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6/18 — Week 5 — Images/Mosaics (Lillian Schwartz, Ken Knowlton) #5
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Technical lecture
when iterating through an image's pixels, use increments larger than 1 (e.g. i+=10) to prevent doing too much work
use mouse distance from x/y coord on image mix rgb based on x, y, and mouse pos: erosion and dilationIn photoshop, other > custom filter ofImage.setImageType OF_IMAGE_GRAYSCALE) high contrast "binary image"
dilation
dilate img 2 > img 3, and img 3 > img 2 > gradually "bloom" out for example, olympiad (runner with multiple strokes) > dilate, then subtract original (so there's an outline) |
WARNING: FLASHING / EPILEPSY IN ANIMATIONS or trypophobia for mosaics
Artist 1: Ken Knowlton
His work allows us to talk about pixels, values from pixels, how we'd process images
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Known for a lot of mosaics
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With Stan Vanderbeek, collaborating on "Poem fields" (computer generated films)
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Write pixels on microfilm, set pixels on or off
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Jigsaw puzzle that you can rearrange to make any picutre
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Take paintings to rearrange them to make any photograph
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Artist 2: Lillian Schwartz
Films are a convo between natural and computational forms. Physical reactions -> computer simulations. Juxtaposed.
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Taking shapes and growing them with simple operations
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"Olympiad" animation of a single person running, using multiple image operations again and again to distort
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Digital photographs & Images
One of the first photos communicated over wire (digitally), 1920s
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Elementary signs: https://www.jmcvey.net/cable/elements/letters1.htm
Pocket Handbook of image processing algorithms in C
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Handy to know the names of the algos
Research
https://paper.dropbox.com/doc/Ken-Knowlton-9RiWIEVzixsFfMPjB9U1Q
https://paper.dropbox.com/doc/Lillian-Schwartz--A2IJZ75Y_zYmmrUIqUIQo14~Ag-aR7IwMUvXyXpRWplExf1J
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