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four.ly
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four.ly
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\version "2.18.2"
#(set-global-staff-size 18)
\include "jazzchords.ily"
\include "lilyjazz.ily"
\include "jazzextras.ily"
\include "common.ily"
\paper {
#(set-paper-size "letter")
% paper-height = 11\in
% paper-width = 8.5\in
indent = 0\mm
between-system-space = 2.5\cm
between-system-padding = #0
%%set to ##t if your score is less than one page:
ragged-last-bottom = ##t
ragged-bottom = ##f
markup-system-spacing = #'((basic-distance . 23)
(minimum-distance . 8)
(padding . 1))
}
title = #"Four"
composer = #"Miles Davis"
meter = #" Med. Swing"
realBookTitle = \markup {
\score {
{
\override TextScript.extra-offset = #'(0 . -4.5)
s4
s^\markup {
\fill-line {
\fontsize #1 \lower #1 \rotate #7 \concat { " " #meter }
\fontsize #8
\override #'(offset . 7)
\override #'(thickness . 6)
\underline \larger \larger #title
\fontsize #1 \lower #1 \concat { #composer " " }
}
}
s
}
\layout {
\omit Staff.Clef
\omit Staff.TimeSignature
\omit Staff.KeySignature
ragged-right = ##f
}
}
}
\header {
title = \realBookTitle
tagline = ##f
}
theNotes = \relative c' {
\set Staff.midiInstrument = "trumpet"
\key ees \major
r2 r8 bes'8 c d |
r8 bes8 c d r8 bes8 c d |
r8 f ees d r8 bes8 c des ~ |
des1 |
r2 ees,8 d ees f | \break
g8 ees8 f g r8 ees8 f g |
r8 bes8 aes g r8 ees8 f ges ~ |
ges1 |
r2 f8 g aes a | \break
bes2 ees,8 g bes8 b8 ~ |
b4 e,8 ees8 ~ ees4 r4 |
r8 c'4. bes4 aes8 g ~ |
g2 f8 g aes a | \break
bes2 ees,8 g bes8 b8 ~ |
b4 e,8 ees8 ~ ees4 r4 |
r8 c'4. bes4 aes8 g ~ |
g2 r8 bes8 c d | \break
r8 bes8 c d r8 bes8 c d |
r8 f ees d r8 bes8 c des ~ |
des1 |
r2 ees,8 d ees f | \break
g8 ees8 f g r8 ees8 f g |
r8 bes8 aes g r8 ees8 f ges ~ |
ges1 |
r2 f8 g aes a | \break
bes2 ees,8 g bes8 b8 ~ |
b4 e,8 ees8 ~ ees4 r4 |
r8 c'4. bes4 aes8 g ~ |
g4 r4 f8 g aes a | \break
bes4 g8 bes b e, ees4 |
c'4 aes d4 bes8 ees8 ~ |
% solo
ees4 r4 g16 (aes g4. ~ |
g8) e16 (ees d4) r8 c8 bes aes | \break
g4 g g2 ~ |
g2 r8 aes8 bes8 fis8 ~ |
fis8 fis4 r8 fis2 |
r1 | \break
r4 ees4 f g |
aes4 bes c ees4 ~ |
ees4 b8 bes8~bes8 aes4. |
r8 ees'8 r8 b bes4 aes8 g8 ~ | \break
g4 r2. |
r8 ges8 a b des4 e8 d8 |
ees4. c8 r8 aes8 g f8 ~ |
f4 r4 bes4 aes8 g ~ | \break
g4. bes8 d,4 ees |
f aes d,2 |
r2 r8 d8 ees f |
ges aes a bes c d ees4 | \break
d4. a8 ~ a4. bes8 ~ |
bes8 r8 r2. |
bes'8 e, d bes f ees d4 |
r4. f8 ees4 r8 f | \break
g8 bes aes4 r8 c8 r4 |
r4 ees8 f8 ~ f8 r8 ees4 |
ges4. f8 r8 ees c b |
bes4. aes8 bes aes8 ees4 | \break
g4. bes8 r2 |
f8 aes a4 des4 r8 b8 |
c2 c8 bes aes g ~ |
g4 r2. | \break
r4 f8 f aes8 bes des ees |
aes4 ( g aes4 g ) |
r8 ees r8 bes aes g4. |
r1 |
}
theChords = \chordmode {
\set chordChanges = ##t
ees1:maj7 |
ees1:maj7 | ees1:maj7 | ees1:m7 | aes:7 |
f1:m7 | f1:m7 | aes1:m7 | des1:7 |
ees1:maj7 | ges2:m7 b:7 | f1:m7 | bes1:7 |
ees1:maj7 | ges2:m7 b:7 | f1:m7 | bes1:7 |
ees1:maj7 | ees1:maj7 | ees1:m7 | aes:7 |
f1:m7 | f1:m7 | aes1:m7 | des1:7 |
ees1:maj7 | ges2:m7 b:7 | f1:m7 | d2:m7.5 g2:7 |
g2:m7 ges:m7 | f2:m7 bes2:m7 | ees1:maj7 | f2:m7 bes2:m7 |
% solo
ees1:maj7 | ees1:maj7 | ees1:m7 | aes:7 |
f1:m7 | f1:m7 | aes1:m7 | des1:7 |
ees1:maj7 | ges2:m7 b:7 | f1:m7 | bes1:7 |
ees1:maj7 | ges2:m7 b:7 | f1:m7 | bes1:7 |
ees1:maj7 | ees1:maj7 | ees1:m7 | aes:7 |
f1:m7 | f1:m7 | aes1:m7 | des1:7 |
ees1:maj7 | ges2:m7 b:7 | f1:m7 | d2:m7.5 g2:7 |
g2:m7 ges:m7 | f2:m7 bes2:m7 | ees1:maj7 | f2:m7 bes2:m7 |
}
\score {
<<
\new ChordNames \tpose \theChords
\new Voice = soloist \tpose \theNotes
>>
\layout {
\override Score.Clef #'break-visibility = #'#(#f #f #f) % make only the first clef visible
\override Score.KeySignature #'break-visibility = #'#(#f #f #f) % make only the first time signature visible
\override Score.SystemStartBar #'collapse-height = #1 % allow single-staff system bars
}
\midi {
\tempo 4 = 200
}
}