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Serial_Anthology.html
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<header class="site-header">
<div class="wrap">
The full list of rows above presents examples of repertoire row usages.
The following sections interpret that list somewhat, looking for the presence of certain properties. For a longer introduction to what these properties mean, please see the Row Properties chapter.
<div>
<h2>Re-used Rows</h2>
We begin with rows used more than once in this collection. This takes account of transposition (by comparing P0 forms), but not inversion or retrograde equivalence. This list is short and largely limited to "famous" rows like the so-called "mother" chord (Berg, Ginastera, Klein) and cases of homage such as the Boulez-Messiaen and Payne-Lutyens pairs.
<ol>
<li>[0, 3, 11, 2, 10, 1, 7, 4, 8, 5, 9, 6]: Babbitt, Milton: Composition for Four Instruments; Schwantner, Joseph: In Aeternum (Derived Row)
<li>[0, 1, 11, 2, 10, 3, 9, 8, 4, 6, 7, 5]: Babbitt, Milton: Relata I; Babbitt, Milton: Relata II
<li>[0, 8, 1, 10, 9, 11, 5, 3, 4, 7, 2, 6]: Babbitt, Milton: Semi-simple variations; Stockhausen, Karlheinz: Gruppen; Stockhausen, Karlheinz: Klavierstück IX; Stockhausen, Karlheinz: Klavierstück VII; Stockhausen, Karlheinz: Klavierstück X
<li>[0, 3, 11, 4, 1, 2, 8, 10, 5, 9, 7, 6]: Babbitt, Milton: String Quartet, No.2; Morris, Robert: Roundelay, row 5
<li>[0, 3, 6, 9, 11, 2, 5, 8, 10, 1, 4, 7]: Bach, Johann Sebastian: Chromatische Fantasie; Panufnik, Andrzej: Sinfonia di Sfere (Symphony, No.5), Chord 2
<li>[0, 3, 4, 7, 8, 11, 1, 10, 9, 6, 5, 2]: Baker, David: “Status Symbol” from "The Black Experience"; Seiber, Mátyás: Ulysses; Spinner, Leopold: String Quartet, No.2, Op.7
<li>[0, 8, 4, 11, 3, 7, 1, 9, 5, 10, 2, 6]: Barber, Samuel: Piano Sonata, Op.26; Slonimsky, Nicholas: No. 1242a Mutually Exclusive Diminished-Seventh Chords (Twelve-Tone Spirals)
<li>[0, 11, 7, 4, 2, 9, 3, 8, 10, 1, 5, 6]: Berg, Alban: Lyric Suite, Primary Row / mvt I; Berg, Alban: Schliesse mir die Augen Beide; Ginastera, Alberto: Sonata for Guitar, Op.47, mvts II and III, Row Class III; Klein, Fritz: Die Maschine: Eine extonale Selbstsatire, Op.1; Klein, Fritz Heinrich: Variationen, Op.14; Slonimsky, Nicholas: No. 1317 Invertible Dodecaphonic Progressions - With all Different Intervals. (Mother Chord)
<li>[0, 2, 4, 5, 7, 9, 6, 8, 10, 11, 1, 3]: Berg, Alban: Lyric Suite, mvt I; Eisler, Hanns: Der Zweck der Musik; Slonimsky, Nicholas: No. 1293a Two Major Hexachords (Miscellaneous Dodecaphonic Patterns)
<li>[0, 1, 2, 3, 4, 5, 6, 7, 8, 9, 10, 11]: Boulez, Pierre: Le Marteau sans Maître, cycle of Bourreaux de solitude; Lackner, Peter: INITIUM TRIPLEX. 28. Juni 2016; für drei Tasteninstrumente; Lackner, Peter: Kanon für drei Klaviere. 28. 6. 2016; Slonimsky, Nicholas: No. 648-654 Permutations (Semitone Progression; Equal Division of One Octave into Twelve Parts); Wolpe, Stefan: Four Studies on Basic Rows, No.4, "Basic Row" 1
<li>[0, 11, 6, 5, 4, 3, 1, 10, 9, 7, 2, 8]: Boulez, Pierre: Structures Ia; Messiaen, Olivier: Mode de valeurs et d'intensités, Series 1
<li>[0, 5, 2, 7, 4, 9, 6, 11, 8, 1, 10, 3]: Britten, Benjamin: The Turn of the Screw; Lackner, Peter: Kanon T2 à 6; Slonimsky, Nicholas: No. 1219a Fourths (Twelve-Tone Patterns); Slonimsky, Nicholas: No. 572 Ultrapolation of One Note (Whole-Tone Progression; Equal Division of One Octave into Six Parts); Wolpe, Stefan: Four Studies on Basic Rows, No.4, "Basic Row" 5
<li>[0, 8, 4, 3, 11, 7, 6, 2, 10, 9, 5, 1]: Carter, Elliott: String Quartet, No.2 (sketch) 2; Slonimsky, Nicholas: No. 1269b Quadritonal Arpeggios (Division of Twelve Tones into Four Mutually Exclusive Triads); Slonimsky, Nicholas: No. 407 Ultrapolation of Two Notes (Sesquitone Progression; Equal Division of One Octave into Four Parts); Slonimsky, Nicholas: No. 469 Infrapolation of Two Notes (Sesquitone Progression; Equal Division of One Octave into Four Parts); Slonimsky, Nicholas: No. 512 Infra-Ultrapolation (Sesquitone Progression; Equal Division of One Octave into Four Parts)
<li>[0, 1, 5, 8, 10, 4, 3, 7, 9, 2, 11, 6]: Dallapiccola, Luigi: Canti di Liberazione; Dallapiccola, Luigi: Quaderno musicale di Annalibera; Dallapiccola, Luigi: Variazioni per orchestra
<li>[0, 6, 11, 10, 1, 3, 5, 8, 7, 2, 4, 9]: Davies, Peter Maxwell: Five Pieces for Piano, Op.2, No.1; Davies, Peter Maxwell: Five Pieces for Piano, Op.2, No.1 (first row)
<li>[0, 11, 2, 1, 4, 3, 6, 5, 8, 7, 10, 9]: Eisler, Hanns: Praeludium und Fuge über B-A-C-H for String Trio, Op.46; Slonimsky, Nicholas: No. 578 Ultrapolation of One Note (Whole-Tone Progression; Equal Division of One Octave into Six Parts); Slonimsky, Nicholas: No. 579 Ultrapolation of One Note (Whole-Tone Progression; Equal Division of One Octave into Six Parts); Wolpe, Stefan: Four Studies on Basic Rows, No.4, "Basic Row" 11
<li>[0, 11, 1, 10, 2, 9, 3, 8, 4, 7, 5, 6]: Fine, Vivian: Chaconne for piano; Ginastera, Alberto: Quintet, Op.29, Row Class VII S; Slonimsky, Nicholas: No. 1232a (Twelve-Tone Spirals); Slonimsky, Nicholas: No. 1233a (Twelve-Tone Spirals); Slonimsky, Nicholas: No. 1234a (Twelve-Tone Spirals); Slonimsky, Nicholas: No. 1235a (Twelve-Tone Spirals); Slonimsky, Nicholas: No. 1318 Invertible Dodecaphonic Progressions - With all Different Intervals. (Grandmother Chord)
<li>[0, 9, 3, 7, 4, 10, 2, 6, 1, 8, 11, 5]: Florey, Hans: Griechisch-lateinisches Quadrat der Ordnung 4 mit Fuge in Klangnotation; Hauer, Josef Matthias: Tanz [Zwölftonspiel] im langsamen 3/4 Takt für zwei Violinen, zwei Bratschen und Klavier zu zwei Händen; Hauer, Josef Matthias: Zwölftonmusik [Zwölftonspiel] für Klavier zu vier Händen. Februar 1959 (Fragment)
<li>[0, 1, 4, 6, 5, 3, 11, 10, 9, 7, 8, 2]: Florey, Hans: Kanonvariationen; Hauer, Josef Matthias: 1. canonic Example from the theoretical work 'Zwölftontechnik'
<li>[0, 4, 6, 3, 8, 9, 7, 2, 1, 5, 11, 10]: Florey, Hans: Kleiner Doppelkanon; Florey, Hans: Magisches Quadrat der Ordnung 3
<li>[0, 10, 1, 7, 4, 6, 5, 8, 3, 9, 2, 11]: Florey, Hans: Magischer Würfel mit 6 Spiegelpunkten; Florey, Hans: Sechs Kanonzyklen einunddesselben magischen Quadrates
<li>[0, 5, 1, 4, 2, 3, 9, 8, 10, 7, 11, 6]: Gielen, Michael: Six Songs, for bass, violin, viola, clarinet, bass clarinet, and piano; Lang, Bernhard: Der Reigen; Slonimsky, Nicholas: No. 1310 Invertible Dodecaphonic Progressions - With all Different Intervals
<li>[0, 11, 2, 3, 4, 1, 6, 5, 8, 9, 10, 7]: Ginastera, Alberto: Don Rodrigo, Op.31, Row Class 2; Ginastera, Alberto: Violin Concerto, Op.30
<li>[0, 11, 1, 8, 2, 7, 5, 6, 4, 9, 3, 10]: Ginastera, Alberto: Quintet, Op.29, Row Class III 2; Ginastera, Alberto: Quintet, Op.29, Row Class VII 2
<li>[0, 11, 10, 9, 8, 7, 6, 5, 4, 3, 2, 1]: Ginastera, Alberto: Sonata for Guitar, Op.47, mvts II and III, Row Class II 1; Slonimsky, Nicholas: No. 655-657 Permutations (Semitone Progression; Equal Division of One Octave into Twelve Parts); Slonimsky, Nicholas: No. 793 Infra-Ultrapolation (Sesquiquadritone Progression; Equal Division of Three Octaves into Four Parts); Slonimsky, Nicholas: No. 822 Ultrapolation of One Note (Quinquetone Progression; Equal Division of Five Octaves into Six Parts); Slonimsky, Nicholas: No. 824 Infrapolation of One Note (Quinquetone Progression; Equal Division of Five Octaves into Six Parts)
<li>[0, 3, 6, 9, 2, 5, 8, 11, 4, 7, 10, 1]: Ginastera, Alberto: Sonata for Guitar, Op.47, mvts II and III, Row Class II 2; Slonimsky, Nicholas: No. 1266a Quadritonal Arpeggios (Division of Twelve Tones into Four Mutually Exclusive Triads)
<li>[0, 9, 3, 2, 11, 6, 5, 1, 8, 7, 4, 10]: Ginastera, Alberto: Sonata for Guitar, Op.47, mvts II and III, Row Class II 3; Slonimsky, Nicholas: No. 1266b Quadritonal Arpeggios (Division of Twelve Tones into Four Mutually Exclusive Triads)
<li>[0, 7, 1, 6, 4, 11, 5, 10, 8, 3, 9, 2]: Ginastera, Alberto: Sonata for Guitar, Op.47, mvts II and III, Row Class II 5; Slonimsky, Nicholas: No. 370 Infra-Inter-Ultrapolation (Ditone Progression; Equal Division of One Octave into Three Parts)
<li>[0, 11, 4, 3, 8, 7, 1, 2, 9, 10, 5, 6]: Ginastera, Alberto: Sonata for Guitar, Op.47, mvts II and III, Row Class II 6; Slonimsky, Nicholas: No. 1231a Major Sevenths (Twelve-Tone Patterns)
<li>[0, 4, 3, 10, 6, 9, 1, 5, 2, 8, 11, 7]: Gotham, Mark: Move On!; Tranchell, Peter: Piano piece for Carl Dawson (unfinished), 5
<li>[0, 6, 9, 2, 8, 10, 4, 7, 1, 11, 3, 5]: Hauer, Josef Matthias: 'Salambo', opera after Gustave Flaubert;, Op.60; Lackner, Peter: Salambo-Kanon (à 4); Bad Aussee, 2. Februar 2008; Matthias, Josef: Salambo, Op.60
<li>[0, 9, 6, 11, 4, 1, 10, 5, 2, 8, 3, 7]: Hauer, Josef Matthias: Hausmusik [Zwölftonspiel] für Klavier zu vier Händen. September 1958; Hauer, Josef Matthias: Schulmusik für zwei Klaviere. 3. Oktober 1958; Hauer, Josef Matthias: Tanz [Zwölftonspiel] im langsamen 3/4 Takt für Violine, Bratsche und Klavier zu vier Händen. 6. September 1958; Hauer, Josef Matthias: Zwölftonspiel 22. Mai 1958; für zwei Violinen, Bratsche, Cello und Klavier zu zwei Händen; Hauer, Josef Matthias: Zwölftonspiel für Klavier zu vier Händen
<li>[0, 5, 7, 3, 9, 6, 11, 2, 8, 4, 1, 10]: Hauer, Josef Matthias: Nomos; Hauer, Josef Matthias: Nomos, Op.19 (bb.1-36)
<li>[0, 9, 8, 5, 10, 2, 11, 6, 3, 7, 4, 1]: Hauer, Josef Matthias: Zwölftonspiel 26. August 1948; für Violine und Klavier; Hauer, Josef Matthias: Zwölftonspiel für Violine allein mit einer Zwölftonreihe von Dr. Ernst Weidinger
<li>[0, 9, 6, 2, 3, 10, 8, 5, 4, 7, 11, 1]: Hauer, Josef Matthias: Zwölftonspiel 28. August 1948; für Violine und Klavier; Hauer, Josef Matthias: Zwölftonspiel 31. August 1948; für Violine (Flöte) und Klavier; Hauer, Josef Matthias: Zwölftonspiel 31. August 1948; für Violine und Klavier; 2. Fassung; Hauer, Josef Matthias: Zwölftonspiel für Violine und Cembalo [Klavier]. 27. August 1948
<li>[0, 4, 2, 9, 10, 6, 11, 1, 7, 3, 8, 5]: Hauer, Josef Matthias: Zwölftonspiel 5. September 1957; für Violine, Bratsche und Klavier; Hauer, Josef Matthias: Zwölftonspiel 9. September 1957; für vier Solostimmen [S, A, T, B], Violine, Bratsche und Klavier
<li>[0, 10, 7, 2, 8, 6, 3, 4, 9, 11, 1, 5]: Hauer, Josef Matthias: Zwölftonspiel für Flöte, Horn, Violine, Bratsche, Cello und Klavier; Hauer, Josef Matthias: Zwölftonspiel für Violine und Klavier; Hauer, Josef Matthias: Zwölftonspiel für zwei Violinen, Bratsche und Cello ('Ins Räumliche übertragen'). 3. September 1953; Hauer, Josef Matthias: Zwölftonspiel in drei Teilen für zwei Violinen, Bratsche und Cello. 31. Juli 1953
<li>[0, 6, 11, 4, 2, 9, 3, 1, 5, 7, 10, 8]: Hauer, Josef Matthias: Zwölftonspiel für Klavier. 11. Juni 1955; Hauer, Josef Matthias: Zwölftonspiel für Klavier zu vier Händen. Mai 1955
<li>[0, 5, 7, 4, 6, 1, 9, 3, 8, 11, 10, 2]: Hauer, Josef Matthias: Zwölftonspiel für Orchester. 28. 9. 1954; hauer, Josef Matthias: Zwölftonspiel für Oechester. 28. 9. 1954
<li>[0, 1, 2, 3, 4, 5, 11, 10, 9, 8, 7, 6]: Hendler, Maximilian: 'Die vollständige Ordnung der symmetrischen zwölftönigen Modi', No.1; Slonimsky, Nicholas: No. 642 Permutations (Semitone Progression; Equal Division of One Octave into Twelve Parts)
<li>[0, 4, 3, 11, 10, 9, 1, 7, 8, 6, 2, 5]: Krenek, Ernst: Studies in Counterpoint; Krenek, Ernst: Studies in Counterpoint (i); Krenek, Ernst: Suite, Op.84 for solo cello
<li>[0, 3, 10, 4, 9, 11, 8, 7, 5, 1, 2, 6]: Krenek, Ernst: Studies in Counterpoint (ii); Krenek, Ernst: Symeon, der Stylit
<li>[0, 6, 3, 5, 9, 11, 7, 1, 4, 2, 10, 8]: Lackner, Peter: 'Der Winter'; Lackner, Peter: Kanon für Klavierquartett. 27. April 1991
<li>[0, 10, 2, 6, 8, 4, 1, 9, 11, 3, 7, 5]: Lackner, Peter: 'Euphorbia obesa'. Kanon für Oboe, Englischhorn und Fagott.; Lackner, Peter: Kanon für zwei Violinen und Klavier. 1. Dezember 2004
<li>[0, 3, 5, 11, 7, 10, 1, 8, 4, 9, 6, 2]: Lackner, Peter: 'Lied des Harfenmädchens' für Frauenstimme und Klavier; Lackner, Peter: 'Lied des Harfenmädchens II' für Flöte, Klarinette, Posaune, Violine, Cello und Klavier
<li>[0, 4, 2, 8, 11, 7, 10, 5, 9, 1, 3, 6]: Lackner, Peter: 'Ständchen' für zwei Violinen und zwei Bratschen. 1913,2013; Lackner, Peter: Kanon für Violine, Bratsche und Klavier; Lackner, Peter: Kanon á 4
<li>[0, 3, 6, 2, 9, 11, 7, 4, 1, 5, 10, 8]: Lackner, Peter: 'Wo ist der Freund' (erstes Lied aus dem Zyklus 'Wilde Erdbeeren' für Singstimme und Klavier); Lackner, Peter: Moebius-Band für Flöte, Violine, Violoncello und Klavier; Lackner, Peter: Moebius-Band für sechs Violinen
<li>[0, 10, 2, 7, 9, 5, 11, 3, 1, 8, 4, 6]: Lackner, Peter: 2. Kanonzyklus; Lackner, Peter: Kanon für Flöte und Elektronik. Februar 1999
<li>[0, 6, 8, 10, 1, 3, 5, 11, 9, 7, 4, 2]: Lackner, Peter: 3. Kanonzyklus; Lackner, Peter: Kanon für Klavier
<li>[0, 5, 3, 7, 11, 1, 9, 4, 6, 2, 10, 8]: Lackner, Peter: 4. Kanonzyklus; Lackner, Peter: Kanon für Flöte, Akkordeon, zwei Violinen, Bratsche und Klavier; Lackner, Peter: Kanon für Klavier. April 2000
<li>[0, 8, 10, 4, 2, 6, 9, 1, 11, 5, 7, 3]: Lackner, Peter: KANON für A, O & Gsellmanns Weltmaschine. 8. Oktober 1958,2008; Lackner, Peter: Kanon für Streichquartett. 22.September 2003
<li>[0, 2, 7, 3, 5, 10, 6, 8, 1, 9, 11, 4]: Lackner, Peter: Kanon T3 à 4; Slonimsky, Nicholas: No. 499 Inter-Ultrapolation (Sesquitone Progression; Equal Division of One Octave into Four Parts)
<li>[0, 2, 9, 10, 6, 5, 1, 11, 4, 3, 7, 8]: Lackner, Peter: Kanon für Cello und Klavier; Lackner, Peter: Kanon für Klavier. 5. April 1989; Lackner, Peter: Kanon für Violine und Violoncello
<li>[0, 1, 10, 7, 9, 4, 5, 11, 8, 6, 2, 3]: Lackner, Peter: Kanon für Klavier zu vier Händen. Frühling 1984; Lackner, Peter: Kanon für zwei Violinen und Klavier. Frühjahr 1984
<li>[0, 11, 3, 10, 6, 2, 7, 8, 4, 9, 1, 5]: Lackner, Peter: Kanon für acht Instrumente. Dezember 1991, März 2007; Lackner, Peter: Kanon für drei Bratschen
<li>[0, 4, 8, 11, 3, 7, 10, 2, 6, 9, 1, 5]: Liszt, Franz: Eine Faust Symphonie; Panufnik, Andrzej: Sinfonia di Sfere (Symphony, No.5), Chord 1; Slonimsky, Nicholas: No. 1271a Quadritonal Arpeggios (Division of Twelve Tones into Four Mutually Exclusive Triads)
<li>[0, 7, 5, 2, 10, 9, 3, 4, 8, 11, 1, 6]: Luo, Zhong-Rong: Chang'e; Slonimsky, Nicholas: No. 1246a Crossing Fourths (Crossing Intervals); Wuorinen, Charles: Third Piano Sonata
<li>[0, 2, 7, 5, 10, 8, 6, 3, 1, 11, 9, 4]: Luo, Zhong-Rong: Dusk, row 1; Luo, Zhong-Rong: Evening
<li>[0, 2, 5, 7, 4, 11, 6, 8, 1, 3, 9, 10]: Luo, Zhong-Rong: Sonatina, mvt 2; Luo, Zhong-Rong: String Quartet, No.3, row 2
<li>[0, 6, 5, 11, 10, 4, 3, 9, 8, 2, 1, 7]: Lutosławski, Witold: Musique Funébre (Funeral Music); Schnittke, Alfred: Piano Sonata, No.1, mvt 2, mm. 72-76; Slonimsky, Nicholas: No. 875 Infrapolation of One Note (Quinquetone Progression; Equal Division of Five Octaves into Six Parts)
<li>[0, 6, 11, 10, 8, 7, 9, 1, 3, 2, 4, 5]: Lutyens, Elisabeth: The Valley of Hatsu'se; Payne, Antony: Miniature Variations on a Theme of E.L.
<li>[0, 7, 2, 3, 6, 9, 10, 1, 4, 5, 8, 11]: Maderna, Bruno: Quartetto; Maderna, Bruno: Streichquartett (Basisreihe 1)
<li>[0, 1, 11, 2, 10, 3, 9, 4, 8, 5, 7, 6]: Messiaen, Olivier: Livre d'orgue; Nono, Luigi: Canti per tredeci; Nono, Luigi: Cori di Didone; Nono, Luigi: Il canto sospeso; Nono, Luigi: La terra e la compagna (sketch), Series 1; Zimmermann, Bernd Alois: 'Ich wandte mich um und sah alles Unrecht das geschah unter der Sonne'
<li>[0, 1, 4, 2, 9, 5, 11, 3, 8, 10, 7, 6]: Morris, Robert: Knot Lilacs; Morris, Robert: Not Lilacs; Slonimsky, Nicholas: No. 1302 Invertible Dodecaphonic Progressions - With all Different Intervals
<li>[0, 6, 1, 7, 2, 8, 3, 9, 4, 10, 5, 11]: Nono, Luigi: Ha venido; Wolpe, Stefan: Four Studies on Basic Rows, No.4, "Basic Row" 6
<li>[0, 1, 3, 2, 4, 5, 7, 6, 8, 9, 11, 10]: Nono, Luigi: Intolleranza, Tenor 2; Slonimsky, Nicholas: No. 637 Permutations (Semitone Progression; Equal Division of One Octave into Twelve Parts)
<li>[0, 1, 9, 8, 4, 5, 7, 6, 10, 11, 3, 2]: Nono, Luigi: Variazioni canoniche sulla serie dell'Op.41 di Arnold Schönberg; Schoenberg, Arnold: Ode To Napoleon Buonaparte, Op.41 (view 2)
<li>[0, 7, 2, 9, 4, 11, 6, 1, 8, 3, 10, 5]: Sande, Henrik: 4032 Töne für Klavier sechshändig; Slonimsky, Nicholas: No. 1220a Fifths (Twelve-Tone Patterns); Slonimsky, Nicholas: No. 1221a Fifths (Twelve-Tone Patterns); Slonimsky, Nicholas: No. 1222aFifths (Twelve-Tone Patterns); Slonimsky, Nicholas: No. 574 Ultrapolation of One Note (Whole-Tone Progression; Equal Division of One Octave into Six Parts); Wolpe, Stefan: Four Studies on Basic Rows, No.4, "Basic Row" 7
<li>[0, 2, 3, 6, 7, 11, 1, 9, 4, 8, 5, 10]: Santoro, Claudio: Invenções a duas vozes (Two-Part inventions); Santoro, Claudio: Sonata 1942
<li>[0, 5, 1, 4, 10, 8, 11, 9, 3, 6, 2, 7]: Schnittke, Alfred: Concerto Grosso, No.3, monogram 1; Schnittke, Alfred: Concerto Grosso, No.3
<li>[0, 3, 6, 9, 10, 1, 4, 7, 8, 11, 2, 5]: Schnittke, Alfred: Sonata, No.2 for Cello and Piano, mvt 2, new row; Slonimsky, Nicholas: No. 813 Interpolation of Three Notes (Quinquetone Progression; Equal Division of Five Octaves into Six Parts)
<li>[0, 11, 9, 7, 2, 4, 6, 5, 3, 1, 8, 10]: Slonimsky, Nicholas: No. 1237a Converging and Diverging Whole-Tone Scales (Twelve-Tone Spirals); Slonimsky, Nicholas: No. 1297a Two Major Hexachords (Miscellaneous Dodecaphonic Patterns)
<li>[0, 11, 2, 9, 4, 7, 6, 5, 8, 3, 10, 1]: Slonimsky, Nicholas: No. 1239a Converging and Diverging Whole-Tone Scales (Twelve-Tone Spirals); Slonimsky, Nicholas: No. 1250a Crossing Seconds (Crossing Intervals)
<li>[0, 3, 6, 9, 1, 4, 7, 10, 2, 5, 8, 11]: Slonimsky, Nicholas: No. 1265 Quadritonal Arpeggios (Division of Twelve Tones into Four Mutually Exclusive Triads); Slonimsky, Nicholas: No. 1265a Quadritonal Arpeggios (Division of Twelve Tones into Four Mutually Exclusive Triads)
<li>[0, 4, 8, 9, 1, 5, 6, 10, 2, 3, 7, 11]: Slonimsky, Nicholas: No. 1269a Quadritonal Arpeggios (Division of Twelve Tones into Four Mutually Exclusive Triads); Slonimsky, Nicholas: No. 753 Interpolation of Two Notes (Sesquiquadritone Progression; Equal Division of Three Octaves into Four Parts)
<li>[0, 8, 4, 1, 9, 5, 2, 10, 6, 3, 11, 7]: Slonimsky, Nicholas: No. 1271b Quadritonal Arpeggios (Division of Twelve Tones into Four Mutually Exclusive Triads); Wolpe, Stefan: Four Studies on Basic Rows, No.4, "Basic Row" 8
<li>[0, 11, 1, 10, 2, 9, 6, 5, 7, 4, 8, 3]: Slonimsky, Nicholas: No. 1298a Two Major Hexachords (Miscellaneous Dodecaphonic Patterns); Slonimsky, Nicholas: No. 1300a Two Major Hexachords (Miscellaneous Dodecaphonic Patterns)
<li>[0, 3, 8, 4, 7, 5, 6, 9, 2, 10, 1, 11]: Slonimsky, Nicholas: No. 1298b Two Major Hexachords (Miscellaneous Dodecaphonic Patterns); Slonimsky, Nicholas: No. 1300b Two Major Hexachords (Miscellaneous Dodecaphonic Patterns)
<li>[0, 3, 9, 6, 4, 7, 1, 10, 8, 11, 5, 2]: Slonimsky, Nicholas: No. 388 Miscellaneous Patterns [Diminished Seventh Chords] (Ditone Progression; Equal Division of One Octave into Three Parts); Slonimsky, Nicholas: No. 390 Miscellaneous Patterns [Diminished Seventh Chords] (Ditone Progression; Equal Division of One Octave into Three Parts)
<li>[0, 9, 3, 6, 4, 1, 7, 10, 8, 5, 11, 2]: Slonimsky, Nicholas: No. 389 Miscellaneous Patterns [Diminished Seventh Chords] (Ditone Progression; Equal Division of One Octave into Three Parts); Slonimsky, Nicholas: No. 391 Miscellaneous Patterns [Diminished Seventh Chords] (Ditone Progression; Equal Division of One Octave into Three Parts)
<li>[0, 8, 7, 3, 11, 10, 6, 2, 1, 9, 5, 4]: Slonimsky, Nicholas: No. 410 Ultrapolation of Two Notes (Sesquitone Progression; Equal Division of One Octave into Four Parts); Slonimsky, Nicholas: No. 466 Infrapolation of Two Notes (Sesquitone Progression; Equal Division of One Octave into Four Parts)
<li>[0, 10, 5, 3, 1, 8, 6, 4, 11, 9, 7, 2]: Slonimsky, Nicholas: No. 415 Ultrapolation of Two Notes (Sesquitone Progression; Equal Division of One Octave into Four Parts); Slonimsky, Nicholas: No. 505 Infra-Ultrapolation (Sesquitone Progression; Equal Division of One Octave into Four Parts)
<li>[0, 11, 4, 3, 2, 7, 6, 5, 10, 9, 8, 1]: Slonimsky, Nicholas: No. 417 Ultrapolation of Two Notes (Sesquitone Progression; Equal Division of One Octave into Four Parts); Slonimsky, Nicholas: No. 500 Infra-Ultrapolation (Sesquitone Progression; Equal Division of One Octave into Four Parts)
<li>[0, 11, 7, 3, 2, 10, 6, 5, 1, 9, 8, 4]: Slonimsky, Nicholas: No. 420 Ultrapolation of Two Notes (Sesquitone Progression; Equal Division of One Octave into Four Parts); Slonimsky, Nicholas: No. 456 Infrapolation of Two Notes (Sesquitone Progression; Equal Division of One Octave into Four Parts); Slonimsky, Nicholas: No. 503 Infra-Ultrapolation (Sesquitone Progression; Equal Division of One Octave into Four Parts)
<li>[0, 10, 8, 3, 1, 11, 6, 4, 2, 9, 7, 5]: Slonimsky, Nicholas: No. 459 Infrapolation of Two Notes (Sesquitone Progression; Equal Division of One Octave into Four Parts); Slonimsky, Nicholas: No. 508 Infra-Ultrapolation (Sesquitone Progression; Equal Division of One Octave into Four Parts)
<li>[0, 6, 7, 8, 9, 10, 11, 5, 4, 3, 2, 1]: Slonimsky, Nicholas: No. 643 Permutations (Semitone Progression; Equal Division of One Octave into Twelve Parts); Slonimsky, Nicholas: No. 644 Permutations (Semitone Progression; Equal Division of One Octave into Twelve Parts)
<li>[0, 2, 7, 9, 11, 4, 6, 8, 1, 3, 5, 10]: Slonimsky, Nicholas: No. 749 Interpolation of Two Notes (Sesquiquadritone Progression; Equal Division of Three Octaves into Four Parts); Slonimsky, Nicholas: No. 799 Infra-Infrapolation (Sesquiquadritone Progression; Equal Division of Three Octaves into Four Parts)
<li>[0, 8, 1, 11, 10, 7, 5, 9, 4, 6, 3, 2]: Stockhausen, Karlheinz: Klavierstück "V.5 or Pre-VI" (row of original 1954 version); Stockhausen, Karlheinz: Klavierstück VIII
<li>[0, 11, 3, 2, 9, 1, 7, 8, 4, 10, 5, 6]: Zappa, Frank: Brown Shoes Don't Make It; Zappa, Frank: Waltz
</ol>
</div>
<div>
<h2>All-Interval</h2>
All-interval rows go through all 11 different intervals (1, 2, 3, ... 11) between neighbouring pitches in the row.
<ol>
<li>Babbitt, Milton: Du, row i, [0, 9, 2, 10, 11, 1, 7, 5, 4, 8, 3, 6]
<li>Babbitt, Milton: Du, row ii, [0, 5, 2, 10, 9, 7, 1, 3, 4, 8, 11, 6]
<li>Babbitt, Milton: Partitions, [0, 7, 9, 10, 2, 11, 5, 8, 4, 3, 1, 6]
<li>Babbitt, Milton: Semi-simple variations, [0, 8, 1, 10, 9, 11, 5, 3, 4, 7, 2, 6]
<li>Babbitt, Milton: Sounds and Words, [0, 9, 2, 4, 8, 3, 11, 10, 1, 7, 5, 6]
<li>Babbitt, Milton: String Quartet, No.2, [0, 3, 11, 4, 1, 2, 8, 10, 5, 9, 7, 6]
<li>Babbitt, Milton: The Widow's Lament in Springtime, [0, 11, 9, 2, 10, 7, 1, 4, 8, 3, 5, 6]
<li>Babbitt, Milton: Three Compositions for Piano, No.1, [0, 5, 7, 4, 2, 3, 9, 1, 8, 11, 10, 6]
<li>Berg, Alban: Lyric Suite, Primary Row / mvt I, [0, 11, 7, 4, 2, 9, 3, 8, 10, 1, 5, 6]
<li>Berg, Alban: Schliesse mir die Augen Beide, [0, 11, 7, 4, 2, 9, 3, 8, 10, 1, 5, 6]
<li>Carter, Elliott: A Symphony of Three Orchestras, [0, 8, 7, 10, 4, 5, 2, 9, 11, 3, 1, 6]
<li>Carter, Elliott: Caténaires, [0, 8, 5, 3, 7, 9, 10, 4, 11, 2, 1, 6]
<li>Carter, Elliott: Night Fantasies, [0, 10, 3, 11, 8, 7, 1, 2, 5, 9, 4, 6]
<li>Carter, Elliott: String Quartet, No.3, [0, 11, 2, 9, 5, 3, 4, 8, 10, 7, 1, 6]
<li>Dallapiccola, Luigi: Piccola musica notturna, [0, 9, 1, 3, 4, 11, 2, 8, 7, 5, 10, 6]
<li>Fine, Vivian: Chaconne for piano, [0, 11, 1, 10, 2, 9, 3, 8, 4, 7, 5, 6]
<li>Gielen, Michael: Six Songs, for bass, violin, viola, clarinet, bass clarinet, and piano, [0, 5, 1, 4, 2, 3, 9, 8, 10, 7, 11, 6]
<li>Ginastera, Alberto: Quintet, Op.29, Row Class VII S, [0, 11, 1, 10, 2, 9, 3, 8, 4, 7, 5, 6]
<li>Ginastera, Alberto: Sonata for Guitar, Op.47, mvts II and III, Row Class III, [0, 11, 7, 4, 2, 9, 3, 8, 10, 1, 5, 6]
<li>Klein, Fritz: Die Maschine: Eine extonale Selbstsatire, Op.1, [0, 11, 7, 4, 2, 9, 3, 8, 10, 1, 5, 6]
<li>Klein, Fritz Heinrich: Variationen, Op.14, [0, 11, 7, 4, 2, 9, 3, 8, 10, 1, 5, 6]
<li>Krenek, Ernst: Quaestio temporis, Op.170, [0, 3, 11, 4, 2, 1, 7, 8, 10, 5, 9, 6]
<li>Krenek, Ernst: Studies in Counterpoint (ii), [0, 3, 10, 4, 9, 11, 8, 7, 5, 1, 2, 6]
<li>Krenek, Ernst: Symeon, der Stylit, [0, 3, 10, 4, 9, 11, 8, 7, 5, 1, 2, 6]
<li>Krenek, Ernst: Symphonic Piece for string Orchestra, Op.86, [0, 3, 4, 10, 2, 9, 11, 8, 7, 5, 1, 6]
<li>Krenek, Ernst: Zwölf Variationen in Drei Sätzen, Op.79, [0, 1, 3, 10, 2, 5, 11, 7, 4, 9, 8, 6]
<li>Lackner, Peter: 'Flügelaltar' für Klavier, [0, 9, 11, 10, 2, 7, 1, 8, 4, 5, 3, 6]
<li>Lang, Bernhard: Der Reigen, [0, 5, 1, 4, 2, 3, 9, 8, 10, 7, 11, 6]
<li>Lang, Bernhard: Monadologie XIII a; 'The Saucy Maid', [0, 1, 5, 2, 4, 9, 3, 10, 8, 11, 7, 6]
<li>Lang, Klaus: 'Von der Ligurischen Küste zum Trasimenischen See'; Trauermusik für Violine und Klavier, [0, 5, 9, 8, 10, 7, 1, 4, 2, 3, 11, 6]
<li>Luo, Zhong-Rong: Chang'e, [0, 7, 5, 2, 10, 9, 3, 4, 8, 11, 1, 6]
<li>Messiaen, Olivier: Livre d'orgue, [0, 1, 11, 2, 10, 3, 9, 4, 8, 5, 7, 6]
<li>Morris, Robert: Knot Lilacs, [0, 1, 4, 2, 9, 5, 11, 3, 8, 10, 7, 6]
<li>Morris, Robert: Not Lilacs, [0, 1, 4, 2, 9, 5, 11, 3, 8, 10, 7, 6]
<li>Morris, Robert: Roundelay, row 5, [0, 3, 11, 4, 1, 2, 8, 10, 5, 9, 7, 6]
<li>Nono, Luigi: Canti per tredeci, [0, 1, 11, 2, 10, 3, 9, 4, 8, 5, 7, 6]
<li>Nono, Luigi: Cori di Didone, [0, 1, 11, 2, 10, 3, 9, 4, 8, 5, 7, 6]
<li>Nono, Luigi: Il canto sospeso, [0, 1, 11, 2, 10, 3, 9, 4, 8, 5, 7, 6]
<li>Nono, Luigi: La terra e la compagna (sketch), Series 1, [0, 1, 11, 2, 10, 3, 9, 4, 8, 5, 7, 6]
<li>Schnittke, Alfred: String Quartet, No.1, [0, 2, 1, 10, 3, 11, 5, 9, 4, 7, 8, 6]
<li>Slonimsky, Nicholas: No. 1232a (Twelve-Tone Spirals), [0, 11, 1, 10, 2, 9, 3, 8, 4, 7, 5, 6]
<li>Slonimsky, Nicholas: No. 1233a (Twelve-Tone Spirals), [0, 11, 1, 10, 2, 9, 3, 8, 4, 7, 5, 6]
<li>Slonimsky, Nicholas: No. 1234a (Twelve-Tone Spirals), [0, 11, 1, 10, 2, 9, 3, 8, 4, 7, 5, 6]
<li>Slonimsky, Nicholas: No. 1235a (Twelve-Tone Spirals), [0, 11, 1, 10, 2, 9, 3, 8, 4, 7, 5, 6]
<li>Slonimsky, Nicholas: No. 1245a Crossing Fifths (Crossing Intervals), [0, 5, 7, 10, 2, 3, 9, 8, 4, 1, 11, 6]
<li>Slonimsky, Nicholas: No. 1246a Crossing Fourths (Crossing Intervals), [0, 7, 5, 2, 10, 9, 3, 4, 8, 11, 1, 6]
<li>Slonimsky, Nicholas: No. 1301 Invertible Dodecaphonic Progressions - With all Different Intervals, [0, 1, 4, 8, 3, 5, 11, 9, 2, 10, 7, 6]
<li>Slonimsky, Nicholas: No. 1302 Invertible Dodecaphonic Progressions - With all Different Intervals, [0, 1, 4, 2, 9, 5, 11, 3, 8, 10, 7, 6]
<li>Slonimsky, Nicholas: No. 1303 Invertible Dodecaphonic Progressions - With all Different Intervals, [0, 2, 3, 7, 10, 5, 11, 4, 1, 9, 8, 6]
<li>Slonimsky, Nicholas: No. 1304 Invertible Dodecaphonic Progressions - With all Different Intervals. (On a Minor Triad), [0, 3, 7, 8, 10, 5, 11, 4, 2, 1, 9, 6]
<li>Slonimsky, Nicholas: No. 1305 Invertible Dodecaphonic Progressions - With all Different Intervals. (On a Major Sixth-Chord), [0, 3, 8, 10, 11, 7, 1, 5, 4, 2, 9, 6]
<li>Slonimsky, Nicholas: No. 1306 Invertible Dodecaphonic Progressions - With all Different Intervals. (On a Major Triad), [0, 4, 7, 8, 3, 5, 11, 9, 2, 1, 10, 6]
<li>Slonimsky, Nicholas: No. 1307 Invertible Dodecaphonic Progressions - With all Different Intervals. (On a Minor Sixth-Chord), [0, 4, 9, 8, 11, 1, 7, 5, 2, 3, 10, 6]
<li>Slonimsky, Nicholas: No. 1308 Invertible Dodecaphonic Progressions - With all Different Intervals. (On a Minor Six-Four Chord), [0, 5, 8, 10, 9, 1, 7, 3, 4, 2, 11, 6]
<li>Slonimsky, Nicholas: No. 1309 Invertible Dodecaphonic Progressions - With all Different Intervals. (On a Major Six-Four Chord), [0, 5, 9, 8, 10, 1, 7, 4, 2, 3, 11, 6]
<li>Slonimsky, Nicholas: No. 1310 Invertible Dodecaphonic Progressions - With all Different Intervals, [0, 5, 1, 4, 2, 3, 9, 8, 10, 7, 11, 6]
<li>Slonimsky, Nicholas: No. 1311 Invertible Dodecaphonic Progressions - With all Different Intervals, [0, 7, 9, 10, 2, 5, 11, 8, 4, 3, 1, 6]
<li>Slonimsky, Nicholas: No. 1312 Invertible Dodecaphonic Progressions - With all Different Intervals, [0, 7, 10, 2, 3, 5, 11, 9, 8, 4, 1, 6]
<li>Slonimsky, Nicholas: No. 1313 Invertible Dodecaphonic Progressions - With all Different Intervals, [0, 7, 11, 2, 4, 3, 9, 10, 8, 5, 1, 6]
<li>Slonimsky, Nicholas: No. 1314 Invertible Dodecaphonic Progressions - With all Different Intervals. (White-Key Row of Six Notes), [0, 2, 7, 4, 5, 9, 3, 11, 10, 1, 8, 6]
<li>Slonimsky, Nicholas: No. 1315 Invertible Dodecaphonic Progressions - With all Different Intervals. (White-Key Row of Six Notes), [0, 4, 5, 2, 7, 9, 3, 1, 8, 11, 10, 6]
<li>Slonimsky, Nicholas: No. 1317 Invertible Dodecaphonic Progressions - With all Different Intervals. (Mother Chord), [0, 11, 7, 4, 2, 9, 3, 8, 10, 1, 5, 6]
<li>Slonimsky, Nicholas: No. 1318 Invertible Dodecaphonic Progressions - With all Different Intervals. (Grandmother Chord), [0, 11, 1, 10, 2, 9, 3, 8, 4, 7, 5, 6]
<li>Stockhausen, Karlheinz: Gruppen, [0, 8, 1, 10, 9, 11, 5, 3, 4, 7, 2, 6]
<li>Stockhausen, Karlheinz: Klavierstück IX, [0, 8, 1, 10, 9, 11, 5, 3, 4, 7, 2, 6]
<li>Stockhausen, Karlheinz: Klavierstück VII, [0, 8, 1, 10, 9, 11, 5, 3, 4, 7, 2, 6]
<li>Stockhausen, Karlheinz: Klavierstück X, [0, 8, 1, 10, 9, 11, 5, 3, 4, 7, 2, 6]
<li>Wuorinen, Charles: Third Piano Sonata, [0, 7, 5, 2, 10, 9, 3, 4, 8, 11, 1, 6]
<li>Zimmermann, Bernd Alois: 'Ich wandte mich um und sah alles Unrecht das geschah unter der Sonne', [0, 1, 11, 2, 10, 3, 9, 4, 8, 5, 7, 6]
</ol>
</div>
<div>
<h2>Self Retrograde</h2>
We turn now to classes of row symmetry, beginning with self retrograde rows for which the prime form is transposition-equivalent to its retrograde. The section after this one deals with retrograde inversion symmetry, and rotational symmetry is included as part of the following sections on derived rows (starting with "6x Same Dyad").
<ol>
<li>Babbitt, Milton: Composition for Four Instruments, [0, 3, 11, 2, 10, 1, 7, 4, 8, 5, 9, 6]
<li>Babbitt, Milton: Composition for Four Instruments, row i, [0, 10, 9, 8, 7, 5, 11, 1, 2, 3, 4, 6]
<li>Babbitt, Milton: Composition for Four Instruments, row ii, [0, 9, 11, 2, 4, 1, 7, 10, 8, 5, 3, 6]
<li>Babbitt, Milton: Composition for Four Instruments, row iii, [0, 4, 3, 8, 7, 11, 5, 1, 2, 9, 10, 6]
<li>Babbitt, Milton: Composition for Four Instruments, row iv, [0, 4, 1, 8, 5, 9, 3, 11, 2, 7, 10, 6]
<li>Babbitt, Milton: Du, row i, [0, 9, 2, 10, 11, 1, 7, 5, 4, 8, 3, 6]
<li>Babbitt, Milton: Du, row ii, [0, 5, 2, 10, 9, 7, 1, 3, 4, 8, 11, 6]
<li>Babbitt, Milton: Partitions, [0, 7, 9, 10, 2, 11, 5, 8, 4, 3, 1, 6]
<li>Babbitt, Milton: Semi-simple variations, [0, 8, 1, 10, 9, 11, 5, 3, 4, 7, 2, 6]
<li>Babbitt, Milton: The Widow's Lament in Springtime, [0, 11, 9, 2, 10, 7, 1, 4, 8, 3, 5, 6]
<li>Barber, Samuel: Piano Sonata, Op.26, [0, 8, 4, 11, 3, 7, 1, 9, 5, 10, 2, 6]
<li>Berg, Alban: Lyric Suite, Primary Row / mvt I, [0, 11, 7, 4, 2, 9, 3, 8, 10, 1, 5, 6]
<li>Berg, Alban: Schliesse mir die Augen Beide, [0, 11, 7, 4, 2, 9, 3, 8, 10, 1, 5, 6]
<li>Carter, Elliott: Night Fantasies, [0, 10, 3, 11, 8, 7, 1, 2, 5, 9, 4, 6]
<li>Fine, Vivian: Chaconne for piano, [0, 11, 1, 10, 2, 9, 3, 8, 4, 7, 5, 6]
<li>Gielen, Michael: Six Songs, for bass, violin, viola, clarinet, bass clarinet, and piano, [0, 5, 1, 4, 2, 3, 9, 8, 10, 7, 11, 6]
<li>Ginastera, Alberto: Quintet, Op.29, Row Class VII S, [0, 11, 1, 10, 2, 9, 3, 8, 4, 7, 5, 6]
<li>Ginastera, Alberto: Sonata for Guitar, Op.47, mvts II and III, Row Class III, [0, 11, 7, 4, 2, 9, 3, 8, 10, 1, 5, 6]
<li>Ginastera, Alberto: Sonata for Guitar, Op.47, mvts II and III, Row Class II 6, [0, 11, 4, 3, 8, 7, 1, 2, 9, 10, 5, 6]
<li>Hendler, Maximilian: 'Die vollständige Ordnung der symmetrischen zwölftönigen Modi', No.1, [0, 1, 2, 3, 4, 5, 11, 10, 9, 8, 7, 6]
<li>Jung, Joachim: , [0, 11, 3, 10, 2, 1, 7, 8, 4, 9, 5, 6]
<li>Klein, Fritz: Die Maschine: Eine extonale Selbstsatire, Op.1, [0, 11, 7, 4, 2, 9, 3, 8, 10, 1, 5, 6]
<li>Klein, Fritz Heinrich: Variationen, Op.14, [0, 11, 7, 4, 2, 9, 3, 8, 10, 1, 5, 6]
<li>Krenek, Ernst: Quaestio temporis, Op.170, [0, 3, 11, 4, 2, 1, 7, 8, 10, 5, 9, 6]
<li>Lackner, Peter: 'Flügelaltar' für Klavier, [0, 9, 11, 10, 2, 7, 1, 8, 4, 5, 3, 6]
<li>Lackner, Peter: 2. Kanonzyklus, [0, 10, 2, 7, 9, 5, 11, 3, 1, 8, 4, 6]
<li>Lackner, Peter: Kanon für Blockflötenquartett. April 2005, [0, 10, 11, 3, 1, 2, 8, 7, 9, 5, 4, 6]
<li>Lackner, Peter: Kanon für Flöte solo und N. N., [0, 3, 7, 10, 2, 5, 11, 8, 4, 1, 9, 6]
<li>Lackner, Peter: Kanon für Flöte und Elektronik. Februar 1999, [0, 10, 2, 7, 9, 5, 11, 3, 1, 8, 4, 6]
<li>Lackner, Peter: Kanon für Violine, Viola und Akkordeon. 11. Juni 2007, [0, 11, 1, 2, 3, 10, 4, 9, 8, 7, 5, 6]
<li>Lackner, Peter: Kanon für Violine solo, [0, 11, 2, 7, 10, 9, 3, 4, 1, 8, 5, 6]
<li>Lackner, Peter: Kanon für zwei Singstimmen und Ensemble zur Skulpturengruppe LEM von Axel Kirchmayr und einem Text von Hannes Waltl. September 2004, [0, 2, 9, 10, 5, 7, 1, 11, 4, 3, 8, 6]
<li>Lackner, Peter: Kanon für zwei Trompeten, Horn, Posaune und Tuba. 1. Mai 1993, [0, 1, 2, 10, 3, 5, 11, 9, 4, 8, 7, 6]
<li>Lackner, Peter: Kanon für zwei Violinen. Frühjahr 1992, [0, 2, 4, 7, 9, 11, 5, 3, 1, 10, 8, 6]
<li>Lackner, Peter: kgV (3,4) [zweistimmiger Kanon für Klavier], [0, 10, 2, 3, 5, 7, 1, 11, 9, 8, 4, 6]
<li>Lang, Bernhard: Der Reigen, [0, 5, 1, 4, 2, 3, 9, 8, 10, 7, 11, 6]
<li>Lang, Bernhard: Hemma (Music Theatre Hemma Klagenfurt 2015), [0, 5, 10, 2, 3, 1, 7, 9, 8, 4, 11, 6]
<li>Lang, Bernhard: Monadologie XIII a; 'The Saucy Maid', [0, 1, 5, 2, 4, 9, 3, 10, 8, 11, 7, 6]
<li>Lang, Klaus: 'Von der Ligurischen Küste zum Trasimenischen See'; Trauermusik für Violine und Klavier, [0, 5, 9, 8, 10, 7, 1, 4, 2, 3, 11, 6]
<li>Luo, Zhong-Rong: Chang'e, [0, 7, 5, 2, 10, 9, 3, 4, 8, 11, 1, 6]
<li>Messiaen, Olivier: Livre d'orgue, [0, 1, 11, 2, 10, 3, 9, 4, 8, 5, 7, 6]
<li>Morris, Robert: Knot Lilacs, [0, 1, 4, 2, 9, 5, 11, 3, 8, 10, 7, 6]
<li>Morris, Robert: Not Lilacs, [0, 1, 4, 2, 9, 5, 11, 3, 8, 10, 7, 6]
<li>Nono, Luigi: Canti per tredeci, [0, 1, 11, 2, 10, 3, 9, 4, 8, 5, 7, 6]
<li>Nono, Luigi: Cori di Didone, [0, 1, 11, 2, 10, 3, 9, 4, 8, 5, 7, 6]
<li>Nono, Luigi: Il canto sospeso, [0, 1, 11, 2, 10, 3, 9, 4, 8, 5, 7, 6]
<li>Nono, Luigi: La terra e la compagna (sketch), Series 1, [0, 1, 11, 2, 10, 3, 9, 4, 8, 5, 7, 6]
<li>Riegebauer, Sigrid: Toccata, [0, 3, 1, 2, 11, 10, 4, 5, 8, 7, 9, 6]
<li>Schnittke, Alfred: Concerto Grosso, No.3, monogram 3, [0, 11, 2, 1, 3, 4, 10, 9, 7, 8, 5, 6]
<li>Schnittke, Alfred: Sonata, No.2 for Cello and Piano, mvt 2, [0, 2, 3, 1, 4, 5, 11, 10, 7, 9, 8, 6]
<li>Schnittke, Alfred: String Quartet, No.1, [0, 2, 1, 10, 3, 11, 5, 9, 4, 7, 8, 6]
<li>Schwantner, Joseph: In Aeternum (Derived Row), [0, 3, 11, 2, 10, 1, 7, 4, 8, 5, 9, 6]
<li>Seiber, Mátyás: String Quartet, No.2, [0, 2, 3, 1, 4, 11, 5, 10, 7, 9, 8, 6]
<li>Slonimsky, Nicholas: No. 1215a Fourths (Twelve-Tone Patterns), [0, 5, 10, 3, 8, 1, 7, 2, 9, 4, 11, 6]
<li>Slonimsky, Nicholas: No. 1229a Major Sevenths (Twelve-Tone Patterns), [0, 11, 10, 9, 8, 7, 1, 2, 3, 4, 5, 6]
<li>Slonimsky, Nicholas: No. 1231a Major Sevenths (Twelve-Tone Patterns), [0, 11, 4, 3, 8, 7, 1, 2, 9, 10, 5, 6]
<li>Slonimsky, Nicholas: No. 1232a (Twelve-Tone Spirals), [0, 11, 1, 10, 2, 9, 3, 8, 4, 7, 5, 6]
<li>Slonimsky, Nicholas: No. 1233a (Twelve-Tone Spirals), [0, 11, 1, 10, 2, 9, 3, 8, 4, 7, 5, 6]
<li>Slonimsky, Nicholas: No. 1234a (Twelve-Tone Spirals), [0, 11, 1, 10, 2, 9, 3, 8, 4, 7, 5, 6]
<li>Slonimsky, Nicholas: No. 1235a (Twelve-Tone Spirals), [0, 11, 1, 10, 2, 9, 3, 8, 4, 7, 5, 6]
<li>Slonimsky, Nicholas: No. 1242a Mutually Exclusive Diminished-Seventh Chords (Twelve-Tone Spirals), [0, 8, 4, 11, 3, 7, 1, 9, 5, 10, 2, 6]
<li>Slonimsky, Nicholas: No. 1245a Crossing Fifths (Crossing Intervals), [0, 5, 7, 10, 2, 3, 9, 8, 4, 1, 11, 6]
<li>Slonimsky, Nicholas: No. 1246a Crossing Fourths (Crossing Intervals), [0, 7, 5, 2, 10, 9, 3, 4, 8, 11, 1, 6]
<li>Slonimsky, Nicholas: No. 1301 Invertible Dodecaphonic Progressions - With all Different Intervals, [0, 1, 4, 8, 3, 5, 11, 9, 2, 10, 7, 6]
<li>Slonimsky, Nicholas: No. 1302 Invertible Dodecaphonic Progressions - With all Different Intervals, [0, 1, 4, 2, 9, 5, 11, 3, 8, 10, 7, 6]
<li>Slonimsky, Nicholas: No. 1303 Invertible Dodecaphonic Progressions - With all Different Intervals, [0, 2, 3, 7, 10, 5, 11, 4, 1, 9, 8, 6]
<li>Slonimsky, Nicholas: No. 1304 Invertible Dodecaphonic Progressions - With all Different Intervals. (On a Minor Triad), [0, 3, 7, 8, 10, 5, 11, 4, 2, 1, 9, 6]
<li>Slonimsky, Nicholas: No. 1305 Invertible Dodecaphonic Progressions - With all Different Intervals. (On a Major Sixth-Chord), [0, 3, 8, 10, 11, 7, 1, 5, 4, 2, 9, 6]
<li>Slonimsky, Nicholas: No. 1306 Invertible Dodecaphonic Progressions - With all Different Intervals. (On a Major Triad), [0, 4, 7, 8, 3, 5, 11, 9, 2, 1, 10, 6]
<li>Slonimsky, Nicholas: No. 1307 Invertible Dodecaphonic Progressions - With all Different Intervals. (On a Minor Sixth-Chord), [0, 4, 9, 8, 11, 1, 7, 5, 2, 3, 10, 6]
<li>Slonimsky, Nicholas: No. 1308 Invertible Dodecaphonic Progressions - With all Different Intervals. (On a Minor Six-Four Chord), [0, 5, 8, 10, 9, 1, 7, 3, 4, 2, 11, 6]
<li>Slonimsky, Nicholas: No. 1309 Invertible Dodecaphonic Progressions - With all Different Intervals. (On a Major Six-Four Chord), [0, 5, 9, 8, 10, 1, 7, 4, 2, 3, 11, 6]
<li>Slonimsky, Nicholas: No. 1310 Invertible Dodecaphonic Progressions - With all Different Intervals, [0, 5, 1, 4, 2, 3, 9, 8, 10, 7, 11, 6]
<li>Slonimsky, Nicholas: No. 1311 Invertible Dodecaphonic Progressions - With all Different Intervals, [0, 7, 9, 10, 2, 5, 11, 8, 4, 3, 1, 6]
<li>Slonimsky, Nicholas: No. 1312 Invertible Dodecaphonic Progressions - With all Different Intervals, [0, 7, 10, 2, 3, 5, 11, 9, 8, 4, 1, 6]
<li>Slonimsky, Nicholas: No. 1313 Invertible Dodecaphonic Progressions - With all Different Intervals, [0, 7, 11, 2, 4, 3, 9, 10, 8, 5, 1, 6]
<li>Slonimsky, Nicholas: No. 1314 Invertible Dodecaphonic Progressions - With all Different Intervals. (White-Key Row of Six Notes), [0, 2, 7, 4, 5, 9, 3, 11, 10, 1, 8, 6]
<li>Slonimsky, Nicholas: No. 1315 Invertible Dodecaphonic Progressions - With all Different Intervals. (White-Key Row of Six Notes), [0, 4, 5, 2, 7, 9, 3, 1, 8, 11, 10, 6]
<li>Slonimsky, Nicholas: No. 1316 Invertible Dodecaphonic Progressions - With all Different Intervals. (White-Key Row of Six Notes), [0, 7, 4, 5, 9, 2, 8, 3, 11, 10, 1, 6]
<li>Slonimsky, Nicholas: No. 1317 Invertible Dodecaphonic Progressions - With all Different Intervals. (Mother Chord), [0, 11, 7, 4, 2, 9, 3, 8, 10, 1, 5, 6]
<li>Slonimsky, Nicholas: No. 1318 Invertible Dodecaphonic Progressions - With all Different Intervals. (Grandmother Chord), [0, 11, 1, 10, 2, 9, 3, 8, 4, 7, 5, 6]
<li>Slonimsky, Nicholas: No. 642 Permutations (Semitone Progression; Equal Division of One Octave into Twelve Parts), [0, 1, 2, 3, 4, 5, 11, 10, 9, 8, 7, 6]
<li>Spinner, Leopold: Ich lieb' eine Blume for Four-part mixed Choir, [0, 11, 2, 4, 9, 7, 1, 3, 10, 8, 5, 6]
<li>Spinner, Leopold: Sonata for Clarinet and Piano, Op.17, [0, 3, 4, 1, 2, 5, 11, 8, 7, 10, 9, 6]
<li>Spinner, Leopold: Sonatina for Cello and Piano, Op.26, [0, 1, 11, 2, 4, 3, 9, 10, 8, 5, 7, 6]
<li>Spinner, Leopold: Sonatina for Wind Instruments, Op.23, [0, 9, 1, 5, 4, 2, 8, 10, 11, 7, 3, 6]
<li>Stockhausen, Karlheinz: Gruppen, [0, 8, 1, 10, 9, 11, 5, 3, 4, 7, 2, 6]
<li>Stockhausen, Karlheinz: Klavierstück IX, [0, 8, 1, 10, 9, 11, 5, 3, 4, 7, 2, 6]
<li>Stockhausen, Karlheinz: Klavierstück VII, [0, 8, 1, 10, 9, 11, 5, 3, 4, 7, 2, 6]
<li>Stockhausen, Karlheinz: Klavierstück X, [0, 8, 1, 10, 9, 11, 5, 3, 4, 7, 2, 6]
<li>Webern, Anton: Symphony, Op.21, [0, 3, 2, 1, 5, 4, 10, 11, 7, 8, 9, 6]
<li>Wuorinen, Charles: Third Piano Sonata, [0, 7, 5, 2, 10, 9, 3, 4, 8, 11, 1, 6]
<li>Zimmermann, Bernd Alois: 'Ich wandte mich um und sah alles Unrecht das geschah unter der Sonne', [0, 1, 11, 2, 10, 3, 9, 4, 8, 5, 7, 6]
</ol>
</div>
<div>
<h2>Self Retrograde Inversion</h2>
These rows have a palindromic interval succession meaning that the prime is transposition-equivalent to its retrograde-inversion.
<ol>
<li>Bach, Johann Sebastian: Chromatische Fantasie, [0, 3, 6, 9, 11, 2, 5, 8, 10, 1, 4, 7]
<li>Bartók, Béla: String Quartet, No.4, [0, 5, 6, 11, 4, 9, 10, 3, 8, 1, 2, 7]
<li>Bennett, Richard Rodney: Five Studies for Piano, [0, 3, 5, 6, 11, 9, 4, 2, 7, 8, 10, 1]
<li>Berg, Alban: Lyric Suite, mvt I, [0, 2, 4, 5, 7, 9, 6, 8, 10, 11, 1, 3]
<li>Berg, Alban: Lyric Suite, mvt VI, [0, 2, 4, 7, 9, 11, 6, 8, 10, 1, 3, 5]
<li>Berger, Arthur: Chamber Music for Thirteen Players, [0, 1, 11, 7, 10, 9, 6, 5, 8, 4, 2, 3]
<li>Boulez, Pierre: Le Marteau sans Maître, cycle of Bourreaux de solitude, [0, 1, 2, 3, 4, 5, 6, 7, 8, 9, 10, 11]
<li>Britten, Benjamin: The Turn of the Screw, [0, 5, 2, 7, 4, 9, 6, 11, 8, 1, 10, 3]
<li>Carter, Elliott: String Quartet, No.2 (sketch) 1, [0, 4, 8, 3, 7, 11, 6, 10, 2, 9, 1, 5]
<li>Carter, Elliott: String Quartet, No.2 (sketch) 2, [0, 8, 4, 3, 11, 7, 6, 2, 10, 9, 5, 1]
<li>Carter, Elliott: String Quartet, No.2 (sketch) 3, [0, 2, 4, 6, 8, 10, 1, 3, 5, 7, 9, 11]
<li>Dallapiccola, Luigi: Cinque canti, [0, 11, 5, 8, 6, 2, 7, 3, 1, 4, 10, 9]
<li>Dallapiccola, Luigi: Dialoghi, [0, 1, 10, 2, 6, 4, 5, 3, 7, 11, 8, 9]
<li>Dallapiccola, Luigi: Requiescant (alternative view), [0, 2, 1, 7, 11, 8, 9, 6, 10, 4, 3, 5]
<li>Dallapiccola, Luigi: Ulisse [opera], [0, 2, 1, 3, 9, 8, 11, 10, 4, 6, 5, 7]
<li>Denisov, Edison: Concerto for Guitar and Orchestra, Row 1, [0, 6, 10, 4, 8, 2, 3, 9, 1, 7, 11, 5]
<li>Denisov, Edison: Octet for Winds, mvt 2, row B, [0, 6, 11, 5, 4, 10, 9, 3, 2, 8, 1, 7]
<li>Eisler, Hanns: Der Zweck der Musik, [0, 2, 4, 5, 7, 9, 6, 8, 10, 11, 1, 3]
<li>Eisler, Hanns: Praeludium und Fuge über B-A-C-H for String Trio, Op.46, [0, 11, 2, 1, 4, 3, 6, 5, 8, 7, 10, 9]
<li>Fano, Michel: Sonata for Two Pianos, [0, 6, 10, 7, 9, 8, 3, 2, 4, 1, 5, 11]
<li>Finney, Ross Lee: Sonata Quasi una Fantasia, [0, 1, 3, 2, 4, 5, 6, 7, 9, 8, 10, 11]
<li>Ginastera, Alberto: Don Rodrigo, Op.31, Row Class 4, [0, 9, 10, 11, 6, 5, 8, 7, 2, 3, 4, 1]
<li>Ginastera, Alberto: Quintet, Op.29, Row Class III 1, [0, 11, 1, 8, 2, 7, 10, 3, 9, 4, 6, 5]
<li>Ginastera, Alberto: Sonata for Guitar, Op.47, mvts II and III, Row Class III S, [0, 6, 11, 5, 8, 2, 7, 1, 4, 10, 3, 9]
<li>Ginastera, Alberto: Sonata for Guitar, Op.47, mvts II and III, Row Class II 1, [0, 11, 10, 9, 8, 7, 6, 5, 4, 3, 2, 1]
<li>Ginastera, Alberto: Sonata for Guitar, Op.47, mvts II and III, Row Class II 2, [0, 3, 6, 9, 2, 5, 8, 11, 4, 7, 10, 1]
<li>Ginastera, Alberto: Sonata for Guitar, Op.47, mvts II and III, Row Class II 4, [0, 2, 1, 5, 3, 4, 7, 8, 6, 10, 9, 11]
<li>Hartmann, Karl Amadeus: Symphony, No.4, [0, 1, 3, 2, 11, 4, 5, 10, 7, 6, 8, 9]
<li>Krenek, Ernst: Lamentatio Jeremiae Prophetae, Op.93, row 3, [0, 1, 4, 6, 8, 10, 5, 7, 9, 11, 2, 3]
<li>Krenek, Ernst: Lamentatio Jeremiae Prophetae, Op.93, row 6, [0, 2, 4, 6, 7, 10, 5, 8, 9, 11, 1, 3]
<li>Krenek, Ernst: Symphonic Elegy for String Orchestra, Op.105, [0, 1, 9, 11, 10, 2, 3, 7, 6, 8, 4, 5]
<li>Lackner, Peter: 'Euphorbia obesa'. Kanon für Oboe, Englischhorn und Fagott., [0, 10, 2, 6, 8, 4, 1, 9, 11, 3, 7, 5]
<li>Lackner, Peter: INITIUM TRIPLEX. 28. Juni 2016; für drei Tasteninstrumente, [0, 1, 2, 3, 4, 5, 6, 7, 8, 9, 10, 11]
<li>Lackner, Peter: KANON für A, O & Gsellmanns Weltmaschine. 8. Oktober 1958,2008, [0, 8, 10, 4, 2, 6, 9, 1, 11, 5, 7, 3]
<li>Lackner, Peter: Kanon T2 à 6, [0, 5, 2, 7, 4, 9, 6, 11, 8, 1, 10, 3]
<li>Lackner, Peter: Kanon für Klavier. 15. Juni 1992, [0, 10, 3, 8, 6, 5, 2, 1, 11, 4, 9, 7]
<li>Lackner, Peter: Kanon für Schwegel, diatonisches Hackbrett und Violine, [0, 8, 4, 10, 6, 2, 5, 1, 9, 3, 11, 7]
<li>Lackner, Peter: Kanon für Streichquartett. 22.September 2003, [0, 8, 10, 4, 2, 6, 9, 1, 11, 5, 7, 3]
<li>Lackner, Peter: Kanon für drei Klaviere. 28. 6. 2016, [0, 1, 2, 3, 4, 5, 6, 7, 8, 9, 10, 11]
<li>Lackner, Peter: Kanon für zwei Gitarren. September 2001, [0, 5, 3, 9, 11, 6, 7, 2, 4, 10, 8, 1]
<li>Lackner, Peter: Kanon für zwei Violinen und Klavier. 1. Dezember 2004, [0, 10, 2, 6, 8, 4, 1, 9, 11, 3, 7, 5]
<li>Lackner, Peter: TACET (drittes Lied aus dem Zyklus 'Wilde Erdbeeren'), [0, 2, 9, 5, 8, 11, 4, 7, 10, 6, 1, 3]
<li>Leibowitz, René: Trois pièces pour piano, Op.19, [0, 4, 3, 1, 2, 5, 6, 9, 10, 8, 7, 11]
<li>Ligeti, György: Le Grand Macabre, [0, 6, 5, 11, 10, 4, 9, 3, 2, 8, 7, 1]
<li>Liszt, Franz: Eine Faust Symphonie, [0, 4, 8, 11, 3, 7, 10, 2, 6, 9, 1, 5]
<li>Luo, Zhong-Rong: String Quartet, No.2, [0, 3, 5, 10, 6, 8, 11, 1, 9, 2, 4, 7]
<li>Lutosławski, Witold: Musique Funébre (Funeral Music), [0, 6, 5, 11, 10, 4, 3, 9, 8, 2, 1, 7]
<li>Maderna, Bruno: Improvvisazione N. 1, [0, 11, 4, 8, 3, 2, 7, 6, 1, 5, 10, 9]
<li>Nono, Luigi: Ha venido, [0, 6, 1, 7, 2, 8, 3, 9, 4, 10, 5, 11]
<li>Nono, Luigi: Intolleranza, Alto, [0, 6, 7, 1, 2, 8, 9, 3, 4, 10, 11, 5]
<li>Nono, Luigi: Intolleranza, Baritone, [0, 2, 7, 9, 4, 6, 11, 1, 8, 10, 3, 5]
<li>Nono, Luigi: Intolleranza, Tenor 1, [0, 6, 11, 5, 10, 4, 9, 3, 8, 2, 7, 1]
<li>Nono, Luigi: Sarà dolce tacere, [0, 10, 5, 3, 8, 6, 1, 11, 4, 2, 9, 7]
<li>Panufnik, Andrzej: Sinfonia di Sfere (Symphony, No.5), Chord 1, [0, 4, 8, 11, 3, 7, 10, 2, 6, 9, 1, 5]
<li>Panufnik, Andrzej: Sinfonia di Sfere (Symphony, No.5), Chord 2, [0, 3, 6, 9, 11, 2, 5, 8, 10, 1, 4, 7]
<li>Sande, Henrik: 4032 Töne für Klavier sechshändig, [0, 7, 2, 9, 4, 11, 6, 1, 8, 3, 10, 5]
<li>Schnittke, Alfred: Concerto, No.2 for Violin and Chamber Orchestra, [0, 11, 1, 2, 10, 3, 4, 9, 5, 6, 8, 7]
<li>Schnittke, Alfred: Concerto Grosso, No.3, (mvt 3, 4), row 6, [0, 11, 2, 1, 9, 10, 7, 8, 4, 3, 6, 5]
<li>Schnittke, Alfred: Concerto Grosso, No.3, monogram 1, [0, 5, 1, 4, 10, 8, 11, 9, 3, 6, 2, 7]
<li>Schnittke, Alfred: Concerto Grosso, No.3, [0, 5, 1, 4, 10, 8, 11, 9, 3, 6, 2, 7]
<li>Schnittke, Alfred: Piano Sonata, No.1, mvt 2, mm. 72-76, [0, 6, 5, 11, 10, 4, 3, 9, 8, 2, 1, 7]
<li>Schnittke, Alfred: Sonata, No.1 for Violin and Piano, mvt 1, [0, 3, 6, 10, 2, 11, 8, 5, 9, 1, 4, 7]
<li>Schnittke, Alfred: Sonata, No.2 for Cello and Piano, mvt 2, new row, [0, 3, 6, 9, 10, 1, 4, 7, 8, 11, 2, 5]
<li>Schnittke, Alfred: String Quartet, No.4, mvt 4, m.31, [0, 11, 9, 10, 8, 7, 6, 5, 3, 4, 2, 1]
<li>Schnittke, Alfred: Viola Concerto, [0, 11, 5, 2, 1, 6, 3, 8, 7, 4, 10, 9]
<li>Schoenberg, Arnold: Ode To Napoleon Buonaparte, Op.41 (view 1), [0, 11, 3, 4, 8, 7, 2, 1, 5, 6, 10, 9]
<li>Schoenberg, Arnold: Serenade, mvt 5, "Tanzscene", Op.24, [0, 1, 3, 6, 7, 9, 8, 10, 11, 2, 4, 5]
<li>Schwantner, Joseph: ...and the mountains rising nowhere, [0, 11, 8, 7, 4, 3, 2, 1, 10, 9, 6, 5]
<li>Schwantner, Joseph: Elixir (Consortium VIII), m.22, [0, 1, 4, 5, 8, 9, 6, 7, 10, 11, 2, 3]
<li>Schwantner, Joseph: Modus Caelestis (A), [0, 6, 7, 1, 11, 5, 4, 10, 8, 2, 3, 9]
<li>Schwantner, Joseph: Modus Caelestis (m. 39), [0, 6, 11, 10, 5, 9, 4, 8, 3, 2, 7, 1]
<li>Slonimsky, Nicholas: No. 1214a Thirds (Twelve-Tone Patterns), [0, 4, 8, 11, 3, 7, 6, 10, 2, 5, 9, 1]
<li>Slonimsky, Nicholas: No. 1216a Foutths (Twelve-Tone Patterns), [0, 5, 10, 3, 7, 2, 9, 4, 8, 1, 6, 11]
<li>Slonimsky, Nicholas: No. 1217a Fourths (Twelve-Tone Patterns), [0, 5, 10, 3, 11, 6, 1, 8, 4, 9, 2, 7]
<li>Slonimsky, Nicholas: No. 1218a Fourths (Twelve-Tone Patterns), [0, 5, 10, 3, 8, 1, 6, 11, 4, 9, 2, 7]
<li>Slonimsky, Nicholas: No. 1219a Fourths (Twelve-Tone Patterns), [0, 5, 2, 7, 4, 9, 6, 11, 8, 1, 10, 3]
<li>Slonimsky, Nicholas: No. 1220a Fifths (Twelve-Tone Patterns), [0, 7, 2, 9, 4, 11, 6, 1, 8, 3, 10, 5]
<li>Slonimsky, Nicholas: No. 1221a Fifths (Twelve-Tone Patterns), [0, 7, 2, 9, 4, 11, 6, 1, 8, 3, 10, 5]
<li>Slonimsky, Nicholas: No. 1222aFifths (Twelve-Tone Patterns), [0, 7, 2, 9, 4, 11, 6, 1, 8, 3, 10, 5]
<li>Slonimsky, Nicholas: No. 1224a Sixths (Twelve-Tone Patterns), [0, 9, 6, 3, 7, 10, 1, 4, 8, 5, 2, 11]
<li>Slonimsky, Nicholas: No. 1254a Quadritonal Arpeggios (Division of Twelve Tones into Four Mutually Exclusive Triads), [0, 4, 7, 10, 2, 5, 8, 11, 3, 6, 9, 1]
<li>Slonimsky, Nicholas: No. 1255a [Slonimsky: Moto Perpetuo] Quadritonal Arpeggios (Division of Twelve Tones into Four Mutually Exclusive Triads), [0, 4, 7, 10, 1, 6, 9, 2, 5, 8, 11, 3]
<li>Slonimsky, Nicholas: No. 1258b Quadritonal Arpeggios (Division of Twelve Tones into Four Mutually Exclusive Triads), [0, 8, 5, 3, 11, 7, 2, 10, 6, 4, 1, 9]
<li>Slonimsky, Nicholas: No. 1260a Quadritonal Arpeggios (Division of Twelve Tones into Four Mutually Exclusive Triads), [0, 4, 7, 10, 2, 6, 9, 1, 5, 8, 11, 3]
<li>Slonimsky, Nicholas: No. 1265 Quadritonal Arpeggios (Division of Twelve Tones into Four Mutually Exclusive Triads), [0, 3, 6, 9, 1, 4, 7, 10, 2, 5, 8, 11]
<li>Slonimsky, Nicholas: No. 1265a Quadritonal Arpeggios (Division of Twelve Tones into Four Mutually Exclusive Triads), [0, 3, 6, 9, 1, 4, 7, 10, 2, 5, 8, 11]
<li>Slonimsky, Nicholas: No. 1266a Quadritonal Arpeggios (Division of Twelve Tones into Four Mutually Exclusive Triads), [0, 3, 6, 9, 2, 5, 8, 11, 4, 7, 10, 1]
<li>Slonimsky, Nicholas: No. 1269a Quadritonal Arpeggios (Division of Twelve Tones into Four Mutually Exclusive Triads), [0, 4, 8, 9, 1, 5, 6, 10, 2, 3, 7, 11]
<li>Slonimsky, Nicholas: No. 1269b Quadritonal Arpeggios (Division of Twelve Tones into Four Mutually Exclusive Triads), [0, 8, 4, 3, 11, 7, 6, 2, 10, 9, 5, 1]
<li>Slonimsky, Nicholas: No. 1270a Quadritonal Arpeggios (Division of Twelve Tones into Four Mutually Exclusive Triads), [0, 4, 8, 10, 2, 6, 7, 11, 3, 5, 9, 1]
<li>Slonimsky, Nicholas: No. 1270b Quadritonal Arpeggios (Division of Twelve Tones into Four Mutually Exclusive Triads), [0, 8, 4, 2, 10, 6, 3, 11, 7, 5, 1, 9]
<li>Slonimsky, Nicholas: No. 1271a Quadritonal Arpeggios (Division of Twelve Tones into Four Mutually Exclusive Triads), [0, 4, 8, 11, 3, 7, 10, 2, 6, 9, 1, 5]
<li>Slonimsky, Nicholas: No. 1271b Quadritonal Arpeggios (Division of Twelve Tones into Four Mutually Exclusive Triads), [0, 8, 4, 1, 9, 5, 2, 10, 6, 3, 11, 7]
<li>Slonimsky, Nicholas: No. 1293a Two Major Hexachords (Miscellaneous Dodecaphonic Patterns), [0, 2, 4, 5, 7, 9, 6, 8, 10, 11, 1, 3]
<li>Slonimsky, Nicholas: No. 1296a Two Major Hexachords (Miscellaneous Dodecaphonic Patterns), [0, 7, 8, 3, 4, 11, 6, 1, 2, 9, 10, 5]
<li>Slonimsky, Nicholas: No. 230 Ultrapolation of Three Notes (Ditone Progression; Equal Division of One Octave into Three Parts), [0, 6, 5, 11, 4, 10, 9, 3, 8, 2, 1, 7]
<li>Slonimsky, Nicholas: No. 258 Infrapolation of Three Notes (Ditone Progression; Equal Division of One Octave into Three Parts), [0, 11, 10, 9, 4, 3, 2, 1, 8, 7, 6, 5]
<li>Slonimsky, Nicholas: No. 270 Infrapolation of Three Notes (Ditone Progression; Equal Division of One Octave into Three Parts), [0, 10, 9, 7, 4, 2, 1, 11, 8, 6, 5, 3]
<li>Slonimsky, Nicholas: No. 277 Infrapolation of Three Notes (Ditone Progression; Equal Division of One Octave into Three Parts), [0, 10, 7, 5, 4, 2, 11, 9, 8, 6, 3, 1]
<li>Slonimsky, Nicholas: No. 407 Ultrapolation of Two Notes (Sesquitone Progression; Equal Division of One Octave into Four Parts), [0, 8, 4, 3, 11, 7, 6, 2, 10, 9, 5, 1]
<li>Slonimsky, Nicholas: No. 453 Infrapolation of Two Notes (Sesquitone Progression; Equal Division of One Octave into Four Parts), [0, 11, 10, 3, 2, 1, 6, 5, 4, 9, 8, 7]
<li>Slonimsky, Nicholas: No. 459 Infrapolation of Two Notes (Sesquitone Progression; Equal Division of One Octave into Four Parts), [0, 10, 8, 3, 1, 11, 6, 4, 2, 9, 7, 5]
<li>Slonimsky, Nicholas: No. 469 Infrapolation of Two Notes (Sesquitone Progression; Equal Division of One Octave into Four Parts), [0, 8, 4, 3, 11, 7, 6, 2, 10, 9, 5, 1]
<li>Slonimsky, Nicholas: No. 496 [Shostakovitch: Prelude No, 2] Inter-Ultrapolation (Sesquitone Progression; Equal Division of One Octave into Four Parts), [0, 2, 4, 3, 5, 7, 6, 8, 10, 9, 11, 1]
<li>Slonimsky, Nicholas: No. 508 Infra-Ultrapolation (Sesquitone Progression; Equal Division of One Octave into Four Parts), [0, 10, 8, 3, 1, 11, 6, 4, 2, 9, 7, 5]
<li>Slonimsky, Nicholas: No. 512 Infra-Ultrapolation (Sesquitone Progression; Equal Division of One Octave into Four Parts), [0, 8, 4, 3, 11, 7, 6, 2, 10, 9, 5, 1]
<li>Slonimsky, Nicholas: No. 570 Ultrapolation of One Note (Whole-Tone Progression; Equal Division of One Octave into Six Parts), [0, 3, 2, 5, 4, 7, 6, 9, 8, 11, 10, 1]
<li>Slonimsky, Nicholas: No. 572 Ultrapolation of One Note (Whole-Tone Progression; Equal Division of One Octave into Six Parts), [0, 5, 2, 7, 4, 9, 6, 11, 8, 1, 10, 3]
<li>Slonimsky, Nicholas: No. 574 Ultrapolation of One Note (Whole-Tone Progression; Equal Division of One Octave into Six Parts), [0, 7, 2, 9, 4, 11, 6, 1, 8, 3, 10, 5]
<li>Slonimsky, Nicholas: No. 576 Ultrapolation of One Note (Whole-Tone Progression; Equal Division of One Octave into Six Parts), [0, 9, 2, 11, 4, 1, 6, 3, 8, 5, 10, 7]
<li>Slonimsky, Nicholas: No. 578 Ultrapolation of One Note (Whole-Tone Progression; Equal Division of One Octave into Six Parts), [0, 11, 2, 1, 4, 3, 6, 5, 8, 7, 10, 9]
<li>Slonimsky, Nicholas: No. 579 Ultrapolation of One Note (Whole-Tone Progression; Equal Division of One Octave into Six Parts), [0, 11, 2, 1, 4, 3, 6, 5, 8, 7, 10, 9]
<li>Slonimsky, Nicholas: No. 641 Permutations (Semitone Progression; Equal Division of One Octave into Twelve Parts), [0, 1, 2, 3, 7, 6, 5, 4, 8, 9, 10, 11]
<li>Slonimsky, Nicholas: No. 648-654 Permutations (Semitone Progression; Equal Division of One Octave into Twelve Parts), [0, 1, 2, 3, 4, 5, 6, 7, 8, 9, 10, 11]
<li>Slonimsky, Nicholas: No. 655-657 Permutations (Semitone Progression; Equal Division of One Octave into Twelve Parts), [0, 11, 10, 9, 8, 7, 6, 5, 4, 3, 2, 1]
<li>Slonimsky, Nicholas: No. 692 Interpolation of Three Notes (Quadritone Progression; Equal Division of Two Octaves into Three Parts), [0, 2, 3, 5, 8, 10, 11, 1, 4, 6, 7, 9]
<li>Slonimsky, Nicholas: No. 698 Interpolation of Three Notes (Quadritone Progression; Equal Division of Two Octaves into Three Parts), [0, 2, 5, 7, 8, 10, 1, 3, 4, 6, 9, 11]
<li>Slonimsky, Nicholas: No. 736 Inter-Infra-Ultrapolation (Quadritone Progression; Equal Division of Two Octaves into Three Parts), [0, 2, 7, 9, 8, 10, 3, 5, 4, 6, 11, 1]
<li>Slonimsky, Nicholas: No. 753 Interpolation of Two Notes (Sesquiquadritone Progression; Equal Division of Three Octaves into Four Parts), [0, 4, 8, 9, 1, 5, 6, 10, 2, 3, 7, 11]
<li>Slonimsky, Nicholas: No. 793 Infra-Ultrapolation (Sesquiquadritone Progression; Equal Division of Three Octaves into Four Parts), [0, 11, 10, 9, 8, 7, 6, 5, 4, 3, 2, 1]
<li>Slonimsky, Nicholas: No. 813 Interpolation of Three Notes (Quinquetone Progression; Equal Division of Five Octaves into Six Parts), [0, 3, 6, 9, 10, 1, 4, 7, 8, 11, 2, 5]
<li>Slonimsky, Nicholas: No. 822 Ultrapolation of One Note (Quinquetone Progression; Equal Division of Five Octaves into Six Parts), [0, 11, 10, 9, 8, 7, 6, 5, 4, 3, 2, 1]
<li>Slonimsky, Nicholas: No. 823 Ultrapolation of One Note (Quinquetone Progression; Equal Division of Five Octaves into Six Parts), [0, 1, 10, 11, 8, 9, 6, 7, 4, 5, 2, 3]
<li>Slonimsky, Nicholas: No. 824 Infrapolation of One Note (Quinquetone Progression; Equal Division of Five Octaves into Six Parts), [0, 11, 10, 9, 8, 7, 6, 5, 4, 3, 2, 1]
<li>Slonimsky, Nicholas: No. 875 Infrapolation of One Note (Quinquetone Progression; Equal Division of Five Octaves into Six Parts), [0, 6, 5, 11, 10, 4, 3, 9, 8, 2, 1, 7]
<li>Slonimsky, Nicholas: No. 903 Inter-Ultrapolation (Quinquetone Progression; Equal Division of Five Octaves into Six Parts), [0, 4, 8, 5, 9, 1, 10, 2, 6, 3, 7, 11]
<li>Slonimsky, Nicholas: No. 997 Infra-Interpolation (Diapente Progression; Equal Division of Seven Octaves into Twelve Parts), [0, 8, 4, 7, 3, 11, 2, 10, 6, 9, 5, 1]
<li>Spinner, Leopold: Fantasy for Piano, Op.9 , [0, 1, 4, 5, 2, 3, 8, 9, 6, 7, 10, 11]
<li>Spinner, Leopold: Ricercata, Op.21, [0, 11, 8, 10, 2, 1, 4, 3, 7, 9, 6, 5]
<li>Spinner, Leopold: Sonata for Piano, Op.3, [0, 9, 8, 6, 7, 10, 1, 4, 5, 3, 2, 11]
<li>Spinner, Leopold: Trio for Violin, Cello, and Piano, Op.6, [0, 1, 7, 4, 10, 9, 6, 5, 11, 8, 2, 3]
<li>Spinner, Leopold: Variations for Violin and Piano, Op.19, [0, 8, 9, 1, 2, 4, 3, 5, 6, 10, 11, 7]
<li>Urbanner, Erich: Adagio, [0, 3, 1, 11, 10, 9, 8, 7, 6, 4, 2, 5]
<li>Wang, Jian-Zhong: Five Pieces for Piano no. 1, "Pastorale" (variant), [0, 3, 5, 7, 4, 2, 11, 9, 6, 8, 10, 1]
<li>Webern, Anton: Cantata I, Op.29, [0, 8, 11, 10, 2, 1, 4, 3, 7, 6, 9, 5]
<li>Webern, Anton: String Quartet, Op.28, [0, 11, 2, 1, 5, 6, 3, 4, 8, 7, 10, 9]
<li>Webern, Anton: Variations for Orchestra, Op.30, [0, 1, 4, 3, 2, 5, 6, 9, 8, 7, 10, 11]
<li>Wolpe, Stefan: Four Studies on Basic Rows, No.4, "Basic Row" 1, [0, 1, 2, 3, 4, 5, 6, 7, 8, 9, 10, 11]
<li>Wolpe, Stefan: Four Studies on Basic Rows, No.4, "Basic Row" 10, [0, 10, 1, 11, 4, 2, 5, 3, 8, 6, 9, 7]
<li>Wolpe, Stefan: Four Studies on Basic Rows, No.4, "Basic Row" 11, [0, 11, 2, 1, 4, 3, 6, 5, 8, 7, 10, 9]
<li>Wolpe, Stefan: Four Studies on Basic Rows, No.4, "Basic Row" 2, [0, 2, 4, 6, 8, 10, 11, 1, 3, 5, 7, 9]
<li>Wolpe, Stefan: Four Studies on Basic Rows, No.4, "Basic Row" 3, [0, 3, 1, 4, 2, 5, 6, 9, 7, 10, 8, 11]
<li>Wolpe, Stefan: Four Studies on Basic Rows, No.4, "Basic Row" 4, [0, 4, 8, 2, 6, 10, 3, 7, 11, 5, 9, 1]
<li>Wolpe, Stefan: Four Studies on Basic Rows, No.4, "Basic Row" 5, [0, 5, 2, 7, 4, 9, 6, 11, 8, 1, 10, 3]
<li>Wolpe, Stefan: Four Studies on Basic Rows, No.4, "Basic Row" 6, [0, 6, 1, 7, 2, 8, 3, 9, 4, 10, 5, 11]
<li>Wolpe, Stefan: Four Studies on Basic Rows, No.4, "Basic Row" 7, [0, 7, 2, 9, 4, 11, 6, 1, 8, 3, 10, 5]
<li>Wolpe, Stefan: Four Studies on Basic Rows, No.4, "Basic Row" 8, [0, 8, 4, 1, 9, 5, 2, 10, 6, 3, 11, 7]
<li>Wolpe, Stefan: Four Studies on Basic Rows, No.4, "Basic Row" 9, [0, 9, 1, 10, 2, 11, 6, 3, 7, 4, 8, 5]
<li>Zillig, Wilfried: Das Opfer, [0, 11, 3, 4, 8, 7, 10, 9, 1, 2, 6, 5]
</ol>
</div>
<div>
<h2>6x Same Dyad (interval)</h2>
These next four sections set out cases where the discrete sub-segments of a row all form the same pitch class set. The pitch class set in question is given after the row in prime form and rows which are also self-rotational are identified (with the self-rotational interval pattern). This first section presents cases of 6x the same dyad (pitches 1-2, 3-4, 5-6, 7-8, 9-10, and 11-12).
<ol>
<li>Babbitt, Milton: Composition for Four Instruments, [0, 3, 11, 2, 10, 1, 7, 4, 8, 5, 9, 6], pc set (0, 3)
<li>Babbitt, Milton: Composition for Four Instruments, row ii, [0, 9, 11, 2, 4, 1, 7, 10, 8, 5, 3, 6], pc set (0, 3)
<li>Bach, Johann Sebastian: Chromatische Fantasie, [0, 3, 6, 9, 11, 2, 5, 8, 10, 1, 4, 7], pc set (0, 3)
<li>Baker, David: “Status Symbol” from "The Black Experience", [0, 3, 4, 7, 8, 11, 1, 10, 9, 6, 5, 2], pc set (0, 3)
<li>Bartók, Béla: String Quartet, No.4, [0, 5, 6, 11, 4, 9, 10, 3, 8, 1, 2, 7], pc set (0, 5)
<li>Boulez, Pierre: Le Marteau sans Maître, cycle of Bourreaux de solitude, [0, 1, 2, 3, 4, 5, 6, 7, 8, 9, 10, 11], pc set (0, 1), self-rotational interval pattern 1-1-
<li>Britten, Benjamin: The Turn of the Screw, [0, 5, 2, 7, 4, 9, 6, 11, 8, 1, 10, 3], pc set (0, 5), self-rotational interval pattern 5-9-
<li>Carter, Elliott: String Quartet, No.2 (sketch) 3, [0, 2, 4, 6, 8, 10, 1, 3, 5, 7, 9, 11], pc set (0, 2)
<li>Denisov, Edison: Concerto for Guitar and Orchestra, Row 1, [0, 6, 10, 4, 8, 2, 3, 9, 1, 7, 11, 5], pc set (0, 6)
<li>Denisov, Edison: Octet for Winds, mvt 2, row B, [0, 6, 11, 5, 4, 10, 9, 3, 2, 8, 1, 7], pc set (0, 6)
<li>Eisler, Hanns: Praeludium und Fuge über B-A-C-H for String Trio, Op.46, [0, 11, 2, 1, 4, 3, 6, 5, 8, 7, 10, 9], pc set (0, 1), self-rotational interval pattern 11-3-
<li>Finney, Ross Lee: Sonata Quasi una Fantasia, [0, 1, 3, 2, 4, 5, 6, 7, 9, 8, 10, 11], pc set (0, 1)
<li>Ginastera, Alberto: Don Rodrigo, Op.31, Row Class 8, [0, 1, 7, 6, 8, 9, 3, 2, 4, 5, 11, 10], pc set (0, 1)
<li>Ginastera, Alberto: Sonata for Guitar, Op.47, mvts II and III, Row Class III S, [0, 6, 11, 5, 8, 2, 7, 1, 4, 10, 3, 9], pc set (0, 6)
<li>Ginastera, Alberto: Sonata for Guitar, Op.47, mvts II and III, Row Class II 1, [0, 11, 10, 9, 8, 7, 6, 5, 4, 3, 2, 1], pc set (0, 1), self-rotational interval pattern 11-11-
<li>Ginastera, Alberto: Sonata for Guitar, Op.47, mvts II and III, Row Class II 2, [0, 3, 6, 9, 2, 5, 8, 11, 4, 7, 10, 1], pc set (0, 3)
<li>Ginastera, Alberto: Sonata for Guitar, Op.47, mvts II and III, Row Class II 5, [0, 7, 1, 6, 4, 11, 5, 10, 8, 3, 9, 2], pc set (0, 5)
<li>Ginastera, Alberto: Sonata for Guitar, Op.47, mvts II and III, Row Class II 6, [0, 11, 4, 3, 8, 7, 1, 2, 9, 10, 5, 6], pc set (0, 1)
<li>Hendler, Maximilian: 'Die vollständige Ordnung der symmetrischen zwölftönigen Modi', No.14, [0, 2, 5, 7, 8, 10, 11, 9, 6, 4, 3, 1], pc set (0, 2)
<li>Hendler, Maximilian: 'Die vollständige Ordnung der symmetrischen zwölftönigen Modi', No.19, [0, 1, 4, 5, 8, 9, 11, 10, 7, 6, 3, 2], pc set (0, 1)
<li>Hendler, Maximilian: 'Die vollständige Ordnung der symmetrischen zwölftönigen Modi', No.29, [0, 1, 6, 7, 8, 9, 11, 10, 5, 4, 3, 2], pc set (0, 1)
<li>Hendler, Maximilian: 'Die vollständige Ordnung der symmetrischen zwölftönigen Modi', No.31, [0, 1, 2, 3, 6, 7, 11, 10, 9, 8, 5, 4], pc set (0, 1)
<li>Hendler, Maximilian: 'Die vollständige Ordnung der symmetrischen zwölftönigen Modi', No.6, [0, 2, 4, 6, 8, 10, 9, 7, 5, 3, 1, 11], pc set (0, 2)
<li>Hendler, Maximilian: 'Die vollständige Ordnung der symmetrischen zwölftönigen Modi', No.1, [0, 1, 2, 3, 4, 5, 11, 10, 9, 8, 7, 6], pc set (0, 1)
<li>Hendler, Maximilian: aus den fünf Liedern nach Texten von Elisabeth Pöschl : 'Sonnenaufgang' für Singstimme und Klavier, Op.44-1, [0, 11, 2, 1, 5, 6, 4, 3, 8, 7, 9, 10], pc set (0, 1)
<li>Kalodiki, Georgia: Six Sketches for piano, [0, 7, 6, 1, 2, 9, 8, 3, 4, 11, 5, 10], pc set (0, 5)
<li>Lackner, Peter: INITIUM TRIPLEX. 28. Juni 2016; für drei Tasteninstrumente, [0, 1, 2, 3, 4, 5, 6, 7, 8, 9, 10, 11], pc set (0, 1), self-rotational interval pattern 1-1-
<li>Lackner, Peter: Kanon T2 à 6, [0, 5, 2, 7, 4, 9, 6, 11, 8, 1, 10, 3], pc set (0, 5), self-rotational interval pattern 5-9-
<li>Lackner, Peter: Kanon T4 á 3, [0, 5, 7, 2, 4, 9, 11, 6, 8, 1, 3, 10], pc set (0, 5)
<li>Lackner, Peter: Kanon für Flöte solo und N. N., [0, 3, 7, 10, 2, 5, 11, 8, 4, 1, 9, 6], pc set (0, 3)
<li>Lackner, Peter: Kanon für drei Klaviere. 28. 6. 2016, [0, 1, 2, 3, 4, 5, 6, 7, 8, 9, 10, 11], pc set (0, 1), self-rotational interval pattern 1-1-
<li>Lackner, Peter: Moebiusband I für zwei Melodieinstrumente, [0, 6, 8, 2, 7, 1, 11, 5, 3, 9, 4, 10], pc set (0, 6)
<li>Lackner, Peter: Trauermusik für Fagott, Kontrafagott und Pauke, [0, 6, 2, 8, 10, 4, 11, 5, 9, 3, 1, 7], pc set (0, 6)
<li>Ligeti, György: Le Grand Macabre, [0, 6, 5, 11, 10, 4, 9, 3, 2, 8, 7, 1], pc set (0, 6)
<li>Lutosławski, Witold: Musique Funébre (Funeral Music), [0, 6, 5, 11, 10, 4, 3, 9, 8, 2, 1, 7], pc set (0, 6), self-rotational interval pattern 6-11-
<li>Mamlok, Ursula: Haiku Settings, No.5, [0, 11, 8, 7, 4, 3, 5, 6, 9, 10, 1, 2], pc set (0, 1)
<li>Nono, Luigi: Ha venido, [0, 6, 1, 7, 2, 8, 3, 9, 4, 10, 5, 11], pc set (0, 6), self-rotational interval pattern 6-7-
<li>Nono, Luigi: Intolleranza, Alto, [0, 6, 7, 1, 2, 8, 9, 3, 4, 10, 11, 5], pc set (0, 6), self-rotational interval pattern 6-1-
<li>Nono, Luigi: Intolleranza, Baritone, [0, 2, 7, 9, 4, 6, 11, 1, 8, 10, 3, 5], pc set (0, 2)
<li>Nono, Luigi: Intolleranza, Soprano 1, [0, 3, 4, 7, 8, 5, 6, 9, 10, 1, 2, 11], pc set (0, 3)
<li>Nono, Luigi: Intolleranza, Tenor 1, [0, 6, 11, 5, 10, 4, 9, 3, 8, 2, 7, 1], pc set (0, 6), self-rotational interval pattern 6-5-
<li>Nono, Luigi: Intolleranza, Tenor 2, [0, 1, 3, 2, 4, 5, 7, 6, 8, 9, 11, 10], pc set (0, 1)
<li>Nono, Luigi: La terra e la compagna (sketch), Series 2, [0, 6, 1, 7, 11, 5, 2, 8, 10, 4, 3, 9], pc set (0, 6)
<li>Nono, Luigi: La terra e la compagna (sketch), Series 3, [0, 9, 6, 3, 1, 4, 7, 10, 11, 8, 5, 2], pc set (0, 3)
<li>Nono, Luigi: Sarà dolce tacere, [0, 10, 5, 3, 8, 6, 1, 11, 4, 2, 9, 7], pc set (0, 2)
<li>Nono, Luigi: Variazioni canoniche sulla serie dell'Op.41 di Arnold Schönberg, [0, 1, 9, 8, 4, 5, 7, 6, 10, 11, 3, 2], pc set (0, 1)
<li>Panufnik, Andrzej: Sinfonia di Sfere (Symphony, No.5), Chord 2, [0, 3, 6, 9, 11, 2, 5, 8, 10, 1, 4, 7], pc set (0, 3)
<li>Pärt, Arvo: Diagrams, [0, 11, 2, 1, 3, 4, 9, 10, 7, 8, 6, 5], pc set (0, 1)
<li>Reynolds, Roger: Ambages, [0, 1, 4, 5, 7, 6, 8, 9, 10, 11, 2, 3], pc set (0, 1)
<li>Rochberg, George: String Quartet, No.2 with soprano solo, [0, 11, 6, 5, 1, 2, 8, 7, 3, 4, 9, 10], pc set (0, 1)
<li>Sande, Henrik: 4032 Töne für Klavier sechshändig, [0, 7, 2, 9, 4, 11, 6, 1, 8, 3, 10, 5], pc set (0, 5), self-rotational interval pattern 7-7-
<li>Schnittke, Alfred: Concerto Grosso, No.1, mvt 2, [0, 11, 2, 1, 8, 7, 10, 9, 6, 5, 4, 3], pc set (0, 1)
<li>Schnittke, Alfred: Concerto Grosso, No.3, (mvt 3, 4), row 6, [0, 11, 2, 1, 9, 10, 7, 8, 4, 3, 6, 5], pc set (0, 1)
<li>Schnittke, Alfred: Concerto Grosso, No.3, monogram 3, [0, 11, 2, 1, 3, 4, 10, 9, 7, 8, 5, 6], pc set (0, 1)
<li>Schnittke, Alfred: Piano Sonata, No.1, mvt 2, mm. 72-76, [0, 6, 5, 11, 10, 4, 3, 9, 8, 2, 1, 7], pc set (0, 6), self-rotational interval pattern 6-11-
<li>Schnittke, Alfred: Sonata, No.1 for Violin and Piano, mvt 2, [0, 3, 7, 10, 2, 11, 6, 9, 1, 4, 8, 5], pc set (0, 3)
<li>Schnittke, Alfred: Sonata, No.2 for Cello and Piano, mvt 2, new row, [0, 3, 6, 9, 10, 1, 4, 7, 8, 11, 2, 5], pc set (0, 3)
<li>Schnittke, Alfred: String Quartet, No.4, mvt 2, m.40, [0, 5, 10, 3, 2, 7, 8, 1, 6, 11, 4, 9], pc set (0, 5)
<li>Schnittke, Alfred: String Quartet, No.4, mvt 4, m.31, [0, 11, 9, 10, 8, 7, 6, 5, 3, 4, 2, 1], pc set (0, 1)
<li>Schnittke, Alfred: Symphony, No.7, mvt 3, row y, [0, 1, 11, 10, 8, 9, 7, 6, 5, 4, 3, 2], pc set (0, 1)
<li>Schoenberg, Arnold: Ode To Napoleon Buonaparte, Op.41 (view 1), [0, 11, 3, 4, 8, 7, 2, 1, 5, 6, 10, 9], pc set (0, 1)
<li>Schoenberg, Arnold: Ode To Napoleon Buonaparte, Op.41 (view 2), [0, 1, 9, 8, 4, 5, 7, 6, 10, 11, 3, 2], pc set (0, 1)
<li>Schwantner, Joseph: ...and the mountains rising nowhere, [0, 11, 8, 7, 4, 3, 2, 1, 10, 9, 6, 5], pc set (0, 1)
<li>Schwantner, Joseph: Elixir (Consortium VIII), m.22, [0, 1, 4, 5, 8, 9, 6, 7, 10, 11, 2, 3], pc set (0, 1)
<li>Schwantner, Joseph: In Aeternum (Derived Row), [0, 3, 11, 2, 10, 1, 7, 4, 8, 5, 9, 6], pc set (0, 3)
<li>Schwantner, Joseph: Modus Caelestis (A), [0, 6, 7, 1, 11, 5, 4, 10, 8, 2, 3, 9], pc set (0, 6)
<li>Seiber, Mátyás: Concert Piece for Violin and Piano, [0, 1, 7, 6, 11, 10, 4, 5, 9, 8, 2, 3], pc set (0, 1)
<li>Seiber, Mátyás: Ulysses, [0, 3, 4, 7, 8, 11, 1, 10, 9, 6, 5, 2], pc set (0, 3)
<li>Slonimsky, Nicholas: No. 1215a Fourths (Twelve-Tone Patterns), [0, 5, 10, 3, 8, 1, 7, 2, 9, 4, 11, 6], pc set (0, 5)
<li>Slonimsky, Nicholas: No. 1216a Foutths (Twelve-Tone Patterns), [0, 5, 10, 3, 7, 2, 9, 4, 8, 1, 6, 11], pc set (0, 5)
<li>Slonimsky, Nicholas: No. 1217a Fourths (Twelve-Tone Patterns), [0, 5, 10, 3, 11, 6, 1, 8, 4, 9, 2, 7], pc set (0, 5)
<li>Slonimsky, Nicholas: No. 1218a Fourths (Twelve-Tone Patterns), [0, 5, 10, 3, 8, 1, 6, 11, 4, 9, 2, 7], pc set (0, 5), self-rotational interval pattern 5-5-
<li>Slonimsky, Nicholas: No. 1219a Fourths (Twelve-Tone Patterns), [0, 5, 2, 7, 4, 9, 6, 11, 8, 1, 10, 3], pc set (0, 5), self-rotational interval pattern 5-9-
<li>Slonimsky, Nicholas: No. 1220a Fifths (Twelve-Tone Patterns), [0, 7, 2, 9, 4, 11, 6, 1, 8, 3, 10, 5], pc set (0, 5), self-rotational interval pattern 7-7-
<li>Slonimsky, Nicholas: No. 1221a Fifths (Twelve-Tone Patterns), [0, 7, 2, 9, 4, 11, 6, 1, 8, 3, 10, 5], pc set (0, 5), self-rotational interval pattern 7-7-
<li>Slonimsky, Nicholas: No. 1222aFifths (Twelve-Tone Patterns), [0, 7, 2, 9, 4, 11, 6, 1, 8, 3, 10, 5], pc set (0, 5), self-rotational interval pattern 7-7-
<li>Slonimsky, Nicholas: No. 1224a Sixths (Twelve-Tone Patterns), [0, 9, 6, 3, 7, 10, 1, 4, 8, 5, 2, 11], pc set (0, 3)
<li>Slonimsky, Nicholas: No. 1227a Minor Sevenths (Twelve-Tone Patterns), [0, 10, 4, 2, 8, 6, 1, 11, 9, 7, 5, 3], pc set (0, 2)
<li>Slonimsky, Nicholas: No. 1228a Minor Sevenths (Twelve-Tone Patterns), [0, 10, 2, 4, 8, 6, 11, 1, 5, 3, 7, 9], pc set (0, 2)
<li>Slonimsky, Nicholas: No. 1229a Major Sevenths (Twelve-Tone Patterns), [0, 11, 10, 9, 8, 7, 1, 2, 3, 4, 5, 6], pc set (0, 1)
<li>Slonimsky, Nicholas: No. 1230a Major Sevenths (Twelve-Tone Patterns), [0, 11, 3, 4, 8, 7, 1, 2, 6, 5, 9, 10], pc set (0, 1)
<li>Slonimsky, Nicholas: No. 1231a Major Sevenths (Twelve-Tone Patterns), [0, 11, 4, 3, 8, 7, 1, 2, 9, 10, 5, 6], pc set (0, 1)
<li>Slonimsky, Nicholas: No. 1265 Quadritonal Arpeggios (Division of Twelve Tones into Four Mutually Exclusive Triads), [0, 3, 6, 9, 1, 4, 7, 10, 2, 5, 8, 11], pc set (0, 3)
<li>Slonimsky, Nicholas: No. 1265a Quadritonal Arpeggios (Division of Twelve Tones into Four Mutually Exclusive Triads), [0, 3, 6, 9, 1, 4, 7, 10, 2, 5, 8, 11], pc set (0, 3)
<li>Slonimsky, Nicholas: No. 1266a Quadritonal Arpeggios (Division of Twelve Tones into Four Mutually Exclusive Triads), [0, 3, 6, 9, 2, 5, 8, 11, 4, 7, 10, 1], pc set (0, 3)
<li>Slonimsky, Nicholas: No. 1294a Two Major Hexachords (Miscellaneous Dodecaphonic Patterns), [0, 9, 4, 7, 5, 2, 6, 3, 10, 1, 11, 8], pc set (0, 3)
<li>Slonimsky, Nicholas: No. 1296a Two Major Hexachords (Miscellaneous Dodecaphonic Patterns), [0, 7, 8, 3, 4, 11, 6, 1, 2, 9, 10, 5], pc set (0, 5)
<li>Slonimsky, Nicholas: No. 230 Ultrapolation of Three Notes (Ditone Progression; Equal Division of One Octave into Three Parts), [0, 6, 5, 11, 4, 10, 9, 3, 8, 2, 1, 7], pc set (0, 6)
<li>Slonimsky, Nicholas: No. 258 Infrapolation of Three Notes (Ditone Progression; Equal Division of One Octave into Three Parts), [0, 11, 10, 9, 4, 3, 2, 1, 8, 7, 6, 5], pc set (0, 1)
<li>Slonimsky, Nicholas: No. 270 Infrapolation of Three Notes (Ditone Progression; Equal Division of One Octave into Three Parts), [0, 10, 9, 7, 4, 2, 1, 11, 8, 6, 5, 3], pc set (0, 2)
<li>Slonimsky, Nicholas: No. 277 Infrapolation of Three Notes (Ditone Progression; Equal Division of One Octave into Three Parts), [0, 10, 7, 5, 4, 2, 11, 9, 8, 6, 3, 1], pc set (0, 2)
<li>Slonimsky, Nicholas: No. 370 Infra-Inter-Ultrapolation (Ditone Progression; Equal Division of One Octave into Three Parts), [0, 7, 1, 6, 4, 11, 5, 10, 8, 3, 9, 2], pc set (0, 5)
<li>Slonimsky, Nicholas: No. 388 Miscellaneous Patterns [Diminished Seventh Chords] (Ditone Progression; Equal Division of One Octave into Three Parts), [0, 3, 9, 6, 4, 7, 1, 10, 8, 11, 5, 2], pc set (0, 3)
<li>Slonimsky, Nicholas: No. 389 Miscellaneous Patterns [Diminished Seventh Chords] (Ditone Progression; Equal Division of One Octave into Three Parts), [0, 9, 3, 6, 4, 1, 7, 10, 8, 5, 11, 2], pc set (0, 3)
<li>Slonimsky, Nicholas: No. 390 Miscellaneous Patterns [Diminished Seventh Chords] (Ditone Progression; Equal Division of One Octave into Three Parts), [0, 3, 9, 6, 4, 7, 1, 10, 8, 11, 5, 2], pc set (0, 3)
<li>Slonimsky, Nicholas: No. 391 Miscellaneous Patterns [Diminished Seventh Chords] (Ditone Progression; Equal Division of One Octave into Three Parts), [0, 9, 3, 6, 4, 1, 7, 10, 8, 5, 11, 2], pc set (0, 3)
<li>Slonimsky, Nicholas: No. 570 Ultrapolation of One Note (Whole-Tone Progression; Equal Division of One Octave into Six Parts), [0, 3, 2, 5, 4, 7, 6, 9, 8, 11, 10, 1], pc set (0, 3), self-rotational interval pattern 3-11-
<li>Slonimsky, Nicholas: No. 572 Ultrapolation of One Note (Whole-Tone Progression; Equal Division of One Octave into Six Parts), [0, 5, 2, 7, 4, 9, 6, 11, 8, 1, 10, 3], pc set (0, 5), self-rotational interval pattern 5-9-
<li>Slonimsky, Nicholas: No. 574 Ultrapolation of One Note (Whole-Tone Progression; Equal Division of One Octave into Six Parts), [0, 7, 2, 9, 4, 11, 6, 1, 8, 3, 10, 5], pc set (0, 5), self-rotational interval pattern 7-7-
<li>Slonimsky, Nicholas: No. 576 Ultrapolation of One Note (Whole-Tone Progression; Equal Division of One Octave into Six Parts), [0, 9, 2, 11, 4, 1, 6, 3, 8, 5, 10, 7], pc set (0, 3), self-rotational interval pattern 9-5-
<li>Slonimsky, Nicholas: No. 578 Ultrapolation of One Note (Whole-Tone Progression; Equal Division of One Octave into Six Parts), [0, 11, 2, 1, 4, 3, 6, 5, 8, 7, 10, 9], pc set (0, 1), self-rotational interval pattern 11-3-
<li>Slonimsky, Nicholas: No. 579 Ultrapolation of One Note (Whole-Tone Progression; Equal Division of One Octave into Six Parts), [0, 11, 2, 1, 4, 3, 6, 5, 8, 7, 10, 9], pc set (0, 1), self-rotational interval pattern 11-3-
<li>Slonimsky, Nicholas: No. 637 Permutations (Semitone Progression; Equal Division of One Octave into Twelve Parts), [0, 1, 3, 2, 4, 5, 7, 6, 8, 9, 11, 10], pc set (0, 1)
<li>Slonimsky, Nicholas: No. 638 Permutations (Semitone Progression; Equal Division of One Octave into Twelve Parts), [0, 11, 9, 10, 4, 3, 1, 2, 8, 7, 5, 6], pc set (0, 1)
<li>Slonimsky, Nicholas: No. 641 Permutations (Semitone Progression; Equal Division of One Octave into Twelve Parts), [0, 1, 2, 3, 7, 6, 5, 4, 8, 9, 10, 11], pc set (0, 1)
<li>Slonimsky, Nicholas: No. 642 Permutations (Semitone Progression; Equal Division of One Octave into Twelve Parts), [0, 1, 2, 3, 4, 5, 11, 10, 9, 8, 7, 6], pc set (0, 1)
<li>Slonimsky, Nicholas: No. 645 Permutations (Semitone Progression; Equal Division of One Octave into Twelve Parts), [0, 1, 11, 10, 8, 9, 7, 6, 4, 5, 3, 2], pc set (0, 1)
<li>Slonimsky, Nicholas: No. 648-654 Permutations (Semitone Progression; Equal Division of One Octave into Twelve Parts), [0, 1, 2, 3, 4, 5, 6, 7, 8, 9, 10, 11], pc set (0, 1), self-rotational interval pattern 1-1-
<li>Slonimsky, Nicholas: No. 655-657 Permutations (Semitone Progression; Equal Division of One Octave into Twelve Parts), [0, 11, 10, 9, 8, 7, 6, 5, 4, 3, 2, 1], pc set (0, 1), self-rotational interval pattern 11-11-
<li>Slonimsky, Nicholas: No. 692 Interpolation of Three Notes (Quadritone Progression; Equal Division of Two Octaves into Three Parts), [0, 2, 3, 5, 8, 10, 11, 1, 4, 6, 7, 9], pc set (0, 2)
<li>Slonimsky, Nicholas: No. 698 Interpolation of Three Notes (Quadritone Progression; Equal Division of Two Octaves into Three Parts), [0, 2, 5, 7, 8, 10, 1, 3, 4, 6, 9, 11], pc set (0, 2)
<li>Slonimsky, Nicholas: No. 736 Inter-Infra-Ultrapolation (Quadritone Progression; Equal Division of Two Octaves into Three Parts), [0, 2, 7, 9, 8, 10, 3, 5, 4, 6, 11, 1], pc set (0, 2)
<li>Slonimsky, Nicholas: No. 793 Infra-Ultrapolation (Sesquiquadritone Progression; Equal Division of Three Octaves into Four Parts), [0, 11, 10, 9, 8, 7, 6, 5, 4, 3, 2, 1], pc set (0, 1), self-rotational interval pattern 11-11-
<li>Slonimsky, Nicholas: No. 813 Interpolation of Three Notes (Quinquetone Progression; Equal Division of Five Octaves into Six Parts), [0, 3, 6, 9, 10, 1, 4, 7, 8, 11, 2, 5], pc set (0, 3)
<li>Slonimsky, Nicholas: No. 822 Ultrapolation of One Note (Quinquetone Progression; Equal Division of Five Octaves into Six Parts), [0, 11, 10, 9, 8, 7, 6, 5, 4, 3, 2, 1], pc set (0, 1), self-rotational interval pattern 11-11-
<li>Slonimsky, Nicholas: No. 823 Ultrapolation of One Note (Quinquetone Progression; Equal Division of Five Octaves into Six Parts), [0, 1, 10, 11, 8, 9, 6, 7, 4, 5, 2, 3], pc set (0, 1), self-rotational interval pattern 1-9-
<li>Slonimsky, Nicholas: No. 824 Infrapolation of One Note (Quinquetone Progression; Equal Division of Five Octaves into Six Parts), [0, 11, 10, 9, 8, 7, 6, 5, 4, 3, 2, 1], pc set (0, 1), self-rotational interval pattern 11-11-
<li>Slonimsky, Nicholas: No. 875 Infrapolation of One Note (Quinquetone Progression; Equal Division of Five Octaves into Six Parts), [0, 6, 5, 11, 10, 4, 3, 9, 8, 2, 1, 7], pc set (0, 6), self-rotational interval pattern 6-11-
<li>Slonimsky, Nicholas: No. 909 Infra-Inter-Ultrapolation (Quinquetone Progression; Equal Division of Five Octaves into Six Parts), [0, 9, 3, 6, 5, 2, 8, 11, 10, 7, 1, 4], pc set (0, 3)
<li>Spinner, Leopold: Fantasy for Piano, Op.9 , [0, 1, 4, 5, 2, 3, 8, 9, 6, 7, 10, 11], pc set (0, 1)
<li>Spinner, Leopold: Sonata for Clarinet and Piano, Op.17, [0, 3, 4, 1, 2, 5, 11, 8, 7, 10, 9, 6], pc set (0, 3)
<li>Spinner, Leopold: Sonata for Violin and Piano, Op.1, [0, 7, 6, 1, 3, 8, 5, 10, 2, 9, 4, 11], pc set (0, 5)
<li>Spinner, Leopold: String Quartet, No.2, Op.7, [0, 3, 4, 7, 8, 11, 1, 10, 9, 6, 5, 2], pc set (0, 3)
<li>Spinner, Leopold: String Quartet, Op.2, [0, 1, 7, 6, 11, 10, 4, 5, 8, 9, 3, 2], pc set (0, 1)
<li>Talma, Louise: Three Bagatelles, Bagatelle 3, [0, 3, 4, 1, 5, 8, 10, 7, 2, 11, 6, 9], pc set (0, 3)
<li>Webern, Anton: String Quartet, Op.28, [0, 11, 2, 1, 5, 6, 3, 4, 8, 7, 10, 9], pc set (0, 1)
<li>Webern, Anton: String Trio, Op.20, [0, 11, 6, 5, 10, 9, 1, 2, 7, 8, 4, 3], pc set (0, 1)
<li>Wolpe, Stefan: Four Studies on Basic Rows, No.1 - Study on Tritones, [0, 6, 7, 1, 2, 8, 11, 5, 10, 4, 9, 3], pc set (0, 6)
<li>Wolpe, Stefan: Four Studies on Basic Rows, No.4, "Basic Row" 1, [0, 1, 2, 3, 4, 5, 6, 7, 8, 9, 10, 11], pc set (0, 1), self-rotational interval pattern 1-1-
<li>Wolpe, Stefan: Four Studies on Basic Rows, No.4, "Basic Row" 10, [0, 10, 1, 11, 4, 2, 5, 3, 8, 6, 9, 7], pc set (0, 2)
<li>Wolpe, Stefan: Four Studies on Basic Rows, No.4, "Basic Row" 11, [0, 11, 2, 1, 4, 3, 6, 5, 8, 7, 10, 9], pc set (0, 1), self-rotational interval pattern 11-3-
<li>Wolpe, Stefan: Four Studies on Basic Rows, No.4, "Basic Row" 2, [0, 2, 4, 6, 8, 10, 11, 1, 3, 5, 7, 9], pc set (0, 2)
<li>Wolpe, Stefan: Four Studies on Basic Rows, No.4, "Basic Row" 3, [0, 3, 1, 4, 2, 5, 6, 9, 7, 10, 8, 11], pc set (0, 3)
<li>Wolpe, Stefan: Four Studies on Basic Rows, No.4, "Basic Row" 5, [0, 5, 2, 7, 4, 9, 6, 11, 8, 1, 10, 3], pc set (0, 5), self-rotational interval pattern 5-9-
<li>Wolpe, Stefan: Four Studies on Basic Rows, No.4, "Basic Row" 6, [0, 6, 1, 7, 2, 8, 3, 9, 4, 10, 5, 11], pc set (0, 6), self-rotational interval pattern 6-7-
<li>Wolpe, Stefan: Four Studies on Basic Rows, No.4, "Basic Row" 7, [0, 7, 2, 9, 4, 11, 6, 1, 8, 3, 10, 5], pc set (0, 5), self-rotational interval pattern 7-7-
<li>Wolpe, Stefan: Four Studies on Basic Rows, No.4, "Basic Row" 9, [0, 9, 1, 10, 2, 11, 6, 3, 7, 4, 8, 5], pc set (0, 3)
<li>Zillig, Wilfried: Das Opfer, [0, 11, 3, 4, 8, 7, 10, 9, 1, 2, 6, 5], pc set (0, 1)
<li>Zimmerman, Bernd Alois: Perspektiven, [0, 2, 10, 8, 4, 6, 3, 1, 5, 7, 11, 9], pc set (0, 2)
</ol>
</div>
<div>
<h2>4x Same Trichord</h2>
Now for cases of 4x the same trichord (pitches 1-3, 4-6, 7-9 and 10-12).
<ol>
<li>Apostel, Hans Erich: Fischerhaus-Serenade, Op.45, [0, 4, 8, 3, 11, 7, 1, 9, 5, 2, 10, 6], pc set (0, 4, 8)
<li>Babbitt, Milton: Composition for Four Instruments, [0, 3, 11, 2, 10, 1, 7, 4, 8, 5, 9, 6], pc set (0, 1, 4)
<li>Babbitt, Milton: Composition for Four Instruments, row i, [0, 10, 9, 8, 7, 5, 11, 1, 2, 3, 4, 6], pc set (0, 1, 3)
<li>Babbitt, Milton: Composition for Four Instruments, row ii, [0, 9, 11, 2, 4, 1, 7, 10, 8, 5, 3, 6], pc set (0, 1, 3)
<li>Babbitt, Milton: Composition for Four Instruments, row iii, [0, 4, 3, 8, 7, 11, 5, 1, 2, 9, 10, 6], pc set (0, 1, 4)
<li>Babbitt, Milton: Composition for Four Instruments, row iv, [0, 4, 1, 8, 5, 9, 3, 11, 2, 7, 10, 6], pc set (0, 1, 4)
<li>Baker, David: “Status Symbol” from "The Black Experience", [0, 3, 4, 7, 8, 11, 1, 10, 9, 6, 5, 2], pc set (0, 1, 4)
<li>Barber, Samuel: Piano Sonata, Op.26, [0, 8, 4, 11, 3, 7, 1, 9, 5, 10, 2, 6], pc set (0, 4, 8)
<li>Bennett, Richard Rodney: Five Studies for Piano, [0, 3, 5, 6, 11, 9, 4, 2, 7, 8, 10, 1], pc set (0, 2, 5)
<li>Berg, Alban: Lulu, whole-tone row, [0, 2, 4, 6, 10, 8, 11, 7, 9, 1, 3, 5], pc set (0, 2, 4)
<li>Berg, Alban: Lyric Suite, mvt I, [0, 2, 4, 5, 7, 9, 6, 8, 10, 11, 1, 3], pc set (0, 2, 4)
<li>Berg, Alban: Lyric Suite, mvt VI, [0, 2, 4, 7, 9, 11, 6, 8, 10, 1, 3, 5], pc set (0, 2, 4)
<li>Berio, Luciano: Cinque Variazioni, [0, 2, 4, 1, 3, 5, 8, 10, 6, 7, 9, 11], pc set (0, 2, 4)
<li>Berio, Luciano: Sequenza I, [0, 11, 10, 9, 8, 7, 4, 6, 5, 3, 1, 2], pc set (0, 1, 2)
<li>Carter, Elliott: String Quartet, No.2 (sketch) 1, [0, 4, 8, 3, 7, 11, 6, 10, 2, 9, 1, 5], pc set (0, 4, 8), self-rotational interval pattern 4-4-7-
<li>Carter, Elliott: String Quartet, No.2 (sketch) 2, [0, 8, 4, 3, 11, 7, 6, 2, 10, 9, 5, 1], pc set (0, 4, 8), self-rotational interval pattern 8-8-11-
<li>Carter, Elliott: String Quartet, No.2 (sketch) 3, [0, 2, 4, 6, 8, 10, 1, 3, 5, 7, 9, 11], pc set (0, 2, 4)
<li>Cordero, Roque: Sonata breve, [0, 1, 4, 11, 10, 7, 5, 8, 9, 6, 3, 2], pc set (0, 1, 4)
<li>Crosse, Gordon: Elegy for Small Orchestra, Op.1, [0, 11, 3, 1, 9, 10, 5, 6, 2, 4, 8, 7], pc set (0, 1, 4)
<li>Denisov, Edison: Concerto for Guitar and Orchestra, Row 1, [0, 6, 10, 4, 8, 2, 3, 9, 1, 7, 11, 5], pc set (0, 2, 6)
<li>Denisov, Edison: Five Etudes for Solo Bassoon, row B, [0, 11, 6, 5, 4, 10, 9, 3, 2, 7, 1, 8], pc set (0, 1, 6)
<li>Denisov, Edison: Five Etudes for Solo Bassoon, row C, [0, 6, 11, 5, 4, 10, 9, 3, 2, 7, 1, 8], pc set (0, 1, 6)
<li>Denisov, Edison: Five Etudes for Solo Bassoon, row E, [0, 1, 7, 6, 5, 11, 10, 4, 3, 8, 2, 9], pc set (0, 1, 6)
<li>Denisov, Edison: Five Etudes for Solo Bassoon, row G, [0, 11, 5, 10, 4, 3, 9, 8, 2, 1, 6, 7], pc set (0, 1, 6)
<li>Denisov, Edison: Five Etudes for Solo Bassoon, row J, [0, 6, 5, 11, 4, 10, 9, 3, 2, 7, 1, 8], pc set (0, 1, 6)
<li>Denisov, Edison: Octet for Winds, mvt 2, row B, [0, 6, 11, 5, 4, 10, 9, 3, 2, 8, 1, 7], pc set (0, 1, 6)
<li>Dessau, Paul: Les Voix, [0, 11, 6, 8, 9, 3, 4, 10, 5, 7, 2, 1], pc set (0, 1, 6)
<li>Eisler, Hanns: Der Zweck der Musik, [0, 2, 4, 5, 7, 9, 6, 8, 10, 11, 1, 3], pc set (0, 2, 4)
<li>Eisler, Hanns: Gegen den Krieg, Op.55, [0, 3, 2, 5, 4, 7, 6, 8, 9, 10, 1, 11], pc set (0, 1, 3)
<li>Finney, Ross Lee: Fantasy in Two Movements for solo violin, [0, 1, 3, 5, 4, 2, 11, 10, 8, 6, 7, 9], pc set (0, 1, 3)
<li>Finney, Ross Lee: Sonata Quasi una Fantasia, [0, 1, 3, 2, 4, 5, 6, 7, 9, 8, 10, 11], pc set (0, 1, 3)
<li>Ginastera, Alberto: Cantata para América Mágica, Op.27, [0, 7, 6, 5, 10, 11, 8, 1, 2, 9, 4, 3], pc set (0, 1, 6)
<li>Ginastera, Alberto: Don Rodrigo, Op.31, Row Class 1, [0, 1, 6, 7, 8, 2, 10, 11, 5, 4, 9, 3], pc set (0, 1, 6)
<li>Ginastera, Alberto: Don Rodrigo, Op.31, Row Class 2, [0, 11, 2, 3, 4, 1, 6, 5, 8, 9, 10, 7], pc set (0, 1, 3)
<li>Ginastera, Alberto: Don Rodrigo, Op.31, Row Class 5, [0, 1, 7, 6, 5, 11, 2, 8, 9, 10, 4, 3], pc set (0, 1, 6)
<li>Ginastera, Alberto: Sonata for Guitar, Op.47, mvts II and III, Row Class II 4, [0, 2, 1, 5, 3, 4, 7, 8, 6, 10, 9, 11], pc set (0, 1, 2)
<li>Ginastera, Alberto: Sonata for Guitar, Op.47, mvts II and III, Row Class II 6, [0, 11, 4, 3, 8, 7, 1, 2, 9, 10, 5, 6], pc set (0, 1, 5)
<li>Ginastera, Alberto: Violin Concerto, Op.30, [0, 11, 2, 3, 4, 1, 6, 5, 8, 9, 10, 7], pc set (0, 1, 3)
<li>Gotham, Mark: Move On!, [0, 4, 3, 10, 6, 9, 1, 5, 2, 8, 11, 7], pc set (0, 1, 4)
<li>Harrison, Lou: Untitled Piano Piece, [0, 10, 4, 3, 9, 7, 2, 8, 6, 1, 11, 5], pc set (0, 2, 6)
<li>Hauer, Josef Matthias: Nomos, Op.19 (bb.362-365), [0, 7, 5, 3, 10, 8, 4, 2, 9, 6, 11, 1], pc set (0, 2, 7)
<li>Hendler, Maximilian: 'Die vollständige Ordnung der symmetrischen zwölftönigen Modi', No.15, [0, 1, 3, 6, 7, 9, 11, 10, 8, 5, 4, 2], pc set (0, 1, 3)
<li>Hendler, Maximilian: 'Die vollständige Ordnung der symmetrischen zwölftönigen Modi', No.18, [0, 3, 4, 6, 9, 10, 11, 8, 7, 5, 2, 1], pc set (0, 1, 4)
<li>Hendler, Maximilian: 'Die vollständige Ordnung der symmetrischen zwölftönigen Modi', No.19, [0, 1, 4, 5, 8, 9, 11, 10, 7, 6, 3, 2], pc set (0, 1, 4)
<li>Hendler, Maximilian: 'Die vollständige Ordnung der symmetrischen zwölftönigen Modi', No.30, [0, 1, 2, 6, 7, 8, 11, 10, 9, 5, 4, 3], pc set (0, 1, 2)
<li>Hendler, Maximilian: 'Die vollständige Ordnung der symmetrischen zwölftönigen Modi', No.6, [0, 2, 4, 6, 8, 10, 9, 7, 5, 3, 1, 11], pc set (0, 2, 4)
<li>Hendler, Maximilian: 'Die vollständige Ordnung der symmetrischen zwölftönigen Modi', No.1, [0, 1, 2, 3, 4, 5, 11, 10, 9, 8, 7, 6], pc set (0, 1, 2)
<li>Huber, Klaus: Zwei Sätze, [0, 3, 1, 10, 11, 8, 6, 9, 7, 2, 4, 5], pc set (0, 1, 3)
<li>Ives, Charles: On the Antipodes, [0, 3, 11, 8, 4, 7, 10, 9, 6, 2, 5, 1], pc set (0, 1, 4)
<li>Jung, Joachim: , [0, 11, 3, 10, 2, 1, 7, 8, 4, 9, 5, 6], pc set (0, 1, 4)
<li>Krenek, Ernst: Symphonic Elegy for String Orchestra, Op.105, [0, 1, 9, 11, 10, 2, 3, 7, 6, 8, 4, 5], pc set (0, 1, 4)
<li>Lackner, Peter: 'An alle Außerirdischen'. Kanon für drei Singstimmen, Kontrabaß und Klavier, [0, 4, 9, 7, 11, 2, 5, 1, 8, 10, 6, 3], pc set (0, 3, 7)
<li>Lackner, Peter: 'Euphorbia obesa'. Kanon für Oboe, Englischhorn und Fagott., [0, 10, 2, 6, 8, 4, 1, 9, 11, 3, 7, 5], pc set (0, 2, 4)
<li>Lackner, Peter: 2. Kanonzyklus, [0, 10, 2, 7, 9, 5, 11, 3, 1, 8, 4, 6], pc set (0, 2, 4)
<li>Lackner, Peter: Das Buch der Wandlungen I für Frauenstimmen und,oder Klavier, [0, 8, 3, 5, 1, 10, 7, 11, 4, 2, 6, 9], pc set (0, 3, 7)
<li>Lackner, Peter: KANON für A, O & Gsellmanns Weltmaschine. 8. Oktober 1958,2008, [0, 8, 10, 4, 2, 6, 9, 1, 11, 5, 7, 3], pc set (0, 2, 4)
<li>Lackner, Peter: Kanon T3 à 4, [0, 2, 7, 3, 5, 10, 6, 8, 1, 9, 11, 4], pc set (0, 2, 7), self-rotational interval pattern 2-5-8-
<li>Lackner, Peter: Kanon T6 á 2, [0, 10, 8, 3, 1, 5, 6, 4, 2, 9, 7, 11], pc set (0, 2, 4)
<li>Lackner, Peter: Kanon für Blockflötenquartett. April 2005, [0, 10, 11, 3, 1, 2, 8, 7, 9, 5, 4, 6], pc set (0, 1, 2)
<li>Lackner, Peter: Kanon für Flöte solo und N. N., [0, 3, 7, 10, 2, 5, 11, 8, 4, 1, 9, 6], pc set (0, 3, 7)
<li>Lackner, Peter: Kanon für Flöte und Elektronik. Februar 1999, [0, 10, 2, 7, 9, 5, 11, 3, 1, 8, 4, 6], pc set (0, 2, 4)
<li>Lackner, Peter: Kanon für Klavierquartett, [0, 8, 6, 11, 3, 9, 1, 5, 7, 2, 10, 4], pc set (0, 2, 6)
<li>Lackner, Peter: Kanon für Klavierquartett. 27. Juni 1991, [0, 2, 6, 9, 11, 3, 7, 5, 1, 10, 8, 4], pc set (0, 2, 6)
<li>Lackner, Peter: Kanon für Klaviertrio, [0, 2, 4, 9, 5, 7, 3, 1, 11, 6, 10, 8], pc set (0, 2, 4)
<li>Lackner, Peter: Kanon für Orgel, zweimanualiges Cembalo oder Klavier, [0, 7, 2, 11, 4, 9, 6, 8, 1, 5, 3, 10], pc set (0, 2, 7)
<li>Lackner, Peter: Kanon für Orgel. 21. November 1994, 4. Februar 1995, [0, 8, 5, 1, 4, 9, 2, 11, 7, 3, 10, 6], pc set (0, 3, 7)
<li>Lackner, Peter: Kanon für Schwegel, diatonisches Hackbrett und Violine, [0, 8, 4, 10, 6, 2, 5, 1, 9, 3, 11, 7], pc set (0, 4, 8)
<li>Lackner, Peter: Kanon für Schwegel und zwei Geigen, [0, 6, 4, 2, 10, 8, 9, 3, 5, 7, 11, 1], pc set (0, 2, 6)
<li>Lackner, Peter: Kanon für Streichquartett. 22.September 2003, [0, 8, 10, 4, 2, 6, 9, 1, 11, 5, 7, 3], pc set (0, 2, 4)
<li>Lackner, Peter: Kanon für Violine solo, [0, 11, 2, 7, 10, 9, 3, 4, 1, 8, 5, 6], pc set (0, 1, 3)
<li>Lackner, Peter: Kanon für drei Violinen I, II August 1998, [0, 2, 10, 4, 8, 6, 1, 9, 11, 5, 3, 7], pc set (0, 2, 4)
<li>Lackner, Peter: Kanon für zwei Gitarren. September 2001, [0, 5, 3, 9, 11, 6, 7, 2, 4, 10, 8, 1], pc set (0, 2, 5)
<li>Lackner, Peter: Kanon für zwei Singstimmen und Ensemble zur Skulpturengruppe LEM von Axel Kirchmayr und einem Text von Hannes Waltl. September 2004, [0, 2, 9, 10, 5, 7, 1, 11, 4, 3, 8, 6], pc set (0, 2, 5)
<li>Lackner, Peter: Kanon für zwei Violinen, [0, 7, 4, 5, 9, 2, 3, 8, 11, 10, 6, 1], pc set (0, 3, 7)
<li>Lackner, Peter: Kanon für zwei Violinen. Frühjahr 1992, [0, 2, 4, 7, 9, 11, 5, 3, 1, 10, 8, 6], pc set (0, 2, 4)
<li>Lackner, Peter: Kanon für zwei Violinen und Klavier. 1. Dezember 2004, [0, 10, 2, 6, 8, 4, 1, 9, 11, 3, 7, 5], pc set (0, 2, 4)
<li>Lackner, Peter: Trauermusik für Fagott, Kontrafagott und Pauke, [0, 6, 2, 8, 10, 4, 11, 5, 9, 3, 1, 7], pc set (0, 2, 6)
<li>Lackner, Peter: kgV (3,4) [zweistimmiger Kanon für Klavier], [0, 10, 2, 3, 5, 7, 1, 11, 9, 8, 4, 6], pc set (0, 2, 4)
<li>Lang, Bernhard: 'Der Golem' nach Gustav Meyrinck, [0, 4, 7, 8, 11, 3, 5, 2, 9, 1, 10, 6], pc set (0, 3, 7)
<li>Leibowitz, René: Trois pièces pour piano, Op.19, [0, 4, 3, 1, 2, 5, 6, 9, 10, 8, 7, 11], pc set (0, 1, 4)
<li>Ligeti, György: Le Grand Macabre, [0, 6, 5, 11, 10, 4, 9, 3, 2, 8, 7, 1], pc set (0, 1, 6)
<li>Liszt, Franz: Eine Faust Symphonie, [0, 4, 8, 11, 3, 7, 10, 2, 6, 9, 1, 5], pc set (0, 4, 8), self-rotational interval pattern 4-4-3-
<li>Luo, Zhong-Rong: Three Piano Pieces, "Arabeque", row 2, [0, 2, 7, 9, 11, 4, 6, 8, 1, 3, 10, 5], pc set (0, 2, 7)
<li>Lutyens, Elisabeth: Motet (Excerota Tractati Logico-Philosophici), Op.27, [0, 11, 3, 7, 8, 4, 2, 6, 5, 1, 9, 10], pc set (0, 1, 4)
<li>Mamlok, Ursula: Haiku Settings, No.5, [0, 11, 8, 7, 4, 3, 5, 6, 9, 10, 1, 2], pc set (0, 1, 4)
<li>Moevs, Robert: Musica da Camera, [0, 1, 11, 3, 4, 2, 9, 10, 8, 7, 5, 6], pc set (0, 1, 2)
<li>Morris, Robert: Sung Song, [0, 3, 7, 6, 9, 2, 10, 5, 1, 8, 4, 11], pc set (0, 3, 7)
<li>Nono, Luigi: Incontri, [0, 2, 3, 8, 9, 6, 4, 5, 7, 11, 1, 10], pc set (0, 1, 3)
<li>Nono, Luigi: Variazioni canoniche sulla serie dell'Op.41 di Arnold Schönberg, [0, 1, 9, 8, 4, 5, 7, 6, 10, 11, 3, 2], pc set (0, 1, 4)
<li>Panufnik, Andrzej: Sinfonia di Sfere (Symphony, No.5), Chord 1, [0, 4, 8, 11, 3, 7, 10, 2, 6, 9, 1, 5], pc set (0, 4, 8), self-rotational interval pattern 4-4-3-
<li>Pärt, Arvo: Diagrams, [0, 11, 2, 1, 3, 4, 9, 10, 7, 8, 6, 5], pc set (0, 1, 3)
<li>Rochberg, George: Sonata-Fantasia, [0, 11, 10, 4, 5, 6, 9, 8, 7, 1, 2, 3], pc set (0, 1, 2)
<li>Sande, Henrik: 'Volkslied' für zwei Singstimmen und Klavier. 24. 12. 2015, [0, 2, 4, 5, 7, 9, 10, 8, 6, 3, 1, 11], pc set (0, 2, 4)
<li>Schnittke, Alfred: Concerto Grosso, No.3, monogram 3, [0, 11, 2, 1, 3, 4, 10, 9, 7, 8, 5, 6], pc set (0, 1, 3)
<li>Schnittke, Alfred: String Quartet, No.4, mvt 4, m.31, [0, 11, 9, 10, 8, 7, 6, 5, 3, 4, 2, 1], pc set (0, 1, 3)
<li>Schnittke, Alfred: Symphony, No.7, mvt 3, row y, [0, 1, 11, 10, 8, 9, 7, 6, 5, 4, 3, 2], pc set (0, 1, 2)
<li>Schoenberg, Arnold: Die Jakobsleiter, [0, 1, 4, 3, 7, 6, 11, 2, 10, 9, 5, 8], pc set (0, 1, 4)
<li>Schoenberg, Arnold: Modern Psalms, The First Psalm, Op.50c, [0, 11, 8, 4, 7, 3, 1, 5, 2, 6, 9, 10], pc set (0, 1, 4)
<li>Schoenberg, Arnold: Ode To Napoleon Buonaparte, Op.41 (view 1), [0, 11, 3, 4, 8, 7, 2, 1, 5, 6, 10, 9], pc set (0, 1, 4)
<li>Schoenberg, Arnold: Ode To Napoleon Buonaparte, Op.41 (view 2), [0, 1, 9, 8, 4, 5, 7, 6, 10, 11, 3, 2], pc set (0, 1, 4)
<li>Schoenberg, Arnold: Serenade, mvt 5, "Tanzscene", Op.24, [0, 1, 3, 6, 7, 9, 8, 10, 11, 2, 4, 5], pc set (0, 1, 3)
<li>Schoenberg, Arnold: Suite, Op.29, [0, 4, 3, 7, 11, 8, 9, 6, 5, 1, 2, 10], pc set (0, 1, 4)
<li>Schoenberg, Arnold: Three Songs, No.3, "Madchenlied", Op.48, [0, 6, 8, 10, 2, 4, 9, 5, 3, 11, 7, 1], pc set (0, 2, 6)
<li>Schwantner, Joseph: ...and the mountains rising nowhere, [0, 11, 8, 7, 4, 3, 2, 1, 10, 9, 6, 5], pc set (0, 1, 4)
<li>Schwantner, Joseph: Elixir (Consortium VIII), m.22, [0, 1, 4, 5, 8, 9, 6, 7, 10, 11, 2, 3], pc set (0, 1, 4)
<li>Schwantner, Joseph: In Aeternum (Derived Row), [0, 3, 11, 2, 10, 1, 7, 4, 8, 5, 9, 6], pc set (0, 1, 4)
<li>Schwantner, Joseph: In Aeternum (Principal Row), [0, 4, 11, 6, 10, 5, 1, 9, 2, 7, 3, 8], pc set (0, 1, 5)
<li>Seiber, Mátyás: Ulysses, [0, 3, 4, 7, 8, 11, 1, 10, 9, 6, 5, 2], pc set (0, 1, 4)
<li>Slonimsky, Nicholas: No. 1214a Thirds (Twelve-Tone Patterns), [0, 4, 8, 11, 3, 7, 6, 10, 2, 5, 9, 1], pc set (0, 4, 8)
<li>Slonimsky, Nicholas: No. 1215a Fourths (Twelve-Tone Patterns), [0, 5, 10, 3, 8, 1, 7, 2, 9, 4, 11, 6], pc set (0, 2, 7)
<li>Slonimsky, Nicholas: No. 1223a Sixths (Twelve-Tone Patterns), [0, 8, 4, 1, 5, 9, 6, 2, 10, 7, 11, 3], pc set (0, 4, 8)
<li>Slonimsky, Nicholas: No. 1225a Sixths (Twelve-Tone Patterns), [0, 8, 4, 7, 11, 3, 6, 2, 10, 1, 5, 9], pc set (0, 4, 8)
<li>Slonimsky, Nicholas: No. 1226a Minor Sevenths (Twelve-Tone Patterns), [0, 10, 8, 2, 4, 6, 1, 11, 9, 3, 5, 7], pc set (0, 2, 4)
<li>Slonimsky, Nicholas: No. 1229a Major Sevenths (Twelve-Tone Patterns), [0, 11, 10, 9, 8, 7, 1, 2, 3, 4, 5, 6], pc set (0, 1, 2)
<li>Slonimsky, Nicholas: No. 1231a Major Sevenths (Twelve-Tone Patterns), [0, 11, 4, 3, 8, 7, 1, 2, 9, 10, 5, 6], pc set (0, 1, 5)
<li>Slonimsky, Nicholas: No. 1242a Mutually Exclusive Diminished-Seventh Chords (Twelve-Tone Spirals), [0, 8, 4, 11, 3, 7, 1, 9, 5, 10, 2, 6], pc set (0, 4, 8)
<li>Slonimsky, Nicholas: No. 1251a Quadritonal Arpeggios (Division of Twelve Tones into Four Mutually Exclusive Triads), [0, 3, 7, 10, 1, 6, 9, 2, 5, 8, 11, 4], pc set (0, 3, 7)
<li>Slonimsky, Nicholas: No. 1251b Quadritonal Arpeggios (Division of Twelve Tones into Four Mutually Exclusive Triads), [0, 8, 5, 3, 11, 6, 2, 10, 7, 4, 1, 9], pc set (0, 3, 7)
<li>Slonimsky, Nicholas: No. 1252a Quadritonal Arpeggios (Division of Twelve Tones into Four Mutually Exclusive Triads), [0, 3, 7, 10, 1, 5, 9, 2, 6, 8, 11, 4], pc set (0, 3, 7)
<li>Slonimsky, Nicholas: No. 1252b Quadritonal Arpeggios (Division of Twelve Tones into Four Mutually Exclusive Triads), [0, 8, 5, 3, 10, 6, 2, 11, 7, 4, 1, 9], pc set (0, 3, 7)
<li>Slonimsky, Nicholas: No. 1253a Quadritonal Arpeggios (Division of Twelve Tones into Four Mutually Exclusive Triads), [0, 4, 7, 10, 1, 5, 8, 11, 3, 6, 9, 2], pc set (0, 3, 7)
<li>Slonimsky, Nicholas: No. 1253b Quadritonal Arpeggios (Division of Twelve Tones into Four Mutually Exclusive Triads), [0, 8, 3, 1, 9, 6, 4, 11, 7, 5, 2, 10], pc set (0, 3, 7)
<li>Slonimsky, Nicholas: No. 1254a Quadritonal Arpeggios (Division of Twelve Tones into Four Mutually Exclusive Triads), [0, 4, 7, 10, 2, 5, 8, 11, 3, 6, 9, 1], pc set (0, 3, 7)
<li>Slonimsky, Nicholas: No. 1254b Quadritonal Arpeggios (Division of Twelve Tones into Four Mutually Exclusive Triads), [0, 8, 3, 1, 10, 6, 4, 11, 7, 5, 2, 9], pc set (0, 3, 7)
<li>Slonimsky, Nicholas: No. 1255a [Slonimsky: Moto Perpetuo] Quadritonal Arpeggios (Division of Twelve Tones into Four Mutually Exclusive Triads), [0, 4, 7, 10, 1, 6, 9, 2, 5, 8, 11, 3], pc set (0, 3, 7)
<li>Slonimsky, Nicholas: No. 1255b [Slonimsky: Moto Perpetuo] Quadritonal Arpeggios (Division of Twelve Tones into Four Mutually Exclusive Triads), [0, 8, 3, 2, 9, 6, 5, 1, 10, 7, 4, 11], pc set (0, 3, 7)
<li>Slonimsky, Nicholas: No. 1256a Quadritonal Arpeggios (Division of Twelve Tones into Four Mutually Exclusive Triads), [0, 3, 7, 10, 2, 5, 8, 11, 4, 6, 9, 1], pc set (0, 3, 7)
<li>Slonimsky, Nicholas: No. 1256b Quadritonal Arpeggios (Division of Twelve Tones into Four Mutually Exclusive Triads), [0, 9, 4, 2, 11, 7, 5, 1, 8, 6, 3, 10], pc set (0, 3, 7)
<li>Slonimsky, Nicholas: No. 1269a Quadritonal Arpeggios (Division of Twelve Tones into Four Mutually Exclusive Triads), [0, 4, 8, 9, 1, 5, 6, 10, 2, 3, 7, 11], pc set (0, 4, 8), self-rotational interval pattern 4-4-1-
<li>Slonimsky, Nicholas: No. 1269b Quadritonal Arpeggios (Division of Twelve Tones into Four Mutually Exclusive Triads), [0, 8, 4, 3, 11, 7, 6, 2, 10, 9, 5, 1], pc set (0, 4, 8), self-rotational interval pattern 8-8-11-
<li>Slonimsky, Nicholas: No. 1270a Quadritonal Arpeggios (Division of Twelve Tones into Four Mutually Exclusive Triads), [0, 4, 8, 10, 2, 6, 7, 11, 3, 5, 9, 1], pc set (0, 4, 8)
<li>Slonimsky, Nicholas: No. 1270b Quadritonal Arpeggios (Division of Twelve Tones into Four Mutually Exclusive Triads), [0, 8, 4, 2, 10, 6, 3, 11, 7, 5, 1, 9], pc set (0, 4, 8)
<li>Slonimsky, Nicholas: No. 1271a Quadritonal Arpeggios (Division of Twelve Tones into Four Mutually Exclusive Triads), [0, 4, 8, 11, 3, 7, 10, 2, 6, 9, 1, 5], pc set (0, 4, 8), self-rotational interval pattern 4-4-3-
<li>Slonimsky, Nicholas: No. 1271b Quadritonal Arpeggios (Division of Twelve Tones into Four Mutually Exclusive Triads), [0, 8, 4, 1, 9, 5, 2, 10, 6, 3, 11, 7], pc set (0, 4, 8), self-rotational interval pattern 8-8-9-
<li>Slonimsky, Nicholas: No. 1272a Quadritonal Arpeggios; Inversions (Division of Twelve Tones into Four Mutually Exclusive Triads), [0, 3, 7, 10, 1, 6, 9, 5, 2, 11, 8, 4], pc set (0, 3, 7)
<li>Slonimsky, Nicholas: No. 1272b Quadritonal Arpeggios; Inversions (Division of Twelve Tones into Four Mutually Exclusive Triads), [0, 3, 7, 10, 6, 1, 2, 5, 9, 8, 4, 11], pc set (0, 3, 7)
<li>Slonimsky, Nicholas: No. 1273a Quadritonal Arpeggios; Inversions (Division of Twelve Tones into Four Mutually Exclusive Triads), [0, 3, 7, 10, 1, 5, 9, 6, 2, 11, 8, 4], pc set (0, 3, 7)
<li>Slonimsky, Nicholas: No. 1273b Quadritonal Arpeggios; Inversions (Division of Twelve Tones into Four Mutually Exclusive Triads), [0, 3, 7, 10, 5, 1, 2, 6, 9, 8, 4, 11], pc set (0, 3, 7)
<li>Slonimsky, Nicholas: No. 1274a Quadritonal Arpeggios; Inversions (Division of Twelve Tones into Four Mutually Exclusive Triads), [0, 4, 7, 10, 1, 5, 9, 6, 2, 11, 8, 3], pc set (0, 3, 7)
<li>Slonimsky, Nicholas: No. 1274b Quadritonal Arpeggios; Inversions (Division of Twelve Tones into Four Mutually Exclusive Triads), [0, 4, 7, 10, 5, 1, 2, 6, 9, 8, 3, 11], pc set (0, 3, 7)
<li>Slonimsky, Nicholas: No. 1275a Quadritonal Arpeggios; Inversions (Division of Twelve Tones into Four Mutually Exclusive Triads), [0, 4, 7, 10, 2, 5, 9, 6, 1, 11, 8, 3], pc set (0, 3, 7)
<li>Slonimsky, Nicholas: No. 1275b Quadritonal Arpeggios; Inversions (Division of Twelve Tones into Four Mutually Exclusive Triads), [0, 4, 7, 10, 5, 2, 1, 6, 9, 8, 3, 11], pc set (0, 3, 7)
<li>Slonimsky, Nicholas: No. 1276a Quadritonal Arpeggios; Inversions (Division of Twelve Tones into Four Mutually Exclusive Triads), [0, 4, 7, 10, 1, 6, 9, 5, 2, 11, 8, 3], pc set (0, 3, 7)
<li>Slonimsky, Nicholas: No. 1276b Quadritonal Arpeggios; Inversions (Division of Twelve Tones into Four Mutually Exclusive Triads), [0, 4, 7, 10, 6, 1, 2, 5, 9, 8, 3, 11], pc set (0, 3, 7)
<li>Slonimsky, Nicholas: No. 1277a Quadritonal Arpeggios; Inversions (Division of Twelve Tones into Four Mutually Exclusive Triads), [0, 3, 7, 10, 2, 5, 8, 4, 11, 9, 6, 1], pc set (0, 3, 7)
<li>Slonimsky, Nicholas: No. 1277b Quadritonal Arpeggios; Inversions (Division of Twelve Tones into Four Mutually Exclusive Triads), [0, 3, 7, 10, 5, 2, 4, 8, 11, 9, 6, 1], pc set (0, 3, 7)
<li>Slonimsky, Nicholas: No. 1290a Quadritonal Arpeggios; Inversions (Division of Twelve Tones into Four Mutually Exclusive Triads), [0, 4, 8, 9, 1, 5, 6, 2, 10, 7, 3, 11], pc set (0, 4, 8)
<li>Slonimsky, Nicholas: No. 1290b Quadritonal Arpeggios; Inversions (Division of Twelve Tones into Four Mutually Exclusive Triads), [0, 4, 8, 9, 5, 1, 10, 2, 6, 7, 3, 11], pc set (0, 4, 8)
<li>Slonimsky, Nicholas: No. 1291a Quadritonal Arpeggios; Inversions (Division of Twelve Tones into Four Mutually Exclusive Triads), [0, 4, 8, 10, 2, 6, 7, 3, 11, 9, 5, 1], pc set (0, 4, 8)
<li>Slonimsky, Nicholas: No. 1291b Quadritonal Arpeggios; Inversions (Division of Twelve Tones into Four Mutually Exclusive Triads), [0, 4, 8, 10, 6, 2, 11, 3, 7, 9, 5, 1], pc set (0, 4, 8)
<li>Slonimsky, Nicholas: No. 1292a Quadritonal Arpeggios; Inversions (Division of Twelve Tones into Four Mutually Exclusive Triads), [0, 4, 8, 11, 3, 7, 10, 6, 2, 1, 9, 5], pc set (0, 4, 8)
<li>Slonimsky, Nicholas: No. 1292b Quadritonal Arpeggios; Inversions (Division of Twelve Tones into Four Mutually Exclusive Triads), [0, 4, 8, 11, 7, 3, 2, 6, 10, 9, 5, 1], pc set (0, 4, 8)
<li>Slonimsky, Nicholas: No. 1293a Two Major Hexachords (Miscellaneous Dodecaphonic Patterns), [0, 2, 4, 5, 7, 9, 6, 8, 10, 11, 1, 3], pc set (0, 2, 4)
<li>Slonimsky, Nicholas: No. 1293b Two Major Hexachords (Miscellaneous Dodecaphonic Patterns), [0, 3, 1, 11, 10, 8, 6, 9, 7, 5, 4, 2], pc set (0, 1, 3)
<li>Slonimsky, Nicholas: No. 1296a Two Major Hexachords (Miscellaneous Dodecaphonic Patterns), [0, 7, 8, 3, 4, 11, 6, 1, 2, 9, 10, 5], pc set (0, 1, 5)
<li>Slonimsky, Nicholas: No. 1297b Two Major Hexachords (Miscellaneous Dodecaphonic Patterns), [0, 10, 8, 1, 3, 5, 6, 4, 2, 7, 9, 11], pc set (0, 2, 4)
<li>Slonimsky, Nicholas: No. 1316 Invertible Dodecaphonic Progressions - With all Different Intervals. (White-Key Row of Six Notes), [0, 7, 4, 5, 9, 2, 8, 3, 11, 10, 1, 6], pc set (0, 3, 7)
<li>Slonimsky, Nicholas: No. 230 Ultrapolation of Three Notes (Ditone Progression; Equal Division of One Octave into Three Parts), [0, 6, 5, 11, 4, 10, 9, 3, 8, 2, 1, 7], pc set (0, 1, 6)
<li>Slonimsky, Nicholas: No. 405 Ultrapolation of Two Notes (Sesquitone Progression; Equal Division of One Octave into Four Parts), [0, 7, 5, 3, 10, 8, 6, 1, 11, 9, 4, 2], pc set (0, 2, 7), self-rotational interval pattern 7-10-10-
<li>Slonimsky, Nicholas: No. 407 Ultrapolation of Two Notes (Sesquitone Progression; Equal Division of One Octave into Four Parts), [0, 8, 4, 3, 11, 7, 6, 2, 10, 9, 5, 1], pc set (0, 4, 8), self-rotational interval pattern 8-8-11-
<li>Slonimsky, Nicholas: No. 410 Ultrapolation of Two Notes (Sesquitone Progression; Equal Division of One Octave into Four Parts), [0, 8, 7, 3, 11, 10, 6, 2, 1, 9, 5, 4], pc set (0, 1, 5), self-rotational interval pattern 8-11-8-
<li>Slonimsky, Nicholas: No. 415 Ultrapolation of Two Notes (Sesquitone Progression; Equal Division of One Octave into Four Parts), [0, 10, 5, 3, 1, 8, 6, 4, 11, 9, 7, 2], pc set (0, 2, 7), self-rotational interval pattern 10-7-10-
<li>Slonimsky, Nicholas: No. 417 Ultrapolation of Two Notes (Sesquitone Progression; Equal Division of One Octave into Four Parts), [0, 11, 4, 3, 2, 7, 6, 5, 10, 9, 8, 1], pc set (0, 1, 5), self-rotational interval pattern 11-5-11-
<li>Slonimsky, Nicholas: No. 420 Ultrapolation of Two Notes (Sesquitone Progression; Equal Division of One Octave into Four Parts), [0, 11, 7, 3, 2, 10, 6, 5, 1, 9, 8, 4], pc set (0, 1, 5), self-rotational interval pattern 11-8-8-
<li>Slonimsky, Nicholas: No. 453 Infrapolation of Two Notes (Sesquitone Progression; Equal Division of One Octave into Four Parts), [0, 11, 10, 3, 2, 1, 6, 5, 4, 9, 8, 7], pc set (0, 1, 2), self-rotational interval pattern 11-11-5-
<li>Slonimsky, Nicholas: No. 456 Infrapolation of Two Notes (Sesquitone Progression; Equal Division of One Octave into Four Parts), [0, 11, 7, 3, 2, 10, 6, 5, 1, 9, 8, 4], pc set (0, 1, 5), self-rotational interval pattern 11-8-8-
<li>Slonimsky, Nicholas: No. 459 Infrapolation of Two Notes (Sesquitone Progression; Equal Division of One Octave into Four Parts), [0, 10, 8, 3, 1, 11, 6, 4, 2, 9, 7, 5], pc set (0, 2, 4), self-rotational interval pattern 10-10-7-
<li>Slonimsky, Nicholas: No. 466 Infrapolation of Two Notes (Sesquitone Progression; Equal Division of One Octave into Four Parts), [0, 8, 7, 3, 11, 10, 6, 2, 1, 9, 5, 4], pc set (0, 1, 5), self-rotational interval pattern 8-11-8-
<li>Slonimsky, Nicholas: No. 469 Infrapolation of Two Notes (Sesquitone Progression; Equal Division of One Octave into Four Parts), [0, 8, 4, 3, 11, 7, 6, 2, 10, 9, 5, 1], pc set (0, 4, 8), self-rotational interval pattern 8-8-11-
<li>Slonimsky, Nicholas: No. 482 Infra-Interpolation (Sesquitone Progression; Equal Division of One Octave into Four Parts), [0, 11, 1, 3, 2, 4, 6, 5, 7, 9, 8, 10], pc set (0, 1, 2), self-rotational interval pattern 11-2-2-
<li>Slonimsky, Nicholas: No. 485 Infra-Interpolation (Sesquitone Progression; Equal Division of One Octave into Four Parts), [0, 10, 2, 3, 1, 5, 6, 4, 8, 9, 7, 11], pc set (0, 2, 4), self-rotational interval pattern 10-4-1-
<li>Slonimsky, Nicholas: No. 493 Inter-Ultrapolation (Sesquitone Progression; Equal Division of One Octave into Four Parts), [0, 1, 5, 3, 4, 8, 6, 7, 11, 9, 10, 2], pc set (0, 1, 5), self-rotational interval pattern 1-4-10-
<li>Slonimsky, Nicholas: No. 496 [Shostakovitch: Prelude No, 2] Inter-Ultrapolation (Sesquitone Progression; Equal Division of One Octave into Four Parts), [0, 2, 4, 3, 5, 7, 6, 8, 10, 9, 11, 1], pc set (0, 2, 4), self-rotational interval pattern 2-2-11-
<li>Slonimsky, Nicholas: No. 499 Inter-Ultrapolation (Sesquitone Progression; Equal Division of One Octave into Four Parts), [0, 2, 7, 3, 5, 10, 6, 8, 1, 9, 11, 4], pc set (0, 2, 7), self-rotational interval pattern 2-5-8-
<li>Slonimsky, Nicholas: No. 500 Infra-Ultrapolation (Sesquitone Progression; Equal Division of One Octave into Four Parts), [0, 11, 4, 3, 2, 7, 6, 5, 10, 9, 8, 1], pc set (0, 1, 5), self-rotational interval pattern 11-5-11-
<li>Slonimsky, Nicholas: No. 503 Infra-Ultrapolation (Sesquitone Progression; Equal Division of One Octave into Four Parts), [0, 11, 7, 3, 2, 10, 6, 5, 1, 9, 8, 4], pc set (0, 1, 5), self-rotational interval pattern 11-8-8-
<li>Slonimsky, Nicholas: No. 505 Infra-Ultrapolation (Sesquitone Progression; Equal Division of One Octave into Four Parts), [0, 10, 5, 3, 1, 8, 6, 4, 11, 9, 7, 2], pc set (0, 2, 7), self-rotational interval pattern 10-7-10-
<li>Slonimsky, Nicholas: No. 508 Infra-Ultrapolation (Sesquitone Progression; Equal Division of One Octave into Four Parts), [0, 10, 8, 3, 1, 11, 6, 4, 2, 9, 7, 5], pc set (0, 2, 4), self-rotational interval pattern 10-10-7-
<li>Slonimsky, Nicholas: No. 512 Infra-Ultrapolation (Sesquitone Progression; Equal Division of One Octave into Four Parts), [0, 8, 4, 3, 11, 7, 6, 2, 10, 9, 5, 1], pc set (0, 4, 8), self-rotational interval pattern 8-8-11-
<li>Slonimsky, Nicholas: No. 639 Permutations (Semitone Progression; Equal Division of One Octave into Twelve Parts), [0, 1, 2, 5, 4, 3, 6, 7, 8, 11, 10, 9], pc set (0, 1, 2)
<li>Slonimsky, Nicholas: No. 640 Permutations (Semitone Progression; Equal Division of One Octave into Twelve Parts), [0, 11, 10, 7, 8, 9, 6, 5, 4, 1, 2, 3], pc set (0, 1, 2)
<li>Slonimsky, Nicholas: No. 642 Permutations (Semitone Progression; Equal Division of One Octave into Twelve Parts), [0, 1, 2, 3, 4, 5, 11, 10, 9, 8, 7, 6], pc set (0, 1, 2)
<li>Slonimsky, Nicholas: No. 746 Interpolation of Two Notes (Sesquiquadritone Progression; Equal Division of Three Octaves into Four Parts), [0, 1, 5, 9, 10, 2, 6, 7, 11, 3, 4, 8], pc set (0, 1, 5), self-rotational interval pattern 1-4-4-
<li>Slonimsky, Nicholas: No. 749 Interpolation of Two Notes (Sesquiquadritone Progression; Equal Division of Three Octaves into Four Parts), [0, 2, 7, 9, 11, 4, 6, 8, 1, 3, 5, 10], pc set (0, 2, 7), self-rotational interval pattern 2-5-2-
<li>Slonimsky, Nicholas: No. 753 Interpolation of Two Notes (Sesquiquadritone Progression; Equal Division of Three Octaves into Four Parts), [0, 4, 8, 9, 1, 5, 6, 10, 2, 3, 7, 11], pc set (0, 4, 8), self-rotational interval pattern 4-4-1-
<li>Slonimsky, Nicholas: No. 754 Interpolation of Two Notes (Sesquiquadritone Progression; Equal Division of Three Octaves into Four Parts), [0, 5, 7, 9, 2, 4, 6, 11, 1, 3, 8, 10], pc set (0, 2, 7), self-rotational interval pattern 5-2-2-
<li>Slonimsky, Nicholas: No. 794 Infra-Ultrapolation (Sesquiquadritone Progression; Equal Division of Three Octaves into Four Parts), [0, 10, 11, 9, 7, 8, 6, 4, 5, 3, 1, 2], pc set (0, 1, 2), self-rotational interval pattern 10-1-10-
<li>Slonimsky, Nicholas: No. 795 Infra-Ultrapolation (Sesquiquadritone Progression; Equal Division of Three Octaves into Four Parts), [0, 8, 1, 9, 5, 10, 6, 2, 7, 3, 11, 4], pc set (0, 1, 5), self-rotational interval pattern 8-5-8-
<li>Slonimsky, Nicholas: No. 799 Infra-Infrapolation (Sesquiquadritone Progression; Equal Division of Three Octaves into Four Parts), [0, 2, 7, 9, 11, 4, 6, 8, 1, 3, 5, 10], pc set (0, 2, 7), self-rotational interval pattern 2-5-2-
<li>Slonimsky, Nicholas: No. 903 Inter-Ultrapolation (Quinquetone Progression; Equal Division of Five Octaves into Six Parts), [0, 4, 8, 5, 9, 1, 10, 2, 6, 3, 7, 11], pc set (0, 4, 8), self-rotational interval pattern 4-4-9-
<li>Slonimsky, Nicholas: No. 915 Miscellaneous Patterns (Diatessaron Progression; Equal Division of Five Octaves into Twelve Parts), [0, 10, 2, 8, 4, 6, 5, 3, 7, 1, 9, 11], pc set (0, 2, 4)
<li>Slonimsky, Nicholas: No. 997 Infra-Interpolation (Diapente Progression; Equal Division of Seven Octaves into Twelve Parts), [0, 8, 4, 7, 3, 11, 2, 10, 6, 9, 5, 1], pc set (0, 4, 8), self-rotational interval pattern 8-8-3-
<li>Smith, Hale: Contours for Orchestra, [0, 5, 6, 4, 10, 11, 7, 2, 1, 3, 9, 8], pc set (0, 1, 6)
<li>Spinner, Leopold: Chamber Symphony, Op.28, [0, 11, 10, 6, 4, 5, 2, 1, 3, 7, 8, 9], pc set (0, 1, 2)
<li>Spinner, Leopold: Ricercata, Op.21, [0, 11, 8, 10, 2, 1, 4, 3, 7, 9, 6, 5], pc set (0, 1, 4)
<li>Spinner, Leopold: Sonata for Clarinet and Piano, Op.17, [0, 3, 4, 1, 2, 5, 11, 8, 7, 10, 9, 6], pc set (0, 1, 4)
<li>Spinner, Leopold: Sonata for Piano, Op.3, [0, 9, 8, 6, 7, 10, 1, 4, 5, 3, 2, 11], pc set (0, 1, 4)
<li>Spinner, Leopold: Sonatina for Cello and Piano, Op.26, [0, 1, 11, 2, 4, 3, 9, 10, 8, 5, 7, 6], pc set (0, 1, 2)
<li>Spinner, Leopold: String Quartet, No.2, Op.7, [0, 3, 4, 7, 8, 11, 1, 10, 9, 6, 5, 2], pc set (0, 1, 4)
<li>Spinner, Leopold: Trio for Clarinet, Cello and Piano, [0, 1, 7, 6, 5, 11, 10, 3, 4, 2, 9, 8], pc set (0, 1, 6)
<li>Spinner, Leopold: Trio for Violin, Cello, and Piano, Op.6, [0, 1, 7, 4, 10, 9, 6, 5, 11, 8, 2, 3], pc set (0, 1, 6)
<li>Stravinsky, Igor: Fanfare for a New Theater, [0, 11, 1, 3, 4, 2, 5, 7, 6, 8, 10, 9], pc set (0, 1, 2)
<li>Talma, Louise: Six Etudes, Etude 4, [0, 1, 5, 9, 4, 8, 7, 6, 11, 2, 10, 3], pc set (0, 1, 5)
<li>Tranchell, Peter: Piano piece for Carl Dawson (unfinished), 5, [0, 4, 3, 10, 6, 9, 1, 5, 2, 8, 11, 7], pc set (0, 1, 4)
<li>Wang, Jian-Zhong: Five Pieces for Piano no. 1, "Pastorale" (variant), [0, 3, 5, 7, 4, 2, 11, 9, 6, 8, 10, 1], pc set (0, 2, 5)
<li>Weber, Ben: Fantasia (Variations), Op.25, [0, 1, 5, 9, 10, 2, 6, 11, 7, 4, 3, 8], pc set (0, 1, 5)
<li>Webern, Anton: Op.32 (un-finished), initial sketch, [0, 1, 9, 11, 3, 2, 7, 6, 10, 8, 4, 5], pc set (0, 1, 4)
<li>Webern, Anton: Op.32 (un-finished), later sketch, [0, 1, 2, 11, 10, 9, 5, 4, 3, 6, 7, 8], pc set (0, 1, 2)
<li>Webern, Anton: Cantata I, Op.29, [0, 8, 11, 10, 2, 1, 4, 3, 7, 6, 9, 5], pc set (0, 1, 4)
<li>Webern, Anton: Concerto for Nine Instruments (Konzert), Op.24, [0, 11, 3, 4, 8, 7, 9, 5, 6, 1, 2, 10], pc set (0, 1, 4)
<li>Wolpe, Stefan: Four Studies on Basic Rows, No.1 - Study on Tritones, [0, 6, 7, 1, 2, 8, 11, 5, 10, 4, 9, 3], pc set (0, 1, 6)
<li>Wolpe, Stefan: Four Studies on Basic Rows, No.2 - Study on Thirds, [0, 11, 9, 8, 10, 7, 6, 5, 3, 2, 4, 1], pc set (0, 1, 3)
<li>Wolpe, Stefan: Four Studies on Basic Rows, No.4, "Basic Row" 2, [0, 2, 4, 6, 8, 10, 11, 1, 3, 5, 7, 9], pc set (0, 2, 4)
<li>Wolpe, Stefan: Four Studies on Basic Rows, No.4, "Basic Row" 3, [0, 3, 1, 4, 2, 5, 6, 9, 7, 10, 8, 11], pc set (0, 1, 3)
<li>Wolpe, Stefan: Four Studies on Basic Rows, No.4, "Basic Row" 4, [0, 4, 8, 2, 6, 10, 3, 7, 11, 5, 9, 1], pc set (0, 4, 8)
<li>Wolpe, Stefan: Four Studies on Basic Rows, No.4, "Basic Row" 8, [0, 8, 4, 1, 9, 5, 2, 10, 6, 3, 11, 7], pc set (0, 4, 8), self-rotational interval pattern 8-8-9-
<li>Wolpe, Stefan: Four Studies on Basic Rows, No.4, "Basic Row" 9, [0, 9, 1, 10, 2, 11, 6, 3, 7, 4, 8, 5], pc set (0, 1, 4)
<li>Wuorinen, Charles: Second Sonata, Voice 3, [0, 2, 4, 3, 5, 1, 9, 7, 11, 10, 8, 6], pc set (0, 2, 4)
<li>Zhou, Jin-Min: Piano Quintet, Scherzo, [0, 10, 5, 4, 6, 11, 7, 9, 2, 3, 1, 8], pc set (0, 2, 7)
<li>Zillig, Wilfried: Das Opfer, [0, 11, 3, 4, 8, 7, 10, 9, 1, 2, 6, 5], pc set (0, 1, 4)
<li>Zimmerman, Bernd Alois: Perspektiven, [0, 2, 10, 8, 4, 6, 3, 1, 5, 7, 11, 9], pc set (0, 2, 4)
</ol>
</div>
<div>
<h2>3x Same Tetrachord</h2>
Next up we have cases of 3x the same tetrachord (pitches 1-4, 5-8, and 8-12).
<ol>
<li>Argento, Dominick: A Water Bird Talk, Bird Row, [0, 7, 2, 1, 10, 9, 3, 8, 5, 4, 11, 6], pc set (0, 1, 2, 7)
<li>Babbitt, Milton: Woodwind Quartet, [0, 3, 1, 2, 11, 10, 8, 9, 5, 7, 6, 4], pc set (0, 1, 2, 3)
<li>Bach, Johann Sebastian: Chromatische Fantasie, [0, 3, 6, 9, 11, 2, 5, 8, 10, 1, 4, 7], pc set (0, 3, 6, 9), self-rotational interval pattern 3-3-3-2-
<li>Bartók, Béla: String Quartet, No.4, [0, 5, 6, 11, 4, 9, 10, 3, 8, 1, 2, 7], pc set (0, 1, 6, 7), self-rotational interval pattern 5-1-5-5-
<li>Berg, Alban: Lulu, Schigolch, [0, 2, 3, 1, 4, 5, 6, 7, 8, 9, 11, 10], pc set (0, 1, 2, 3)
<li>Dallapiccola, Luigi: Ulisse [opera], [0, 2, 1, 3, 9, 8, 11, 10, 4, 6, 5, 7], pc set (0, 1, 2, 3)
<li>David, Johann Nepomuk: Sonata for violin, Op.58, No.1, [0, 2, 3, 9, 11, 10, 5, 8, 1, 6, 4, 7], pc set (0, 1, 3, 6)
<li>Denisov, Edison: Five Etudes for Solo Bassoon, row A, [0, 6, 1, 7, 8, 3, 2, 9, 10, 5, 11, 4], pc set (0, 1, 6, 7)
<li>Denisov, Edison: Five Etudes for Solo Bassoon, row B, [0, 11, 6, 5, 4, 10, 9, 3, 2, 7, 1, 8], pc set (0, 1, 6, 7)
<li>Denisov, Edison: Five Etudes for Solo Bassoon, row C, [0, 6, 11, 5, 4, 10, 9, 3, 2, 7, 1, 8], pc set (0, 1, 6, 7)
<li>Denisov, Edison: Five Etudes for Solo Bassoon, row D, [0, 6, 1, 7, 8, 3, 2, 9, 10, 11, 5, 4], pc set (0, 1, 6, 7)
<li>Denisov, Edison: Five Etudes for Solo Bassoon, row E, [0, 1, 7, 6, 5, 11, 10, 4, 3, 8, 2, 9], pc set (0, 1, 6, 7)
<li>Denisov, Edison: Five Etudes for Solo Bassoon, row F, [0, 6, 1, 7, 3, 2, 8, 9, 10, 5, 11, 4], pc set (0, 1, 6, 7)
<li>Denisov, Edison: Five Etudes for Solo Bassoon, row J, [0, 6, 5, 11, 4, 10, 9, 3, 2, 7, 1, 8], pc set (0, 1, 6, 7)
<li>Denisov, Edison: Octet for Winds, mvt 2, row B, [0, 6, 11, 5, 4, 10, 9, 3, 2, 8, 1, 7], pc set (0, 1, 6, 7)
<li>Finney, Ross Lee: Sonata Quasi una Fantasia, [0, 1, 3, 2, 4, 5, 6, 7, 9, 8, 10, 11], pc set (0, 1, 2, 3)
<li>Ginastera, Alberto: Don Rodrigo, Op.31, Row Class 3, [0, 5, 6, 11, 2, 1, 8, 7, 10, 4, 9, 3], pc set (0, 1, 6, 7)
<li>Ginastera, Alberto: Don Rodrigo, Op.31, Row Class 4, [0, 9, 10, 11, 6, 5, 8, 7, 2, 3, 4, 1], pc set (0, 1, 2, 3)
<li>Ginastera, Alberto: Don Rodrigo, Op.31, Row Class 8, [0, 1, 7, 6, 8, 9, 3, 2, 4, 5, 11, 10], pc set (0, 1, 6, 7), self-rotational interval pattern 1-6-11-2-
<li>Ginastera, Alberto: Sonata for Cello and Piano, Op.49, [0, 3, 2, 1, 10, 11, 8, 9, 5, 4, 7, 6], pc set (0, 1, 2, 3)
<li>Ginastera, Alberto: Sonata for Guitar, Op.47, mvts II and III, Row Class III S, [0, 6, 11, 5, 8, 2, 7, 1, 4, 10, 3, 9], pc set (0, 1, 6, 7), self-rotational interval pattern 6-5-6-3-
<li>Ginastera, Alberto: Sonata for Guitar, Op.47, mvts II and III, Row Class II 2, [0, 3, 6, 9, 2, 5, 8, 11, 4, 7, 10, 1], pc set (0, 3, 6, 9), self-rotational interval pattern 3-3-3-5-
<li>Ginastera, Alberto: Sonata for Guitar, Op.47, mvts II and III, Row Class II 5, [0, 7, 1, 6, 4, 11, 5, 10, 8, 3, 9, 2], pc set (0, 1, 6, 7), self-rotational interval pattern 7-6-5-10-
<li>Hauer, Josef Matthias: Zwölftonspiel für Klavier zu vier Händen; mit einer Zwölftonreihe von Dr. Fritz Racek, [0, 2, 9, 11, 4, 3, 6, 1, 10, 8, 5, 7], pc set (0, 2, 3, 5)
<li>Hendler, Maximilian: aus den fünf Liedern nach Texten von Elisabeth Pöschl : 'Sonnenaufgang' für Singstimme und Klavier, Op.44-1, [0, 11, 2, 1, 5, 6, 4, 3, 8, 7, 9, 10], pc set (0, 1, 2, 3)
<li>Huber, Klaus: Zwei Sätze, [0, 3, 1, 10, 11, 8, 6, 9, 7, 2, 4, 5], pc set (0, 2, 3, 5)
<li>Jelinek, Hanns: Zwölftonwerk, Op.15, [0, 10, 5, 7, 3, 6, 1, 8, 11, 9, 2, 4], pc set (0, 2, 5, 7)
<li>Kalodiki, Georgia: Six Sketches for piano, [0, 7, 6, 1, 2, 9, 8, 3, 4, 11, 5, 10], pc set (0, 1, 6, 7)
<li>Lackner, Peter: Kanon T4 á 3, [0, 5, 7, 2, 4, 9, 11, 6, 8, 1, 3, 10], pc set (0, 2, 5, 7), self-rotational interval pattern 5-2-7-2-
<li>Lang, Bernhard: HIOB Musiktheater für Orchester, Chor und Solisten, [0, 9, 11, 10, 5, 8, 6, 7, 2, 3, 1, 4], pc set (0, 1, 2, 3)
<li>Li, Bao-Shu: Träumerei of Jiuzhai Gou, [0, 5, 7, 2, 4, 11, 9, 6, 3, 1, 8, 10], pc set (0, 2, 5, 7)
<li>Ligeti, György: Le Grand Macabre, [0, 6, 5, 11, 10, 4, 9, 3, 2, 8, 7, 1], pc set (0, 1, 6, 7)
<li>Luo, Zhong-Rong: String Quartet, No.2, [0, 3, 5, 10, 6, 8, 11, 1, 9, 2, 4, 7], pc set (0, 2, 5, 7)
<li>Morris, Robert: Beautiful Beast, [0, 1, 3, 6, 5, 10, 7, 4, 9, 8, 11, 2], pc set (0, 1, 3, 6)
<li>Morris, Robert: On the Go, [0, 9, 2, 3, 5, 8, 10, 11, 1, 4, 7, 6], pc set (0, 1, 3, 6)
<li>Nono, Luigi: Intolleranza, Baritone, [0, 2, 7, 9, 4, 6, 11, 1, 8, 10, 3, 5], pc set (0, 2, 5, 7), self-rotational interval pattern 2-5-2-7-
<li>Nono, Luigi: Intolleranza, Tenor 2, [0, 1, 3, 2, 4, 5, 7, 6, 8, 9, 11, 10], pc set (0, 1, 2, 3), self-rotational interval pattern 1-2-11-2-
<li>Nono, Luigi: La terra e la compagna (sketch), Series 3, [0, 9, 6, 3, 1, 4, 7, 10, 11, 8, 5, 2], pc set (0, 3, 6, 9)
<li>Nono, Luigi: Sarà dolce tacere, [0, 10, 5, 3, 8, 6, 1, 11, 4, 2, 9, 7], pc set (0, 2, 5, 7), self-rotational interval pattern 10-7-10-5-
<li>Panufnik, Andrzej: Sinfonia di Sfere (Symphony, No.5), Chord 2, [0, 3, 6, 9, 11, 2, 5, 8, 10, 1, 4, 7], pc set (0, 3, 6, 9), self-rotational interval pattern 3-3-3-2-
<li>Pärt, Arvo: Symphony, No.2, [0, 3, 1, 2, 4, 7, 5, 6, 8, 11, 9, 10], pc set (0, 1, 2, 3), self-rotational interval pattern 3-10-1-2-
<li>Rochberg, George: String Quartet, No.2 with soprano solo, [0, 11, 6, 5, 1, 2, 8, 7, 3, 4, 9, 10], pc set (0, 1, 6, 7)
<li>Schnittke, Alfred: Concerto Grosso, No.1, mvt 2, [0, 11, 2, 1, 8, 7, 10, 9, 6, 5, 4, 3], pc set (0, 1, 2, 3)
<li>Schnittke, Alfred: Concerto Grosso, No.3, (mvt 3, 4), row 6, [0, 11, 2, 1, 9, 10, 7, 8, 4, 3, 6, 5], pc set (0, 1, 2, 3)
<li>Schnittke, Alfred: Sonata, No.2 for Cello and Piano, mvt 2, new row, [0, 3, 6, 9, 10, 1, 4, 7, 8, 11, 2, 5], pc set (0, 3, 6, 9), self-rotational interval pattern 3-3-3-1-
<li>Schnittke, Alfred: String Quartet, No.4, mvt 4, m.31, [0, 11, 9, 10, 8, 7, 6, 5, 3, 4, 2, 1], pc set (0, 1, 2, 3)
<li>Schnittke, Alfred: Symphony, No.7, mvt 3, row y, [0, 1, 11, 10, 8, 9, 7, 6, 5, 4, 3, 2], pc set (0, 1, 2, 3)
<li>Schnittke, Alfred: Violin Sonata 2, [0, 10, 11, 9, 6, 8, 7, 5, 4, 1, 2, 3], pc set (0, 1, 2, 3)
<li>Schwantner, Joseph: Modus Caelestis (A), [0, 6, 7, 1, 11, 5, 4, 10, 8, 2, 3, 9], pc set (0, 1, 6, 7)
<li>Seiber, Mátyás: Concert Piece for Violin and Piano, [0, 1, 7, 6, 11, 10, 4, 5, 9, 8, 2, 3], pc set (0, 1, 6, 7)
<li>Seiber, Mátyás: Sonata for Violin and Piano, [0, 1, 11, 10, 7, 6, 8, 9, 4, 3, 5, 2], pc set (0, 1, 2, 3)
<li>Slonimsky, Nicholas: No. 1216a Foutths (Twelve-Tone Patterns), [0, 5, 10, 3, 7, 2, 9, 4, 8, 1, 6, 11], pc set (0, 2, 5, 7)
<li>Slonimsky, Nicholas: No. 1217a Fourths (Twelve-Tone Patterns), [0, 5, 10, 3, 11, 6, 1, 8, 4, 9, 2, 7], pc set (0, 2, 5, 7)
<li>Slonimsky, Nicholas: No. 1224a Sixths (Twelve-Tone Patterns), [0, 9, 6, 3, 7, 10, 1, 4, 8, 5, 2, 11], pc set (0, 3, 6, 9)
<li>Slonimsky, Nicholas: No. 1241a Mutually Exclusive Diminished-Seventh Chords (Twelve-Tone Spirals), [0, 9, 6, 3, 11, 5, 2, 8, 7, 10, 1, 4], pc set (0, 3, 6, 9)
<li>Slonimsky, Nicholas: No. 1265 Quadritonal Arpeggios (Division of Twelve Tones into Four Mutually Exclusive Triads), [0, 3, 6, 9, 1, 4, 7, 10, 2, 5, 8, 11], pc set (0, 3, 6, 9), self-rotational interval pattern 3-3-3-4-
<li>Slonimsky, Nicholas: No. 1265a Quadritonal Arpeggios (Division of Twelve Tones into Four Mutually Exclusive Triads), [0, 3, 6, 9, 1, 4, 7, 10, 2, 5, 8, 11], pc set (0, 3, 6, 9), self-rotational interval pattern 3-3-3-4-
<li>Slonimsky, Nicholas: No. 1266a Quadritonal Arpeggios (Division of Twelve Tones into Four Mutually Exclusive Triads), [0, 3, 6, 9, 2, 5, 8, 11, 4, 7, 10, 1], pc set (0, 3, 6, 9), self-rotational interval pattern 3-3-3-5-
<li>Slonimsky, Nicholas: No. 216 Ultrapolation of Three Notes (Ditone Progression; Equal Division of One Octave into Three Parts), [0, 5, 10, 7, 4, 9, 2, 11, 8, 1, 6, 3], pc set (0, 2, 5, 7), self-rotational interval pattern 5-5-9-9-
<li>Slonimsky, Nicholas: No. 221 Ultrapolation of Three Notes (Ditone Progression; Equal Division of One Octave into Three Parts), [0, 6, 11, 9, 4, 10, 3, 1, 8, 2, 7, 5], pc set (0, 1, 3, 6), self-rotational interval pattern 6-5-10-7-
<li>Slonimsky, Nicholas: No. 230 Ultrapolation of Three Notes (Ditone Progression; Equal Division of One Octave into Three Parts), [0, 6, 5, 11, 4, 10, 9, 3, 8, 2, 1, 7], pc set (0, 1, 6, 7), self-rotational interval pattern 6-11-6-5-
<li>Slonimsky, Nicholas: No. 258 Infrapolation of Three Notes (Ditone Progression; Equal Division of One Octave into Three Parts), [0, 11, 10, 9, 4, 3, 2, 1, 8, 7, 6, 5], pc set (0, 1, 2, 3), self-rotational interval pattern 11-11-11-7-
<li>Slonimsky, Nicholas: No. 262 Infrapolation of Three Notes (Ditone Progression; Equal Division of One Octave into Three Parts), [0, 11, 10, 5, 4, 3, 2, 9, 8, 7, 6, 1], pc set (0, 1, 2, 7), self-rotational interval pattern 11-11-7-11-
<li>Slonimsky, Nicholas: No. 270 Infrapolation of Three Notes (Ditone Progression; Equal Division of One Octave into Three Parts), [0, 10, 9, 7, 4, 2, 1, 11, 8, 6, 5, 3], pc set (0, 2, 3, 5), self-rotational interval pattern 10-11-10-9-
<li>Slonimsky, Nicholas: No. 277 Infrapolation of Three Notes (Ditone Progression; Equal Division of One Octave into Three Parts), [0, 10, 7, 5, 4, 2, 11, 9, 8, 6, 3, 1], pc set (0, 2, 5, 7), self-rotational interval pattern 10-9-10-11-
<li>Slonimsky, Nicholas: No. 340 Infra-Inter-Ultrapolation (Ditone Progression; Equal Division of One Octave into Three Parts), [0, 11, 2, 9, 4, 3, 6, 1, 8, 7, 10, 5], pc set (0, 2, 3, 5), self-rotational interval pattern 11-3-7-7-
<li>Slonimsky, Nicholas: No. 348 Infra-Inter-Ultrapolation (Ditone Progression; Equal Division of One Octave into Three Parts), [0, 10, 1, 7, 4, 2, 5, 11, 8, 6, 9, 3], pc set (0, 1, 3, 6), self-rotational interval pattern 10-3-6-9-
<li>Slonimsky, Nicholas: No. 359 Infra-Inter-Ultrapolation (Ditone Progression; Equal Division of One Octave into Three Parts), [0, 10, 3, 9, 4, 2, 7, 1, 8, 6, 11, 5], pc set (0, 1, 3, 6), self-rotational interval pattern 10-5-6-7-
<li>Slonimsky, Nicholas: No. 370 Infra-Inter-Ultrapolation (Ditone Progression; Equal Division of One Octave into Three Parts), [0, 7, 1, 6, 4, 11, 5, 10, 8, 3, 9, 2], pc set (0, 1, 6, 7), self-rotational interval pattern 7-6-5-10-
<li>Slonimsky, Nicholas: No. 371 Infra-Inter-Ultrapolation (Ditone Progression; Equal Division of One Octave into Three Parts), [0, 7, 2, 5, 4, 11, 6, 9, 8, 3, 10, 1], pc set (0, 2, 5, 7), self-rotational interval pattern 7-7-3-11-
<li>Slonimsky, Nicholas: No. 388 Miscellaneous Patterns [Diminished Seventh Chords] (Ditone Progression; Equal Division of One Octave into Three Parts), [0, 3, 9, 6, 4, 7, 1, 10, 8, 11, 5, 2], pc set (0, 3, 6, 9), self-rotational interval pattern 3-6-9-10-
<li>Slonimsky, Nicholas: No. 389 Miscellaneous Patterns [Diminished Seventh Chords] (Ditone Progression; Equal Division of One Octave into Three Parts), [0, 9, 3, 6, 4, 1, 7, 10, 8, 5, 11, 2], pc set (0, 3, 6, 9), self-rotational interval pattern 9-6-3-10-
<li>Slonimsky, Nicholas: No. 390 Miscellaneous Patterns [Diminished Seventh Chords] (Ditone Progression; Equal Division of One Octave into Three Parts), [0, 3, 9, 6, 4, 7, 1, 10, 8, 11, 5, 2], pc set (0, 3, 6, 9), self-rotational interval pattern 3-6-9-10-
<li>Slonimsky, Nicholas: No. 391 Miscellaneous Patterns [Diminished Seventh Chords] (Ditone Progression; Equal Division of One Octave into Three Parts), [0, 9, 3, 6, 4, 1, 7, 10, 8, 5, 11, 2], pc set (0, 3, 6, 9), self-rotational interval pattern 9-6-3-10-
<li>Slonimsky, Nicholas: No. 637 Permutations (Semitone Progression; Equal Division of One Octave into Twelve Parts), [0, 1, 3, 2, 4, 5, 7, 6, 8, 9, 11, 10], pc set (0, 1, 2, 3), self-rotational interval pattern 1-2-11-2-
<li>Slonimsky, Nicholas: No. 638 Permutations (Semitone Progression; Equal Division of One Octave into Twelve Parts), [0, 11, 9, 10, 4, 3, 1, 2, 8, 7, 5, 6], pc set (0, 1, 2, 3), self-rotational interval pattern 11-10-1-6-
<li>Slonimsky, Nicholas: No. 641 Permutations (Semitone Progression; Equal Division of One Octave into Twelve Parts), [0, 1, 2, 3, 7, 6, 5, 4, 8, 9, 10, 11], pc set (0, 1, 2, 3)
<li>Slonimsky, Nicholas: No. 645 Permutations (Semitone Progression; Equal Division of One Octave into Twelve Parts), [0, 1, 11, 10, 8, 9, 7, 6, 4, 5, 3, 2], pc set (0, 1, 2, 3), self-rotational interval pattern 1-10-11-10-
<li>Slonimsky, Nicholas: No. 646 Permutations (Semitone Progression; Equal Division of One Octave into Twelve Parts), [0, 1, 11, 6, 8, 9, 7, 2, 4, 5, 3, 10], pc set (0, 1, 2, 7), self-rotational interval pattern 1-10-7-2-
<li>Slonimsky, Nicholas: No. 647 Permutations (Semitone Progression; Equal Division of One Octave into Twelve Parts), [0, 2, 11, 5, 8, 10, 7, 1, 4, 6, 3, 9], pc set (0, 1, 3, 6), self-rotational interval pattern 2-9-6-3-
<li>Slonimsky, Nicholas: No. 685 Interpolation of Three Notes (Quadritone Progression; Equal Division of Two Octaves into Three Parts), [0, 1, 3, 6, 8, 9, 11, 2, 4, 5, 7, 10], pc set (0, 1, 3, 6), self-rotational interval pattern 1-2-3-2-
<li>Slonimsky, Nicholas: No. 692 Interpolation of Three Notes (Quadritone Progression; Equal Division of Two Octaves into Three Parts), [0, 2, 3, 5, 8, 10, 11, 1, 4, 6, 7, 9], pc set (0, 2, 3, 5), self-rotational interval pattern 2-1-2-3-
<li>Slonimsky, Nicholas: No. 698 Interpolation of Three Notes (Quadritone Progression; Equal Division of Two Octaves into Three Parts), [0, 2, 5, 7, 8, 10, 1, 3, 4, 6, 9, 11], pc set (0, 2, 5, 7), self-rotational interval pattern 2-3-2-1-
<li>Slonimsky, Nicholas: No. 734 Inter-Infra-Ultrapolation (Quadritone Progression; Equal Division of Two Octaves into Three Parts), [0, 5, 11, 10, 8, 1, 7, 6, 4, 9, 3, 2], pc set (0, 1, 2, 7), self-rotational interval pattern 5-6-11-10-
<li>Slonimsky, Nicholas: No. 735 Inter-Infra-Ultrapolation (Quadritone Progression; Equal Division of Two Octaves into Three Parts), [0, 6, 9, 11, 8, 2, 5, 7, 4, 10, 1, 3], pc set (0, 1, 3, 6), self-rotational interval pattern 6-3-2-9-
<li>Slonimsky, Nicholas: No. 736 Inter-Infra-Ultrapolation (Quadritone Progression; Equal Division of Two Octaves into Three Parts), [0, 2, 7, 9, 8, 10, 3, 5, 4, 6, 11, 1], pc set (0, 2, 5, 7), self-rotational interval pattern 2-5-2-11-
<li>Slonimsky, Nicholas: No. 813 Interpolation of Three Notes (Quinquetone Progression; Equal Division of Five Octaves into Six Parts), [0, 3, 6, 9, 10, 1, 4, 7, 8, 11, 2, 5], pc set (0, 3, 6, 9), self-rotational interval pattern 3-3-3-1-
<li>Slonimsky, Nicholas: No. 909 Infra-Inter-Ultrapolation (Quinquetone Progression; Equal Division of Five Octaves into Six Parts), [0, 9, 3, 6, 5, 2, 8, 11, 10, 7, 1, 4], pc set (0, 3, 6, 9), self-rotational interval pattern 9-6-3-11-
<li>Spinner, Leopold: Sonatina for Piano, Op.22, [0, 3, 2, 1, 9, 10, 11, 8, 5, 4, 7, 6], pc set (0, 1, 2, 3)
<li>Spinner, Leopold: String Quartet, Op.2, [0, 1, 7, 6, 11, 10, 4, 5, 8, 9, 3, 2], pc set (0, 1, 6, 7)
<li>Stravinsky, Igor: Agon, "Double Pas-de-Deux", [0, 11, 1, 2, 9, 8, 10, 7, 5, 6, 4, 3], pc set (0, 1, 2, 3)
<li>Webern, Anton: String Quartet, Op.28, [0, 11, 2, 1, 5, 6, 3, 4, 8, 7, 10, 9], pc set (0, 1, 2, 3)
<li>Wolpe, Stefan: Four Studies on Basic Rows, No.4, "Basic Row" 10, [0, 10, 1, 11, 4, 2, 5, 3, 8, 6, 9, 7], pc set (0, 1, 2, 3), self-rotational interval pattern 10-3-10-5-
<li>Yun, Isang: Garak, [0, 3, 6, 1, 4, 5, 7, 10, 9, 11, 8, 2], pc set (0, 1, 3, 6)
</ol>
</div>
<div>
<h2>2x Same Hexachord</h2>
Finally, we have the relatively common condition of 2x the same hexachord (pitches 1-6 and 7-12).
<ol>
<li>Apostel, Hans Erich: Fischerhaus-Serenade, Op.45, [0, 4, 8, 3, 11, 7, 1, 9, 5, 2, 10, 6], pc set (0, 1, 4, 5, 8, 9)
<li>Argento, Dominick: A Water Bird Talk, Lecturer Row, [0, 9, 5, 10, 2, 6, 3, 11, 8, 4, 1, 7], pc set (0, 1, 3, 5, 8, 9)
<li>Argento, Dominick: From the Diary of Virginia Woolf, [0, 7, 6, 2, 11, 5, 3, 1, 8, 9, 4, 10], pc set (0, 1, 2, 5, 7, 8)
<li>Atterberg, Kurt: Symphony 9 [Bbm], Op.54, 'Sinfonia visionaria', [0, 1, 5, 6, 7, 4, 8, 11, 10, 9, 2, 3], pc set (0, 1, 2, 3, 6, 7)
<li>Babbitt, Milton: All Set, [0, 4, 5, 11, 6, 10, 7, 3, 1, 2, 9, 8], pc set (0, 1, 2, 6, 7, 8)
<li>Babbitt, Milton: Arie da Capo, [0, 7, 8, 6, 2, 1, 10, 5, 11, 9, 4, 3], pc set (0, 1, 2, 6, 7, 8)
<li>Babbitt, Milton: Composition for Four Instruments, [0, 3, 11, 2, 10, 1, 7, 4, 8, 5, 9, 6], pc set (0, 1, 2, 3, 4, 5)
<li>Babbitt, Milton: Composition for Four Instruments, row i, [0, 10, 9, 8, 7, 5, 11, 1, 2, 3, 4, 6], pc set (0, 2, 3, 4, 5, 7)
<li>Babbitt, Milton: Composition for Four Instruments, row ii, [0, 9, 11, 2, 4, 1, 7, 10, 8, 5, 3, 6], pc set (0, 2, 3, 4, 5, 7)
<li>Babbitt, Milton: Composition for Four Instruments, row iii, [0, 4, 3, 8, 7, 11, 5, 1, 2, 9, 10, 6], pc set (0, 1, 4, 5, 8, 9)
<li>Babbitt, Milton: Composition for Four Instruments, row iv, [0, 4, 1, 8, 5, 9, 3, 11, 2, 7, 10, 6], pc set (0, 1, 4, 5, 8, 9)
<li>Babbitt, Milton: Composition for Synthesizer, [0, 9, 1, 8, 4, 5, 7, 2, 3, 6, 10, 11], pc set (0, 1, 4, 5, 8, 9)
<li>Babbitt, Milton: Composition for Tenor and Six Instruments, [0, 11, 7, 5, 6, 1, 4, 3, 10, 8, 2, 9], pc set (0, 1, 2, 6, 7, 8)
<li>Babbitt, Milton: Composition for Twelve Instruments, [0, 1, 4, 9, 5, 8, 3, 10, 2, 11, 6, 7], pc set (0, 1, 4, 5, 8, 9)
<li>Babbitt, Milton: Composition for Viola and Piano, [0, 3, 4, 8, 11, 7, 9, 2, 1, 5, 10, 6], pc set (0, 1, 4, 5, 8, 9)
<li>Babbitt, Milton: Du, row i, [0, 9, 2, 10, 11, 1, 7, 5, 4, 8, 3, 6], pc set (0, 1, 2, 3, 4, 5)
<li>Babbitt, Milton: Du, row ii, [0, 5, 2, 10, 9, 7, 1, 3, 4, 8, 11, 6], pc set (0, 2, 4, 5, 7, 9)
<li>Babbitt, Milton: Groupwise, [0, 5, 4, 6, 10, 11, 2, 9, 3, 1, 8, 7], pc set (0, 1, 2, 6, 7, 8)
<li>Babbitt, Milton: My Complements to Roger, [0, 3, 7, 8, 11, 4, 2, 6, 1, 9, 10, 5], pc set (0, 1, 4, 5, 8, 9)
<li>Babbitt, Milton: My Ends Are My Beginnings, [0, 11, 4, 8, 7, 3, 5, 6, 9, 2, 10, 1], pc set (0, 1, 4, 5, 8, 9)
<li>Babbitt, Milton: Paraphrases, [0, 11, 3, 10, 8, 1, 7, 5, 4, 6, 2, 9], pc set (0, 2, 3, 4, 5, 7)
<li>Babbitt, Milton: Partitions, [0, 7, 9, 10, 2, 11, 5, 8, 4, 3, 1, 6], pc set (0, 2, 3, 4, 5, 7)
<li>Babbitt, Milton: Relata I, [0, 1, 11, 2, 10, 3, 9, 8, 4, 6, 7, 5], pc set (0, 1, 2, 3, 4, 5)
<li>Babbitt, Milton: Relata II, [0, 1, 11, 2, 10, 3, 9, 8, 4, 6, 7, 5], pc set (0, 1, 2, 3, 4, 5)
<li>Babbitt, Milton: Semi-simple variations, [0, 8, 1, 10, 9, 11, 5, 3, 4, 7, 2, 6], pc set (0, 1, 2, 3, 4, 5)
<li>Babbitt, Milton: String Quartet, No.2, [0, 3, 11, 4, 1, 2, 8, 10, 5, 9, 7, 6], pc set (0, 1, 2, 3, 4, 5)
<li>Babbitt, Milton: String Quartet, No.3, [0, 11, 6, 7, 5, 1, 10, 2, 9, 3, 4, 8], pc set (0, 1, 2, 6, 7, 8)
<li>Babbitt, Milton: String Quartet, No.4, [0, 2, 9, 7, 11, 10, 1, 8, 4, 3, 5, 6], pc set (0, 2, 3, 4, 5, 7)
<li>Babbitt, Milton: Tableaux, [0, 11, 4, 6, 10, 5, 2, 1, 7, 9, 8, 3], pc set (0, 1, 2, 6, 7, 8)
<li>Babbitt, Milton: The Crowded Air, [0, 8, 5, 7, 10, 6, 11, 1, 9, 3, 2, 4], pc set (0, 1, 2, 3, 5, 7)
<li>Babbitt, Milton: The Widow's Lament in Springtime, [0, 11, 9, 2, 10, 7, 1, 4, 8, 3, 5, 6], pc set (0, 2, 3, 4, 5, 7)
<li>Babbitt, Milton: Three Compositions for Piano, No.1, [0, 5, 7, 4, 2, 3, 9, 1, 8, 11, 10, 6], pc set (0, 2, 3, 4, 5, 7)
<li>Babbitt, Milton: Two Sonnets of Gerard Manley Hopkins, [0, 2, 3, 4, 7, 5, 11, 6, 10, 9, 8, 1], pc set (0, 2, 3, 4, 5, 7)
<li>Babbitt, Milton: Vision and Prayer, [0, 11, 8, 3, 7, 4, 10, 9, 2, 6, 1, 5], pc set (0, 1, 4, 5, 8, 9)
<li>Babbitt, Milton: Woodwind Quartet, [0, 3, 1, 2, 11, 10, 8, 9, 5, 7, 6, 4], pc set (0, 1, 2, 3, 4, 5)
<li>Baker, David: “Status Symbol” from "The Black Experience", [0, 3, 4, 7, 8, 11, 1, 10, 9, 6, 5, 2], pc set (0, 1, 4, 5, 8, 9)
<li>Barber, Samuel: Piano Sonata, Op.26, [0, 8, 4, 11, 3, 7, 1, 9, 5, 10, 2, 6], pc set (0, 1, 4, 5, 8, 9)
<li>Bartók, Béla: Violin Concerto, No.2, mvt 1, [0, 2, 8, 1, 9, 4, 10, 6, 3, 7, 11, 5], pc set (0, 1, 4, 5, 6, 8)
<li>Bartók, Béla: Violin Concerto, No.2, mvt 3, [0, 8, 2, 9, 1, 4, 10, 7, 6, 3, 11, 5], pc set (0, 1, 4, 5, 6, 8)
<li>Beecroft, Norma: Improvvisazioni Concertanti, No.1, [0, 1, 11, 9, 3, 2, 7, 6, 10, 8, 4, 5], pc set (0, 1, 2, 3, 4, 6)
<li>Bennett, Richard Rodney: Five Studies for Piano, [0, 3, 5, 6, 11, 9, 4, 2, 7, 8, 10, 1], pc set (0, 1, 3, 6, 7, 9)
<li>Berg, Alban: Altenberg Lieder, [0, 1, 11, 10, 2, 9, 3, 8, 7, 6, 5, 4], pc set (0, 1, 2, 3, 4, 5)
<li>Berg, Alban: Lulu, Lulu (title character) row, [0, 2, 3, 5, 7, 9, 1, 10, 11, 4, 6, 8], pc set (0, 2, 3, 5, 7, 9)
<li>Berg, Alban: Lulu, Primary / Main / Basic Row, [0, 4, 5, 2, 7, 9, 6, 8, 11, 10, 3, 1], pc set (0, 2, 4, 5, 7, 9)
<li>Berg, Alban: Lulu, Schigolch, [0, 2, 3, 1, 4, 5, 6, 7, 8, 9, 11, 10], pc set (0, 1, 2, 3, 4, 5)
<li>Berg, Alban: Lulu, Schoolboy row, [0, 2, 6, 10, 4, 7, 8, 3, 5, 9, 11, 1], pc set (0, 1, 3, 5, 7, 9)
<li>Berg, Alban: Lulu, permutation of main row, [0, 4, 2, 7, 9, 6, 8, 11, 3, 1, 5, 10], pc set (0, 2, 3, 5, 7, 9)
<li>Berg, Alban: Lulu, whole-tone row, [0, 2, 4, 6, 10, 8, 11, 7, 9, 1, 3, 5], pc set (0, 2, 4, 6, 8, 10)
<li>Berg, Alban: Lyric Suite, Primary Row / mvt I, [0, 11, 7, 4, 2, 9, 3, 8, 10, 1, 5, 6], pc set (0, 2, 4, 5, 7, 9)
<li>Berg, Alban: Lyric Suite, mvt I, [0, 2, 4, 5, 7, 9, 6, 8, 10, 11, 1, 3], pc set (0, 2, 4, 5, 7, 9), self-rotational interval pattern 2-2-1-2-2-9-
<li>Berg, Alban: Lyric Suite, mvt III, [0, 11, 7, 1, 2, 9, 3, 8, 10, 4, 5, 6], pc set (0, 1, 2, 3, 5, 7)
<li>Berg, Alban: Lyric Suite, mvt VI, [0, 2, 4, 7, 9, 11, 6, 8, 10, 1, 3, 5], pc set (0, 2, 4, 5, 7, 9), self-rotational interval pattern 2-2-3-2-2-7-
<li>Berg, Alban: Schliesse mir die Augen Beide, [0, 11, 7, 4, 2, 9, 3, 8, 10, 1, 5, 6], pc set (0, 2, 4, 5, 7, 9)
<li>Berger, Arthur: Chamber Music for Thirteen Players, [0, 1, 11, 7, 10, 9, 6, 5, 8, 4, 2, 3], pc set (0, 1, 2, 3, 4, 6)
<li>Berio, Luciano: Chamber Music, [0, 9, 3, 5, 7, 10, 2, 11, 4, 6, 8, 1], pc set (0, 2, 3, 5, 7, 9)
<li>Berio, Luciano: Cinque Variazioni, [0, 2, 4, 1, 3, 5, 8, 10, 6, 7, 9, 11], pc set (0, 1, 2, 3, 4, 5)
<li>Berio, Luciano: Sequenza I, [0, 11, 10, 9, 8, 7, 4, 6, 5, 3, 1, 2], pc set (0, 1, 2, 3, 4, 5)
<li>Bischof, Rainer: 'Und so sink ich leise in mich selbst hinein'. Österreichischer Liederzyklus für Mezzosopran und Violine, Op.17, [0, 6, 5, 11, 4, 9, 3, 2, 8, 7, 1, 10], pc set (0, 1, 2, 5, 7, 8)
<li>Boulez, Pierre: 2nd Piano Sonata, mvt II, Section 1, [0, 2, 1, 11, 3, 9, 8, 10, 7, 6, 5, 4], pc set (0, 1, 2, 3, 4, 6)
<li>Boulez, Pierre: Le Soleil des eaux, series I, [0, 6, 10, 2, 5, 1, 7, 11, 3, 4, 8, 9], pc set (0, 1, 4, 5, 6, 8)
<li>Boulez, Pierre: Le Soleil des eaux, series II, [0, 6, 10, 2, 5, 1, 4, 7, 11, 8, 3, 9], pc set (0, 1, 4, 5, 6, 8)
<li>Boulez, Pierre: Le Soleil des eaux, series III, [0, 11, 7, 2, 6, 5, 4, 8, 10, 1, 3, 9], pc set (0, 1, 2, 5, 7, 8)
<li>Boulez, Pierre: Notations, [0, 2, 7, 6, 1, 8, 4, 9, 5, 11, 10, 3], pc set (0, 1, 2, 6, 7, 8)
<li>Boulez, Pierre: Pli selon pli, [0, 1, 8, 6, 7, 9, 4, 5, 11, 3, 2, 10], pc set (0, 1, 2, 3, 6, 7)
<li>Boulez, Pierre: Structures Ia, [0, 11, 6, 5, 4, 3, 1, 10, 9, 7, 2, 8], pc set (0, 1, 2, 3, 6, 7)
<li>Cage, John: Sonata for Clarinet, [0, 1, 10, 11, 9, 7, 6, 5, 4, 8, 3, 2], pc set (0, 1, 2, 3, 4, 6)
<li>Cage, John: Sonata for Clarinet, mvt 2, [0, 11, 9, 10, 8, 6, 5, 4, 3, 7, 2, 1], pc set (0, 1, 2, 3, 4, 6)
<li>Cage, John: Two pieces for Piano, [0, 11, 8, 3, 4, 2, 9, 7, 1, 5, 10, 6], pc set (0, 1, 2, 4, 5, 8)
<li>Carlos, Juan: Canciones y Baladas, Balada II, [0, 4, 10, 6, 3, 8, 7, 2, 5, 9, 1, 11], pc set (0, 1, 3, 5, 7, 9)
<li>Carter, Elliott: Night Fantasies, [0, 10, 3, 11, 8, 7, 1, 2, 5, 9, 4, 6], pc set (0, 1, 3, 4, 5, 8)
<li>Carter, Elliott: String Quartet, No.2 (sketch) 3, [0, 2, 4, 6, 8, 10, 1, 3, 5, 7, 9, 11], pc set (0, 2, 4, 6, 8, 10), self-rotational interval pattern 2-2-2-2-2-3-
<li>Coltrane, John: Miles Mode, [0, 3, 5, 2, 7, 9, 10, 8, 1, 11, 6, 4], pc set (0, 2, 3, 5, 7, 9)
<li>Copland, Aaron: Inscape, ("Y form" or "Row 1"), [0, 4, 3, 11, 2, 7, 6, 8, 10, 9, 5, 1], pc set (0, 1, 3, 4, 5, 8)
<li>Cordero, Roque: Concerto for Violin, mvt 2A, [0, 11, 6, 4, 7, 8, 5, 9, 3, 10, 1, 2], pc set (0, 1, 4, 5, 6, 8)
<li>Cordero, Roque: Soliloquios, [0, 1, 5, 11, 3, 2, 9, 8, 4, 10, 6, 7], pc set (0, 1, 2, 3, 4, 6)
<li>Cordero, Roque: Violin Concerto mvt 1-3, [0, 11, 6, 4, 8, 7, 5, 1, 3, 2, 10, 9], pc set (0, 1, 4, 5, 6, 8)
<li>Crosse, Gordon: Elegy for Small Orchestra, Op.1, [0, 11, 3, 1, 9, 10, 5, 6, 2, 4, 8, 7], pc set (0, 1, 2, 3, 4, 6)
<li>Dallapiccola, Luigi: 'Intermezzo' from the 'Ciaccona' (of 'Ciaccona, intermezzo e adagio'), [0, 5, 6, 3, 8, 9, 7, 11, 10, 2, 1, 4], pc set (0, 1, 3, 4, 6, 9)
<li>Dallapiccola, Luigi: Canti di Liberationi, No.2, [0, 5, 8, 3, 1, 9, 10, 4, 2, 11, 7, 6], pc set (0, 1, 3, 5, 8, 9)
<li>Dallapiccola, Luigi: Canti di Liberazione, [0, 1, 5, 8, 10, 4, 3, 7, 9, 2, 11, 6], pc set (0, 1, 3, 5, 8, 9)
<li>Dallapiccola, Luigi: Cinque canti, [0, 11, 5, 8, 6, 2, 7, 3, 1, 4, 10, 9], pc set (0, 1, 3, 6, 7, 9)
<li>Dallapiccola, Luigi: Commiato, [0, 6, 5, 3, 9, 11, 10, 8, 7, 1, 2, 4], pc set (0, 1, 3, 6, 7, 9)
<li>Dallapiccola, Luigi: Dialoghi, [0, 1, 10, 2, 6, 4, 5, 3, 7, 11, 8, 9], pc set (0, 2, 3, 4, 6, 8)
<li>Dallapiccola, Luigi: Il Prigioniero, "Hope", [0, 1, 2, 3, 11, 5, 4, 10, 6, 7, 9, 8], pc set (0, 1, 2, 3, 4, 6)
<li>Dallapiccola, Luigi: Il prigioniero, "Prayer", [0, 3, 6, 11, 9, 2, 1, 7, 8, 4, 5, 10], pc set (0, 1, 3, 4, 6, 9)
<li>Dallapiccola, Luigi: Liriche greche c: Sex Carmina Alcaei, [0, 3, 5, 6, 2, 9, 8, 7, 4, 1, 10, 11], pc set (0, 1, 3, 4, 6, 9)
<li>Dallapiccola, Luigi: Quaderno musicale di Annalibera, [0, 1, 5, 8, 10, 4, 3, 7, 9, 2, 11, 6], pc set (0, 1, 3, 5, 8, 9)
<li>Dallapiccola, Luigi: Quattro liriche di Antonio Machado, i, iv, [0, 3, 5, 6, 8, 9, 11, 10, 7, 4, 2, 1], pc set (0, 1, 3, 4, 6, 9)
<li>Dallapiccola, Luigi: Requiescant, [0, 2, 1, 3, 4, 6, 7, 9, 8, 10, 5, 11], pc set (0, 1, 2, 3, 4, 6)
<li>Dallapiccola, Luigi: Requiescant (alternative view), [0, 2, 1, 7, 11, 8, 9, 6, 10, 4, 3, 5], pc set (0, 1, 2, 3, 6, 7)
<li>Dallapiccola, Luigi: Tempus, 'Exhortatio', [0, 11, 9, 3, 5, 6, 4, 7, 8, 2, 1, 10], pc set (0, 1, 3, 6, 7, 9)
<li>Dallapiccola, Luigi: Tempus, 'Ploratus', [0, 1, 7, 6, 10, 4, 3, 2, 5, 11, 9, 8], pc set (0, 1, 3, 6, 7, 9)
<li>Dallapiccola, Luigi: Ulisse [opera], [0, 2, 1, 3, 9, 8, 11, 10, 4, 6, 5, 7], pc set (0, 1, 2, 3, 6, 7)
<li>Dallapiccola, Luigi: Variazioni per orchestra, [0, 1, 5, 8, 10, 4, 3, 7, 9, 2, 11, 6], pc set (0, 1, 3, 5, 8, 9)
<li>Davies, Peter Maxwell: Five Pieces for Piano, Op.2, No.2, [0, 7, 11, 1, 3, 5, 8, 6, 4, 9, 10, 2], pc set (0, 1, 2, 4, 6, 8)
<li>Davies, Peter Maxwell: Sonata for Trumpet and Piano, Op.1, [0, 7, 6, 2, 11, 10, 8, 9, 1, 5, 3, 4], pc set (0, 1, 4, 5, 6, 8)