A - - - - - - - - C - 5 - - 4 - 1 - whole - - end - B - - - - - - - - C - 5 - - 4 - - - 1 - whole - - - - - - end - C - - - - - - - - C - 5 - - 4 - - 1 - whole - - - - - end - D - - - - - - - - C - 5 - - 4 - - 1 - whole - - - - - end - E - - - - light-heavy - - - - - +version https://git-lfs.github.com/spec/v1 +oid sha256:cf5af2076528b2d272fa75092cf3728e845f92cd60b615b6acc62d2f7df751a9 +size 3730 diff --git a/test-data/musicxml-testsuite/41a-MultiParts-Partorder.xml b/test-data/musicxml-testsuite/41a-MultiParts-Partorder.xml index a41f34780..8d4625c22 100644 --- a/test-data/musicxml-testsuite/41a-MultiParts-Partorder.xml +++ b/test-data/musicxml-testsuite/41a-MultiParts-Partorder.xml @@ -1,186 +1,3 @@ - - - - - - A piece with - four parts (P0, P1, P2, P3; different from what - Finale creates!). Are they converted in the correct - order? - - - - - Part 1 - - - Part 2 - - - Part 3 - - - Part 4 - - - - - - 960 - - 1 - major - - - - G - 2 - - - - - C - 4 - - 960 - 1 - quarter - - - - 960 - 1 - quarter - - - - 1920 - 1 - half - - - - - - - 960 - - 1 - major - - - - G - 2 - - - - - E - 4 - - 960 - 1 - quarter - - - - 960 - 1 - quarter - - - - 1920 - 1 - half - - - - - - - 960 - - 1 - major - - - - G - 2 - - - - - G - 4 - - 960 - 1 - quarter - - - - 960 - 1 - quarter - - - - 1920 - 1 - half - - - - - - - 960 - - 1 - major - - - - G - 2 - - - - - B - 4 - - 960 - 1 - quarter - - - - 960 - 1 - quarter - - - - 1920 - 1 - half - - - - +version https://git-lfs.github.com/spec/v1 +oid sha256:6fd03a41c3b90d9dea9e53c8ea3b52ce93f801722777ce76b2c9c9eb2c6294dc +size 3807 diff --git a/test-data/musicxml-testsuite/41b-MultiParts-MoreThan10.xml b/test-data/musicxml-testsuite/41b-MultiParts-MoreThan10.xml index e97bf3d46..8ae541c4b 100644 --- a/test-data/musicxml-testsuite/41b-MultiParts-MoreThan10.xml +++ b/test-data/musicxml-testsuite/41b-MultiParts-MoreThan10.xml @@ -1,494 +1,3 @@ - - - - - - A piece with - 20 parts to check whether an application supports - that many parts and whether they are - correctly sorted. - - - - - P0 - - - P1 - - - P2 - - - P3 - - - P4 - - - P5 - - - P6 - - - P7 - - - P8 - - - P9 - - - P10 - - - P11 - - - P12 - - - P13 - - - P14 - - - P15 - - - P16 - - - P17 - - - P18 - - - P19 - - - - - - 960 - - - G - 2 - - - - - 3840 - 1 - whole - - - - - - - 960 - - - G - 2 - - - - - 3840 - 1 - whole - - - - - - - 960 - - - G - 2 - - - - - 3840 - 1 - whole - - - - - - - 960 - - - G - 2 - - - - - 3840 - 1 - whole - - - - - - - 960 - - - G - 2 - - - - - 3840 - 1 - whole - - - - - - - 960 - - - G - 2 - - - - - 3840 - 1 - whole - - - - - - - 960 - - - G - 2 - - - - - 3840 - 1 - whole - - - - - - - 960 - - - G - 2 - - - - - 3840 - 1 - whole - - - - - - - 960 - - - G - 2 - - - - - 3840 - 1 - whole - - - - - - - 960 - - - G - 2 - - - - - 3840 - 1 - whole - - - - - - - 960 - - - G - 2 - - - - - 3840 - 1 - whole - - - - - - - 960 - - - G - 2 - - - - - 3840 - 1 - whole - - - - - - - 960 - - - G - 2 - - - - - 3840 - 1 - whole - - - - - - - 960 - - - G - 2 - - - - - 3840 - 1 - whole - - - - - - - 960 - - - G - 2 - - - - - 3840 - 1 - whole - - - - - - - 960 - - - G - 2 - - - - - 3840 - 1 - whole - - - - - - - 960 - - - G - 2 - - - - - 3840 - 1 - whole - - - - - - - 960 - - - G - 2 - - - - - 3840 - 1 - whole - - - - - - - 960 - - - G - 2 - - - - - 3840 - 1 - whole - - - - - - - 960 - - - G - 2 - - - - - 3840 - 1 - whole - - - - +version https://git-lfs.github.com/spec/v1 +oid sha256:6d8af4630e7399915976deb1f65776acbdf1675efeabe3add1efba7225659cb5 +size 9735 diff --git a/test-data/musicxml-testsuite/41c-StaffGroups.xml b/test-data/musicxml-testsuite/41c-StaffGroups.xml index 1a6455174..4f9c651b6 100644 --- a/test-data/musicxml-testsuite/41c-StaffGroups.xml +++ b/test-data/musicxml-testsuite/41c-StaffGroups.xml @@ -1,1619 +1,3 @@ - - - - - - A huge orchestra score with 28 - parts and different kinds of nested bracketed groups. Each part/group - is assigned a name and an abbreviation to be shown before the staff. - Also, most of the groups show unbroken barlines, while the barlines - are broken between the groups. - - - - - bracket - yes - - - Piccolo - Picc. - - Piccolo - - - - bracket - no - - - Flute 1 - Fl. 1 - - Flute 1 - - - - Flute 2 - Fl. 2 - - Flute 2 - - - - - Oboe through Clarinet - O to Cl - bracket - yes - - - line - yes - - - Oboe - Ob. - - Oboe - - - - English Horn - E. Hn. - - English Horn - - - - - Clarinet in Eb - Eb Cl. - - Clarinet in Eb - - - - - bracket - no - - - Clarinet in Bb 1 - Bb Cl. 1 - - Clarinet in Bb 1 - - - - Clarinet in Bb 2 - Bb Cl. 2 - - Clarinet in Bb 2 - - - - - Bass Clarinet - B. Cl. - - Bass Clarinet - - - - bracket - no - - - Bassoon 1 - Bsn. 1 - - Bassoon 1 - - - - Bassoon 2 - Bsn. 2 - - Bassoon 2 - - - - - Contrabassoon - C. Bn. - - Contrabassoon - - - - - bracket - no - - - bracket - yes - - - Horn in F 1 - Hn. 1 - - Horn in F 1 - - - - Horn in F 2 - Hn. 2 - - Horn in F 2 - - - - - bracket - no - - - Trumpet in C 1 - C Tpt. 1 - - Trumpet in C 1 - - - - Trumpet in C 2 - C Tpt. 2 - - Trumpet in C 2 - - - - - bracket - no - - - Trombone 1 - Tbn. 1 - - Trombone 1 - - - - Trombone 2 - Tbn. 2 - - Trombone 2 - - - - - Tuba - Tuba - - Tuba - - - - - Timpani - Timp. - - Timpani - - - - Percussion - Perc. - - MIDI77 - - - - Harp - Hp. - - Harp - - - - Piano - Pno. - - Piano - - - - bracket - yes - - - Violin I - Vln. I - - Violin I - - - - Violin II - Vln. II - - Violin II - - - - Viola - Vla. - - Viola - - - - Cello - Vc. - - Cello - - - - Contrabass - Cb. - - Contrabass - - - - - - - - - 1 - - 0 - major - - - - G - 2 - - - 0 - 0 - 1 - - - - - B - 4 - - 1 - 1 - quarter - - - - 1 - 1 - quarter - - - - 2 - 1 - half - - - light-heavy - - - - - - - - 1 - - 0 - major - - - - G - 2 - - - - - F - 4 - - 1 - 1 - quarter - - - - 1 - 1 - quarter - - - - 2 - 1 - half - - - light-heavy - - - - - - - - 1 - - 0 - major - - - - G - 2 - - - - - A - 4 - - 1 - 1 - quarter - - - - 1 - 1 - quarter - - - - 2 - 1 - half - - - light-heavy - - - - - - - - 1 - - 0 - major - - - - G - 2 - - - - - E - 5 - - 1 - 1 - quarter - - - - 1 - 1 - quarter - - - - 2 - 1 - half - - - light-heavy - - - - - - - - 1 - - 1 - major - - - - G - 2 - - - -4 - -7 - - - - - C - 5 - - 1 - 1 - quarter - - - - 1 - 1 - quarter - - - - 2 - 1 - half - - - light-heavy - - - - - - - - 1 - - 3 - major - - - - G - 2 - - - 2 - 3 - - - - - B - 4 - - 1 - 1 - quarter - - - - 1 - 1 - quarter - - - - 2 - 1 - half - - - light-heavy - - - - - - - - 1 - - 2 - major - - - - G - 2 - - - -1 - -2 - - - - - F - 1 - 4 - - 1 - 1 - quarter - - - - 1 - 1 - quarter - - - - 2 - 1 - half - - - light-heavy - - - - - - - - 1 - - 2 - major - - - - G - 2 - - - -1 - -2 - - - - - C - 1 - 5 - - 1 - 1 - quarter - - - - 1 - 1 - quarter - - - - 2 - 1 - half - - - light-heavy - - - - - - - - 1 - - 2 - major - - - - G - 2 - - - -1 - -2 - -1 - - - - - B - 4 - - 1 - 1 - quarter - - - - 1 - 1 - quarter - - - - 2 - 1 - half - - - light-heavy - - - - - - - - 1 - - 0 - major - - - - F - 4 - - - - - D - 3 - - 1 - 1 - quarter - - - - 1 - 1 - quarter - - - - 2 - 1 - half - - - light-heavy - - - - - - - - 1 - - 0 - major - - - - F - 4 - - - - - E - 3 - - 1 - 1 - quarter - - - - 1 - 1 - quarter - - - - 2 - 1 - half - - - light-heavy - - - - - - - - 1 - - 0 - major - - - - F - 4 - - - 0 - 0 - -1 - - - - - B - 2 - - 1 - 1 - quarter - - - - 1 - 1 - quarter - - - - 2 - 1 - half - - - light-heavy - - - - - - - - 1 - - 1 - major - - - - G - 2 - - - -4 - -7 - - - - - E - 5 - - 1 - 1 - quarter - - - - 1 - 1 - quarter - - - - 2 - 1 - half - - - light-heavy - - - - - - - - 1 - - 1 - major - - - - G - 2 - - - -4 - -7 - - - - - G - 4 - - 1 - 1 - quarter - - - - 1 - 1 - quarter - - - - 2 - 1 - half - - - light-heavy - - - - - - - - 1 - - 0 - major - - - - G - 2 - - - - - F - 4 - - 1 - 1 - quarter - - - - 1 - 1 - quarter - - - - 2 - 1 - half - - - light-heavy - - - - - - - - 1 - - 0 - major - - - - G - 2 - - - - - A - 4 - - 1 - 1 - quarter - - - - 1 - 1 - quarter - - - - 2 - 1 - half - - - light-heavy - - - - - - - - 1 - - 0 - major - - - - F - 4 - - - - - B - 2 - - 1 - 1 - quarter - - - - 1 - 1 - quarter - - - - 2 - 1 - half - - - light-heavy - - - - - - - - 1 - - 0 - major - - - - F - 4 - - - - - E - 3 - - 1 - 1 - quarter - - - - 1 - 1 - quarter - - - - 2 - 1 - half - - - light-heavy - - - - - - - - 1 - - 0 - major - - - - F - 4 - - - - - E - 3 - - 1 - 1 - quarter - - - - 1 - 1 - quarter - - - - 2 - 1 - half - - - light-heavy - - - - - - - - 1 - - 0 - major - - - - F - 4 - - - - - F - 3 - - 1 - 1 - quarter - - - - 1 - 1 - quarter - - - - 2 - 1 - half - - - light-heavy - - - - - - - - 1 - - 0 - major - - - 2 - - percussion - - - - - E - 5 - - 1 - - 1 - quarter - - - - 1 - 1 - quarter - - - - 2 - 1 - half - - - light-heavy - - - - - - - - 1 - - 0 - major - - - 2 - - G - 2 - - - F - 4 - - - - - D - 5 - - 1 - 1 - quarter - 1 - - - - 1 - 1 - quarter - 1 - - - - 2 - 1 - half - 1 - - - 4 - - - - A - 2 - - 1 - 2 - quarter - 2 - - - - 1 - 2 - quarter - 2 - - - - 2 - 2 - half - 2 - - - light-heavy - - - - - - - - 1 - - 0 - major - - - 2 - - G - 2 - - - F - 4 - - - - - G - 4 - - 1 - 1 - quarter - 1 - - - - 1 - 1 - quarter - 1 - - - - 2 - 1 - half - 1 - - - 4 - - - - E - 3 - - 1 - 2 - quarter - 2 - - - - 1 - 2 - quarter - 2 - - - - 2 - 2 - half - 2 - - - light-heavy - - - - - - - - 1 - - 0 - major - - - - G - 2 - - - - - E - 5 - - 1 - 1 - quarter - - - - 1 - 1 - quarter - - - - 2 - 1 - half - - - light-heavy - - - - - - - - 1 - - 0 - major - - - - G - 2 - - - - - F - 4 - - 1 - 1 - quarter - - - - 1 - 1 - quarter - - - - 2 - 1 - half - - - light-heavy - - - - - - - - 1 - - 0 - major - - - - C - 3 - - - - - C - 4 - - 1 - 1 - quarter - - - - 1 - 1 - quarter - - - - 2 - 1 - half - - - light-heavy - - - - - - - - 1 - - 0 - major - - - - F - 4 - - - - - C - 3 - - 1 - 1 - quarter - - - - 1 - 1 - quarter - - - - 2 - 1 - half - - - light-heavy - - - - - - - - 1 - - 0 - major - - - - F - 4 - - - 0 - 0 - -1 - - - - - C - 3 - - 1 - 1 - quarter - - - - 1 - 1 - quarter - - - - 2 - 1 - half - - - light-heavy - - - - - +version https://git-lfs.github.com/spec/v1 +oid sha256:17f661a73316b0439bae0052f71377f266188100f8080a5feef979af88804177 +size 43379 diff --git a/test-data/musicxml-testsuite/41d-StaffGroups-Nested.xml b/test-data/musicxml-testsuite/41d-StaffGroups-Nested.xml index 08f327f6d..7e7a058ec 100644 --- a/test-data/musicxml-testsuite/41d-StaffGroups-Nested.xml +++ b/test-data/musicxml-testsuite/41d-StaffGroups-Nested.xml @@ -1,300 +1,3 @@ - - - - - - Two properly nested part groups: - One group (with a square bracket) goes from staff 2 to 4) and another - group (with a curly bracket) goes from staff 3 to 4. - - - - - MusicXML Part - - - line - yes - - - MusicXML Part - - - bracket - yes - - - MusicXML Part - - - MusicXML Part - - - - - MusicXML Part - - - - - - - 1 - - 0 - major - - - - G - 2 - - - - - B - 4 - - 4 - 1 - whole - - - - - - - A - 4 - - 4 - 1 - whole - - - - - - - 4 - 1 - - - light-heavy - - - - - - - - 1 - - 0 - major - - - - G - 2 - - - - - A - 4 - - 4 - 1 - whole - - - - - - - A - 4 - - 4 - 1 - whole - - - - - - - 4 - 1 - - - light-heavy - - - - - - - - 1 - - 0 - major - - - - G - 2 - - - - - A - 4 - - 4 - 1 - whole - - - - - - - A - 4 - - 4 - 1 - whole - - - - - - - 4 - 1 - - - light-heavy - - - - - - - - 1 - - 0 - major - - - - G - 2 - - - - - F - 4 - - 4 - 1 - whole - - - - - - - B - 4 - - 4 - 1 - whole - - - - - - - 4 - 1 - - - light-heavy - - - - - - - - 1 - - 0 - major - - - - G - 2 - - - - - D - 5 - - 4 - 1 - whole - - - - - - - F - 4 - - 4 - 1 - whole - - - - - - - 4 - 1 - - - light-heavy - - - - - +version https://git-lfs.github.com/spec/v1 +oid sha256:fc1385e225da612c35cbbe9c2d4e59f4cab3d90dd11b657fc5edfe77bb846719 +size 8162 diff --git a/test-data/musicxml-testsuite/41e-StaffGroups-InstrumentNames-Linebroken.xml b/test-data/musicxml-testsuite/41e-StaffGroups-InstrumentNames-Linebroken.xml index 9326768ac..66b17417c 100644 --- a/test-data/musicxml-testsuite/41e-StaffGroups-InstrumentNames-Linebroken.xml +++ b/test-data/musicxml-testsuite/41e-StaffGroups-InstrumentNames-Linebroken.xml @@ -1,315 +1,3 @@ - - - - - - Part names and abbreviations can - contain line breaks. - - - - - Long -Staff -Name - St. -Nm. - - - - - - - 1 - - 0 - major - - - - G - 2 - - - - - B - 4 - - 4 - 1 - whole - - - - - - - B - 4 - - 4 - 1 - whole - - - - - - - B - 4 - - 4 - 1 - whole - - - - - - - B - 4 - - 4 - 1 - whole - - - - - - - B - 4 - - 4 - 1 - whole - - - - - - - - B - 4 - - 4 - 1 - whole - - - - - - - B - 4 - - 4 - 1 - whole - - - - - - - B - 4 - - 4 - 1 - whole - - - - - - - B - 4 - - 4 - 1 - whole - - - - - - - B - 4 - - 4 - 1 - whole - - - - - - - B - 4 - - 4 - 1 - whole - - - - - - - B - 4 - - 4 - 1 - whole - - - - - - - B - 4 - - 4 - 1 - whole - - - - - - - B - 4 - - 4 - 1 - whole - - - - - - - - B - 4 - - 4 - 1 - whole - - - - - - - B - 4 - - 4 - 1 - whole - - - - - - - B - 4 - - 4 - 1 - whole - - - - - - - B - 4 - - 4 - 1 - whole - - - - - - - B - 4 - - 4 - 1 - whole - - - - - - - B - 4 - - 4 - 1 - whole - - - - - - - B - 4 - - 4 - 1 - whole - - - - - - - B - 4 - - 4 - 1 - whole - - - - - - - 4 - 1 - - - light-heavy - - - - - +version https://git-lfs.github.com/spec/v1 +oid sha256:6444f01facebb00f4743e849ca42fa8b629aac53f4a15f0e6944367f5e0fc4a9 +size 8450 diff --git a/test-data/musicxml-testsuite/41f-StaffGroups-Overlapping.xml b/test-data/musicxml-testsuite/41f-StaffGroups-Overlapping.xml index 9b6d2afe9..4ed30d3fc 100644 --- a/test-data/musicxml-testsuite/41f-StaffGroups-Overlapping.xml +++ b/test-data/musicxml-testsuite/41f-StaffGroups-Overlapping.xml @@ -1,186 +1,3 @@ - - - - - - MusicXML allows for overlapping - part-groups, while many applications do not allow overlapping groups, - but require them to be properly nested. In this case, one group - (with a square bracket) goes from staff 2 to 4) and another group - (with a curly bracket) goes from staff 3 to 5. - - - - - Group 1 - Gr1 - bracket - yes - - - MusicXML Part - - - MusicXML Part - - - Group 2 - Grp2 - bracket - yes - - - MusicXML Part - - - MusicXML Part - - - - MusicXML Part - - - - - - - - 1 - - 0 - major - - - - G - 2 - - - - - 4 - 1 - - - light-heavy - - - - - - - - 1 - - 0 - major - - - - G - 2 - - - - - 4 - 1 - - - light-heavy - - - - - - - - 1 - - 0 - major - - - - G - 2 - - - - - 4 - 1 - - - light-heavy - - - - - - - - 1 - - 0 - major - - - - G - 2 - - - - - 4 - 1 - - - light-heavy - - - - - - - - 1 - - 0 - major - - - - G - 2 - - - - - 4 - 1 - - - light-heavy - - - - - +version https://git-lfs.github.com/spec/v1 +oid sha256:c4af7d5b9fd834b5591ee2c7a1d7824430559895a00e0da31270894984dd307e +size 5336 diff --git a/test-data/musicxml-testsuite/41g-PartNoId.xml b/test-data/musicxml-testsuite/41g-PartNoId.xml index 337b85160..0c9ab11c0 100644 --- a/test-data/musicxml-testsuite/41g-PartNoId.xml +++ b/test-data/musicxml-testsuite/41g-PartNoId.xml @@ -1,26 +1,3 @@ - - - - - - A part with no id attribute. - Since this piece has only one part, it is clear which part - is described by the one part element. - - - - - MusicXML Part - - - - - - - 4 - 1 - whole - - - - +version https://git-lfs.github.com/spec/v1 +oid sha256:edeaad973ad876a312e0191dd973efa8c9327b4a30985fb667bb1054b471f22b +size 854 diff --git a/test-data/musicxml-testsuite/41h-TooManyParts.xml b/test-data/musicxml-testsuite/41h-TooManyParts.xml index 64b7dc90b..f5b5375ea 100644 --- a/test-data/musicxml-testsuite/41h-TooManyParts.xml +++ b/test-data/musicxml-testsuite/41h-TooManyParts.xml @@ -1,47 +1,3 @@ - - - - - - This piece has more part elements - than the part-list section gives. One can either convert all - the parts present, but not listed in the part-list, or simply - not import / ignore them. - - - - - MusicXML Part - - - - - - - 4 - 1 - whole - - - - - - - - 4 - 1 - whole - - - - - - - - 4 - 1 - whole - - - - +version https://git-lfs.github.com/spec/v1 +oid sha256:b48bdd45ac65c151f633794786200d2c1f39c6ebd59bad0701ad57125324a28a +size 1344 diff --git a/test-data/musicxml-testsuite/41i-PartNameDisplay-Override.xml b/test-data/musicxml-testsuite/41i-PartNameDisplay-Override.xml index bcc896303..275e70c11 100644 --- a/test-data/musicxml-testsuite/41i-PartNameDisplay-Override.xml +++ b/test-data/musicxml-testsuite/41i-PartNameDisplay-Override.xml @@ -1,88 +1,3 @@ - - - - - - MusicXML allows part-name and - part-name-display in the score-part element. If part-name-display - is given, it overrides the part-name for display. - - The first staff uses only part-name, while the second one (same - part-name) overrides it with a custom text. Similar for the - part-abbreviation used in subsequent staves. - - - - - - Part name - abbrv. - - - Part name - Overridden Part Name - abbrv. - Overr.abbrv. - - - - - - - 1 - - - - C - 4 - - 4 - 1 - whole - - - - - - - C - 4 - - 4 - 1 - whole - - - - - - - - 1 - - - - C - 4 - - 4 - 1 - whole - - - - - - - C - 4 - - 4 - 1 - whole - - - - - +version https://git-lfs.github.com/spec/v1 +oid sha256:e7a79dad4f85c38afd48db3ae1fad4cd8cabfcebbff053e45a593f86e6a20b27 +size 2770 diff --git a/test-data/musicxml-testsuite/42a-MultiVoice-TwoVoicesOnStaff-Lyrics.xml b/test-data/musicxml-testsuite/42a-MultiVoice-TwoVoicesOnStaff-Lyrics.xml index 27f4b2aa7..ddbe8101f 100644 --- a/test-data/musicxml-testsuite/42a-MultiVoice-TwoVoicesOnStaff-Lyrics.xml +++ b/test-data/musicxml-testsuite/42a-MultiVoice-TwoVoicesOnStaff-Lyrics.xml @@ -1,276 +1,3 @@ - - - - - - Two voices share one staff. Each - voice is assigned some lyrics. - - - - - MusicXML Part - - - - - - - 8 - - 0 - major - - - - G - 2 - - - - - E - 5 - - 16 - 1 - half - up - - - - - - - - single - This - - - - - - - - - - - - D - 5 - - 8 - 1 - quarter - up - - single - is - - - - - B - 4 - - 8 - 1 - quarter - up - - single - the - - - - 32 - - - - C - 5 - - 16 - 2 - half - down - - - - - - - - single - This - - - - - B - 4 - - 8 - 2 - quarter - down - - single - is - - - - - G - 4 - - 8 - 2 - quarter - down - - single - the - - - - - - - - A - 5 - - 8 - 1 - quarter - - - - D - 5 - - 8 - 1 - quarter - up - - single - lyrics - - - - - B - 3 - - 12 - 1 - quarter - - up - - - - - single - of - - - - - C - 5 - - 4 - 1 - eighth - up - - - - - single - Voice1 - - - - 32 - - - - C - 4 - - 8 - 2 - quarter - - - - B - 4 - - 8 - 2 - quarter - down - - single - lyrics - - - - - G - 3 - - 12 - 2 - quarter - - down - - - - - single - of - - - - - A - 4 - - 4 - 2 - eighth - down - - - - - single - Voice1 - - - - - - - - 32 - 1 - - - light-heavy - - - - - +version https://git-lfs.github.com/spec/v1 +oid sha256:77eae2738849b828b95a05cbe817351836c9ba77d817f11b25b8aaa3c2b05483 +size 7251 diff --git a/test-data/musicxml-testsuite/42b-MultiVoice-MidMeasureClefChange.xml b/test-data/musicxml-testsuite/42b-MultiVoice-MidMeasureClefChange.xml index b499bbaf5..3cc571a8c 100644 --- a/test-data/musicxml-testsuite/42b-MultiVoice-MidMeasureClefChange.xml +++ b/test-data/musicxml-testsuite/42b-MultiVoice-MidMeasureClefChange.xml @@ -1,397 +1,3 @@ - - - - - - A multi-voice / multi-staff part - with a clef change in the middle of a measure and a <backward> - for voice 2 jumping back beyond that clef change. - - - - - MusicXML Part - - - - - - - 336 - - 0 - major - - - 2 - - G - 2 - - - F - 4 - - - - - F - 4 - - 168 - 1 - eighth - 1 - begin - - - - - - - - - D - 4 - - 168 - 1 - eighth - 1 - continue - - - - - - - - - B - 3 - - 168 - 1 - eighth - 1 - end - - - - - - - - - F - 4 - - - - - G - 3 - - 168 - 1 - eighth - 1 - - - - - - - F - 3 - - 336 - 1 - quarter - 1 - - - - - - 1008 - - - - 168 - 3 - eighth - 2 - - - - G - 2 - - 168 - 3 - eighth - 2 - begin - - - - - - - - - G - 2 - - 168 - 3 - eighth - 2 - end - - - - - - - - - G - 2 - - 168 - 3 - eighth - 2 - begin - - - - - - - A - 2 - - 84 - 3 - 16th - 2 - continue - begin - - - - G - 2 - - 84 - 3 - 16th - 2 - continue - continue - - - - F - 1 - 2 - - 84 - 3 - 16th - sharp - 2 - continue - continue - - - - G - 2 - - 84 - 3 - 16th - 2 - end - end - - - - - - light-light - - - - - - - G - 2 - - - - - E - 5 - - 168 - 1 - eighth - 1 - begin - - - - - - - - - - - - C - 5 - - 168 - 1 - eighth - 1 - continue - - - - - - - - - G - 4 - - 168 - 1 - eighth - 1 - end - - - - - - - - - G - 4 - - 168 - 1 - eighth - 1 - - - - - - - F - 4 - - 336 - 1 - quarter - 1 - - - - - - 1008 - - - - C - 3 - - 336 - 3 - quarter - 2 - - - - - E - 3 - - 336 - 3 - quarter - 2 - - - - - G - 3 - - 336 - 3 - quarter - 2 - - - - - C - 4 - - 336 - 3 - quarter - 2 - - - - 168 - 3 - eighth - 2 - - - - 336 - 3 - quarter - 2 - - - - G - 3 - - 168 - 3 - eighth - 2 - - - - - - - - - - - +version https://git-lfs.github.com/spec/v1 +oid sha256:7851d1570283a26974af65cb524ab6385f21548652eeb4516fcf6c53ef049a5b +size 10423 diff --git a/test-data/musicxml-testsuite/43a-PianoStaff.xml b/test-data/musicxml-testsuite/43a-PianoStaff.xml index d68add6f7..b7dc9bd94 100644 --- a/test-data/musicxml-testsuite/43a-PianoStaff.xml +++ b/test-data/musicxml-testsuite/43a-PianoStaff.xml @@ -1,42 +1,3 @@ - - - - - - A simple piano staff - - - - - MusicXML Part - - - - - - 96 - 0 - - 2 - G2 - F4 - - - F4 - 384 - 1 - whole - 1 - - 384 - - B2 - 384 - 2 - whole - 2 - - - - +version https://git-lfs.github.com/spec/v1 +oid sha256:6c7f8a2108fafc921d52cb466f56a04188c6ccaf9dec5432543fa6f0a855ba7c +size 1260 diff --git a/test-data/musicxml-testsuite/43b-MultiStaff-DifferentKeys.xml b/test-data/musicxml-testsuite/43b-MultiStaff-DifferentKeys.xml index 03a84a914..e2b14d1c4 100644 --- a/test-data/musicxml-testsuite/43b-MultiStaff-DifferentKeys.xml +++ b/test-data/musicxml-testsuite/43b-MultiStaff-DifferentKeys.xml @@ -1,46 +1,3 @@ - - - - - - A piano staff - with different keys and clefs for each of its - staves. The keys and clefs for both staves are given - at the very beginning of the measure. - - - - - MusicXML Part - - - - - - 96 - 0 - 2 - - 2 - G2 - F4 - - - F4 - 384 - 1 - whole - 1 - - 384 - - B2 - 384 - 2 - whole - 2 - - - - +version https://git-lfs.github.com/spec/v1 +oid sha256:5392f40577e4718a5b8d1186f593599f7b44e5bfe20da9b46b1d460900e0f9ae +size 1537 diff --git a/test-data/musicxml-testsuite/43c-MultiStaff-DifferentKeysAfterBackup.xml b/test-data/musicxml-testsuite/43c-MultiStaff-DifferentKeysAfterBackup.xml index 7a20cadce..4ff2ff694 100644 --- a/test-data/musicxml-testsuite/43c-MultiStaff-DifferentKeysAfterBackup.xml +++ b/test-data/musicxml-testsuite/43c-MultiStaff-DifferentKeysAfterBackup.xml @@ -1,50 +1,3 @@ - - - - - - A piano staff - with different keys and clefs for each of its - staves. The key and clef for the second staff is - given only after a backward, just before the first - note of the second staff is given, but after the - whole measure for staff 1 has been given. - - - - - MusicXML Part - - - - - - 96 - 0 - - 2 - G2 - - - F4 - 384 - 1 - whole - 1 - - 384 - - 2 - F4 - - - B2 - 384 - 2 - whole - 2 - - - - +version https://git-lfs.github.com/spec/v1 +oid sha256:fdf54d4688d6f228b3964dbb923a7eaa998800c4f6c7c5de7e561ca10f0757bb +size 1731 diff --git a/test-data/musicxml-testsuite/43d-MultiStaff-StaffChange.xml b/test-data/musicxml-testsuite/43d-MultiStaff-StaffChange.xml index e0071b91f..936374721 100644 --- a/test-data/musicxml-testsuite/43d-MultiStaff-StaffChange.xml +++ b/test-data/musicxml-testsuite/43d-MultiStaff-StaffChange.xml @@ -1,319 +1,3 @@ - - - - - - Staff changes in a piano staff. - The voice from the second staff has some notes/chords on the first - staff. The final two chords have some notes on the first, some on - the second staff. - - - - - MusicXML Part - - - - - - - 2 - - 0 - major - - - 2 - - G - 2 - - - F - 4 - - - - - A - 3 - - 1 - 2 - eighth - 2 - begin - - - - E - 4 - - 1 - 2 - eighth - 1 - continue - - - - A - 3 - - 1 - 2 - eighth - 2 - continue - - - - E - 4 - - 1 - 2 - eighth - 1 - end - - - - C - 5 - - 1 - 2 - eighth - 1 - begin - - - - E - 4 - - 1 - 2 - eighth - 1 - continue - - - - A - 3 - - 1 - 2 - eighth - 2 - continue - - - - B - 4 - - 1 - 2 - eighth - 2 - end - - - - - - - 8 - 1 - 1 - - - 8 - - - - C - 3 - - 1 - 2 - eighth - 2 - begin - - - - - E - 3 - - 1 - 2 - eighth - 2 - - - - - G - 3 - - 1 - 2 - eighth - 2 - - - - - C - 4 - - 1 - 2 - eighth - 2 - - - - C - 4 - - 1 - 2 - eighth - 1 - continue - - - - - E - 4 - - 1 - 2 - eighth - 1 - - - - - G - 4 - - 1 - 2 - eighth - 1 - - - - C - 3 - - 1 - 2 - eighth - 2 - continue - - - - - E - 3 - - 1 - 2 - eighth - 2 - - - - - G - 3 - - 1 - 2 - eighth - 2 - - - - - C - 4 - - 1 - 2 - eighth - 1 - - - - G - 3 - - 1 - 2 - eighth - 2 - end - - - - - C - 4 - - 1 - 2 - eighth - 1 - - - - - E - 4 - - 1 - 2 - eighth - 1 - - - - - G - 4 - - 1 - 2 - eighth - 1 - - - - 4 - 2 - half - 2 - - - light-heavy - - - - - +version https://git-lfs.github.com/spec/v1 +oid sha256:b029f14eb4a9932f2f15c8060c840f963286701244f9e56e6972b66b301bd275 +size 8027 diff --git a/test-data/musicxml-testsuite/43e-Multistaff-ClefDynamics.xml b/test-data/musicxml-testsuite/43e-Multistaff-ClefDynamics.xml index 9807fb4dc..d19ad062d 100644 --- a/test-data/musicxml-testsuite/43e-Multistaff-ClefDynamics.xml +++ b/test-data/musicxml-testsuite/43e-Multistaff-ClefDynamics.xml @@ -1,368 +1,3 @@ - - - - - - A piano staff with dynamics and - clef changes, where each element (ffff, wedge and clef changes) - applies only to one voice or one staff, respectively. - - - - - MusicXML Part - - - - - - - 8 - - 0 - major - - - 2 - - G - 2 - - - F - 4 - - - - - - - - - 1 - - - - C - 5 - - 8 - 1 - quarter - 1 - - - - B - 4 - - 8 - 1 - quarter - 1 - - - - A - 4 - - 8 - 1 - quarter - 1 - - - - -

- - - 1 - 1 - - - - G - 4 - - 8 - 1 - quarter - 1 - - - 32 - - - - - - 2 - - - - A - 2 - - 8 - 2 - quarter - 2 - - - - B - 2 - - 8 - 2 - quarter - 2 - - - - - - 2 - - - - C - 3 - - 8 - 2 - quarter - 2 - - - - D - 3 - - 8 - 2 - quarter - 2 - - - - - - - 2 - major - - - G - 2 - - - - - A - 4 - - 8 - 1 - quarter - 1 - - - - B - 4 - - 8 - 1 - quarter - 1 - - - - C - 1 - 5 - - 8 - 1 - quarter - 1 - - - - D - 5 - - 8 - 1 - quarter - 1 - - - 32 - - - - F - 1 - 4 - - 8 - 2 - quarter - 2 - - - - G - 4 - - 8 - 2 - quarter - 2 - - - - A - 4 - - 8 - 2 - quarter - 2 - - - - B - 4 - - 8 - 2 - quarter - 2 - - - - - - - C - 2 - - - - - D - 5 - - 8 - 1 - quarter - 1 - - - - C - 1 - 5 - - 8 - 1 - quarter - 1 - - - - B - 4 - - 8 - 1 - quarter - 1 - - - - A - 4 - - 8 - 1 - quarter - 1 - - - 32 - - - - A - 4 - - 8 - 2 - quarter - 2 - - - - B - 4 - - 8 - 2 - quarter - 2 - - - - C - 1 - 5 - - 8 - 2 - quarter - 2 - - - - D - 5 - - 8 - 2 - quarter - 2 - - - - - - - 32 - 1 - 1 - - - 32 - - - - 32 - 2 - 2 - - - light-heavy - - - - - +version https://git-lfs.github.com/spec/v1 +oid sha256:c93c9611c5c2cae312052287db9e13da5d821fcd6b3cf1e80d4bc83129b8c527 +size 9207 diff --git a/test-data/musicxml-testsuite/45a-SimpleRepeat.xml b/test-data/musicxml-testsuite/45a-SimpleRepeat.xml index 582621a9f..bd6492387 100644 --- a/test-data/musicxml-testsuite/45a-SimpleRepeat.xml +++ b/test-data/musicxml-testsuite/45a-SimpleRepeat.xml @@ -1,57 +1,3 @@ - - - - - - A simple, repeated measure - (repeated 5 times) - - - - - MusicXML Part - - - - - - - 1 - - 0 - major - - - - G - 2 - - - - - 4 - 1 - - - light-heavy - - - - - - - - 4 - 1 - - - light-heavy - - - - - +version https://git-lfs.github.com/spec/v1 +oid sha256:5c3b83ea286e1c1a7da4580d59a4bb7de7eda10f2523b2379162f8bbeda20513 +size 1696 diff --git a/test-data/musicxml-testsuite/45b-RepeatWithAlternatives.xml b/test-data/musicxml-testsuite/45b-RepeatWithAlternatives.xml index 329ac07ab..663018fe4 100644 --- a/test-data/musicxml-testsuite/45b-RepeatWithAlternatives.xml +++ b/test-data/musicxml-testsuite/45b-RepeatWithAlternatives.xml @@ -1,99 +1,3 @@ - - - - - - A simple repeat with two - alternative endings (volta brackets). - - - - - MusicXML Part - - - - - - - 1 - - 0 - major - - - - G - 2 - - - - - C - 5 - - 4 - 1 - whole - - - - - - - - - - C - 5 - - 4 - 1 - whole - - - light-heavy - - - - - - - - - - - - C - 5 - - 4 - 1 - whole - - - - - - - - - - C - 5 - - 4 - 1 - whole - - - light-heavy - - - - - +version https://git-lfs.github.com/spec/v1 +oid sha256:e0ce8c63ac04ff4c23ca8ea9f6b003ea79866e24661eed59d43312ea49f0a6b6 +size 2870 diff --git a/test-data/musicxml-testsuite/45c-RepeatMultipleTimes.xml b/test-data/musicxml-testsuite/45c-RepeatMultipleTimes.xml index 3a5df794f..277893317 100644 --- a/test-data/musicxml-testsuite/45c-RepeatMultipleTimes.xml +++ b/test-data/musicxml-testsuite/45c-RepeatMultipleTimes.xml @@ -1,112 +1,3 @@ - - - - - - Repeats can also be nested. - - - - - MusicXML Part - - - - - - - 1 - - 0 - major - - - - G - 2 - - - - - 4 - 1 - - - - - - heavy-light - - - - - 4 - 1 - - - - - - - 4 - 1 - - - light-heavy - - - - - - - - 4 - 1 - - - - - - - 4 - 1 - - - - - - - 4 - 1 - - - - - - - 4 - 1 - - - light-heavy - - - - - - - - 4 - 1 - - - light-heavy - - - - - +version https://git-lfs.github.com/spec/v1 +oid sha256:b4c2b7dc25af9e56469ad3deec0deb39d70759628a8ec2eddf0e39f145e733e7 +size 3230 diff --git a/test-data/musicxml-testsuite/45d-Repeats-Nested-Alternatives.xml b/test-data/musicxml-testsuite/45d-Repeats-Nested-Alternatives.xml index c90afeb59..80884f31a 100644 --- a/test-data/musicxml-testsuite/45d-Repeats-Nested-Alternatives.xml +++ b/test-data/musicxml-testsuite/45d-Repeats-Nested-Alternatives.xml @@ -1,167 +1,3 @@ - - - - - - Nested repeats, each with - alternative endings. - - - - - MusicXML Part - - - - - - - 1 - - 0 - major - - - - G - 2 - - - - - 4 - 1 - - - - - - - - - - 4 - 1 - - - light-heavy - - - - - - - - - - - - 4 - 1 - - - - - - - 4 - 1 - - - - - - - 4 - 1 - - - - - - - - - - - - - 4 - 1 - - - - - - - - - - 4 - 1 - - - - - - - 4 - 1 - - - - - - - 4 - 1 - - - - - - - - - - 4 - 1 - - - - - - - - - - - - - 4 - 1 - - - light-heavy - - - - - - - - - 4 - 1 - - - light-heavy - - - - - +version https://git-lfs.github.com/spec/v1 +oid sha256:7d501899e596404b3eab9a656f1a3fe3e01237ca3d45e7eabd99a2cbc88be9e1 +size 4809 diff --git a/test-data/musicxml-testsuite/45e-Repeats-Nested-Alternatives.xml b/test-data/musicxml-testsuite/45e-Repeats-Nested-Alternatives.xml index b4d324ee3..05fb1f184 100644 --- a/test-data/musicxml-testsuite/45e-Repeats-Nested-Alternatives.xml +++ b/test-data/musicxml-testsuite/45e-Repeats-Nested-Alternatives.xml @@ -1,156 +1,3 @@ - - - - - - Some more nested repeats with - alternatives. The barline between measure 7 and 8 will probably be - messed up! (Should be a repeat on both sides!) - - - - - MusicXML Part - - - - - - - 1 - - 0 - major - - - - G - 2 - - - - - 4 - 1 - - - - - - - - - - 4 - 1 - - - light-heavy - - - - - - - - - - - - 4 - 1 - - - - - - - - - - 4 - 1 - - - - - - heavy-light - - - - - 4 - 1 - - - light-heavy - - - - - - - - 4 - 1 - - - - - - - - - - 4 - 1 - - - light-heavy - - - - - - - - heavy-light - - - - - 4 - 1 - - - - - - - 4 - 1 - - - light-heavy - - - - - - - - 4 - 1 - - - light-heavy - - - - - +version https://git-lfs.github.com/spec/v1 +oid sha256:b8ccabab6b4f7626d23d26fcc1e501a8f361c8cfebda119442e875c30866d7ee +size 4652 diff --git a/test-data/musicxml-testsuite/45f-Repeats-InvalidEndings.xml b/test-data/musicxml-testsuite/45f-Repeats-InvalidEndings.xml index a84052a0a..4b354cc01 100644 --- a/test-data/musicxml-testsuite/45f-Repeats-InvalidEndings.xml +++ b/test-data/musicxml-testsuite/45f-Repeats-InvalidEndings.xml @@ -1,96 +1,3 @@ - - - - - - Some more nested repeats with - alternatives, where the MusicXML file does not make sense in the - first place. How well are applications able to cope with improper - repeats and alternatives? - - - - - MusicXML Part - - - - - - - 1 - - 0 - major - - - - G - 2 - - - - - 4 - 1 - - - - - - - - - - 4 - 1 - - - - - - - - - - - - - 4 - 1 - - - - - - - - - - 4 - 1 - - - light-heavy - - - - - - - - - 4 - 1 - - - light-heavy - - - - - +version https://git-lfs.github.com/spec/v1 +oid sha256:f03140d1ba97f47da01040ea4113447eccfedb05b4efcae542e62114f029b22d +size 2930 diff --git a/test-data/musicxml-testsuite/45g-Repeats-NotEnded.xml b/test-data/musicxml-testsuite/45g-Repeats-NotEnded.xml index c29f6cd38..579273182 100644 --- a/test-data/musicxml-testsuite/45g-Repeats-NotEnded.xml +++ b/test-data/musicxml-testsuite/45g-Repeats-NotEnded.xml @@ -1,65 +1,3 @@ - - - - - - A forward-repeating bar line - without an ending repeat bar. - - - - - MusicXML Part - - - - - - - 1 - - 0 - major - - - - G - 2 - - - - - C - 5 - - 4 - 1 - whole - - - - - - heavy-light - - - - - C - 5 - - 4 - 1 - whole - - - light-heavy - - - - - +version https://git-lfs.github.com/spec/v1 +oid sha256:380f172a4d5e236222f0e98b009f665692bfc286927344adf923f19179d0ba3e +size 1901 diff --git a/test-data/musicxml-testsuite/46a-Barlines.xml b/test-data/musicxml-testsuite/46a-Barlines.xml index 814a5b425..6d20fbee3 100644 --- a/test-data/musicxml-testsuite/46a-Barlines.xml +++ b/test-data/musicxml-testsuite/46a-Barlines.xml @@ -1,173 +1,3 @@ - - - - - - Different types of (non-repeat) - barlines: default (no setting), regular, dotted, dashed, heavy, - light-light, light-heavy, heavy-light, heavy-heavy, tick, short, - none. - - - - - MusicXML Part - - - - - - - 1 - - 0 - major - - - - G - 2 - - - - - 4 - 1 - - - - - - - 4 - 1 - - - regular - - - - - - - 4 - 1 - - - dotted - - - - - - - 4 - 1 - - - dashed - - - - - - - 4 - 1 - - - heavy - - - - - - - 4 - 1 - - - light-light - - - - - - - 4 - 1 - - - light-heavy - - - - - - - 4 - 1 - - - heavy-light - - - - - - - 4 - 1 - - - heavy-heavy - - - - - - - 4 - 1 - - - tick - - - - - - - 4 - 1 - - - short - - - - - - - 4 - 1 - - - none - - - - - - - 4 - 1 - - - - - +version https://git-lfs.github.com/spec/v1 +oid sha256:1e63b20a082d4b0e9ecf4c17412b685f0dfc2416216b362d4f6b7b398c7041bf +size 4972 diff --git a/test-data/musicxml-testsuite/46b-MidmeasureBarline.xml b/test-data/musicxml-testsuite/46b-MidmeasureBarline.xml index c4517e6cc..cd29a4501 100644 --- a/test-data/musicxml-testsuite/46b-MidmeasureBarline.xml +++ b/test-data/musicxml-testsuite/46b-MidmeasureBarline.xml @@ -1,66 +1,3 @@ - - - - - - Barlines can appear at - mid-measure positions, without using an implicit measure! - - - - - - - - - - - - - 1 - - - - C - 5 - - 1 - 1 - quarter - - - - A - 4 - - 1 - 1 - quarter - - - dotted - - - - F - 4 - - 1 - 1 - quarter - - - - C - 5 - - 1 - 1 - quarter - - - - - - +version https://git-lfs.github.com/spec/v1 +oid sha256:314c803fd0d8650624b63e45f17c54f1c190d077ee618520ffb1d50d1b3e3523 +size 2303 diff --git a/test-data/musicxml-testsuite/46c-Midmeasure-Clef.xml b/test-data/musicxml-testsuite/46c-Midmeasure-Clef.xml index 548d105b3..66aa97661 100644 --- a/test-data/musicxml-testsuite/46c-Midmeasure-Clef.xml +++ b/test-data/musicxml-testsuite/46c-Midmeasure-Clef.xml @@ -1,142 +1,3 @@ - - - - - - A clef change in the middle of a - measure, using either an implicit measure or simply placing - the attributes in the middle of the measure. - - - - - MusicXML Part - - - - - - - 1 - - 0 - major - - - - G - 2 - - - - - 4 - 1 - - - - - - - C - 5 - - 1 - 1 - quarter - - - - C - 5 - - 1 - 1 - quarter - - - none - - - - - - - C - 2 - - - - - C - 5 - - 1 - 1 - quarter - - - - C - 5 - - 1 - 1 - quarter - - - - - - - C - 5 - - 1 - 1 - quarter - - - - C - 5 - - 1 - 1 - quarter - - - - G - 2 - - - - - C - 5 - - 1 - 1 - quarter - - - - C - 5 - - 1 - 1 - quarter - - - light-heavy - - - - - +version https://git-lfs.github.com/spec/v1 +oid sha256:f8e0d77d52a72a8023ecdc0ff4cffd8d1bc343beac5a58d5af6072773ad02d9c +size 3795 diff --git a/test-data/musicxml-testsuite/46d-PickupMeasure-ImplicitMeasures.xml b/test-data/musicxml-testsuite/46d-PickupMeasure-ImplicitMeasures.xml index 337fa9ed1..fa0f229d8 100644 --- a/test-data/musicxml-testsuite/46d-PickupMeasure-ImplicitMeasures.xml +++ b/test-data/musicxml-testsuite/46d-PickupMeasure-ImplicitMeasures.xml @@ -1,131 +1,3 @@ - - - - - - A 3/8 pickup measure, a measure - that is split into one (incomplete, only 2/4) measure and an implicit - measure, and an incomplete measure (containg 3/4). - - - - - MusicXML Part - - - - - - - 2 - - 0 - major - - - - G - 2 - - - - - E - 4 - - 2 - 1 - quarter - - - - E - 4 - - 1 - 1 - eighth - - - - - - - F - 4 - - 2 - 1 - quarter - - - - G - 4 - - 2 - 1 - quarter - - - none - - - - - - - A - 4 - - 2 - 1 - quarter - - - - B - 4 - - 2 - 1 - quarter - - - - - - - C - 5 - - 2 - 1 - quarter - - - - D - 5 - - 2 - 1 - quarter - - - - 2 - 1 - quarter - - - light-heavy - - - - - +version https://git-lfs.github.com/spec/v1 +oid sha256:a5134b1e4370d54c463ba2c29cb8638cbe9b5eebcb48715b916c0551be7443df +size 3634 diff --git a/test-data/musicxml-testsuite/46e-PickupMeasure-SecondVoiceStartsLater.xml b/test-data/musicxml-testsuite/46e-PickupMeasure-SecondVoiceStartsLater.xml index 4dd9631b1..d68ebbb2d 100644 --- a/test-data/musicxml-testsuite/46e-PickupMeasure-SecondVoiceStartsLater.xml +++ b/test-data/musicxml-testsuite/46e-PickupMeasure-SecondVoiceStartsLater.xml @@ -1,89 +1,3 @@ - - - - - - Voice 2 should start at 2nd - beat of first full measure. - - - - - - - - - - - - 1 - - - - C - 5 - - 1 - 1 - quarter - - - - - - 1 - - - - C - 5 - - 1 - 1 - quarter - - - - A - 4 - - 1 - 1 - quarter - - - - F - 4 - - 1 - 1 - quarter - - - - C - 5 - - 1 - 1 - quarter - - - 3 - - - - C - 4 - - 1 - 2 - quarter - - - - - - +version https://git-lfs.github.com/spec/v1 +oid sha256:41988b98b60573eec5f2b47b389f73e0182d5ff45da6b38addd4e5176c963a1d +size 2971 diff --git a/test-data/musicxml-testsuite/46f-IncompleteMeasures.xml b/test-data/musicxml-testsuite/46f-IncompleteMeasures.xml index d16a4638f..45b6d2123 100644 --- a/test-data/musicxml-testsuite/46f-IncompleteMeasures.xml +++ b/test-data/musicxml-testsuite/46f-IncompleteMeasures.xml @@ -1,146 +1,3 @@ - - - - - - Measures can contain less notes - than the time signature says. Here, the first and third measures - contain only two quarters instead of four. - - - - - MusicXML Part - - - - - - - 1 - - - G - 2 - - - - - A - 4 - - 1 - 1 - quarter - - - - A - 4 - - 1 - 1 - quarter - - - - - - A - 4 - - 1 - 1 - quarter - - - - A - 4 - - 1 - 1 - quarter - - - - A - 4 - - 1 - 1 - quarter - - - - A - 4 - - 1 - 1 - quarter - - - - - - A - 4 - - 1 - 1 - quarter - - - - A - 4 - - 1 - 1 - quarter - - - - - - A - 4 - - 1 - 1 - quarter - - - - A - 4 - - 1 - 1 - quarter - - - - A - 4 - - 1 - 1 - quarter - - - - A - 4 - - 1 - 1 - quarter - - - - +version https://git-lfs.github.com/spec/v1 +oid sha256:ad02e5cb912275e0c07b55e271c773dc88fcdd6a85513d9f87964c459a8b8a53 +size 4659 diff --git a/test-data/musicxml-testsuite/46g-PickupMeasure-Chordnames-FiguredBass.xml b/test-data/musicxml-testsuite/46g-PickupMeasure-Chordnames-FiguredBass.xml index 99af4c684..b83783424 100644 --- a/test-data/musicxml-testsuite/46g-PickupMeasure-Chordnames-FiguredBass.xml +++ b/test-data/musicxml-testsuite/46g-PickupMeasure-Chordnames-FiguredBass.xml @@ -1,107 +1,3 @@ - - - - - - Pickup measure with chord names - and figured bass. - - - - - MusicXML Part - - - - - - - 2 - - 0 - major - - - - - - C - - major - - -

3
- 1 - - - - C - 5 - - 1 - 1 - eighth - - - - C - 5 - - 1 - 1 - eighth - - - - - - C - - major - - -
3
- 1 - - - - C - 4 - - 2 - 1 - quarter - - - - C - 4 - - 2 - 1 - quarter - - - - C - 4 - - 2 - 1 - quarter - - - - C - 4 - - 2 - 1 - quarter - - - - +version https://git-lfs.github.com/spec/v1 +oid sha256:38588685988b01932ca60b14b3172d62507848689031a09b167d0f60bb5303a7 +size 2826 diff --git a/test-data/musicxml-testsuite/51b-Header-Quotes.xml b/test-data/musicxml-testsuite/51b-Header-Quotes.xml index 544bb5af1..fcb0a7404 100644 --- a/test-data/musicxml-testsuite/51b-Header-Quotes.xml +++ b/test-data/musicxml-testsuite/51b-Header-Quotes.xml @@ -1,40 +1,3 @@ - - - - "Quotes" in header fields - - Some "Tester" Name - Free for anyone ("Public Domain") - - "Hand-crafted" MusicXML file - 2008-02-06 - - - Several header fields and part - names can contain quotes ("). This test checks whether they are - converted/imported without problems (i.e. whether they are correctly - escaped when converting). - - - - - Staff "Test" - - - - - - - - 4 - 1 - whole - - - light-heavy - - - - - +version https://git-lfs.github.com/spec/v1 +oid sha256:843e4fc58596b22922637bc84f568d7295aecc6210ba7274e2297630ec326b0a +size 1496 diff --git a/test-data/musicxml-testsuite/51c-MultipleRights.xml b/test-data/musicxml-testsuite/51c-MultipleRights.xml index 40102cd09..525cf2611 100644 --- a/test-data/musicxml-testsuite/51c-MultipleRights.xml +++ b/test-data/musicxml-testsuite/51c-MultipleRights.xml @@ -1,32 +1,3 @@ - - - - - Copyright © XXXX by Y. ZZZZ. - Released To The Public Domain. - - There can be multiple - <rights> tags in the identification element of the score. The - conversion shall still work, ideally using both of - them. - - - - - MusicXML Part - - - - - - - 4 - 1 - whole - - - light-heavy - - - - +version https://git-lfs.github.com/spec/v1 +oid sha256:43552c63d61216beb88caeedc1af5eda7d43ef1725e16176a4bbca2d588c101b +size 1071 diff --git a/test-data/musicxml-testsuite/51d-EmptyTitle.xml b/test-data/musicxml-testsuite/51d-EmptyTitle.xml index 49a089bf7..240cd7645 100644 --- a/test-data/musicxml-testsuite/51d-EmptyTitle.xml +++ b/test-data/musicxml-testsuite/51d-EmptyTitle.xml @@ -1,36 +1,3 @@ - - - - - - - - - Empty work-title, non-empty movement-title - - - A piece with an empty (but - existing) work-title, but a non-empty movement-title. In this case - the movement-title should be chosen, even though the work-title - exists. - - - - - MusicXML Part - - - - - - - - 4 - 1 - whole - - - - - +version https://git-lfs.github.com/spec/v1 +oid sha256:d19d39d5b36448d8619779586bc2da28f4f7c680567d8887dd66facd38613cb0 +size 1286 diff --git a/test-data/musicxml-testsuite/52a-PageLayout.xml b/test-data/musicxml-testsuite/52a-PageLayout.xml index 330b9713b..ef5493e56 100644 --- a/test-data/musicxml-testsuite/52a-PageLayout.xml +++ b/test-data/musicxml-testsuite/52a-PageLayout.xml @@ -1,101 +1,3 @@ - - - - Layout options - - - Several page layout settings: - paper size, margins, system margins and distances, different fonts, - etc. - - - - - 3.7703 - 40 - - - 954 - 1804 - - 318 - 212 - 53 - 74 - - - - - 248 - 206 - - 561 - 436 - - - - - - Layout options - - - - MusicXML Part - - Grand Piano - - - 1 - 1 - - - - - - - - - 1 - - 0 - major - - - - G - 2 - - - - - 4 - 1 - - - - - - - 4 - 1 - - - - - - - - 4 - 1 - - - light-heavy - - - - - +version https://git-lfs.github.com/spec/v1 +oid sha256:54235813d55c4715a0a950e1792c180a3353551cf8090089e966ba19cd607e0c +size 3320 diff --git a/test-data/musicxml-testsuite/52b-Breaks.xml b/test-data/musicxml-testsuite/52b-Breaks.xml index 623261829..e90f75abb 100644 --- a/test-data/musicxml-testsuite/52b-Breaks.xml +++ b/test-data/musicxml-testsuite/52b-Breaks.xml @@ -1,64 +1,3 @@ - - - - - - System and page breaks, given in - a <print> element - - - - - MusicXML Part - - - - - - - 1 - - - - - C - 5 - - 4 - 1 - whole - - - - - - - - C - 5 - - 4 - 1 - whole - - - - - - - - C - 5 - - 4 - 1 - whole - - - - - +version https://git-lfs.github.com/spec/v1 +oid sha256:8680c1b5cceec23572e296506641a779a745e24dfb1084b570c91a03c9252c5d +size 1895 diff --git a/test-data/musicxml-testsuite/61a-Lyrics.xml b/test-data/musicxml-testsuite/61a-Lyrics.xml index 69642ea87..4dc951a3f 100644 --- a/test-data/musicxml-testsuite/61a-Lyrics.xml +++ b/test-data/musicxml-testsuite/61a-Lyrics.xml @@ -1,174 +1,3 @@ - - - - - - Some notes with simple lyrics: - Syllables, notes without a syllable, syllable - spanners. - - - - - MusicXML Part - - - - - - - 1 - - 0 - major - - - - G - 2 - - - - - A - 4 - - 1 - 1 - quarter - - begin - Tra - - - - - A - 4 - - 1 - 1 - quarter - - middle - la - - - - - A - 4 - - 1 - 1 - quarter - - end - li - - - - - A - 4 - - 1 - 1 - quarter - - single - Ja! - - - - - - - - A - 4 - - 1 - 1 - quarter - - - - A - 4 - - 1 - 1 - quarter - - begin - Tra - - - - - A - 4 - - 1 - 1 - quarter - - - - A - 4 - - 1 - 1 - quarter - - end - ra! - - - - - - - - A - 4 - - 1 - 1 - quarter - - - - A - 4 - - 1 - 1 - quarter - - single - Bah! - - - - - A - 4 - - 2 - 1 - half - - - light-heavy - - - - - +version https://git-lfs.github.com/spec/v1 +oid sha256:e2e453ff584abc10127aa5576a5c2066fd271bca93a022c98ba25a5167737138 +size 4576 diff --git a/test-data/musicxml-testsuite/61b-MultipleLyrics.xml b/test-data/musicxml-testsuite/61b-MultipleLyrics.xml index 5f9334d2c..8d2e71d9a 100644 --- a/test-data/musicxml-testsuite/61b-MultipleLyrics.xml +++ b/test-data/musicxml-testsuite/61b-MultipleLyrics.xml @@ -1,191 +1,3 @@ - - - - - - Multiple (simple) lyrics. The - order of the exported stanzas is relevant (identified by the number - attribute in this test case) - - - - - MusicXML Part - - - - - - - 1 - - 0 - major - - - - G - 2 - - - - - G - 4 - - 1 - 1 - quarter - - begin - 1.Tra - - - begin - 2.tra - - - begin - 3.TRA - - - - - G - 4 - - 1 - 1 - quarter - - middle - la - - - middle - la - - - middle - LA - - - - - G - 4 - - 1 - 1 - quarter - - end - la, - - - end - la, - - - end - LA, - - - - - G - 4 - - 1 - 1 - quarter - - single - ja! - - - - single - ja! - - - - single - JA! - - - - - - - - - G - 4 - - 1 - 1 - quarter - - - - G - 4 - - 1 - 1 - quarter - - begin - Tra - - - begin - Tra - - - begin - TRA - - - - - G - 4 - - 1 - 1 - quarter - - - - G - 4 - - 1 - 1 - quarter - - end - ra... - - - end - ra. - - - end - RA... - - - - light-heavy - - - - - +version https://git-lfs.github.com/spec/v1 +oid sha256:072e0d7a33861f6667968f89f3b89e6edcba0038275c2444c8d89c1619ff5417 +size 5179 diff --git a/test-data/musicxml-testsuite/61c-Lyrics-Pianostaff.xml b/test-data/musicxml-testsuite/61c-Lyrics-Pianostaff.xml index ca5b8e6b5..cc4d5fcfb 100644 --- a/test-data/musicxml-testsuite/61c-Lyrics-Pianostaff.xml +++ b/test-data/musicxml-testsuite/61c-Lyrics-Pianostaff.xml @@ -1,163 +1,3 @@ - - - - - - Lyrics assigned to the voices of - a piano staff containing two simple staves. Each staff is assigned - exactly one lyrics line. - - - - - MusicXML Part - - - - - - - 1 - - 0 - major - - - 2 - - G - 2 - - - F - 4 - - - - - A - 4 - - 1 - 1 - quarter - 1 - - begin - tra - - - - - A - 4 - - 1 - 1 - quarter - 1 - - middle - la - - - - - A - 4 - - 1 - 1 - quarter - 1 - - end - li - - - - - A - 4 - - 1 - 1 - quarter - 1 - - single - ja! - - - - - 4 - - - - F - 3 - - 1 - 2 - quarter - 2 - - begin - TRA - - - - - F - 3 - - 1 - 2 - quarter - 2 - - middle - LA - - - - - F - 3 - - 1 - 2 - quarter - 2 - - end - LI - - - - - F - 3 - - 1 - 2 - quarter - 2 - - single - JA! - - - - - light-heavy - - - - - +version https://git-lfs.github.com/spec/v1 +oid sha256:1b6d7187c6472e1842e454b286f5a073d88611c0896443f2f2f2ece92875f858 +size 4329 diff --git a/test-data/musicxml-testsuite/61d-Lyrics-Melisma.xml b/test-data/musicxml-testsuite/61d-Lyrics-Melisma.xml index 9258058c0..44a517f95 100644 --- a/test-data/musicxml-testsuite/61d-Lyrics-Melisma.xml +++ b/test-data/musicxml-testsuite/61d-Lyrics-Melisma.xml @@ -1,169 +1,3 @@ - - - - - - How to treat lyrics and slurred - notes. Normally, a slurred group of notes is assigned only one lyrics - syllable. - - - - - MusicXML Part - - - - - - - 1 - - 0 - major - - - - G - 2 - - - - - C - 5 - - 1 - 1 - quarter - - - - - begin - Me - - - - - A - 4 - - 1 - 1 - quarter - - - - - E - 5 - - 1 - 1 - quarter - - - - C - 5 - - 1 - 1 - quarter - - - - C - 5 - - 1 - 1 - quarter - - - - - - - - E - 5 - - 1 - 1 - quarter - - - - - - - C - 5 - - 1 - - 1 - quarter - - - - - middle - lis - - - - - C - 5 - - 1 - - 1 - quarter - - - - - - - C - 5 - - 1 - 1 - quarter - - - - - end - ma. - - - - - - E - 5 - - 1 - 1 - quarter - - - - - - light-heavy - - - - - +version https://git-lfs.github.com/spec/v1 +oid sha256:b0050a0869fb2aa74f1f008700758fac722f01083a2caee8c63ab492d975bc8f +size 4439 diff --git a/test-data/musicxml-testsuite/61e-Lyrics-Chords.xml b/test-data/musicxml-testsuite/61e-Lyrics-Chords.xml index 945a31d43..e3389199a 100644 --- a/test-data/musicxml-testsuite/61e-Lyrics-Chords.xml +++ b/test-data/musicxml-testsuite/61e-Lyrics-Chords.xml @@ -1,132 +1,3 @@ - - - - - - Assigning lyrics to chorded - notes. - - - - - MusicXML Part - - - - - - - 1 - - 0 - major - - - - G - 2 - - - - - E - 4 - - 1 - 1 - quarter - - begin - Ly - - - - - - C - 5 - - 1 - 1 - quarter - - - - A - 4 - - 1 - 1 - quarter - - end - rics - - - - - - C - 5 - - 1 - 1 - quarter - - - - E - 4 - - 1 - 1 - quarter - - single - on - - - - - - C - 5 - - 1 - 1 - quarter - - - - A - 4 - - 1 - 1 - quarter - - single - chords - - - - - - C - 5 - - 1 - 1 - quarter - - - light-heavy - - - - - +version https://git-lfs.github.com/spec/v1 +oid sha256:8234be7b392ae89e417aa76bb36d90b243423903ce3521b4a329e3784446be21 +size 3409 diff --git a/test-data/musicxml-testsuite/61f-Lyrics-GracedNotes.xml b/test-data/musicxml-testsuite/61f-Lyrics-GracedNotes.xml index b577b2e0b..5d4d724ef 100644 --- a/test-data/musicxml-testsuite/61f-Lyrics-GracedNotes.xml +++ b/test-data/musicxml-testsuite/61f-Lyrics-GracedNotes.xml @@ -1,209 +1,3 @@ - - - - - - Grace notes shall not mess up the - lyrics, and they shall not be assigned a syllable. - - - - - MusicXML Part - - - - - - - 2 - - 0 - major - - - - G - 2 - - - - - G - 4 - - 2 - 1 - quarter - - - - - begin - Ly - - - - - - D - 5 - - 1 - eighth - - - - C - 5 - - 2 - 1 - quarter - - - - - - - C - 5 - - 2 - 1 - quarter - - end - rics - - - - - - D - 5 - - - 1 - eighth - - - - - - - C - 5 - - 2 - 1 - quarter - - single - on - - - - - - - - C - 5 - - 2 - - 1 - quarter - - - - - single - notes - - - - - - - E - 5 - - - 1 - eighth - begin - - - - - - - - D - 5 - - 1 - eighth - end - - - - C - 5 - - 2 - - 1 - quarter - - - - - - - - D - 5 - - 1 - eighth - - - - C - 5 - - 2 - 1 - quarter - - single - with - - - - - C - 5 - - 2 - 1 - quarter - - single - graces - - - - light-heavy - - - - - +version https://git-lfs.github.com/spec/v1 +oid sha256:152d2e223aa36ed774514037ba52159f2dbec1da2d1725ac9c23bc01dd820dbf +size 5395 diff --git a/test-data/musicxml-testsuite/61g-Lyrics-NameNumber.xml b/test-data/musicxml-testsuite/61g-Lyrics-NameNumber.xml index 1999d07db..c4fad9757 100644 --- a/test-data/musicxml-testsuite/61g-Lyrics-NameNumber.xml +++ b/test-data/musicxml-testsuite/61g-Lyrics-NameNumber.xml @@ -1,119 +1,3 @@ - - - - - - A lyrics syllable can have both - a number and a name attribute. The question is: What should be used - to put syllables of the same voice together. This example uses - different number/name combinations to check how different - applications handle this unspecified case (The advice on the - MusicXML mailing list was "there is no correct way, each - application can do what it thinks is best"). - - - - - MusicXML Part - - - - - - - 1 - 0major - - G2 - - - - G - 4 - - 1 - 1 - quarter - - begin - Verse1A - - - begin - Chorus1A - - - begin - AnotherChorus1A - - - begin - Chorus1A - - - - G4 - 1 - 1 - quarter - - begin - 1B - - - begin - 2B - - - - G4 - 1 - 1 - quarter - - begin - Verse1C - - - begin - Chorus2C - - - - G4 - 1 - 1 - quarter - - begin - Chorus1D - - - - G4 - 1 - 1 - quarter - - begin - VerseE - - - - G4 - 1 - 1 - quarter - - begin - NoneF - - - - light-heavy - - - - - +version https://git-lfs.github.com/spec/v1 +oid sha256:b576994cb43b6a5f29f78cbc96a445fc813b41875527e430591fdf2c54ce64a2 +size 3952 diff --git a/test-data/musicxml-testsuite/61h-Lyrics-BeamsMelismata.xml b/test-data/musicxml-testsuite/61h-Lyrics-BeamsMelismata.xml index 0edcc5f2c..46f9c9bff 100644 --- a/test-data/musicxml-testsuite/61h-Lyrics-BeamsMelismata.xml +++ b/test-data/musicxml-testsuite/61h-Lyrics-BeamsMelismata.xml @@ -1,306 +1,3 @@ - - - - - - Beaming or slurs can indicate - melismata for lyrics. Also make sure that notes without an explicit - syllable are treated as if they were part of a melisma. - - - - - - - - - - - - 2 - - - C5 - 1 - 1 - eighth - begin - - begin - Me - - - - A4 - 1 - 1 - eighth - continue - - - C5 - 1 - 1 - eighth - end - - - A4 - 1 - 1 - eighth - - middle - lis - - - - C5 - 1 - 1 - eighth - begin - - end - ma - - - - - G4 - 1 - 1 - eighth - continue - - - B4 - 1 - 1 - eighth - end - - - - 1 - 1 - eighth - - - - - - C5 - 1 - 1 - eighth - - begin - Me - - - - A4 - 1 - 1 - eighth - - - C5 - 1 - 1 - eighth - - - A4 - 1 - 1 - eighth - - middle - lis - - - - C5 - 1 - 1 - eighth - - end - ma - - - - - G4 - 1 - 1 - eighth - - - B4 - 1 - 1 - eighth - - - - 1 - 1 - eighth - - - - - - C5 - 1 - 1 - eighth - - - - - begin - Me - - - - A4 - 1 - 1 - eighth - - - C5 - 1 - 1 - eighth - - - - - - A4 - 1 - 1 - eighth - - middle - lis - - - - C5 - 1 - 1 - eighth - - - - - end - ma - - - - - G4 - 1 - 1 - eighth - - - B4 - 1 - 1 - eighth - - - - - - - 1 - 1 - eighth - - - - - - C5 - 1 - 1 - eighth - - - - - begin - Me - - - - A4 - 1 - 1 - eighth - - - C5 - 1 - 1 - eighth - - - A4 - 1 - 1 - eighth - - middle - lis - - - - C5 - 1 - 1 - eighth - - end - ma - - - - - G4 - 1 - 1 - eighth - - - B4 - 1 - 1 - eighth - - - - - - - 1 - 1 - eighth - - - light-heavy - - - - - +version https://git-lfs.github.com/spec/v1 +oid sha256:51b2ee0400055de8548260d449b094a83b7e4ed3bb799fec2f4c05fbf7a1f35b +size 8934 diff --git a/test-data/musicxml-testsuite/61i-Lyrics-Chords.xml b/test-data/musicxml-testsuite/61i-Lyrics-Chords.xml index 8f3db1e1a..c032a898b 100644 --- a/test-data/musicxml-testsuite/61i-Lyrics-Chords.xml +++ b/test-data/musicxml-testsuite/61i-Lyrics-Chords.xml @@ -1,72 +1,3 @@ - - - - - - Each note of a chord can have - some lyrics attached. In this case, each note of the chord has lyrics - of the form "Lyrics [123]" attached, where each lyrics has a different - number attribute to distinguish them. These syllables should be - imported into three different stanzas and the timing should be - correct. - - - - - MusicXML Part - - - - - - - 1 - - 0 - major - - - - G - 2 - - - - - E - 5 - - 1 - 1 - quarter - Lyrics 1 - - - - - C - 5 - - 1 - 1 - quarter - Lyrics 2 - - - - - A - 4 - - 1 - 1 - quarter - Lyrics 3 - - - - +version https://git-lfs.github.com/spec/v1 +oid sha256:541ee9c02f89fca981b89d05bb1c02de510805dbc340b1654a89345a8417c1a0 +size 2207 diff --git a/test-data/musicxml-testsuite/61j-Lyrics-Elisions.xml b/test-data/musicxml-testsuite/61j-Lyrics-Elisions.xml index fd76590df..31bd2c21c 100644 --- a/test-data/musicxml-testsuite/61j-Lyrics-Elisions.xml +++ b/test-data/musicxml-testsuite/61j-Lyrics-Elisions.xml @@ -1,99 +1,3 @@ - - - - - - Multiple lyrics syllables - assigned to a single note are implemented either using a space in - the lyrics or by using the <elision> lyrics element. This - testcase checks both of them. First, a note with on syllable is - given, then a note with two syllables separated by a spcae and finally - a note with two and one with three syllables implemented using - <elision> is given. - - - - - MusicXML Part - - - - - - - 1 - - 0 - major - - - - G - 2 - - - - - C - 5 - - 1 - 1 - quarter - - a - - - - - C - 5 - - 1 - 1 - quarter - - b c - - - - - C - 5 - - 1 - 1 - quarter - - d - - e - - - - - C - 5 - - 1 - 1 - quarter - - f - - g - - h - - - - light-heavy - - - - - +version https://git-lfs.github.com/spec/v1 +oid sha256:896856d59b45300a77b252de116e96d008babe98aee32b74ffb4ab34b3cc7534 +size 2904 diff --git a/test-data/musicxml-testsuite/61k-Lyrics-SpannersExtenders.xml b/test-data/musicxml-testsuite/61k-Lyrics-SpannersExtenders.xml index 22354d82a..86f91af0e 100644 --- a/test-data/musicxml-testsuite/61k-Lyrics-SpannersExtenders.xml +++ b/test-data/musicxml-testsuite/61k-Lyrics-SpannersExtenders.xml @@ -1,172 +1,3 @@ - - - - - - Lyrics spanners: continued - syllables and extenders, possibly spanning multiple notes. The - intermediate notes do not have any <lyric> - element. - - - - - MusicXML Part - - - - - - - 1 - - 0 - major - - - - G - 2 - - - - - C - 5 - - 1 - 1 - quarter - - single - A - - - - - - C - 5 - - 1 - 1 - quarter - - - - C - 5 - - 1 - 1 - quarter - - begin - b - - - - - C - 5 - - 1 - 1 - quarter - - - - - - - C - 5 - - 1 - 1 - quarter - - - - C - 5 - - 1 - 1 - quarter - - end - CC - - - - - - C - 5 - - 1 - 1 - quarter - - - - C - 5 - - 1 - 1 - quarter - - - - - - - C - 5 - - 1 - 1 - quarter - - single - e - - - - - - C - 5 - - 1 - 1 - quarter - - - - C - 5 - - 1 - 1 - quarter - - - - 1 - 1 - quarter - - - light-heavy - - - - - +version https://git-lfs.github.com/spec/v1 +oid sha256:41a2a9d9039c71308ed38a9cd005720519cedeea74c59efa82cb27832b064d2b +size 4587 diff --git a/test-data/musicxml-testsuite/71a-Chordnames.xml b/test-data/musicxml-testsuite/71a-Chordnames.xml index f7339048f..140d4705a 100644 --- a/test-data/musicxml-testsuite/71a-Chordnames.xml +++ b/test-data/musicxml-testsuite/71a-Chordnames.xml @@ -1,185 +1,3 @@ - - - - - - A normal staff with several - (complex) chord names displayed. - - - - - MusicXML Part - - - - - - - 1 - - 0 - major - - - - G - 2 - - - - - C - - major - - - - A - 4 - - 1 - 1 - quarter - - - - C - - major-seventh - - 11 - 1 - add - - - - - A - 4 - - 1 - 1 - quarter - - - - B - - dominant - - 5 - 1 - alter - - - 9 - 1 - add - - - - - A - 4 - - 1 - 1 - quarter - - - - E - -1 - - major - - 2 - 0 - add - - - - - A - 4 - - 1 - 1 - quarter - - - - - - - G - - minor - - - - A - 4 - - 1 - 1 - quarter - - - - D - 1 - - major-seventh - - - - A - 4 - - 1 - 1 - quarter - - - - A - - diminished-seventh - - - - A - 4 - - 1 - 1 - quarter - - - - A - - augmented - - - - A - 4 - - 1 - 1 - quarter - - - light-heavy - - - - - +version https://git-lfs.github.com/spec/v1 +oid sha256:87bca0227649d800e889bca26d350901999d0722c43f9c31da6b5b2b50852afb +size 4845 diff --git a/test-data/musicxml-testsuite/71c-ChordsFrets.xml b/test-data/musicxml-testsuite/71c-ChordsFrets.xml index cb882c2c6..dc8c2e698 100644 --- a/test-data/musicxml-testsuite/71c-ChordsFrets.xml +++ b/test-data/musicxml-testsuite/71c-ChordsFrets.xml @@ -1,425 +1,3 @@ - - - - - - A staff with chord names and some - fretboards shown. The fretboards can have an arbitrary number of - frets/strings, can start at an arbitrary fret and can even contain - fingering information. - - - - - MusicXML Part - - - - - - - 1 - - 0 - major - - - - G - 2 - - - - - C - - major - - 6 - 4 - - 6 - 0 - - - 5 - 3 - - - 4 - 2 - - - 3 - 0 - - - 2 - 1 - - - 1 - 0 - - - - - - A - 4 - - 1 - 1 - quarter - - - - C - - major-seventh - - 11 - 1 - add - - - 6 - 4 - 2 - - 6 - 0 - - - 5 - 3 - - - 4 - 5 - - - 3 - 4 - - - 2 - 5 - - - 1 - 2 - - - - - - A - 4 - - 1 - 1 - quarter - - - - B - - dominant - - 5 - 1 - alter - - - 9 - 1 - add - - - 6 - 4 - - 6 - 0 - - - 5 - 2 - - - 4 - 1 - - - 3 - 2 - - - 2 - 3 - - - 1 - 3 - - - - - - A - 4 - - 1 - 1 - quarter - - - - E - -1 - - major - - 2 - 0 - add - - - 6 - 5 - 11 - - 6 - 11 - - - 5 - 13 - - - 4 - 15 - - - 3 - 12 - - - 2 - 11 - - - 1 - 11 - - - - - - A - 4 - - 1 - 1 - quarter - - - - - - - G - - minor - - 6 - 4 - 3 - - 6 - 3 - - - 5 - 5 - - - 4 - 5 - - - 3 - 3 - - - 2 - 3 - - - 1 - 3 - - - - - - A - 4 - - 1 - 1 - quarter - - - - D - 1 - - major-seventh - - 6 - 4 - - 6 - 0 - - - 5 - 0 - - - 4 - 1 - - - 3 - 3 - - - 2 - 3 - - - 1 - 3 - - - - - - A - 4 - - 1 - 1 - quarter - - - - A - - diminished-seventh - - 6 - 4 - - 6 - 0 - - - 5 - 0 - - - 4 - 1 - - - 3 - 2 - - - 2 - 1 - - - 1 - 2 - - - - - - A - 4 - - 1 - 1 - quarter - - - - C - - major - - 10 - 3 - - 10 - 1 - 2 - - - 9 - 3 - - - 7 - 1 - 4 - - - 5 - 3 - - - 4 - 2 - - - 3 - 1 - 5 - - - 2 - 0 - - - 1 - 0 - - - - - - A - 4 - - 1 - 1 - quarter - - - light-heavy - - - - - +version https://git-lfs.github.com/spec/v1 +oid sha256:960e7cabb9ce494d47de15005a3dd272657b391a8a06cdd0d2d9a2197f6c95bb +size 11632 diff --git a/test-data/musicxml-testsuite/71d-ChordsFrets-Multistaff.xml b/test-data/musicxml-testsuite/71d-ChordsFrets-Multistaff.xml index 7b4eab254..2a5b40292 100644 --- a/test-data/musicxml-testsuite/71d-ChordsFrets-Multistaff.xml +++ b/test-data/musicxml-testsuite/71d-ChordsFrets-Multistaff.xml @@ -1,354 +1,3 @@ - - - - - - Chords and fretboards assigned to - the voices in a multi-voice, multi-staff part. There should be fret - diagrams above each of the two staves. - - - - - MusicXML Part - - - - - - - 1 - - 0 - major - - - 2 - - G - 2 - - - F - 4 - - - - - D - 5 - - 1 - 1 - quarter - 1 - - - - D - 5 - - 1 - 1 - quarter - 1 - - - - E - -1 - - minor-ninth - - 6 - 4 - 4 - - 6 - 0 - - - 5 - 6 - - - 4 - 4 - - - 3 - 6 - - - 2 - 6 - - - - - - D - 5 - - 1 - 1 - quarter - 1 - - - - D - 5 - - 1 - 1 - quarter - 1 - - - 4 - - - - F - 4 - - 1 - 2 - quarter - 1 - - - - F - 4 - - 1 - 2 - quarter - 1 - - - - F - 4 - - 1 - 2 - quarter - 1 - - - - F - 4 - - 1 - 2 - quarter - 1 - - - 4 - - - - C - - major - - 6 - 4 - - 6 - 0 - - - 5 - 3 - - - 4 - 2 - - - 3 - 0 - - - 2 - 1 - - - 1 - 0 - - - - - - D - 3 - - 1 - 3 - quarter - 2 - - - - D - - dominant - - 6 - 4 - - 6 - 0 - - - 5 - 0 - - - 4 - 0 - - - 3 - 2 - - - 2 - 1 - - - 1 - 2 - - - - - - D - 3 - - 1 - 3 - quarter - 2 - - - - D - 3 - - 1 - 3 - quarter - 2 - - - - C - - minor-seventh - - 11 - 0 - add - - - 6 - 4 - - 6 - 0 - - - 5 - 3 - - - 4 - 1 - - - 3 - 3 - - - 2 - 1 - - - 1 - 1 - - - - - - D - 3 - - 1 - 3 - quarter - 2 - - - 4 - - - - B - 2 - - 1 - 4 - quarter - 2 - - - - B - 2 - - 1 - 4 - quarter - 2 - - - - B - 2 - - 1 - 4 - quarter - 2 - - - - B - 2 - - 1 - 4 - quarter - 2 - - - light-heavy - - - - - +version https://git-lfs.github.com/spec/v1 +oid sha256:ad945e040869cf3bc30c4db0706908a8394062fdbc31662777846bc4b7f86cd2 +size 9182 diff --git a/test-data/musicxml-testsuite/71e-TabStaves.xml b/test-data/musicxml-testsuite/71e-TabStaves.xml index 79fc6131e..2f1c67707 100644 --- a/test-data/musicxml-testsuite/71e-TabStaves.xml +++ b/test-data/musicxml-testsuite/71e-TabStaves.xml @@ -1,1515 +1,3 @@ - - - - - - Some tablature staves, with - explicit fingering information and different string tunings given - in the MusicXML file. - - - - - bracket - yes - - - Guitar - Gtr. - - - Guitar - Gtr. - - - Guitar - Gtr. - - - Guitar - Gtr. - - - Bass Guitar - Bass - - - Banjo - Bjo. - - - Lute - L. - - - Ukulele - Uk. - - - - - - - - 1 - - 0 - major - - - TAB - 5 - - - 6 - - E - 2 - - - A - 2 - - - D - 3 - - - G - 3 - - - B - 3 - - - E - 4 - - - - - - G - 3 - - 1 - 1 - quarter - none - - - 4 - 5 - - - - - - E - 5 - - 1 - 1 - quarter - none - - - 2 - 17 - - - - - - C - 4 - - 1 - 1 - quarter - none - - - 2 - 1 - - - - - - E - 3 - - 1 - 1 - quarter - none - - - 4 - 2 - - - - - - - - - G - 1 - 2 - - 1 - 1 - quarter - none - - - 6 - 4 - - - - - - - F - 1 - 3 - - 1 - 1 - quarter - none - - - 4 - 4 - - - - - - - G - 3 - - 1 - 1 - quarter - none - - - 3 - 0 - - - - - - D - 3 - - 1 - 1 - quarter - none - - - 5 - 5 - - - - - - G - 1 - 3 - - 1 - 1 - quarter - none - - - 3 - 1 - - - - - - E - 4 - - 1 - 1 - quarter - none - - - 1 - 0 - - - - - light-heavy - - - - - - - - 1 - - 0 - major - - - TAB - 5 - - - 6 - - E - 2 - - - A - 2 - - - D - 3 - - - G - 3 - - - B - 3 - - - E - 4 - - - - - - D - 1 - 4 - - 1 - 1 - quarter - up - - - 2 - 4 - - - - - - G - 1 - 3 - - 1 - 1 - quarter - up - - - 3 - 1 - - - - - - C - 3 - - 1 - 1 - quarter - up - - - 5 - 3 - - - - - - 1 - 1 - quarter - - - - - - - F - 1 - 4 - - 1 - 1 - quarter - up - - - 1 - 2 - - - - - - G - 3 - - 1 - 1 - quarter - up - - - 3 - 0 - - - - - - G - 3 - - 1 - 1 - quarter - up - - - 4 - 5 - - - - - - F - 1 - 2 - - 1 - 1 - quarter - up - - - 6 - 2 - - - - - light-heavy - - - - - - - - 2 - - 0 - major - - - TAB - 5 - - - 6 - - D - 2 - - - A - 2 - - - D - 3 - - - F - 1 - 3 - - - A - 3 - - - E - 4 - - - - - - A - 1 - 3 - - 2 - 1 - quarter - none - - - 2 - 1 - - - - - - B - 2 - - 1 - 1 - eighth - none - - - 5 - 2 - - - - - - A - 3 - - 1 - 1 - eighth - none - - - 3 - 3 - - - - - - 4 - 1 - half - - - - - - - G - 1 - 4 - - 2 - 1 - quarter - none - - - 1 - 4 - - - - - - D - 4 - - 2 - 1 - quarter - none - - - 2 - 5 - - - - - - G - 1 - 2 - - 2 - 1 - quarter - none - - - 6 - 6 - - - - - - D - 3 - - 2 - 1 - quarter - none - - - 4 - 0 - - - - - light-heavy - - - - - - - - 2 - - 0 - major - - - TAB - 5 - - - 6 - - D - 2 - - - A - 2 - - - D - 3 - - - G - 3 - - - B - 3 - - - D - 4 - - - - - - B - 3 - - 1 - 1 - eighth - none - - - 3 - 4 - - - - - - D - 3 - - 1 - 1 - eighth - none - - - 5 - 5 - - - - - - - D - 2 - - 1 - 1 - eighth - none - - - 6 - 0 - - - - - - - G - 2 - - 1 - 1 - eighth - none - - - 6 - 5 - - - - - - - A - 2 - - 1 - 1 - eighth - none - - - 5 - 0 - - - - - - - A - 2 - - 1 - 1 - eighth - none - - - 5 - 0 - - - - - - 2 - 1 - quarter - - - - 4 - 1 - half - - - - - - - D - 4 - - 2 - 1 - quarter - none - - - 1 - 0 - - - - - - D - 3 - - 2 - 1 - quarter - none - - - 4 - 0 - - - - - - A - 2 - - 2 - 1 - quarter - none - - - 5 - 0 - - - - - - D - 2 - - 2 - 1 - quarter - none - - - 6 - 0 - - - - - light-heavy - - - - - - - - 1 - - 0 - major - - - TAB - 5 - - - 4 - - E - 1 - - - A - 1 - - - D - 2 - - - G - 2 - - - - - - G - 2 - - 1 - 1 - quarter - none - - - 1 - 0 - - - - - - E - 1 - - 1 - 1 - quarter - none - - - 4 - 0 - - - - - - D - 2 - - 1 - 1 - quarter - none - - - 2 - 0 - - - - - - A - 1 - 2 - - 1 - 1 - quarter - none - - - 2 - 8 - - - - - - - - - A - 1 - - 1 - 1 - quarter - none - - - 3 - 0 - - - - - - A - 1 - - 1 - 1 - quarter - none - - - 3 - 0 - - - - - - A - 1 - - 1 - 1 - quarter - none - - - 3 - 0 - - - - - - A - 1 - - 1 - 1 - quarter - none - - - 3 - 0 - - - - - light-heavy - - - - - - - - 1 - - 0 - major - - - TAB - 5 - - - 5 - - G - 4 - - - D - 3 - - - G - 3 - - - C - 4 - - - D - 4 - - - - - - D - 1 - 4 - - 1 - 1 - quarter - up - - - 2 - 3 - - - - - - D - 3 - - 1 - 1 - quarter - up - - - 4 - 0 - - - - - - D - 4 - - 1 - 1 - quarter - up - - - 1 - 0 - - - - - - 1 - 1 - quarter - - - - - - - G - 3 - - 1 - 1 - quarter - up - - - 3 - 0 - - - - - - G - 4 - - 1 - 1 - quarter - up - - - 5 - 0 - - - - - - G - 4 - - 1 - 1 - quarter - up - - - 5 - 0 - - - - - - G - 4 - - 1 - 1 - quarter - up - - - 5 - 0 - - - - - light-heavy - - - - - - - - 1 - - 0 - major - - - TAB - 5 - - - 6 - - G - 2 - - - C - 3 - - - F - 3 - - - A - 3 - - - D - 4 - - - G - 4 - - - - - - C - 1 - 4 - - 1 - 1 - quarter - up - - - 3 - 4 - - - - - - C - 1 - 3 - - 1 - 1 - quarter - up - - - 5 - 1 - - - - - - A - 4 - - 1 - 1 - quarter - up - - - 1 - 2 - - - - - - E - 4 - - 1 - 1 - quarter - up - - - 3 - 7 - - - - - - - - - D - 4 - - 1 - 1 - quarter - up - - - 2 - 0 - - - - - - F - 3 - - 1 - 1 - quarter - up - - - 4 - 0 - - - - - - G - 2 - - 1 - 1 - quarter - up - - - 6 - 0 - - - - - - C - 3 - - 1 - 1 - quarter - up - - - 5 - 0 - - - - - light-heavy - - - - - - - - 1 - - 0 - major - - - TAB - 5 - - - 4 - - A - 4 - - - E - 4 - - - C - 4 - - - G - 4 - - - - - - E - 6 - - 1 - 1 - quarter - up - - - 3 - 24 - - - - - - B - 4 - - 1 - 1 - quarter - up - - - 1 - 4 - - - - - - C - 4 - - 1 - 1 - quarter - up - - - 2 - 0 - - - - - - E - 4 - - 1 - 1 - quarter - up - - - 3 - 0 - - - - - - - - - C - 4 - - 1 - 1 - quarter - up - - - 2 - 0 - - - - - - C - 4 - - 1 - 1 - quarter - up - - - 2 - 0 - - - - - - C - 4 - - 1 - 1 - quarter - up - - - 2 - 0 - - - - - - C - 4 - - 1 - 1 - quarter - up - - - 2 - 0 - - - - - light-heavy - - - - - +version https://git-lfs.github.com/spec/v1 +oid sha256:f2000dbdbd7c84b37735f011f53eadb7479d66a5279fd6b8f09c69e89814728f +size 40081 diff --git a/test-data/musicxml-testsuite/71f-AllChordTypes.xml b/test-data/musicxml-testsuite/71f-AllChordTypes.xml index d6abafbb1..bec66648e 100644 --- a/test-data/musicxml-testsuite/71f-AllChordTypes.xml +++ b/test-data/musicxml-testsuite/71f-AllChordTypes.xml @@ -1,595 +1,3 @@ - - - - All MusicXML chord names/types with <root> - - - All chord types defined in - MusicXML. The staff will only contain one c' note (NO chord) for - all of them, but the chord names should be properly - printed. - - - - - MusicXML Part - - - - - - - 2 - - 0 - major - - - - G - 2 - - - - - C - - major - - - C4 - 2 - 1 - quarter - major - - - - C - - minor - - - C4 - 2 - 1 - quarter - minor - - - - C - - augmented - - - C4 - 2 - 1 - quarter - augmented - - - - C - - diminished - - - C4 - 2 - 1 - quarter - diminished - - - - - - - C - - dominant - - - C4 - 2 - 1 - quarter - dominant - - - - C - - major-seventh - - - C4 - 2 - 1 - quarter - major-seventh - - - - C - - minor-seventh - - - C4 - 2 - 1 - quarter - minor-seventh - - - - C - - diminished-seventh - - - C4 - 2 - 1 - quarter - diminished-seventh - - - - - - - C - - augmented-seventh - - - C4 - 2 - 1 - quarter - augmented-seventh - - - - C - - half-diminished - - - C4 - 2 - 1 - quarter - half-diminished - - - - C - - major-minor - - - C4 - 2 - 1 - quarter - major-minor - - - - C - - major-sixth - - - C4 - 2 - 1 - quarter - major-sixth - - - - - - - C - - minor-sixth - - - C4 - 2 - 1 - quarter - minor-sixth - - - - C - - dominant-ninth - - - C4 - 2 - 1 - quarter - dominant-ninth - - - - C - - major-ninth - - - C4 - 2 - 1 - quarter - major-ninth - - - - C - - minor-ninth - - - C4 - 2 - 1 - quarter - minor-ninth - - - - - - - C - - dominant-11th - - - C4 - 2 - 1 - quarter - dominant-11th - - - - C - - major-11th - - - C4 - 2 - 1 - quarter - major-11th - - - - C - - minor-11th - - - C4 - 2 - 1 - quarter - minor-11th - - - - C - - dominant-13th - - - C4 - 2 - 1 - quarter - dominant-13th - - - - - - - C - - major-13th - - - C4 - 2 - 1 - quarter - major-13th - - - - C - - minor-13th - - - C4 - 2 - 1 - quarter - minor-13th - - - - C - - suspended-second - - - C4 - 2 - 1 - quarter - suspended-second - - - - C - - suspended-fourth - - - C4 - 2 - 1 - quarter - suspended-fourth - - - - - - - C - - Neapolitan - - - C4 - 2 - 1 - quarter - Neapolitan - - - - C - - Italian - - - C4 - 2 - 1 - quarter - Italians - - - - C - - French - - - C4 - 2 - 1 - quarter - French - - - - C - - German - - - C4 - 2 - 1 - quarter - German - - - - - - - C - - pedal - - - C4 - 2 - 1 - quarter - pedal - - - - C - - power - - - C4 - 2 - 1 - quarter - power - - - - C - - Tristan - - - C4 - 2 - 1 - quarter - Tristan - - - - C - - other - - - C4 - 2 - 1 - quarter - other - - - - - - - F - 1 - - major - 2 - - - C4 - 4 - 1 - half - Inversion - - - - F - -2 - - major - - C - - - - C4 - 1 - 1 - eighth - Fbb/C - - - - G - 1 - - major - - D - 1 - - - - C4 - 1 - 1 - eighth - G#/D# - - - - C - - major - - - - 2 - 1 - quarter - C - - - - - - - C - - major - - 3 - 0 - subtract - - - 5 - -1 - alter - - - - C4 - 2 - 1 - quarter - C-3+5b - - - - C - - major - - 1 - 0 - subtract - - - 6 - -1 - add - - - - C4 - 2 - 1 - quarter - C-1+6b - - - light-heavy - - - - - +version https://git-lfs.github.com/spec/v1 +oid sha256:b157f5c2a302494623b8d2cc7abe9bc6373a68a41d97bdd8989624829eac6e22 +size 17410 diff --git a/test-data/musicxml-testsuite/71g-MultipleChordnames.xml b/test-data/musicxml-testsuite/71g-MultipleChordnames.xml index 6c42cdb2c..1da234cc1 100644 --- a/test-data/musicxml-testsuite/71g-MultipleChordnames.xml +++ b/test-data/musicxml-testsuite/71g-MultipleChordnames.xml @@ -1,78 +1,3 @@ - - - - - - There can be multiple subsequent - harmony elements, indicating a harmony change during a note - - - - - MusicXML Part - - - - - - - 480 - - 0 - major - - - - G - 2 - - - - - C - - major - - - - F - 1 - - minor-sixth - - - - A - 4 - - 960 - 1 - half - - - - D - - minor-seventh - - - - G - - dominant - - - - G - 4 - - 960 - 1 - half - - - - +version https://git-lfs.github.com/spec/v1 +oid sha256:f9ab0017b6317d593abb7b112209b1883a0f35a61a9894fa93fa69f4fc5c3cfd +size 2659 diff --git a/test-data/musicxml-testsuite/72a-TransposingInstruments.xml b/test-data/musicxml-testsuite/72a-TransposingInstruments.xml index bbd3ef8c6..c6e0c3047 100644 --- a/test-data/musicxml-testsuite/72a-TransposingInstruments.xml +++ b/test-data/musicxml-testsuite/72a-TransposingInstruments.xml @@ -1,333 +1,3 @@ - - - - - - Transposing instruments: Trumpet - in Bb, Horn in Eb, Piano; All of them show the C major scale (the - trumpet with 2 sharp, the horn with 3 sharp). - - - - - Trumpet in Bb - Bb Tpt. - - - Horn in Eb - Hn. - - - Piano - - - - - - - 1 - - 2 - major - - - - G - 2 - - - -1 - -2 - - - - - D - 4 - - 1 - 1 - quarter - - - - E - 4 - - 1 - 1 - quarter - - - - F - 1 - 4 - - 1 - 1 - quarter - - - - G - 4 - - 1 - 1 - quarter - - - - - - - A - 4 - - 1 - 1 - quarter - - - - B - 4 - - 1 - 1 - quarter - - - - C - 1 - 5 - - 1 - 1 - quarter - - - - D - 5 - - 1 - 1 - quarter - - - light-heavy - - - - - - - - 1 - - 3 - major - - - - G - 2 - - - -5 - -9 - - - - - A - 4 - - 1 - 1 - quarter - - - - B - 4 - - 1 - 1 - quarter - - - - C - 1 - 5 - - 1 - 1 - quarter - - - - D - 5 - - 1 - 1 - quarter - - - - - - - E - 5 - - 1 - 1 - quarter - - - - F - 1 - 5 - - 1 - 1 - quarter - - - - G - 1 - 5 - - 1 - 1 - quarter - - - - A - 5 - - 1 - 1 - quarter - - - light-heavy - - - - - - - - 1 - - 0 - major - - - - G - 2 - - - - - C - 4 - - 1 - 1 - quarter - - - - D - 4 - - 1 - 1 - quarter - - - - E - 4 - - 1 - 1 - quarter - - - - F - 4 - - 1 - 1 - quarter - - - - - - - G - 4 - - 1 - 1 - quarter - - - - A - 4 - - 1 - 1 - quarter - - - - B - 4 - - 1 - 1 - quarter - - - - C - 5 - - 1 - 1 - quarter - - - light-heavy - - - - - +version https://git-lfs.github.com/spec/v1 +oid sha256:f4e8fba7ea6dfbc6662c14ed0a3ba557daccb3b2a2ebc6fdc8cf33b540e8e6c8 +size 8518 diff --git a/test-data/musicxml-testsuite/72b-TransposingInstruments-Full.xml b/test-data/musicxml-testsuite/72b-TransposingInstruments-Full.xml index 6a090be0e..57c5e9772 100644 --- a/test-data/musicxml-testsuite/72b-TransposingInstruments-Full.xml +++ b/test-data/musicxml-testsuite/72b-TransposingInstruments-Full.xml @@ -1,453 +1,3 @@ - - - - - - Various transposition. Each - part plays a c'', just displayed in different display pitches. - The second-to-last staff uses a transposition where the displayed c' - is an actual f''' concert pitch. The final staff is an untransposed - instrument. - - - - - Clarinet in Eb - Eb Cl. - - - Clarinet in Bb - Bb Cl. - - - Clarinet in A - A Cl. - - - Horn in F - Hn. - - - Horn in Eb - Hn. - - - Piccolo Trumpet in A - Picc.Tpt. - - - Trumpet in Bb - Bb Tpt. - - - Trumpet in C - C Tpt. - - - Trumpet in D - D Tpt. - - - displayed c'=fis''' - - - MusicXML Part - - - - - - - 1 - - 4 - major - - - - G - 2 - - - 2 - 3 - - - - - A - 4 - - 4 - 1 - whole - - - light-heavy - - - - - - - - 1 - - 3 - major - - - - G - 2 - - - -1 - -2 - - - - - D - 5 - - 4 - 1 - whole - - - light-heavy - - - - - - - - 1 - - -2 - major - - - - G - 2 - - - -2 - -3 - - - - - E - -1 - 5 - - 4 - 1 - whole - - - light-heavy - - - - - - - - 1 - - 2 - major - - - - G - 2 - - - -4 - -7 - - - - - G - 5 - - 4 - 1 - whole - - - light-heavy - - - - - - - - 1 - - 4 - major - - - - G - 2 - - - -5 - -9 - - - - - A - 5 - - 4 - 1 - whole - - - light-heavy - - - - - - - - 1 - - -2 - major - - - - G - 2 - - - 5 - 9 - - - - - E - -1 - 4 - - 4 - 1 - whole - - - light-heavy - - - - - - - - 1 - - 3 - major - - - - G - 2 - - - -1 - -2 - - - - - D - 5 - - 4 - 1 - whole - - - light-heavy - - - - - - - - 1 - - 1 - major - - - - G - 2 - - - - - C - 5 - - 4 - 1 - whole - - - light-heavy - - - - - - - - 1 - - -1 - major - - - - G - 2 - - - 1 - 2 - - - - - B - -1 - 4 - - 4 - 1 - whole - - - light-heavy - - - - - - - - 1 - - 7 - major - - - - F - 4 - -1 - - - 3 - 6 - 3 - - - - - F - 1 - 1 - - 4 - 1 - whole - - - light-heavy - - - - - - - - 1 - - 1 - major - - - - G - 2 - - - - - C - 5 - - 4 - 1 - whole - - - light-heavy - - - - - +version https://git-lfs.github.com/spec/v1 +oid sha256:f80d148810d530520127c020bcb8199e401607b426fee7f4cfef6598aa82a54e +size 12364 diff --git a/test-data/musicxml-testsuite/72c-TransposingInstruments-Change.xml b/test-data/musicxml-testsuite/72c-TransposingInstruments-Change.xml index 05ef9f913..35ec65266 100644 --- a/test-data/musicxml-testsuite/72c-TransposingInstruments-Change.xml +++ b/test-data/musicxml-testsuite/72c-TransposingInstruments-Change.xml @@ -1,96 +1,3 @@ - - - - - - An instrument change from one - transposition (Clarinet in Eb) to another transposing instrument - (Clarinet in Bb). The displayed instrument name should also be updated. - - The whole piece is in Bb major (sounding), so first the key signature - should be one flat, after the change it should have no accidentals. - - - - - - Clarinet in Eb - Eb Cl. - - - - - - - 1 - - 1 - major - - - - G - 2 - - - 2 - 3 - - - - - C - 4 - - 4 - 1 - whole - - - - - - 0 - major - - - -1 - -2 - - - - Clarinet in Bb - Bb Cl. - - - - C - 4 - - 4 - 1 - whole - - - - - - - C - 4 - - 4 - 1 - whole - - - light-heavy - - - - - +version https://git-lfs.github.com/spec/v1 +oid sha256:a09cb8d4f73ae91ef7fd05771ed4b9bf9899029801eb4c8cbcb5070086b6c04d +size 2920 diff --git a/test-data/musicxml-testsuite/73a-Percussion.xml b/test-data/musicxml-testsuite/73a-Percussion.xml index 9b8d69ce5..04f5add22 100644 --- a/test-data/musicxml-testsuite/73a-Percussion.xml +++ b/test-data/musicxml-testsuite/73a-Percussion.xml @@ -1,201 +1,3 @@ - - - - - - Three types of percussion staves: - A five-line staff with bass clef for Timpani, a five-line staff with - percussion clef, and a one-line percussion staff with only unpitched - notes. - - - - - Timpani - Timp. - - - bracket - yes - - - Cymbals - Cym. - - - Triangle - Tri. - - - - - - - - 1 - - 0 - major - - - - F - 4 - - - - - E - 3 - - 4 - - 1 - whole - - - - - - - - - - - E - 3 - - 2 - - 1 - half - - - - - - - - A - 2 - - 2 - 1 - half - - - light-heavy - - - - - - - - 1 - - 0 - major - - - - percussion - - - - - E - 5 - - 3 - 1 - half - - - - - C - 5 - - 1 - 1 - quarter - - - - - - - D - 5 - - 4 - 1 - whole - - - light-heavy - - - - - - - - 1 - - - percussion - - - 1 - - - - - F - 4 - - 3 - 1 - half - - - - - F - 4 - - 1 - 1 - quarter - - - - - - - E - 4 - - 4 - 1 - whole - - - light-heavy - - - - - +version https://git-lfs.github.com/spec/v1 +oid sha256:06276d12d2cae66b11b2c34165db94f584ed674e3b1ccc1c6b37761a7f7bbf86 +size 5733 diff --git a/test-data/musicxml-testsuite/74a-FiguredBass.xml b/test-data/musicxml-testsuite/74a-FiguredBass.xml index 9ffb8125e..797079a75 100644 --- a/test-data/musicxml-testsuite/74a-FiguredBass.xml +++ b/test-data/musicxml-testsuite/74a-FiguredBass.xml @@ -1,104 +1,3 @@ - - - - - - Some figured bass containing - alterated figures, bracketed figures and slashed figures. The last - note contains an empty <figured-bass> element, which is - invalid MusicXML, to check how well applications cope with malformed - files. - - Note that this file does not contain any extenders! - - - - - MusicXML Part - - - - - - - 8 - - 0 - major - - - - G - 2 - - - -
3
- 4 - - - G4 - 4 - 1 - eighth - - - G4 - 4 - 1 - eighth - - -
sharp1
-
flat3
-
natural5
- 6 - - - G4 - 6 - 1 - eighth - - - -
6
- - - G4 - 2 - 1 - 16th - - -
5slash
-
flat127slash
- 8 - - - G4 - 8 - 1 - eighth - - - - - - - G4 - 8 - 1 - quarter - - - light-heavy - - - - - +version https://git-lfs.github.com/spec/v1 +oid sha256:15904c315dd186bb2caa30e8fbcc108a6f3fb01c8b635d367baad9540dc6ec3a +size 3582 diff --git a/test-data/musicxml-testsuite/75a-AccordionRegistrations.xml b/test-data/musicxml-testsuite/75a-AccordionRegistrations.xml index 01893680b..f58611ad7 100644 --- a/test-data/musicxml-testsuite/75a-AccordionRegistrations.xml +++ b/test-data/musicxml-testsuite/75a-AccordionRegistrations.xml @@ -1,359 +1,3 @@ - - - - - - All possible accordion - registrations. - - - - - - - - - - - - - - 1 - - 0 - major - - - - G - 2 - - - - - - - - - - - C4 - 1 - 1 - quarter - 0/0/1 - - - - - 1 - - - - - C4 - 1 - 1 - quarter - 0/1/0 - - - - - 1 - - - - - - C4 - 1 - 1 - quarter - 0/1/1 - - - - - 2 - - - - - C4 - 1 - 1 - quarter - 0/2/0 - - - - - - - 2 - - - - - - C4 - 1 - 1 - quarter - 0/2/1 - - - - - 3 - - - - - C4 - 1 - 1 - quarter - 0/3/0 - - - - - 3 - - - - - - C4 - 1 - 1 - quarter - 0/3/1 - - - - - - - - - - - C4 - 1 - 1 - quarter - 1/0/1 - - - - - - - - - - - - C4 - 1 - 1 - quarter - 1/0/0 - - - - - - 1 - - - - - C4 - 1 - 1 - quarter - 1/1/0 - - - - - - 1 - - - - - - C4 - 1 - 1 - quarter - 1/1/1 - - - - - - 2 - - - - - C4 - 1 - 1 - quarter - 1/2/0 - - - - - - - - 2 - - - - - - C4 - 1 - 1 - quarter - 1/2/1 - - - - - - 3 - - - - - C4 - 1 - 1 - quarter - 1/3/0 - - - - - - 3 - - - - - - C4 - 1 - 1 - quarter - 1/3/1 - - - - - - - - - - C4 - 1 - 1 - quarter - empty - - - - - - - - - - - - - - C4 - 1 - 1 - quarter - empty M - - - - - - test - - - - - - C4 - 1 - 1 - quarter - inval.M - - - - - - 0 - - - - - - C4 - 1 - 1 - quarter - M=0 - - - - - - 5 - - - - - - C4 - 1 - 1 - quarter - M=5 - - - - light-heavy - - - - - - +version https://git-lfs.github.com/spec/v1 +oid sha256:0102cde52a622b097a42b5ae02c2825c6897a6522645a3dd0f6b2797ca3333c4 +size 11464 diff --git a/test-data/musicxml-testsuite/99a-Sibelius5-IgnoreBeaming.xml b/test-data/musicxml-testsuite/99a-Sibelius5-IgnoreBeaming.xml index 1d30c280f..365ec265d 100644 --- a/test-data/musicxml-testsuite/99a-Sibelius5-IgnoreBeaming.xml +++ b/test-data/musicxml-testsuite/99a-Sibelius5-IgnoreBeaming.xml @@ -1,122 +1,3 @@ - - - - - - Sibelius 5.1 - Dolet 3.4 for Sibelius - - - - - Dolet 3 for - Sibelius (5.1) did not print out any closing beam - tags, only starting and continuing beam tags. For - such files, one either needs to ignore all beaming - information or close all beams - - - - - - - - - - - - 768 - - 0 - major - - - - G - 2 - - - - - E - 6 - - 96 - 1 - 32nd - begin - begin - begin - - - - - - - F - 1 - 6 - - 96 - 1 - 32nd - continue - continue - continue - - - - F - 1 - 6 - - 96 - 1 - 32nd - continue - - - - F - 1 - 6 - - 384 - 1 - eighth - - - - G - 1 - 6 - - 96 - 1 - 32nd - begin - begin - - - - B - 6 - - 96 - 1 - 32nd - continue - continue - continue - - - - - - - - - +version https://git-lfs.github.com/spec/v1 +oid sha256:2bcf38cd8f28d000351064bbf170aa0b70b236d2fe7127518e2a759d827b3fc2 +size 6227 diff --git a/test-data/musicxml-testsuite/99b-Lyrics-BeamsMelismata-IgnoreBeams.xml b/test-data/musicxml-testsuite/99b-Lyrics-BeamsMelismata-IgnoreBeams.xml index a2626c0f2..cab344af7 100644 --- a/test-data/musicxml-testsuite/99b-Lyrics-BeamsMelismata-IgnoreBeams.xml +++ b/test-data/musicxml-testsuite/99b-Lyrics-BeamsMelismata-IgnoreBeams.xml @@ -1,311 +1,3 @@ - - - - - - Sibelius 5.1 - Dolet 3.4 for Sibelius - - - If we properly ignore all beaming - information from the Dolet 3 for Sibelius export file, make sure that - the lyrics syllables are still assigned to the correct - notes. - - - - - - - - - - - - 2 - - - C5 - 1 - 1 - eighth - begin - - begin - Me - - - - A4 - 1 - 1 - eighth - continue - - - C5 - 1 - 1 - eighth - end - - - A4 - 1 - 1 - eighth - - middle - lis - - - - C5 - 1 - 1 - eighth - begin - - end - ma - - - - - G4 - 1 - 1 - eighth - continue - - - B4 - 1 - 1 - eighth - end - - - - 1 - 1 - eighth - - - - - - C5 - 1 - 1 - eighth - - begin - Me - - - - A4 - 1 - 1 - eighth - - - C5 - 1 - 1 - eighth - - - A4 - 1 - 1 - eighth - - middle - lis - - - - C5 - 1 - 1 - eighth - - end - ma - - - - - G4 - 1 - 1 - eighth - - - B4 - 1 - 1 - eighth - - - - 1 - 1 - eighth - - - - - - C5 - 1 - 1 - eighth - - - - - begin - Me - - - - A4 - 1 - 1 - eighth - - - C5 - 1 - 1 - eighth - - - - - - A4 - 1 - 1 - eighth - - middle - lis - - - - C5 - 1 - 1 - eighth - - - - - end - ma - - - - - G4 - 1 - 1 - eighth - - - B4 - 1 - 1 - eighth - - - - - - - 1 - 1 - eighth - - - - - - C5 - 1 - 1 - eighth - - - - - begin - Me - - - - A4 - 1 - 1 - eighth - - - C5 - 1 - 1 - eighth - - - A4 - 1 - 1 - eighth - - middle - lis - - - - C5 - 1 - 1 - eighth - - end - ma - - - - - G4 - 1 - 1 - eighth - - - B4 - 1 - 1 - eighth - - - - - - - 1 - 1 - eighth - - - light-heavy - - - - - +version https://git-lfs.github.com/spec/v1 +oid sha256:e1467dc3552cdeea27e34028556cdc523f0792d96f6cc24e6b2f8b2ab94792fb +size 9084 diff --git a/test-data/musicxml-testsuite/LICENSE b/test-data/musicxml-testsuite/LICENSE index b6cebc252..fb04a42a5 100644 --- a/test-data/musicxml-testsuite/LICENSE +++ b/test-data/musicxml-testsuite/LICENSE @@ -1,23 +1,3 @@ -An (unofficial) MusicXML Test Suite - -This test suite of MusicXML unit tests is licenced under the MIT license: - -Copyright (c) 2008-2010, Reinhold Kainhofer - -Permission is hereby granted, free of charge, to any person obtaining a copy -of this software and associated documentation files (the "Software"), to deal -in the Software without restriction, including without limitation the rights -to use, copy, modify, merge, publish, distribute, sublicense, and/or sell -copies of the Software, and to permit persons to whom the Software is -furnished to do so, subject to the following conditions: - -The above copyright notice and this permission notice shall be included in -all copies or substantial portions of the Software. - -THE SOFTWARE IS PROVIDED "AS IS", WITHOUT WARRANTY OF ANY KIND, EXPRESS OR -IMPLIED, INCLUDING BUT NOT LIMITED TO THE WARRANTIES OF MERCHANTABILITY, -FITNESS FOR A PARTICULAR PURPOSE AND NONINFRINGEMENT. IN NO EVENT SHALL THE -AUTHORS OR COPYRIGHT HOLDERS BE LIABLE FOR ANY CLAIM, DAMAGES OR OTHER -LIABILITY, WHETHER IN AN ACTION OF CONTRACT, TORT OR OTHERWISE, ARISING FROM, -OUT OF OR IN CONNECTION WITH THE SOFTWARE OR THE USE OR OTHER DEALINGS IN -THE SOFTWARE. +version https://git-lfs.github.com/spec/v1 +oid sha256:599d53aea4fad7dda87aef785924106747268270865b243fcc580f81471d941e +size 1203 diff --git a/test-data/musicxml3/chord-diagram.musicxml b/test-data/musicxml3/chord-diagram.musicxml index 510ae1c5a..a2a1af43b 100644 --- a/test-data/musicxml3/chord-diagram.musicxml +++ b/test-data/musicxml3/chord-diagram.musicxml @@ -1,466 +1,3 @@ - - - - - 雅俗共赏 - - - 许嵩 - 许嵩 - - 2021-09-28 - Guitar Pro 7.5.2 - - - - - 6.4 - 40 - - - 1850 - 1310 - - - - 雅俗共赏 - - - 许嵩 - - - 许嵩 - - - 许嵩 - - - - 伴奏 - s.guit. - - 1 - 1 - 26 - 80 - 0 - - - - - - - 2 - - 0 - major - - - - TAB - 5 - - - 6 - - E - 2 - - - A - 2 - - - D - 3 - - - G - 3 - - - B - 3 - - - E - 4 - - - - - - C - 0 - - major - - 6 - 5 - 1 - - 5 - 3 - - - 4 - 2 - - - 3 - 0 - - - 2 - 1 - - - 1 - 0 - - - - - - - quarter - 65 - - - - - - - C - 3 - - 1 - 1 - eighth - up - begin - - - - - - 5 - 3 - - - - - - E - 3 - - 1 - 1 - eighth - up - end - - - - - - 4 - 2 - - - - - - G - 3 - - 1 - 1 - eighth - up - begin - - - - - - 3 - 0 - - - - - - C - 4 - - 1 - 1 - eighth - up - end - - - - - - 2 - 1 - - - - - - F - 0 - - minor - - 6 - 5 - 1 - - 6 - 1 - - - 5 - 3 - - - 4 - 3 - - - 3 - 1 - - - 2 - 1 - - - 1 - 1 - - - - - - F - 2 - - 1 - 1 - eighth - up - begin - - - - - - 6 - 1 - - - - - - G - 1 - 3 - - 1 - 1 - eighth - sharp - up - end - - - - - - 3 - 1 - - - - - - C - 4 - - 2 - 1 - quarter - up - - - - - - 2 - 1 - - - - - - - 4 - - - - G - 0 - - major - - 6 - 5 - 2 - - 6 - 3 - - - 5 - 2 - - - 4 - 0 - - - 3 - 0 - - - 2 - 0 - - - 1 - 3 - - - - - - G - 2 - - 2 - 1 - eighth - up - begin - - - 6 - 3 - - - - - - D - 3 - - 2 - 1 - eighth - up - end - - - 4 - 0 - - - - - - B - 3 - - 1 - 1 - 16th - up - begin - begin - - - H - 2 - 0 - - - - - - - C - 4 - - 1 - 1 - 16th - up - continue - end - - - - 2 - 1 - - - - - - - G - 4 - - 2 - - 1 - eighth - up - end - - - 1 - 3 - - - - - - - G - 4 - - 8 - - 1 - half - up - - - 1 - 3 - - - - - - - +version https://git-lfs.github.com/spec/v1 +oid sha256:4e42dbfaabd4831b21c39dfd25fed9836949c7b2a329e4ba0678ed627bced227 +size 10572 diff --git a/test-data/musicxml3/compressed.mxl b/test-data/musicxml3/compressed.mxl index 3dd99e969..13e2d22cc 100644 Binary files a/test-data/musicxml3/compressed.mxl and b/test-data/musicxml3/compressed.mxl differ diff --git a/test-data/musicxml3/first-bar-tempo.musicxml b/test-data/musicxml3/first-bar-tempo.musicxml index 7c7bd0ee7..90e011e2a 100644 --- a/test-data/musicxml3/first-bar-tempo.musicxml +++ b/test-data/musicxml3/first-bar-tempo.musicxml @@ -1,119 +1,3 @@ - - - - - - Tempo Markings: note=bpm, - text (note=bpm), note=note, (note=note), (note=bpm) - - - - - - - - - - - - - - - - quarter - - half - - - - - - - - quarter - - 60 - - - - - A4 - 1 - 1 - quarter - - - A4 - 1 - 1 - quarter - - - A4 - 1 - 1 - quarter - - - A4 - 1 - 1 - quarter - - - light-heavy - - - - - - - - quarter - - half - - - - - - - - quarter - - 60 - - - - - A4 - 1 - 1 - quarter - - - A4 - 1 - 1 - quarter - - - A4 - 1 - 1 - quarter - - - A4 - 1 - 1 - quarter - - - light-heavy - - - - - \ No newline at end of file +version https://git-lfs.github.com/spec/v1 +oid sha256:331dce5f06f6315edb53fd0b0b21663c716635335248a9d39df332b6a2f3341a +size 3678 diff --git a/test-data/musicxml3/full-bar-rest.musicxml b/test-data/musicxml3/full-bar-rest.musicxml index 8537471fc..002542711 100644 --- a/test-data/musicxml3/full-bar-rest.musicxml +++ b/test-data/musicxml3/full-bar-rest.musicxml @@ -1,114 +1,3 @@ - - - - - Title - - - Composer - - MuseScore 3.5.0 - 2021-01-07 - - - - - - - - - - 7.05556 - 40 - - - 1683.36 - 1190.88 - - 56.6929 - 56.6929 - 56.6929 - 113.386 - - - 56.6929 - 56.6929 - 56.6929 - 113.386 - - - - - - - Title - - - Composer - - - - Piano - Pno. - - Piano - - - - 1 - 1 - 78.7402 - 0 - - - - - - - - - 0.00 - 650.76 - - 170.00 - - - - 1 - - 0 - - - - G - 2 - - - - - 2 - 1 - - - - - - 2 - 1 - - - - - - 2 - 1 - - - light-heavy - - - - +version https://git-lfs.github.com/spec/v1 +oid sha256:980e3a2aab961614b4ceac8ad7ecbbb4e50379bc6d05fde32ee895ab7a3a8b1d +size 3801 diff --git a/test-data/musicxml3/tie-destination.musicxml b/test-data/musicxml3/tie-destination.musicxml index 38a139e5e..6253102d5 100644 --- a/test-data/musicxml3/tie-destination.musicxml +++ b/test-data/musicxml3/tie-destination.musicxml @@ -1,158 +1,3 @@ - - - - - - Acoustic Guitar - - Acoustic Guitar - - A. Gtr. - - A. 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'font/roboto/Roboto-Regular.ttf', - 'font/roboto/Roboto-Italic.ttf', - 'font/roboto/Roboto-Bold.ttf', - 'font/roboto/Roboto-BoldItalic.ttf', - 'font/ptserif/PTSerif-Regular.ttf', - 'font/ptserif/PTSerif-Italic.ttf', - 'font/ptserif/PTSerif-Bold.ttf', - 'font/ptserif/PTSerif-BoldItalic.ttf' + 'font/noto-sans/NotoSans-Regular.ttf', + 'font/noto-sans/NotoSans-Italic.ttf', + 'font/noto-sans/NotoSans-Bold.ttf', + 'font/noto-sans/NotoSans-BoldItalic.ttf', + 'font/noto-serif/NotoSerif-Regular.ttf', + 'font/noto-serif/NotoSerif-Italic.ttf', + 'font/noto-serif/NotoSerif-Bold.ttf', + 'font/noto-serif/NotoSerif-BoldItalic.ttf' ]; for (const font of fonts) { @@ -237,22 +237,22 @@ export class VisualTestHelper { Environment.HighDpiFactor = 1; // test data is in scale 1 settings.core.enableLazyLoading = false; - settings.display.resources.copyrightFont.families = ['Roboto']; - settings.display.resources.titleFont.families = ['PT Serif']; - settings.display.resources.subTitleFont.families = ['PT Serif']; - settings.display.resources.wordsFont.families = ['PT Serif']; - settings.display.resources.effectFont.families = ['PT Serif']; - settings.display.resources.timerFont.families = ['PT Serif']; - settings.display.resources.fretboardNumberFont.families = ['Roboto']; - settings.display.resources.tablatureFont.families = ['Roboto']; - settings.display.resources.graceFont.families = ['Roboto']; - settings.display.resources.barNumberFont.families = ['Roboto']; - settings.display.resources.fingeringFont.families = ['PT Serif']; - settings.display.resources.inlineFingeringFont.families = ['PT Serif']; - settings.display.resources.markerFont.families = ['PT Serif']; - settings.display.resources.directionsFont.families = ['PT Serif']; - settings.display.resources.numberedNotationFont.families = ['Roboto']; - settings.display.resources.numberedNotationGraceFont.families = ['Roboto']; + settings.display.resources.copyrightFont.families = ['Noto Sans']; + settings.display.resources.titleFont.families = ['Noto Serif']; + settings.display.resources.subTitleFont.families = ['Noto Serif']; + settings.display.resources.wordsFont.families = ['Noto Serif']; + settings.display.resources.effectFont.families = ['Noto Serif']; + settings.display.resources.timerFont.families = ['Noto Serif']; + settings.display.resources.fretboardNumberFont.families = ['Noto Sans']; + settings.display.resources.tablatureFont.families = ['Noto Sans']; + settings.display.resources.graceFont.families = ['Noto Sans']; + settings.display.resources.barNumberFont.families = ['Noto Sans']; + settings.display.resources.fingeringFont.families = ['Noto Serif']; + settings.display.resources.inlineFingeringFont.families = ['Noto Serif']; + settings.display.resources.markerFont.families = ['Noto Serif']; + settings.display.resources.directionsFont.families = ['Noto Serif']; + settings.display.resources.numberedNotationFont.families = ['Noto Sans']; + settings.display.resources.numberedNotationGraceFont.families = ['Noto Sans']; } public static async compareVisualResult(