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train.vocab.txt
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april
is
the
fourth
month
of
year
in
gregorian
calendar
and
one
four
months
with
a
length
num
days
was
originally
second
roman
before
january
february
were
added
by
king
numa
pompilius
about
bc
it
became
when
twelve
are
displayed
order
during
time
decemvirs
also
given
derivation
name
latin
aprilis
uncertain
traditional
etymology
from
aperire
to
open
allusion
its
being
season
trees
flowers
begin
which
supported
comparison
modern
greek
use
opening
for
spring
since
some
named
honor
divinities
as
sacred
venus
festum
veneris
et
fortunae
virilis
held
on
first
day
has
been
suggested
that
her
aphrilis
aphrodite
aphros
or
etruscan
apru
jacob
grimm
suggests
hypothetical
god
hero
aper
aprus
anglo-saxons
called
oster-monath
eostur-monath
venerable
bede
says
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root
word
easter
he
further
speculates
after
goddess
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feast
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george
twenty-third
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eve
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ghosts
those
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seen
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into
church
falls
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symbolic
ploughing
earth
emperor
princes
blood
took
place
their
third
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corresponds
our
finns
still
call
huhtikuu
burnwood
wood
beat
burn
clearing
farmland
felled
es
appropriated
french
history
series
insurrections
at
lyons
paris
elsewhere
against
government
louis
philippe
led
violent
repressive
measures
famous
trial
known
s
birthstone
diamond
birth
flower
typically
listed
either
daisy
sweet
pea
commonly
associated
northern
hemisphere
autumn
southern
where
seasonal
equivalent
october
vice
versa
starts
same
week
july
all
years
leap
ends
december
every
august
eighth
seven
sextilis
because
sixth
original
ten-month
under
romulus
march
gave
julius
caesar
two
created
julian
giving
renamed
augustus
did
not
take
see
debunked
theory
lengths
chose
his
rather
than
defeated
queen
cleopatra
last
ruler
egypt
common
no
other
though
november
peridot
onyx
gladiolus
poppy
meaning
beauty
strength
character
love
marriage
family
art
product
process
deliberately
arranging
items
often
significance
way
influences
affects
more
senses
emotions
intellect
encompasses
diverse
range
human
activities
creations
modes
expression
including
music
literature
film
photography
sculpture
paintings
explored
branch
philosophy
aesthetics
even
disciplines
such
psychology
analyze
relationship
humans
generations
traditionally
term
used
refer
any
skill
mastery
conception
changed
romantic
period
came
special
faculty
mind
classified
religion
science
generally
made
intention
stimulating
thoughts
philosopher
richard
wollheim
distinguishes
three
approaches
assessing
aesthetic
value
realist
whereby
quality
an
absolute
independent
view
objectivist
but
dependent
general
experience
relativist
position
depends
varies
different
object
may
characterized
intentions
lack
thereof
creator
regardless
apparent
purpose
cup
ostensibly
can
container
considered
if
intended
solely
ornament
while
painting
deemed
craft
mass-produced
nature
described
most
elusive
problems
culture
defined
vehicle
communication
ideas
means
exploring
appreciating
formal
elements
own
sake
mimesis
representation
leo
tolstoy
identified
indirect
communicate
person
another
benedetto
croce
collingwood
advanced
idealist
expresses
work
therefore
essentially
exists
form
roots
immanuel
kant
developed
early
twentieth
century
roger
fry
clive
bell
deep
aristotle
recently
thinkers
influenced
martin
heidegger
have
interpreted
community
develops
itself
medium
self-expression
interpretation
britannica
online
defines
imagination
creation
objects
environments
experiences
shared
others
definition
artistic
works
existed
almost
long
humankind
pre-historic
contemporary
however
theories
restrict
concept
western
societies
adorno
said
now
taken
granted
nothing
concerns
neither
nor
whole
right
exist
broadest
sense
remained
closest
older
roughly
translates
few
examples
proves
very
broad
include
artifact
artificial
artifice
medical
arts
military
there
many
colloquial
uses
relation
recent
abbreviation
creative
fine
express
artist
creativity
engage
audience
sensibilities
draw
towards
consideration
finer
things
practical
people
consider
instead
likewise
commercial
industrial
hand
crafts
design
sometimes
applied
followers
argued
difference
between
do
judgments
clear
definitional
goals
beyond
pure
politically
spiritually
philosophically
motivated
create
explore
perception
pleasure
generate
strong
seemingly
nonexistent
describe
several
study
using
discipline
collection
produce
artworks
compelled
personal
drive
activity
echo
reflect
message
mood
symbolism
viewer
interpret
purposeful
interpretations
limitless
concepts
something
explicitly
basis
images
stimulates
individual
beliefs
through
idea
forms
serve
purposes
although
application
scientific
knowledge
derive
new
involves
results
represents
only
categorized
sculptures
cave
rock
petroglyphs
upper
paleolithic
dating
ago
found
precise
disputed
so
little
cultures
produced
them
oldest
tiny
drilled
snail
shells
discovered
south
african
great
traditions
foundation
ancient
civilizations
mesopotamia
persia
india
greece
rome
well
inca
maya
olmec
each
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centers
civilization
unique
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style
size
duration
survived
influence
transmitted
later
times
provided
records
how
artists
worked
example
saw
veneration
physical
development
skills
show
musculature
poise
anatomically
correct
proportions
byzantine
medieval
middle
ages
much
focused
biblical
nonmaterial
truths
styles
showed
higher
unseen
glory
heavenly
world
gold
background
glass
mosaics
windows
presented
figures
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patterned
flat
nevertheless
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small
realism
steadily
grew
catholic
europe
renaissance
had
greatly
increased
emphasis
realistic
depiction
material
reflected
corporeality
body
systematic
method
graphical
perspective
depict
recession
three-dimensional
picture
space
east
islamic
rejection
iconography
geometric
patterns
calligraphy
architecture
dominated
too
tibet
painted
dance
religious
borrowed
conventions
tended
bright
contrasting
colors
outlines
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carving
bronzework
pottery
stunning
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army
qin
poetry
drama
fiction
chinese
vary
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dynasty
tang
monochromatic
sparse
emphasizing
landscapes
ming
busy
colorful
focus
telling
stories
via
setting
composition
japan
names
imperial
dynasties
interplay
woodblock
printing
important
age
enlightenment
depictions
rational
certainties
clockwork
universe
revolutionary
visions
post-monarchist
blake
portrayal
newton
divine
geometer
david
propagandistic
rejections
favor
pictures
emotional
side
individuality
exemplified
novels
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late
then
host
movements
academic
impressionism
fauvism
among
narrative
endless
possibilities
search
standards
torn
down
succession
next
thus
parameters
expressionism
cubism
dadaism
surrealism
maintained
invention
increasing
global
interaction
pablo
picasso
japanese
prints
themselves
draftsmanship
immense
subsequent
up
extent
matisse
similarly
west
huge
impacts
eastern
centuries
like
communism
post-modernism
exerting
powerful
modernism
idealistic
truth
latter
half
realization
unattainability
relativism
accepted
unavoidable
postmodern
criticism
changing
appreciated
drawn
irony
furthermore
separation
increasingly
blurred
argue
appropriate
think
terms
regional
tends
facilitate
intuitive
understanding
usually
consciously
intentionally
serves
result
impetus
refractive
attempts
classification
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susceptible
case
ricault
raft
medusa
concerning
shipwreck
depicts
prerequisite
allows
appreciation
political
piece
superficially
mundane
event
invite
reflection
upon
elevated
themes
highest
achievements
demonstrate
high
level
ability
fluency
might
point
contention
notably
conceptual
conceive
conventional
demonstrative
transformative
capacity
confers
particularly
appealing
aesthetically
satisfying
structures
set
unrelated
passive
constituents
divided
specific
categories
related
technique
decorative
plastic
performing
unlike
fields
subjects
academically
organized
according
substance
paint
paper
drawing
shape
takes
media
must
dimensions
respond
gravity
constraints
limitations
particular
qualities
give
canvas
texture
color
brush
video
games
non-linearity